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Sunday, 26 July 2026

The good news encapsulated in one chapter

Here's the sermon I shared this morning at St Andrew's Wickford:

Romans 8 is one of the most important chapters in the whole of scripture. It begins with the wonderful reminder us that there is no condemnation for those who are in Christ Jesus. What Christ does for us on the cross frees us from the effects and consequences of sin. This is the fundamental good news of Christianity!

Next, we are told that we are children of God and therefore heirs of God and joint heirs with Christ. Not only are we saved from sin but we are accepted, loved, valued and welcomed by God. The good new of Christianity gets better and better!

Then, we read that being revealed as the children of God is not only good news for us but also good news for the planet because the creation is waiting with eager longing for the revealing of the children of God. Instead of the selfish and wasteful exploitation of creation’s resources – the domination and abuse – which characterises human engagement with the world, we are intended to creatively realise the inherent possibilities, the essential goodness, of creation through our imaginative ability as those who notice and name. We are able to do this because we have left our old, selfish way of life behind and have been adopted by God as his children, becoming brothers and sisters of Jesus, co-heirs with him of all he possesses.

Unfortunately, large numbers of people in our world have yet to realise that they are God’s children and live selfishly as a result. That impacts our world in many ways which are detrimental to it and, as we wait for further change, we can often feel inadequate to the work of realising the essential goodness of our world and therefore feel lost for words in praying for our world and its transformation.

I wonder how often you find yourself lost for words. While some of us are more garrulous than others, it is an experience that comes to us all, particularly when we have experiences that either raise us to the heights or plunge us into the depths.

I wonder how often you have had that the experience of being lost for words as you pray. In prayer, it is possible that we might feel inadequate as we have heard others pray publicly and think that we are unable to pray as eloquently, so may not pray at all. Equally, we may experience what artists and writers experience, that is the difficulty of beginning – of putting words together or making marks on a pristine page. Equally, in prayer, we may have the experience of feeling that our words cannot match the experience we are having, whether or exaltation or depression. Whatever the reason, we are promised in today’s New Testament reading that the Holy Spirit will help us in such moments.

St Paul acknowledges in this passage that such times come; that there are times when we find it hard to pray. We do not know how to pray he writes to the Church in Rome (Romans 8. 26) but in those times the Holy Spirit himself comes to help us by pleading with God for us in groans that words cannot express.

We are often quite restrained in our relationship with God and in our praying. Therefore, we will often praise God and say that we will obey or follow him but we rarely argue, protest, complain or question him, at least not publicly. Yet here Paul is saying that the Holy Spirit wishes to help us express our deepest feelings – the groans that words cannot express - to God. Doing so is part of our coming to know God more deeply.

Words, themselves, are sometimes inadequate to express how we feel, which may be why St Paul speaks here of groans that words cannot express. We will all have heard, for example, of the practice in some cultures of Keening.

Keening can mean making any long, sad, or wailing sound but is, most famously, the act of making a loud, high-pitched lament for the dead in the Gaelic tradition of Ireland and Scotland. As a ritualized form of mourning involving crying, wailing, and singing over a deceased person, it recognises that words cannot express our grief in the moment of death and that what is needed to feel adequate to the moment are groans that words cannot express.

I had a similar experience following the untimely death of my brother when, at the airport in Pristina towards which the plane on which he had been travelling had been headed, I heard stories of the impact he had had on people in the Disaster Response Team with which he had been working in Kosovo and on the Kosovan people whom he had been helping to rebuild their homes following the conflict in their country. As those stories were told, all I could do was to cry continually; both at the sense of loss and because of a sense that God had received my brother Nick into his presence saying ‘Well done, good and faithful servant’. On that occasion, my tears were the groans that words cannot express.

I had the opposite experience as a young Christian when, following a service, I spent along time confessing by sins to God and then felt an overwhelming sense of joy that meant I was laughing continuously without being able to stop. I was at a campsite at the base of the Malvern Hills at the time and spent the evening wandering around that beautiful site laughing uncontrollably because of the sense of joy that words could not express that God had put into my heart that night.

Being lost for words is not a problem when it comes to prayer, instead it can be an opportunity for us to become open to God in a new way that allows emotions, whether of joy or grief, to flow through us and from us in ways that touch both the depths and heights of our emotions.

Next time you encounter that sense of being lost for words when you are praying ask the Spirit to help you in your weakness, as you do not know how to pray as you ought, and the very Spirit will intercede in you with sighs too deep for words. And God, who searches the heart, will know what is the mind of the Spirit, because the Spirit intercedes for the saints according to the will of God.

The fact that God is with us in this way is a confirmation that, despite the challenges of life and the depressing effects of conflict and climate change in our world, nothing can separate us from the love of God and nothing will separate us because, as Julian of Norwich, all shall be well, all shall be well, and all manner of thing be well. As St Paul writes: ‘I am convinced that neither death, nor life, nor angels, nor rulers, nor things present, nor things to come, nor powers, nor height, nor depth, nor anything else in all creation will be able to separate us from the love of God in Christ Jesus our Lord.’

So, here is the good news of Christianity encapsulated in one chapter. There is no condemnation for us as welcomes us into his family as his children, giving us all that Jesus also possesses. Our world too can and will be transformed and changed as more are revealed as children of God and live as children of God. While we wait for that change to come God speaks in and through us as his Spirit prays in us for that time of transformation to come. This reality is confirmation that the selfishness we see impacting our world currently is not the final story and will not ultimately dominate life of this planet. Instead, our world will know transformation through the love of Christ which ultimately overcomes and changes all that stands in its way. Love wins! Nothing can separate us from the love of God in Christ Jesus our Lord. All shall be well, all shall be well, and all manner of thing be well. Amen.

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Saturday, 25 July 2026

Interviews Update

Since my last Interview Update, I have had an interview published by International Times with Jacquiline Creswell, who has worked as a curator with a number of Cathedrals in England and in that time has commissioned, curated and installed more than 80 exhibitions:

'It’s so interesting, as it usually takes about two or three years to do an exhibition, and what’s really amazing and fascinating is how the artist sees their work and themselves differently in that time. Somehow, they’ve actually embraced faith. I don’t necessarily mean in a Christian way but they have a new and different spirituality by that engagement. They talk to the Cathedral’s communities and there’s these backwards and forwards conversations, from which everybody’s learning. Everybody’s getting something from it. It’s bringing light to everybody.'

My reviews of exhibitions curated by Jacquiline Creswell can be read here, here, and here

As a result, I am updating this index of interviews. I have carried out a large number of other interviews for Artlyst, ArtWay, Church Times, International Times, Seen and Unseen and Art+Christianity. They provide a wide range of fascinating insights into the approaches and practices of artists, arts professionals, clerics, curators, performers, poets and writers.

They can be found at:

Artlyst
ArtWay
Seen and Unseen
Art+Christianity
The Big Picture
Also see my interviews with artist Henry Shelton here and here and David Hawkins, former Bishop of Barking, here, here and here. I have also published an interview with artist, poet and writer Rupert Loydell, who has also interviewed Nick Battle and Steve Scott.

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Steve Scott - Not A Pretty Picture.

International Times: ‘Learning My Language’

My latest interview for International Times is with Jacquiline Creswell, who has worked as a curator with a number of Cathedrals in England and in that time has commissioned, curated and installed more than 80 exhibitions:

'It’s so interesting, as it usually takes about two or three years to do an exhibition, and what’s really amazing and fascinating is how the artist sees their work and themselves differently in that time. Somehow, they’ve actually embraced faith. I don’t necessarily mean in a Christian way but they have a new and different spirituality by that engagement. They talk to the Cathedral’s communities and there’s these backwards and forwards conversations, from which everybody’s learning. Everybody’s getting something from it. It’s bringing light to everybody.'

My reviews of exhibitions curated by Jacquiline Creswell can be read here, here, and here.

My earlier pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of:
Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

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Windows on the world (579)


Dover, 2026

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Nick Battle - All We Have Is Now.

 

Friday, 24 July 2026

St Margaret's Church, Downham












Yesterday, I had the opportunity to visit St Margaret's Downham for the first time. Set on a hill, with great views from its extensive churchyard, the church is dedicated to St Margaret of Antioch - slayer of dragons and patron saint of child bearing. Devotion to this saint became popular between 1200 and 1300 and there are some 80 churches sharing this dedication from that period.

The oldest part of the present building is the redbrick tower that dates from around 1470. The main part of the church, the nave, was rebuilt in the nineteenth century using much of the material from the thirteenth century building. In March 1977 the building was gutted by fire following an arson attack but has been restored with a bright, modern interior and comfortable chairs. New stained glass was commissioned following the fire from Jan Gray (East window and Prebble window) and Valerie Green (Calton window).

One artefact to survive the fire is a carving of St Margaret of Antioch that originally occupied a niche above the porch. This is now in the nave and is probably the work of Gwynneth Holt. Various biographies of Holy mention a work by her at St Margaret's - https://artuk.org/discover/artists/holt-gwynneth-19091995 - and this piece is certainly in her style. 

Holt and her husband, the sculptor Thomas Bayliss Huxley-Jones, lived at Broomfield around the same time as another artist, Rosemary Rutherford, who was the daughter of the Rector at Broomfield Parish Church. All three have work in churches within the Diocese. Holt's limewood rood figures of Christ, the Virgin and St John are at All Saints Stock. My post about Holt's life and work can be read at https://joninbetween.blogspot.com/2024/12/all-saints-stock-harvard-gwynneth-holt.html. Broomfield Parish Church has an exhibition on the work of Rutherford and is preparing a booklet about the work of Holt and Huxley-Jones. My poem 'Broomfield', part of my 'Five Trios' series, reviews their stories, work, legacy and motivations. For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see here, here, here, here and here.

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Andrew Rumsey - O Lazarus.

Wednesday, 22 July 2026

The apostle of the resurrection

Here's the reflection I shared during today's midweek Eucharist for St Andrew's Wickford:

Mary Magdalene by Malcolm Guite.

Today is the Feast of St Mary Magdalene. ‘Mary Magdalene is a woman who has been largely defined by the church fathers… as a repentant sinner, and it was assumed those sins were sexual,’ says former New York Poet Laureate Marie Howe, who was raised Catholic. In her book of poems called Magdalene, Howe seeks to re-envision Mary Magdalene for the modern age. ‘Magdalene imagines the biblical figure of Mary Magdalene as a woman who embodies the spiritual and sensual, alive in a contemporary landscape— hailing a cab, raising a child, listening to the news on the radio. Between facing the traumas of her past and navigating daily life, the narrator of Magdalene yearns for the guidance of her spiritual teacher, a Christ figure, whose death she continues to grieve.'

'Just as many women today sit down to practice meditation or to pray, Mary Magdalene sought meaning and understanding by following Jesus as teacher. “She wanted to find metaphysical meaning,” Howe said.'

In one of the poems she has an encounter that takes her to a third place she’ not yet been.

then I was looking at my old friend John—
suddenly I was in and I saw him,
and he (and this was almost unbearable)
he saw me see him,
and I saw him see me.

He said something like, You’re going to be ok now,
Or, It’s been difficult hasn’t it,
but what he said mattered only a little.

We met -- in our mutual gaze --in between
a third place I’d not yet been.

(The Affliction)

Erotic, spirited, and searching for meaning, she becomes a woman striving to be the subject of her own life, fully human and alive to the sacred in the mortal world.

The world that would have gone on without me bargained and cluttered and I walked where I wanted, free of the pretense of family now, belonging to no one, back to the place where he’d bent and written in the dust.’

Jim Friedman notes that it was when the sixth-century Pope Gregory the Great conflated Mary Magdalene with the anonymous woman taken in adultery and the weeping sinner whose tears bathed the feet of her Lord, that Mary Magdalene became a compelling archetype for the forgiven sinner.’ ‘Through the long centuries of male-dominated biblical storytelling, the conflated Magdalene figure was typecast as a fallen women tainted by her erotic past’.

Howe says that by being juxtaposed against Mary the mother of Jesus, ‘Magdalene was set up as the repentant sinner (often a prostitute), creating a split that has affected women for generations. This split between the virgin and the whore, the mother and the single woman, the sacred and the sensual, the body and the spirit – established by the patriarchy – has caused so much suffering in women,’ How can this split begin to be healed? Howe has said, perhaps by talking about it – telling stories – stories such as those in Magdalene.

Andrew Nunn, Dean of Southwark Cathedral says that: ‘More has been said about Mary than is probably true. Her story has been mixed up with other stories – of fallen women, of disturbed women, of faithful women, of passionate women, of accused women, of scandalous women – and all rolled into one story. But Jesus met all those women who challenged convention, who dared to speak, who dared to act and he welcomed them, as he welcomes us, with all our contradictions. But what we do know is that of all the people he could have met in the garden by the tomb in the first dawn of Easter Day, it was Mary, and he asked her to be the apostle of his resurrection.

Jim Friedman notes that these days Mary Magdalene ‘is more accurately understood as an important disciple and primary witness to the Resurrection.’ Malcolm Guite writes: ‘Mary, a woman, despised and condemned by the self righteous, but loved by Jesus was chosen by him to be the first witness of the good news of his resurrection, and in her meeting with the love of Christ a graveyard once more became a garden.’

Easter Dawn by Malcolm Guite.

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Malcolm Guite - Easter Dawn.

Sunday, 19 July 2026

Judge Not

For today's service in the Parish I have been using an All-age talk on the Parable of the Wheat and Weeds to speak about the dangers of judgementalism. For my All-age talk I added an introductory quiz about our default habits when it comes to how we form opinions about others.

Psychology Today has the following to say about judgementalism: "The more we live in a culture of divisiveness, the more judgmental people become. Being quick to pass judgment on others can harm not only the target but the teller, the very person doing the judging. In addition to creating a cloud of negativity, judgmentalism can lead to conflict and stunt personal growth. With a little conscious effort, it is possible to shift out of a critical mindset."

For our Healing Eucharist this evening, I included, as reflective moments, Al Green's cover of R.E.M.'s 'Everybody Hurts' and Jahlani Pierce's 'Stop Judging Others (You Never Know Their Battles)'.

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Jahlani Pierce's - Stop Judging Others (You Never Know Their Battles).