Wikio - Top Blogs - Religion and belief

Saturday, 18 July 2026

friday mailing: Churches and cultural programming

The most recent friday mailing from Nick Shepherd features a case study in which I briefly review the cultural programmes set up in each of the Parishes in which I have ministered, including several with smaller congregations and available resources, and draw out key learning from each initiative.

The friday mailing is compiled by Nick Shepherd and seeks to inform and inspire the community of practitioners leading learning in the church (with a particular slant towards the Church of England). It serves a diverse constituency of educators, leadership practitioners, discipleship enablers, jobbing ministers and fancy titled coach/facilitators working across the church.

The purpose of fm is to signpost articles, resources, events and research that stimulate reflection on the breadth of learning the church engages in; within worshiping communities, pioneering & mission contexts and the public square. This includes the continuing ministerial education and formation work in dioceses, courses and colleges. fm is compiled by staff in the Archbishops’ Council’s Ministry and Evangelism & Discipleship teams, but relies on community members to send us the appropriate news and views.

Check out the archive and sign up if you’re interested at https://mailchi.mp/churchofengland/fm

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Windows on the world (578)


London, 2026

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Echo and the Bunnymen - Lips Like Sugar.

Thursday, 16 July 2026

Amethyst Review: Connections and contemplation in poetry and prayer

'Connections and contemplation in poetry and prayer', a brief survey of the connections between poetry and prayer has been published by Amethyst Review today. It looks at the connections between the two and highlights both poems about prayer and poems that are prayers. This piece was originally written as the introduction to a Quiet Day I ran recently on Poetry and Prayer. On the same day, I also wrote a new poem entitled 'Prayer' which was published recently by Amethyst Review.

The references for the article are:
Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

My poems to have been published in Amethyst Review are: 'Prayer', 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

To read my poems published by Stride, click here, here, here, here, here, and here. International Times have also published other of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

Several of my short stories have also been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

For more of my poems, see here, and for my poetic meditations, see here.

My first review of poetry for Tears in the Fence was of 'Modern Fog' by Chris Emery. My second review was of 'The Salvation Engine' by Rupert Loydell and my third was of 'For All That’s Lost' by David Miller. My poetry reviews for Stride include a review of two poetry collections, one by Mario Petrucci and the other by David Miller, a review of Temporary Archive: Poems by Women of Latin America, a review of Fukushima Dreams by Andrea Moorhead, a review of Endangered Sky by Kelly Grovier and Sean Scully, a review of John F. Deane's Selected & New Poems, a review of God's Little Angel by Sue Hubbard and a review of Spencer Reece's 'Acts'.

My poetry-related pieces for IT are: an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, plus reviews of: 'Collected Poems' by Kevin Crossley-Holland; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, and 'What Is and Might Be and then Otherwise' by David Miller. I have also published pieces on poetry at Seen and Unseen - a profile of the poet Theresa Lola - and the Journal of Theological Studies - a review of Faith, Hope and Poetry: Theology and the Poetic Imagination by Malcolm Guite. For more on poetry, read my ArtWay interview with David Miller here and my interview with Rupert Loydell here. See also Rupert Loydell's interview with poet and musician Steve Scott. My own dialogues with Steve can be read here, here, here, here, and here. For thoughts on the links between poetry and prayer see here and here.

My key literature posts (including poetry) are:
See also 'Art and Faith: Decades of Engagement: Introduction, 1880s, 1890s, 1900s, 1910s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, and 1980s.

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Gideon Heugh - Love - An Easter Poem.

Tuesday, 14 July 2026

Edward Lucie-Smith R.I.P.




Edward Lucie-Smith, the Jamaican-born British art critic, poet and author whose output across more than six decades shaped how several generations understood modern and contemporary Art, has died aged 93. 

Artlyst write: 'It is with great sadness that we announce the death of the distinguished art critic, writer and poet Edward Lucie-Smith (1933–2026). For the last fifteen years, Edward served as Artlyst’s Chief Reviewer, bringing unrivalled knowledge, sharp critical insight and an unmistakable literary voice to our publication. His reviews challenged convention, celebrated artistic achievement and never shied away from difficult questions. A towering figure in post-war art criticism, Edward leaves behind an extraordinary body of work that shaped generations of artists, writers and readers. His absence will be felt by everyone at Artlyst and throughout the international art community.' See the Artlyst obituary here.

I first encountered Lucie-Smith through his poems in Penguin Modern Poets 6 (with Jack Clemo and George MacBeth) but met him early on in my time as Priest-in-charge at St Stephen Walbrook. Together, we organised exhibitions by Kim Poor, Joe MachineTerry FfyffeAlexander de Cadenet, and Jamaican Spiritual artists. These also included concerts by Italian pianist Claudio CrismaniRiyad Nicolas and Katya DJ, Niklas Oldemeier and Shir Victoria Levy, poetry from Steven O'Brien, Joe Machine, and Lucie-Smith, and dance from Fernando Montaño and Kirill Burlov

During the poetry evening at St Stephen Walbrook organised with The London Magazine, Lucie-Smith read his powerfully intense series of poems about the Srebrenica massacre which took place in Bosnia in 1995. Lucie-Smith and I lectured on Francis Bacon at St Stephen Walbrook and also spoke at the PV for Terry Ffyffe's 'Painting the Light' exhibition. At a conference entitled 'Art Awakening Humanity', organised with Alexander de Cadenet, Lucie-Smith gave his agnostic’s view of art and spirituality. Knowledgable about art and spirituality, his books included 'The face of Jesus', a collection of paintings and images of Jesus throughout the centuries depicting his life, from birth to his crucifixion to his resurrection. 

As Chief Reviewer for Artlyst, he introduced me to Artlyst's Editor, Paul Robinson, and thereby enabled the invitation I received to begin writing for Artlyst. I owe him a debt of gratitude for that introduction and for the exhibitions we were able to organise together in my time at Walbrook.

Lucie-Smith was an enthusiast who, even though he had seen so much work over the course of his career, was still open to surprise as he wrote of Ffyffe's final series of work: "Every now and then even a hardened old lag in the art business - yes folks, I mean me - gets a nice surprise … Terry Ffyffe-asked me to come and look at a new series of paintings … and my reaction was 'Wow!' … These were whirling, dynamic abstract designs - a total break with anything major of his that I had encountered previously.” He was also a loyal supporter of artists like Ffyffe, even when their work was not generally considered as fashionable as that of others among their peers. Lucie-Smith was strong in his enthusiasms, insights and opinions and was happy to hold contrary views to those of other critics - see, for example, his twelve defining Artlyst reviews.  

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Claudio Crismani - Friss-Lassan.

Saturday, 11 July 2026

Windows on the world (577)


London, 2026

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International Times - Reconstructed Landscape{s} Michael Takeo Magruder

My latest exhibition review for International Times is on 'Michael Takeo Magruder: Reconstructed Landscape{s}’ at Gazelli Art House Project Space:

'His works, therefore, manage the complex and tricky task of relating, at one and the same time, to the landscape tradition in art history, debates about the development and uses of AI, and the science documenting the increasing fragility of environments impacted by climate change. That six works in a small, dark, basement room can open out into such expansive terrain is a huge achievement that is reflective of the way that Takeo combines creativity and vision with an integrity of process that is consistently driven through the detail of his designs.'


My earlier pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of:
Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

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Steve Scott - Sun Poem.

Friday, 10 July 2026

Church Times - Art review: Reflections on Christian Themes: Jonathan Hutchins (Harrow Arts Centre, Pinner)

My latest exhibition review for Church Times , is on 'Reflections on Christian Themes' by Jonathan Hutchins at Harrow Arts Centre:

'The exhibition ranges from his earliest religious works — paintings based on medieval images — through to large views of St Mary’s, Harrow on the Hill, painted en plein air. In between, are the three series of Stations of the Cross, plus associated drawings and monotypes, paintings inspired by images from David Jones, including some anti-war paintings, and large-scale paintings on The Women of Jerusalem, The Four Horsemen of the Apocalypse from the revelations of St John, and The Dream of the Rood. It is an impressive and eclectic collection of works rendered in the Expressionist style that Hutchins favours.'

Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here, those for Seen & Unseen are here, and those for Art+Christianity are here.

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