International Times: Self-Restoration

Here's my latest exhibition review for International Times, which is on 'Walls and Windows' at The Minories in Colchester:

'The exhibition suggests that we all map and journey out in the world from the point at which we are born. Our sense of belonging and how we navigate correctly is based on the encounters we have with other beings and the relationships made. When our right to be at peace on our land is disrupted or taken away, we are traumatised and this destroys our bearings and ability to navigate the bigger whole. This exhibition seeks to restore us to ourselves, to one another, and to the world around us.'

My earlier pieces for IT are: an interview with curator Jacquiline Creswell; an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of:

• 'The Perfect Moment: God, Sex, Art and the birth of America's Culture Wars' by Isaac Butler
• 'Moving Pictures' and 'Closeups' by Steve Scott, 'Never Mind the Ballads Here's Nick Battle' by Nick Battle, and 'Blank Arcades' by Andrew Rumsey
• Michael Takeo Magruder -Reconstructed Landscape{s}
• The Last Supper: Art, Faith, Sex and Controversy in the 1980s
• In Another World: The Four Seasons of Talk Talk
• Hulda Guzman: Please awake - asked Nature kindly' at Turner Contemporary;
• 'Devotions' by Lucy Caldwell and 'Catholic Modernism and the Irish ‘Avant-Garde’: The Achievement of Brian Coffey, Denis Devlin, and Thomas MacGreevy' by James Matthew Wilson;
• the 'Stations' project from Dunlin Press;
• 'William Blake: The Age of Romantic Fantasy';
• Joseph Arthur in concert;
• installations by Chiharu Shiota and Yin Xiuzhen at Hayward Gsllery,
• U2's 'Days of Ash', Mumford and Sons' 'Prizefighter' and Moby's 'Future Quiet';
• 'Collected Poems' by Kevin Crossley-Holland;
• 'Lux' by Rosalía;
• 'Springsteen: Deliver Me from Nowhere';
• 'Great Art Explained' by James Payne;
• 'Down River: In Search of David Ackles' by Mark Brend;
• 'Headwater' by Rev Simpkins;
• 'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson;
• 'Breaking Lines' at the Estorick Collection of Modern Italian Art,
• albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey,
• also by Joy Oladokun and Michael Kiwanaku;
• 'Nolan's Africa' by Andrew Turley;
• Mavis Staples in concert at Union Chapel;
• T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone;
• Helaine Blumenfeld's 'Together' exhibition,
• 'What Is and Might Be and then Otherwise' by David Miller;
• 'Giacometti in Paris' by Michael Peppiatt,
• the first Pissabed Prophet album; and
• 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:

• 'Barking';
• 'Bradwell';
• 'Broomfield';
• 'Pleshey'; and
• 'Runwell'.

These poems have been published by Amethyst Review and International Times.

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Carolyn Hester - Love Minus Zero No Limits.

Windows on the world (584)

Holme, 2026

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Stevie Wonder - Isn't She Lovely.

 

Basildon Deanery Vacancies

We are currently advertising for three exciting clergy opportunities in the Basildon Deanery:

Rector of Pitsea with Nevendon

The Parish of Pitsea with Nevendon is seeking a new Rector. This busy parish with two churches hopes to appoint a new Rector who will help our faithful worshipping community to grow both in faith and in number. We do not have an exact image of the ideal candidate, but we know we want you to have passion and drive and be someone who lives the Gospel in your daily life and demonstrates it in all you do.If you think this could be you, do please get in touch. 

Click here for more information.

See here for videos about the Parish - Part 1, Part 2, and Part 3.

Team Rector of Billericay & Little Burstead Team Ministry

The Billericay Team, in the vibrant town of Billericay, seeks and will warmly welcome a Team Rector who can lead them through change with wisdom and grace, helping them grow in faith and unity and equipping them to become a confident and outward-looking parish ready to share the good news. Click here for more information.

Click here for videos of services - Christ Church, Emmanuel, St John's

Assistant Diocesan Director of Ordinands (part time) and Team Vicar of Wickford & Runwell (half time)

Are you passionate about enabling people to explore God’s call to ordained ministry?

And are you an inspirational and collaborative Leader who can contribute to Christ’s mission in a thriving Essex community?

The Diocese of Chelmsford has an exciting opportunity for an Assistant Diocesan Director of Ordinands (part-time) and benefice of Wickford and Runwell are seeking a half time Team Vicar to join a ministry team in an expanding town that is grasping significant opportunities to grow ministry among young people, creatives and seniors. We are connecting churches, connecting with individuals, with our community, and with God. Click here for more information.

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Michael McDermott - The Struggle Makes You Stronger.

Poetry Update

My first review of poetry for Tears in the Fence was of 'Modern Fog' by Chris Emery. My second review was of 'The Salvation Engine' by Rupert Loydell, my third was of 'For All That’s Lost' by David Miller, and my fourth was of 'Late Inscriptions' by David Miller. 

My poetry reviews for Stride include a review of two poetry collections, one by Mario Petrucci and the other by David Miller, a review of Temporary Archive: Poems by Women of Latin America, a review of Fukushima Dreams by Andrea Moorhead, a review of Endangered Sky by Kelly Grovier and Sean Scully, a review of John F. Deane's Selected & New Poems, a review of God's Little Angel by Sue Hubbard and a review of Spencer Reece's 'Acts'.

My poetry-related pieces for IT are: an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, plus reviews of: 'Collected Poems' by Kevin Crossley-Holland; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, and 'What Is and Might Be and then Otherwise' by David Miller. 

I have also published pieces on poetry at Seen and Unseen - a profile of the poet Theresa Lola - and the Journal of Theological Studies - a review of Faith, Hope and Poetry: Theology and the Poetic Imagination by Malcolm Guite. 

For more on poetry, read my ArtWay interview with David Miller here and my interview with Rupert Loydell here. See also Rupert Loydell's interview with poet and musician Steve Scott. My own dialogues with Steve can be read here, here, here, here, and here. For thoughts on the links between poetry and prayer see here and here.

See also 'Connections and contemplation in poetry and prayer', a brief survey of the connections between poetry and prayer has been published by Amethyst Review. It looks at the connections between the two and highlights both poems about prayer and poems that are prayers.

My poems to have been published in Amethyst Review are: 'Prayer', 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:

• 'Barking';
• 'Bradwell';
• 'Broomfield';
• 'Pleshey'; and
• 'Runwell'.

These poems have been published by Amethyst Review and International Times.

To read my poems published by Stride, click here, here, here, here, here, and here. International Times have also published other of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

Several of my short stories have also been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

For more of my poems, see here, and for my poetic meditations, see here.

My key literature posts (including poetry) are:

• There were giants in those days (1)
• There were giants in those days (2)
• There were Giants in those days (3)
• There were giants in those days (4)
• The Modern & Contemporary Catholic Novel (1)
• The Modern & Contemporary Catholic Novel (2)
• The Modern & Contemporary Catholic Novel (3)
• The Modern & Contemporary Catholic Novel (4)
• The Modern & Contemporary Catholic Novel (5)
• The poetry of connection
• Debate: Has Fiction Lost It's Faith?
• Jesus is having a moment in literary fiction
• Endo & Scorsese: Approaching Silence
• Contemporary Fiction and Christianity
• Debate: Has Fiction Lost It's Faith? (2)
• Jack Clemo: The Invading Gospel
• Dealing with faith and with secularism is difficult but necessary now
• The poet’s eloquently passionate struggle at the junction of doubt and devotion
• Christian Arts renaissance: Major or minor?
• T.S. Eliot: Christianity, fragmentation and reconciliation
• Jesus Novels & Films: The Greatest Story Ever Told
• Acts of the Assassins and Jesus Novels
• Czeslaw Milosz, Oscar Milosz and Simone Weil
• Blogs: cryingforavision & Stride magazine
• Tasos Leviaditis: The Blind Man with the Lamp
• Religious concerns in Greek poetry
• Thomas Merton and Latin American poets
• American Catholic poets & writers
• Connections of Sister Corita Kent and Norman Nicholson
• Ernesto Cardenal RIP
• Czeslaw Milosz, Jerzy Andrzejewski, Oskar Milosz, and Aleksander Wat
• Faith, Mystery & Poetry
• Elizabeth Jennings & David Gascoyne: Mystical Experience and the Making of Poems
• Roots of the Catholic Literary Revival

See also 'Art and Faith: Decades of Engagement: Introduction, 1880s, 1890s, 1900s, 1910s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, and 1980s.

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Andrew Rumsey - The Memorial Service Order Of Friends.

Love - the heart of safeguarding

Here's the sermon that I shared at St Andrew's Wickford this morning:

Safeguarding has at its heart a longing for all people to be safe, protected, welcomed and cared for within our churches and in wider society. It is an integral part of the ministry and mission of our churches and a core part of how we are church. But more than this, safeguarding is about love in truth and action. As we seek to love and serve our neighbours in our communities, we are called to be places and spaces where there is a healthy culture of interactions and relationships. We need to take our call to love one another seriously. We also need to take our call to live truthfully seriously.

Over the past few years, the Church of England has been called to account for its Safeguarding failures. As an institution, we are on a journey: there is always more work to be done and more lessons to learn and there is a constant need for us to lament and repent of our failings. As a Church, we need to acknowledge our failings, learn from the past, and listen and respond to victims and survivors with humility. We need to love in truth and action.

As Nicholas Papadopulos, Dean of Salisbury, has said, “There is much for us to open our eyes to. For years, the merest sniff of a question or the first hint of an allegation sent church leaders hurrying to circle the wagons and defend the institution and its staff. Far too often we have reacted with – at best – ostrich-like complacency to those of our own who have posed grave threats to others.” “Terrible things have happened in the churches, as in all our best-loved institutions; we share a responsibility for ensuring that they cannot happen again.”

Those terrible things meant that the Church of England, as with other denominations, has been guilty of the kind of hypocrisy that Jesus criticises in today’s Gospel reading (Matthew 23.27-32). Like those who presented as whitewashed tombs, which on the outside look beautiful but inside are full of all kinds of uncleanness, so the Church of England has tried to present itself as being whiter than white, while the reality has been very different, both in terms of those who abused others and those who failed to support the victims of abuse.

As a result, many people in our communities and in our churches live daily with physical, emotional, mental and spiritual scars of abuse. If this sermon prompts any safeguarding concerns or raises any safeguarding issues you would like to discuss, please contact our Parish Safeguarding Officer or get in touch with our Diocesan Safeguarding Team. You can find their contact details on the Diocesan website: www.chelmsford.anglican.org under the safeguarding tab.

As Nicholas Papadopulos has also said, “We cannot live out the great commandment to love God and love neighbour if those who would harm their neighbour find a secure hiding-place in our common life … the great commandment … [is] right there … when we do whatever we can to ensure that the vulnerable are kept safe, remembering that any of us can be vulnerable. That, surely, is the bare minimum that loving one another requires of us.”

Through Jesus, God relates to us in love and friendship. And this is how Jesus wants us to relate to others. “Just as I have loved you, you also should love one another.” Jesus’ primary action is to love: not to judge, condemn, criticise, belittle or dismiss. He loves. A love that goes beyond boundaries and that is without agenda. A love that is about equality and mutual respect. A love that refuses power and abuse; that washes tired, dirty feet. A love that lets everyone sit down to eat.

Faithful discipleship is known by love. Jesus calls upon his disciples to mirror the love that God has for him and the love that he has for the Father and for his disciples. To lay down one’s life is to put the needs of others before our own, to live for the good of others, to make time for them, to be present for them in times of trouble and crisis, to listen to them, to witness to their hurts. “Love one another as I have loved you.” Following Jesus means taking love seriously. As the first letter of John stresses: “We know love by this, that he laid down his life for us… love one another just as he commanded us… all who obey his commandments abide in him, and he abides in them.”

We are also compelled to live truthfully. This means going beyond addressing issues of harm and abuse and protecting against them. It means being willing to face hard truths, to stand with victims of injustice and - if required – to speak up and out with them and for them. We know that abuse devastates lives, that it has and does take place in the church and that its consequences are profound and long-lasting. The task of Safeguarding is to acknowledge this hard truth and to do everything possible to ensure that abuse no longer happens, now or in the future. In all that we do, particularly in balancing our responsibilities, we must continually seek to place survivors and victims at the heart of our concern.

We long to be a refuge for the hurting and vulnerable, and to do this we must listen to those who feel voiceless and empower everyone in our communities to remain safe, within their families, places of work and of worship. “Let us love, not in word or speech, but in truth and action.” Jesus’ command to love as he loves is an invitation into relationships of profound mutuality and interdependence.

These kinds of relationships contribute to healthy communities, modelled on the example of Christ’s own humility and sacrifice. This is a way of being that says, who I am is caught up in who you are. We are members together of the same body of people. Whatever affects one of us affects all of us. We are all God’s children; Jesus calls us all friends; we are all brothers and sisters. So, if I am your sister, your brother, I have a responsibility for how I behave towards you and that has implications for the choices I make about how I live and love in the world. This is the kind of integrity that is the reverse of the hypocrisy criticised by Jesus in today’s Gospel reading.

As we reflect, we remember that the kingdom of God is not for the strong but the weak; it is not for the rich but for the poor; it is not for the powerful but for the powerless; it is not for the proud but for the meek. The Church is where the least, the lost and the broken – all God’s children - should be able to find the safest of places in a loving community that lives out its faith in truth and action. May that be true for us, here in Wickford and Runwell. Amen.

(Based on 'love in truth and action' by Venerable Ruth Patten, Archdeacon of Colchester)

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Howard Hewett - The Journey (Think About It).

Tears in the Fence: Review - Late Inscriptions by David Miller (Knives, Forks and Spoons Press)

My latest review for Tears in the Fence is of 'Last Inscriptions' by David Miller:

'each word used is significant because each word bears meaning. Miller leans on and stresses each word because they bear the weight of sorrow. Jebb says that Miller creates ‘with a balance of minimalism, repetition and the abstract, words isolated and ringing.’

A similar minimalism is also to be found in the content of these poems. In the words of the Del Amitri song, in these poems ‘nothing ever happens, nothing happens at all’. Harriet Neville notes the happenings as being: a bird landing on the door, waiting to be fed; a dog entering the bedroom through an open back door; and Belgian waffles and eggs Florentine shared with old friends. Although nothing significant seems to happen, actually everything happens and we, as is the poet, are changed.'

For more on David Miller, see my interview with him for ArtWay and other reviews of his poetry collections - here, here, and here.

Also mentioned in the review is a series of poems published by Stride Magazine that were inspired by The Prayer, an art-installation that tries to explore the supernatural through artificial intelligence. My poem 'The algorithms of prayer?' was also part of this series. 

Tears in the Fence is an internationalist literary magazine based in the U.K. Publishing a variety of contemporary writers from around the world, it provides critical reviews of recent books, anthologies and pamphlets and essays on a diversity of significant modern and contemporary English and American poets. Each issue features a number of regular columnists adding wide focus and independent thought on the contemporary poetry world. A wide range of book and pamphlet reviews are also published on the magazine’s blog.

My first review for Tears in the Fence was of 'Modern Fog' by Chris Emery. My second review was of 'The Salvation Engine' by Rupert Loydell. My third review was of 'For All That’s Lost' by David Miller

My poetry reviews for Stride include a review of two poetry collections, one by Mario Petrucci and the other by David Miller, a review of Temporary Archive: Poems by Women of Latin America, a review of Fukushima Dreams by Andrea Moorhead, a review of Endangered Sky by Kelly Grovier and Sean Scully, a review of John F. Deane's Selected & New Poems, a review of God's Little Angel by Sue Hubbard and a review of Spencer Reece's 'Acts'.

My poetry-related pieces for IT are: an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, plus reviews of: 'Collected Poems' by Kevin Crossley-Holland; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, and 'What Is and Might Be and then Otherwise' by David Miller. I have also published pieces on poetry at Seen and Unseen - a profile of the poet Theresa Lola - and the Journal of Theological Studies - a review of Faith, Hope and Poetry: Theology and the Poetic Imagination by Malcolm Guite. For more on poetry, read my ArtWay interview with David Miller here and my interview with Rupert Loydell here. See also Rupert Loydell's interview with poet and musician Steve Scott. My own dialogues with Steve can be read here, here, here, here, and here. For thoughts on the links between poetry and prayer see here and here.

My poems to have been published in Amethyst Review are: 'Prayer', 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:

• 'Barking';
• 'Bradwell';
• 'Broomfield';
• 'Pleshey'; and
• 'Runwell'.

These poems have been published by Amethyst Review and International Times.

To read my poems published by Stride, click here, here, here, here, here, and here. International Times have also published other of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

Several of my short stories have also been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

For more of my poems, see here, and for my poetic meditations, see here.

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David Miller Multi-Media Reading.

Windows on the world (583)

Holme, 2026

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Marvin Gaye - Sparrow.