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Friday, 10 April 2026

'You're Not A Ghost Anymore (Faith)' by Joseph Arthur

I recently reviewed for International Times Joseph Arthur's recent gig at West Hampstead Arts Club together with Melanie Gabriel and Gonzalo Carrera:

'Highlights from a stellar set included ‘No Weapon’, based on the freedom that is found through forgiveness – ‘faith is hard but the only solution in a world full of spiritual pollution’; ‘Nobody’s War’ – ‘Nobody here wants your war’ and ‘More money, more death, more greed, makes the children bleed’; as well as the raucous singing of a Ho’oponopono mantra together with the crowd during the encore – ‘I love you, I’m sorry, Please forgive me, And thank you’.'

Today Arthur's latest album You're Not A Ghost Anymore (Faith), which he has been promoting through his latest tour, was released. The album is the latest in a stream of recent releases on secular labels that reference religion and engage with Christianity in particular. These include: Wild God by Nick Cave and the Bad Seeds, Lux by Rosalía, Days of Ash and Easter Lily by U2, Holy Island by Sister Ray Davies, Sad and Beautiful World by Mavis Staples, Hallelujah! Don’t Let The Devil Fool Ya by Robert Finley, Troubled Horses by Martyn Joseph and the reissue of Fire Of God’s Love by Sister Irene O’Connor.

Paul Cashmere writes that:

'Arthur has announced You’re Not A Ghost Anymore, a sweeping new body of work conceived as a single narrative and revealed in three connected album movements titled Faith, Heart, and Fight. The first instalment, You’re Not A Ghost Anymore: Faith, will be released on Friday, April 2 via Arthur’s own Lonely Astronaut Records, marking his first new solo project since 2019’s Come Back World.

Rather than a conventional album cycle, Arthur has structured the project as a long-form arc written across six years, shaped by personal collapse, recovery and creative renewal. Each chapter reflects a state of being rather than a musical category, with Faith establishing the emotional and spiritual foundation of the wider work.

The album opens with I Wanna Know You, a stark and searching song that sets the tone for what follows. The track is accompanied by an official music video filmed by Arthur himself, captured in a single continuous take while travelling through Europe. The unplanned footage, centred around an image of Jesus Christ mounted on the back of a truck, became a visual extension of the song’s themes of attention, presence and chance encounter.

Arthur’s writing on Faith leans into spiritual inquiry without offering easy conclusions. Across twelve tracks including Hey Satan, Bear Your Own Cross, Thank You Is My Mantra and In The Shadow Of The Cross, he examines belief, doubt, endurance and responsibility with the unfiltered directness that has defined his career since the late 1990s.'

Arthur says:

'The 36-song album I’m releasing over the course of this year, You’re Not a Ghost Anymore, unfolds in three sections:
Faith.
Heart.
Fight.
I could have begun anywhere.
But for me the story starts with faith.
When you’re at the bottom of life, when things feel uncertain, faith is often the only thing left. Not as an ideology. Just as a quiet decision to keep going.
Heart and fight came after that.
This is a reflection on why I chose to begin there.
Where you stumble, there lies your treasure.'

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Joseph Arthur - Hey Satan.

Spencer Reece visit: Poetry, talks, and a Quiet Day







































Fr Spencer Reece, Rector of St Paul’s Episcopal Church in Wickford, Rhode Island, and an internationally acclaimed poet, is visiting the Parish of Wickford and Runwell. His dream, prayer, and ultimate goal for his time with St. Paul’s Church is to continue the ongoing work of the parish in spreading Jesus’ radical love. “Let kindness be our legacy,” he has said.

To date, in his vist, Spencer has attended the Midweek Eucharist at St Andrew’s Wickford (see https://www.facebook.com/WickfordandRunwellCofE/videos/1515721926738775), spoken in the Bread for the World Service at St Martin-in-the-Fields, London where he shared a reflection on the Road to Emmaus (see https://www.facebook.com/stmartininthefields/videos/1493930282252761), and giving a talk, 'The Broken Altar’, on George Herbert at St Andrew’s Lower Bemerton. This talk was given at the invitation of the George Herbert in Bemerton group (https://www.georgeherbert.org.uk/about/ghb_group.html).

Upcoming events include:

10 April – Unveiled: Poetry Reading, 7.00 pm, St Andrew’s Wickford. Hear this internationally acclaimed poet read poems from his future collection Farewell Symphony.

11 April – Quiet Day: Poetry & Prayer, 10.30 am - 3.30 pm, St Mary’s Runwell (Fr Spencer will share poems and reflections on George Herbert)

12 April – Eucharist, 9.30 am, St Mary’s Runwell and Eucharist, 11.00 am, St Catherine’s Wickford (Fr Spencer will preach at both of these services); 4.00 pm, Showing of Voices Beyond the Wall, St Andrew’s Wickford (Specer's project teaching poetry to abandoned girls at the Our Little Roses orphanage in San Pedro Sula, Honduras, was made into an award-winning film, Voices Beyond the Wall: 12 Love Poems from the Murder Capital of the World). 

SPENCER REECE, 36th rector of St. Paul's Wickford, Rhode Island, is a Guggenheim Fellow and Whiting Fellow. Reece’s first book, The Clerk’s Tale, was selected for the Bakeless Prize by Nobel Laureate Louise Glück. Reece was ordained in Madrid, Spain, in 2011. Awarded a Fulbright, he taught poetry at Our Little Roses in San Pedro, Honduras, where he lived with the rescued girls at the home. The work was made into an award-winning film, Voices Beyond the Wall: 12 Love Poems from the Murder Capital of the World. The poems by the girls were made into an anthology edited by Reece, entitled Counting Time Like People Count Stars. In 2014 he published The Road to Emmaus which was a longlist nominee for the National Book Award and short-listed for the Griffin Prize. He moved to Madrid and assisted the Episcopal Bishop of Spain for a decade. During this time, he created The Unamuno Author Series, culminating in the first-ever anglophone literary festival in Madrid in 2019. In 2022, he published The Secret Gospel of Mark: A Poet’s Memoir and All The Beauty Still Left: A Poets’ Painted Book of Hours. Acts, a third book of poems, appeared in 2024. At St. Paul’s, he created the 14 Gold Street Author Series. In 2025, he was awarded the John Updike Award from the American Academy of Arts and Letters for the “elegant standards” of his contribution to the literary arts. Farewell Symphony his fourth collection of poems will be published in 2028. In 2034, Love IV: Collected Poems is scheduled to appear.

http://wickfordandrunwellparish.org.uk/

https://www.stpaulswickford.org/

https://www.spencerreece.org/

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VCS: Into the Zone of Brightness

The Visual Commentary on Scripture offers a daily email exploring the Bible through art. Through concise but vivid day-by-day encounters, Bible and Art Daily will take you on a series of journeys through the world of Scripture and the history of art. The VCS have brought together experts in theology and art history to carefully curate a treasury of week-long series, each exploring a particular theme, an artistic medium, or a biblical character. Find out more and subscribe here.

My most recent commentary to feature in Bible and Art Daily came in the Series: Out of Darkness
Episode 3 of 7: Into the Zone of Brightness Artwork by Peter Howson

About this Series: Out of Darkness - ‘The people who walked in darkness have seen a great light’, proclaims Isaiah (9:2). And Paul, writing to the Corinthians, talks of how darkness will be dispelled by ‘the light of the knowledge of the glory of God in the face of Christ’ (2 Corinthians 4:6). From Genesis’s description of the dawn of creation, when God called light into being by a word, to the vision of the holy city of Revelation, whose ‘lamp is the Lamb’ (21:23), light is celebrated in the Bible as a sign of promise and blessing.

The VCS is a freely accessible online publication that provides theological commentary on the Bible in dialogue with works of art. It helps its users to (re)discover the Bible in new ways through the illuminating interaction of artworks, scriptural texts, and commissioned commentaries. The virtual exhibitions of the VCS aim to facilitate new possibilities of seeing and reading so that the biblical text and the selected works of art come alive in new and vivid ways.

Each section of the VCS is a virtual exhibition comprising a biblical passage, three art works, and their associated commentaries. The curators of each exhibition select artworks that they consider will open up the biblical texts for interpretation, and/or offer new perspectives on themes the texts address. The commentaries explain and interpret the relationships between the works of art and the scriptural text.

Find out more about the VCS, its exhibitions and other resources through a short series of HeartEdge workshops introducing the VCS as a whole and exploring particular exhibitions with their curators. These workshops can be viewed here, here, here and here.

My first exhibition for the VCS was 'Back from the Brink' on Daniel 4: 'Immediately the word was fulfilled upon Nebuchadnezzar. He was driven from among men, and ate grass like an ox, and his body was wet with the dew of heaven till his hair grew as long as eagles’ feathers, and his nails were like birds’ claws.' (Daniel 4:33). In the exhibition I explore this chapter with William Blake's 'Nebuchadnezzar', 1795–c.1805, Arthur Boyd's 'Nebuchadnezzar's Dream of the Tree', 1969, and Peter Howson's 'The Third Step', 2001.

My second exhibition was 'A Question of Faith' and explored Hebrews 11 through the paintings of New Zealand artist Colin McCahon. McCahon is widely recognised as New Zealand’s foremost painter. Over 45 years, his work encompassed many themes, subjects and styles, from landscape to figuration to abstraction and an innovative use of painted text. His adaption of aspects of modernist painting to a specific local situation and his intense engagement with spiritual matters, mark him out as a distinctive figure in twentieth-century art.

My third exhibition was 'Fishers of People'. This exhibition uses Damien Hirst's 'Isolated Elements Swimming in the Same Direction for the Purpose of Understanding (Left) and (Right)', John Bellany's 'Kinlochbervie', and Paul Thek's 'Fishman in Excelsis Table' to discuss Matthew 4:12-22 and Mark 1:14-20. These artworks give us what is essentially a collage of the kingdom whereby we are invited to imagine the kingdom of God as a body of water in which Christians are immersed and through which they are raised.

My fourth exhibition was 'Before the Deluge', a series of climate-focused commentaries on Genesis 6 looking at 'The Flood' by Norman Adams, 'Noah in the Ark and a Church' by Albert Herbert, and 'Noah's Ark' by Sadao Watanabe.

My fifth exhibition reflects on 1 Thessalonians 2:17–4:12. It is called 'Establishing the Heart' and includes works of art by Antoine Camilleri, John Reilly and Stanley Spencer. This exhibition explores how pleasing God in our everyday lives - by living quietly, minding our own affairs, and working with our hands - leads us to see life, work and art as prayer.

For more on the artists included in these exhibitions click on the following links: Antoine Camilleri, John Reilly, Stanley Spencer, William Blake, Arthur Boyd, Peter Howson, Colin McCahon, Damien Hirst, John Bellany, and Paul Thek.

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Wednesday, 8 April 2026

Belonging and believing: travelling with those on the journey of faith


Here's the sermon that I shared this morning at St Andrew's Wickford:

I wonder if you attended the Olympic or Paralympic Games in 2012 and were greeted by the cheerful faces of the 70,000 red and purple-clad Games Makers and further 8,000 London Ambassadors who were a key feature of those Games. The majority of Games Makers gave up at least 10 days to volunteer and took on a wide range of activities including welcoming visitors, transporting athletes and working behind the scenes.

As a Church, we can learn from the wonderful welcome given out by the Games Makers. As Archbishop Stephen Cottrell wrote in his book ‘From the abundance of the heart’: "There is a fantasy about evangelism: people hear the gospel, repent, and look around for a church to join. Then there is the reality: people come into contact with the church, or have some inkling of the possibility of God, and enter into a relationship with the church, either through its activities, its worship, or just friendship with its members. In the loving community of these relationships, faith begins to grow. Or to put it more succinctly: belonging comes before believing. Therefore, right at the heart of any effective evangelistic ministry must be a warm and generous attitude to those who are currently outside the church community and a place of welcome and nurture within it."

Archbishop Stephen has also said that in recent years we have re-discovered that for most people becoming a Christian is like a journey. This changes the way we approach evangelism. For the most part it will mean accompanying people on that journey and this is why the story of Jesus on the Emmaus Road (Luke 24. 13 - 49) is instructive for us in thinking about evangelism.

When Jesus encounters the two disciples on the Emmaus Road on the evening of the first Easter Day, he meets them where they are but Luke tells us that "their eyes were kept from recognising him" (Luke 24. 16). He joins their conversation and walks with them while they are going in the wrong direction. He listens to them before he speaks. His first question is one of open vulnerability to their agenda: "What are you discussing with each other while you walk along?"(Luke 24.17). In response to their questions and accounts of what has happened he then breaks open the scriptures, explaining to them "the things about himself "(Luke 14. 27). Arriving at Emmaus he "walks ahead as if he is going on" (Luke 24. 28). But they invite him in, and as he breaks the bread their eyes are opened. They then rush back to Jerusalem. They can’t wait to share with others the good news they have received.

Luke’s account provides us with a rich and challenging story about evangelism which is hugely relevant for the situation we face today because: "our own culture here in Essex … is not so dis-similar to the ones the first apostles encountered outside the comfort zone of the Jewish faith: a smorgasbord of beliefs, a general interest in things spiritual, a lack of confidence in the meta-narratives that had previously been trusted so much. In this sort of world becoming a Christian will be like a journey, and much of our work will be helping people to make the journey; and much of that will be removing obstacles from the path."

God longs for reconciliation with the whole of the creation and with every person on earth; he is therefore an evangelist. His great love for the world and his purposes for the world have been revealed in Jesus Christ, and through his death and resurrection Jesus has already done everything that is necessary for us to enjoy eternal life with God. The ministry of evangelism is our sharing with others the good news of what God has already done in Christ and the transformation it can bring to the world and to our lives here on earth and in eternity. It can involve specific ministries (such as a place of nurture where people can find out about Christian faith), but is also shaped enormously by our witness as individual Christians as we walk with others in their individual daily lives.

"Becoming a Christian is not just learning about the Christian faith: it is about becoming a member of the Christian community, and it is about relationship with a God who is himself a community of persons. Therefore, right at the beginning of the journey, people need to experience what it means to be part of a pilgrim church. Before people can become pilgrims themselves, they need to feel happy to travel with us and be open to experiencing life from a Christian perspective."

"Nurturing a generous attitude of welcome to newcomers is something that needs to be worked at over many years … Welcome is not just what we do when someone comes through the door. It is an attitude which seeks to get inside the shoes of the other person so that they can be welcomed and accompanied at every point of their journey."

Archbishop Stephen likes "to use the term ‘Travellers’ to refer to people who are beginning to explore the Christian faith, because it describes those who are on the way. They may not yet be coming to church, but they are committed to taking the next step. For many people the best next step is a course of enquiry where they can enter into dialogue with the Christian faith in the company of other Christian people."

In April we are going to begin our next Enquirer’s course called Being With Church. Being With is about sharing stories about our lives and hearing the stories of others. These stories are the small things that mean a lot to us and they can also be the most challenging and life changing moments of our lives. There’s a space for every person’s life in this course. The course is based on the belief that to find the meaning of life we need each other. We need to spend time being present and attentive to others who may be different to us and to ourselves and the world around us. As we do this, we can discover a way to be attentive to God and discover that God is present to us.

So, we are talking here about three specific forms of welcome: the welcome someone receives when they first encounter the Church or an individual Christian; the welcome involved in travelling with someone else on their journey to God and beyond; plus, the welcome which can be provided in an enquirer’s course like Being With.

Just like the Olympics and Paralympics, the Church needs welcomers. The traditional role of welcomer to services in the Church of England is that of the sidesperson. We can see from all that we have thought about so far today why that is such an important role. We might not all have a ministry as a sidesperson, but we can all get alongside others on their journey towards God in the way Archbishop Stephen has described and as Jesus did with the two disciples on the Emmaus Road. How, I wonder, can you get inside the shoes of those you know so that they can be welcomed and accompanied at every point of their journey towards God?

Finally, could you encourage people to join our Being With course by making people feel comfortable and safe, putting them at ease so they can bring their questions and feel challenged but not pressured. These are all ways in which we can use our time and talents in God’s service and so be a transforming presence in our homes, community, workplaces and world.

Archbishop Stephen suggests we need to have become a church where evangelism is in our DNA and where we have learned ways of doing evangelism that work in the different and varied and fast changing contexts that make up our diocese. All these involve an intentional desire to welcome others and share with them the good things that we have received from Christ. To do that, like Jesus on the Emmaus Road, we need a warm and generous attitude to those who are currently outside the church community and a place of welcome and nurture within it.

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Malcolm and Alwyn - Fool's Wisdom.

Tuesday, 7 April 2026

‘Light in the Darkness’: An exhibition by Tracey Walker























‘Light in the Darkness’
An exhibition by Tracey Walker
8 April – 17 July 2026
St Andrew’s Church, 11 London Road, Wickford SS12 0AN

View the exhibition and hear Tracey speak about her work at ‘Unveiled’, the arts & performance evening at St Andrew’s Wickford, Friday 24 April, 7.00 pm.

St Andrew’s is usually open: Sat 9am-12.30pm; Sun 9.30am-12 noon; Mon 2-3.45pm; Tue 1-4.30pm; Wed 10am-12 noon; Fri 10am-1pm.
https://wickfordandrunwellparish.org.uk/whats-on.html

Tracey Walker

From a traditional art background, through a long career in commercial art, Tracey now finds freedom in her artistic practice, allowing her to express her joyful, spiritual creativity.

She loves to explore themes of light, faith and hope in her paintings, using colour, form and texture to evoke emotions and create atmospheres, drawing the onlookers into a bright and beautiful world.

She is passionate about encouraging people to explore their own creativity through a variety of art groups and workshops.

A member of Chelsea Arts Club and Artists at the Meadows, she exhibits and sells her work throughout the UK and internationally.

www.tawalker.com
IG: tawalker_art
FB: Tracey Walker Art

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Iain Archer - Lifeboat.