Wikio - Top Blogs - Religion and belief

Saturday, 14 March 2026

International Times: Opportunities for mutual exchange, generating sparks

My latest review for International Times is on Threads of Life by Chiharu Shiota and Heart to Heart by Yin Xiuzhen at the Hayward Gallery:
 
'Shiota’s signature installations engulf ordinary objects – such as shoes, keys, beds, chairs and dresses – within huge weblike structures of red, black or white woollen thread. These floor-to-ceiling immersive works explore the body, memory, consciousness and the fragility of existence, while making visible the intangible connections we make throughout life. Shiota describes the making of her delicately woven structures as painting three dimensionally in a space with string.'

My earlier pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of: U2's 'Days of Ash', Mumford and Sons' 'Prizefighter' and Moby's 'Future Quiet'; 'Collected Poems' by Kevin Crossley-Holland; 'Lux' by Rosalía; 'Springsteen: Deliver Me from Nowhere'; 'Great Art Explained' by James Payne; 'Down River: In Search of David Ackles' by Mark Brend; 'Headwater' by Rev Simpkins; 'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album; and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

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Shadows Fall - Redemption.

Friday, 13 March 2026

Spencer Reece visit and events







Visit: Fr Spencer Reece
8 – 12 April, Parish of Wickford and Runwell


Fr Spencer Reece is Rector of St Paul’s Episcopal Church in Wickford, Rhode Island, and an internationally acclaimed poet. His project teaching poetry to abandoned girls at the Our Little Roses orphanage in San Pedro Sula, Honduras, was made into an award-winning film, Voices Beyond the Wall: 12 Love Poems from the Murder Capital of the World. His dream, prayer, and ultimate goal for his time with St. Paul’s Church is to continue the ongoing work of the parish in spreading Jesus’ radical love. “Let kindness be our legacy,” he has said.

Read my interview with Fr Spencer here and my review of his latest poetry collection here.  

http://wickfordandrunwellparish.org.uk/
https://www.stpaulswickford.org/
https://www.spencerreece.org/

Meet Fr Spencer at:

8 April – Midweek Eucharist, 10.30 am, St Andrew’s Wickford

8 April – Bread for the World Service, 6.30 pm, St Martin-in-the-Fields, London (Fr Spencer will share a reflection on the road to Emmaus)

9 April – ‘The Broken Altar’, a talk on George Herbert, 7.00 pm, St Andrew’s Lower Bemerton (Fr Spencer is giving this talk at the invitation of the George Herbert in Bemerton group - https://www.georgeherbert.org.uk/about/ghb_group.html)

10 April – Unveiled: Poetry Reading, 7.00 pm, St Andrew’s Wickford

11 April – Quiet Day: Poetry & Prayer, 10.30 am - 3.30 pm, St Mary’s Runwell (Fr Spencer will share poems and reflections on George Herbert)

12 April – Eucharist, 9.30 am, St Mary’s Runwell and Eucharist, 11.00 am, St Catherine’s Wickford (Fr Spencer will preach at both of these services); 4.00 pm, Showing of Voices Beyond the Wall, St Andrew’s Wickford

SPENCER REECE, 36th rector of St. Paul's Wickford, Rhode Island, is a Guggenheim Fellow and Whiting Fellow. Reece’s first book, The Clerk’s Tale, was selected for the Bakeless Prize by Nobel Laureate Louise Glück. Reece was ordained in Madrid, Spain, in 2011. Awarded a Fulbright, he taught poetry at Our Little Roses in San Pedro, Honduras, where he lived with the rescued girls at the home. The work was made into an award-winning film, Voices Beyond the Wall: 12 Love Poems from the Murder Capital of the World. The poems by the girls were made into an anthology edited by Reece, entitled Counting Time Like People Count Stars. In 2014 he published The Road to Emmaus which was a longlist nominee for the National Book Award and short-listed for the Griffin Prize. He moved to Madrid and assisted the Episcopal Bishop of Spain for a decade. During this time, he created The Unamuno Author Series, culminating in the first-ever anglophone literary festival in Madrid in 2019. In 2022, he published The Secret Gospel of Mark: A Poet’s Memoir and All The Beauty Still Left: A Poets’ Painted Book of Hours. Acts, a third book of poems, appeared in 2024. At St. Paul’s, he created the 14 Gold Street Author Series. In 2025, he was awarded the John Updike Award from the American Academy of Arts and Letters for the “elegant standards” of his contribution to the literary arts. Farewell Symphony his fourth collection of poems will be published in 2028. In 2034, Love IV: Collected Poems is scheduled to appear.

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George Herbert -  The Call.

Sunday, 8 March 2026

Art History Workshop with Maurizio Galia



Art History Workshop with Maurizio Galia
From the false reality to the objective reality: The rise of Contemporary Arts in the XIX Century
Tuesday 10 March, 3.00 - 5.00 pm St Andrew’s Church (11 London Road, Wickford SS12 0AN)

Maurizio Galia, from Turin, Italy, is a highly versatile art professional who has traversed various creative realms throughout his career. His artistic journey began as an illustrator for advertising, a role that laid the foundation for his future endeavours. Since 1990, he has also shared his extensive knowledge and passion for the fine arts as a dedicated teacher. His teaching experience extends beyond Italy, including a collaboration with a British institute in London in 2019. His commitment to education aligns with his desire to nurture the artistic talents of others.

His workshop will provide a panorama of art movements from the XIX Century to the Present. Discover key artists and art movements from Neo-Classicism to Contemporary art and Jacques Louis David to today’s top names.

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AQUAEL - Altri Tempi (Featuring Federica Gili).

A never ending flow of love from God

Here's the sermon:  (11.00am, 08/03/26, St Catherine’s Wickford)

In baptism we use the symbols of oil, light and water. Here’s a reflection on the significance of these three things.

Oil …
bleeding
from the pressurised
crushed
and wounded
to
free us up
lubricate
our rusting
static lives
and
facilitate
our ever moving
onward
forward
Godward

Light …
revealing our past
lighting our future
shining like a lighthouse
in our storms
burning like a warning beacon
in our wars
warming like the sun
on our journeying
glowing like a fire
through gaps and cracks
in shattered, splintered lives

Water …
cleansing our grubbiness
reviving our tiredness
refreshing our thirstiness
nurturing our liveliness
babbling communication
rippling out our influences

May we -
baptised in water,
anointed by oil,
lit by the Spirit -
live and move freely
like a babbling brook
speaking life
to parched ground
leaping boulders and barriers
sparkling in the ever present
light of the Sun.

The poet Malcolm Guite describes the font as ‘A wide womb floating on the breath of God’ because through baptism God is ‘calling us to the life for which we long, yearning to bring us to our birth again.’ Just as at creation when God’s Spirit or breath moved on the waters, when we are baptised the breath of God is again on the waters. 

Malcolm Guite writes:

Come, dip a scallop shell into the font
For birth and blessings as a child of God.
The living water rises from that fount
Whence all things come, that you may bathe and wade
And find the flow, and learn at last to follow
The course of Love upstream towards your home.
The day is done and all the fields lie fallow
One thing is needful, one voice calls your name.

Take the true compass now, be compassed round
By clouds of witness, chords of love unbound.
Turn to the Son, begin your pilgrimage,
Take time with Him to find your true direction.
He travels with you through this darkened age
And wakes you every day to resurrection.

In this poem Malcolm Guite identifies the living water of which Jesus spoke (John 4. 13 & 14) when he said: ‘Those who drink of the water that I will give them will never be thirsty. The water that I will give will become in them a spring of water gushing up to eternal life’ (John 4. 14) with the love of God seen in Jesus. The water of life of which Jesus spoke is his love filling us and welling up with us in order to overflow to others. Jesus said, ‘Give, and it will be given to you. A good measure, pressed down, shaken together, running over, will be put into your lap; for the measure you give will be the measure you get back’ (Luke 6. 38).

This is how God’s love comes into our lives. We drink in a never ending flow of love from God. It is like a tap which is never turned off and always running. As there is no end to God’s love it can fill us and overflow from us to others. As we give love to others, so we can be filled all over again with God’s love. Giving and receiving in God’s economy are intended to be simultaneous events; as we give out, so we receive more. This is why Paul writes in Ephesians that we should go on being filled with the Spirit (Ephesians 5. 18) by drinking in huge draughts of the Spirit of God.

Sometimes, though, we cut ourselves off from the flow of God’s love. We can do this in at least two ways. Firstly, by our attitudes if we become selfish rather than generous; this is why the Bible gives us so many lists of contrasting behaviour. The fruit of the Spirit is love, joy, peace, forbearance, kindness, goodness, faithfulness, gentleness and self-control, so the reverse is hate, complaint, violence, frustration, meanness, evil, inconstancy, harshness and uncontrolled. Any or all of these will cut off the flow of God’s Spirit in our lives and church. Secondly, we can also cut off the flow of the Spirit by separating ourselves from some of the channels through which God’s love can regularly reach us – such as social action, church fellowship, Bible reading and prayer.

All this means we need to ask ourselves, what if our job as a follower of Jesus is not to try harder or run faster or get up earlier or rev up your emotions? What if God really is at work in every moment; in every place? What our job is to learn simply not do those things that close us off from the Spirit? Instead of needing to do something else, what if it’s actually about how we keep ourselves aware and submitted so that rivers of living water are flowing through our being? Paul puts it like this and, in some way, the spiritual life is that simple. Just don’t quench the Spirit. The Spirit is already at work. He is bigger than you. He is stronger than you. He is more patient than your failures. He is committed to helping you 24/7, so just don’t get in His way. Don’t quench the Spirit. Don’t grieve the Spirit. We are always either opening ourselves up — walking in the Spirit — or quenching the Spirit. (John Ortberg – ‘A river runs through it’, http://www.biblesociety.org.uk/uploads/files/lyfev2/extra_resources/a_river_runs_through_it.pdf)

If we open ourselves up to God, we can have the raw material of Jesus himself – which is love – flowing out of us. His human body and mind and spirit, alive with the Spirit of God, in us and flowing from us (Stephen Verney, ‘Water into Wine’, Fount, 1985). It might sound a bizarre image; to have a river of life flowing out of you, but it is a big deal to God. The image of a river is used about 150 times in scripture, most often as a picture of spiritual life. And there is good reason. Israel is a desert country where rivers mean one thing: life. To desert people, the river is life.

We sometimes sing the opening words of Psalm 42, “As the deer pants for the water, so my soul pants for you, O God.” Next time you sing it, remember that Israel is desert country. The waters are dried up. This deer is going to die if it doesn’t find water — and that’s you and me. That’s every human being.

To be cut off from the Spirit of God means a life of perpetual unsatisfied desires, spiritual dryness, emotional death. Jesus is saying that receiving from God in this way and giving to others in this way is vital to our life and survival because where the river flows, life will flourish but where a river dries up, life does as well. The river is gift, the river is grace, the river is life, the river is love. It is what we need and all we need, so are you getting and giving all you can? Are you open to God or quenching the flow of his Spirit?

Remember, ‘One thing is needful, one voice calls your name.

Take the true compass now, be compassed round
By clouds of witness, chords of love unbound.
Turn to the Son, begin your pilgrimage,
Take time with Him to find your true direction.
He travels with you through this darkened age
And wakes you every day to resurrection.’

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Saturday, 7 March 2026

International Times - Politics, peace and the personal

My latest review for International Times is on U2's 'Days of Ash', Mumford and Sons' 'Prizefighter' and Moby's 'Future Quiet':

'U2’s Days of Ash EP, Mumford and Sons’ Prizefighter, and Moby’s Future Quiet were released within days of each other and, in different ways, all evidence a reinvention of sound while also responding to aspects of the challenging time in which we live. In relation to both, each of these releases involves significant levels of collaboration in ways that seek to demonstrate an alternative to the divisive forces that are actively creating conflict.'

I have posted a series on the spirituality of U2 which sets out the main characteristics of their spirituality, examines their roots, makes links between their spirituality and themes in contemporary theology and, considers three reasons why their spirituality has connected with popular culture. It is called 'Tryin' to throw your arms around the world' and can be read by clicking here - 1, 2, 3, 4, 5, 6, 7. See also here. For more of my writing on Mumford and Sons see herehere, here and here.

My earlier pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of: 'Collected Poems' by Kevin Crossley-Holland'Lux' by Rosalía; 'Springsteen: Deliver Me from Nowhere'; 'Great Art Explained' by James Payne; 'Down River: In Search of David Ackles' by Mark Brend; 'Headwater' by Rev Simpkins; 'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album; and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

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Mumford and Sons - Begin Again.

Windows on the world (561)

 


London, 2026

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Moby - Retreat.

Friday, 6 March 2026

Southwark Cathedral - ‘Magdalene at the Base of the Cross’ by Chris Gollon


‘Magdalene at the Base of the Cross’ by Chris Gollon is being displayed beside the High Altar of Southwark Cathedral for the duration of Lent as both an aid to worship, and to overlap with Women’s History Month in March, in which there will be talks and reflections on the Magdalene.

The painting is on loan from a private collection; but originally formed part of Gollon’s national touring exhibition to English cathedrals ‘Incarnation, Mary and Women from the Bible’ (2014 – 2016), which travelled to the cathedrals of Guildford, Chichester, Durham, Norwich and Hereford, focusing only on women from the Bible.

Tonight there was the screening of ‘CHRIS GOLLON:Life in Paint’ featuring Thurston Moore, Maggi Hambling, Sara Maitland, Eleanor McEvoy and more. Before the screening Canon Kathryn Fleming and Rev’d Dr Julie Gittoes gave short talks on Gollon’s depiction of women from the Bible as part of Women’s History Month. After the screening Tamsin Pickeral, Mark Calderbank and Wilfred Wright spoke about Gollon and his work.

The documentary ‘CHRIS GOLLON: Life in Paint’, recently premiered at the Barbican Centre and in New York. The film explores the artist’s sensitive portrayal of women, his innovative techniques and his pioneering artistic boundary crossing with leading musicians, beginning with his collaboration with Thurston Moore in ‘ROOT’ at the Chisenhale Gallery, alongside Yoko Ono, David Bowie and Gavin Turk.

In the film, Sara Maitland remarks: “I’m an old-style feminist […] trying to bring that sort of feminism into some sort of relationship with the Gospels, and Chris just does it”. Gollon biographer art historian Tamsin Pickeral notes: “ ‘Magdalene at the Base of the Cross’ has an increasing earthiness, seen in her muscly, knotted arms and her workmanlike hands. Clearly this is a woman who has toiled, and yet she is also incredibly beautiful.”

Chris Gollon (1953 -2017) was a London-born artist who exhibited widely in the UK. His work is held in major public collections including the British Museum. Gollon exhibited with Yoko Ono, David Bowie and Gavin Turk in ROOT, an exhibition of contemporary music and art created by Thurston Moore of Sonic Youth (Chisenhale Gallery, 1998). Other boundary crossing collaborations included working with Grammy-nominated classical virtuoso, Yi Yao (2014) and with singer-songwriter Eleanor McEvoy (2015 – 2017). In 2004, Gollon exhibited in St Paul’s Cathedral, with Bill Viola, Maggi Hambling and Tracey Emin in ‘Presence: Images of Christ for the Third Millennium’.

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Eleanor McEvoy - Heaven Help Us.