Wikio - Top Blogs - Religion and belief

Thursday, 10 September 2026

Living God's Future Now

Here's the sermon that I shared at St Andrew’s Wickford yesterday:

What is St Paul commending to the Church in Corinth when he writes that: “from now on, let even those who have wives be as though they had none, and those who mourn as though they were not mourning, and those who rejoice as though they were not rejoicing, and those who buy as though they had no possessions, and those who deal with the world as though they had no dealings with it. For the present form of this world is passing away.” (1 Corinthians 7:25-31) He wants us to live now as if heaven is our reality.

I want us to follow St Paul today and start to concentrate on where we’re going. We’re going to heaven – where there is more than enough love for all, more than enough joy, more than enough truth, more than enough space for everyone to flourish. When we focus our attention on our life’s destination, we arrive at a new definition of the Church: a bunch of people who all come from different places but are all going to the same place. We’re a people pooling our resources for a journey we make together to a place none of us have ever been. There are no experts, because we’re all citizens of a country we’ve never visited and longing for a home we’ve never known.

Heaven on earth is the culmination of the story that is told in and through the Bible. It is the vision towards which everything points. It is a vision of heaven come on earth, of eternal peace in the presence of God, where evil is eradicated and God’s rule encompassing all things, and where we are resurrected to be with God, with each other and with creation for ever. As citizens of heaven we are given glimpses of heaven in order that we begin to live as if we were already there.

Our calling in the present is to create signs of this coming kingdom by living as fully as we can in anticipation of the coming kingdom. That is why we emphasise Being With as a key theme or idea for our Parish and our lives. In the coming kingdom, there will be nothing for us to fix, there will simply be being with God, with each other and with creation. In Philippians 3 we are told to imitate those who set their minds on heavenly things because our citizenship is in heaven. Citizenship is all about belonging to a particular community together with all the other members of that community. In relation to heaven, it is about being in relationship with God’s people. So, if heaven is about anything at all, it is about relationship.

Prioritising relationships, Jesus says in several of his parables, is about preparing for eternity and he specifically tells the Parable of the Dishonest Steward that we might be welcomed into the eternal homes. Why is this so? Well, the answer is very simple. As we have just reflected, in heaven there will be nothing to fix, nothing to solve, and therefore no work to be done. In heaven there will be no more death or mourning or crying or pain, for the old order of things will have passed away. In heaven there will be nothing we can do for others, because God will have done everything for us. So, what will there be to do? Heaven is all about our relationships; being with God, with ourselves, with others, and with creation. Heaven is all about enjoying our relationships to the full for what they are.

Jesus wants us to prepare for heaven. The writer to the Philippians wants us to set our minds on our citizenship in heaven. Both are, like St Paul, calling us to live God’s future now, to anticipate what heaven will be like in the here and now, in the present. We do that by prioritising relationships – prioritising our being with God, being with ourselves, being with others and being with creation now. That is also what incarnational mission and ministry is all about. After all, Jesus spent 90% of his incarnation in Nazareth being with his friends and family. He prioritised relationships in his life and wants us to do the same in ours.

Therefore, as Sam Wells has said, Christianity must take the present opportunity to be what it was always called to be: an alternative society, overlapping and sharing space with regular society, but living in a different time – that’s to say, modelling God’s future in our present. It’s not enough to cherish the scriptures, embody the sacraments, set time aside for prayer, and shape disciples’ character in the ways of truth, if such practices simply withdraw disciples for select periods, uncritically then to return them after a brief pause to a world struggling with inequality, identity, and purpose. Rather, what we need is to become and to model communities of ordinary virtues, but ones infused with grace: thus trust, honesty, politeness, forbearance, and respect are the bedrock of such communities, while tolerance, forgiveness, reconciliation, and resilience are among its abiding graces. What I’m describing is the transformation of churches into dynamic centres of abundant life, receiving, evidencing, dwelling in and sharing forms of social flourishing and being a blessing to their neighbourhood.

The experience of what it’s like to feel as though we’re already in heaven is what we call the kingdom of God. Entering in to that experience of glory is where we’re going. God invites us all to be in heaven, not because any of us have a right to be there, or because God is trying to set straight a historic injustice or present imbalance, but because God chooses never to be except to be with us in Christ, and that being-with is not a for-some-people thing but a for-everyone thing, and it’s not a for-now thing it’s a forever thing. We prepare for that reality by learning to live with everybody now and receive their unexpected gifts with imagination and gratitude in recognition that these are the people with whom we’ll be spending eternity, lucky and blessed as we all are to be there. So, we’d best use these earthly years as a time for getting in the mood of heaven. May it be so for each one of us. Amen.

-------------------------------------------------------------------------------------------------------------

Chairman of the Board - I'm On My Way To a Better Place.

Wednesday, 9 September 2026

Exhibition - 'Autumn & Winter: The Beauty of Letting Go'


Autumn & Winter: The Beauty of Letting Go - Runwell Art Club exhibition
Friday 11 September – Friday 18 December 2026
St Andrew’s Church, 11 London Road, Wickford, Essex SS12 0AN


A group exhibition by members of Runwell Art Club. Exhibition viewing evening at ‘Unveiled’ - Friday 11 September, 7.00 pm.

St Andrew’s is usually open: Sat 9am-12.30pm; Sun 9.30am-12 noon; Mon 2-3.45pm; Tue 1-4.30pm; Wed 10am-12 noon; Fri 10am-1pm.

See http://wickfordandrunwellparish.org.uk/whats-on.html for fuller information.

------------------------------------------------------------------------------------------------------------

Procol Harem - A Whiter Shade Of Pale.

Sunday, 6 September 2026

Stewardship 1: Creation care on the Feast of Creation in Christ

Here is the sermon that I shared on the Feast of Creation in Christ and also, for our parish, the first Sunday of Stewardship Month, at St Catherine's Wickford and St Mary's Runwell

Animals and plants were first domesticated across a region stretching north from modern-day Israel, Palestine and Lebanon to Syria and eastern Turkey, then east into, northern Iraq and north-western Iran, and south into Mesopotamia; a region known as the Fertile Crescent. This was in the Neolithic Period, also known as the New Stone Age.

It is arguable that this is the period of human history that is described by the creation story told in Genesis 2 (Genesis 2.4b-9, 15-17). Ernest Lucas notes that Eden is located at the place where the Tigris and Euphrates rise – which is in the upland plateaux of Turkey and that the word ‘Eden’ may come from a Babylonian word meaning ‘plateaux’. He also notes that Genesis 4 tells of a descendent of Adam called Tubal-Cain, who was the first person to use metal to make things. That means that Adam must have used only stone implements. Genesis 2 tells us that Adam was a gardener and that he tamed animals. All of which adds up to a picture of Adam as what we would call a ‘New Stone Age man’.

This is the point in history when human beings begin, by a combination of social organisation (sociality) and individual creativity (development), to have a choice about how we behave ethically. Prior to this point human beings had been hunters, migrants dependent on the movements of their prey and participants in the natural ‘kill or be killed’ processes of a nature that is ‘red in tooth and claw.’ However, as human beings developed agriculturally and socially, the killing of animals and other human beings was no longer essential.

So, the biblical creation stories locate the image of God in the ability of human beings to be consciously social and creative. Albert Wolters comments that: “Adam and Eve, as the first married couple, represent the beginnings of societal life; their task of tending the garden, the primary task of agriculture, represents the beginnings of cultural life." (Creation Regained: Biblical Basics for a Reformational Worldview)

In speaking of Genesis 1, Wolters suggests that: ‘There is a process of development and evolution as the earthly realm assumes, step by step, the contours of the variegated world of our experience. On the sixth day this process is completed with the creation of [human beings], and on the seventh day God rests from his labors. This is not the end of the development of creation, however.’

Creation, once made, is not something that remains a static quality. ‘There is, as it were, a growing up (though not in a biological sense), an unfolding of creation.’ ‘Although God has withdrawn from the work of creation, he has put an image of himself on the earth with a mandate to continue. The earth had been completely unformed and empty; in the six-day process of development God had formed it and filled it – but not completely. People … now carry on the work of development: by being fruitful they must fill it even more; by subduing it they must form it even more. [Hu]mankind, as God’s representatives on earth, carry on where God left off.’

Human development of the created earth is societal and cultural in nature. We are to use our organisational abilities in community and our creativity to cultivate creation (to make it fruitful) and to care for it (to maintain and sustain it), just as God told Adam to work the ground and keep it in order. As God’s image bearers we have a responsibility to care for and work with the good environment God has created.

God’s first words to men and women, were that they would rule over ’the fish of the sea and the birds of the air, over the livestock, over all the earth, and over all the creatures that move along the ground’ in a way that reflects his own image. Not just God’s power, but his unselfish love, mercy and tender compassion. Similarly, when Jesus points us in the Sermon on the Mount to reflect on God’s care for the birds and plants, then he is also flagging that we, too, should care for them as well. Our focus shouldn’t simply be on our needs or wants but on God’s kingdom, including the world he made and the creatures and plants within it. We have been given a special task – to look after the rest of what God has made (Genesis 1: 26–28; Gen. 2:15). This is not an optional extra for a few keen environmentalists, but a fundamental part of what it means to be human.

Today we are seeing massive climate change and increased destruction and pollution of creation. We are treating God’s gift badly and it is the poorest in our world who will suffer most from that reality. Tragically, our rule over creation has been characterized by cruelty, greed and short-sightedness, but this was clearly not God’s intention. If we desire to obey God, then we must look for ways in which we can be good and responsible stewards of the natural world by reducing our environmental impact and raising awareness of the environmental challenges we face today as a global community.

One of the Five Marks of Mission is to strive to safeguard the integrity of creation and sustain and renew the life of the earth. One of the ways we have worked towards that has been to take part in the EcoChurch initiative run by A Rocha. This provides a framework that support our churches and our leadership in taking practical action on caring for God’s earth. The EcoChurch survey covers five key areas of church life: Worship and teaching; Buildings and energy; Land and nature; Community and global engagement; and Lifestyle.

Our Stewardship Pack helps us think about our lifestyle by suggesting many things that we can do to treasure our environment. These include, for example:
  • Share transport, walk, use a bike or public transport.
  • Turn the heating thermostat down by 1°C.
  • Reduce the time that the heating is on by 15 minutes.
  • Install low-energy light bulbs or LED lights.

Can you commit to doing any of these or other of the things listed in the Pack? Doing so will not only help us treasure our environment it will also move us closer towards the possibility of gaining a Gold EcoChurch Award.

Being a good steward means caring for and conserving the world in which we live and the resources within because to do otherwise selfishly uses up those resources for ourselves and alters the natural cycle of life in ways that harm the world and all that lives on it. We will, therefore, be encouraging all of us, as we have done previously, to look again at the actions we can take to show responsibility by caring for this world, rather than acting in ways that dominate and exploit the natural world.

Let us pray: Lord, grant us the wisdom to care for the earth and till it. Help us to act now for the good of future generations and all your creatures. Help us to become instruments of a new creation, founded on the covenant of your love. Amen.

----------------------------------------------------------------------------------------------------------

Bruce Cockburn - Creation Dream.

Saturday, 5 September 2026

Windows on the World (585)


Chatham, 2026

--------------------------------------------------------------------------------------------------------------

Wilder Woods - Light Shine In.

 

International Times - Ebb & Flow

Here's my latest review for International Times, which is on an IMMERSE performance by Wilderthorn at Bradwell Chapel:

'As Wilderthorn, he is known for gigs in disused and abandoned spaces, turning forgotten places of history and atmosphere into wild and magical experiences. These IMMERSE performances in ancient, hidden, sacred or natural spaces aim, through improvisation, to respond to the ambience, atmosphere, acoustic, sounds and senses of such spaces. Performing together with the multi-instrumentalist Sekrit and the violinist Natasha Petrović de Maio, Wilderthorn created a meditative experience of ethereal sounds and atmospheric textures amid the Chapel’s candle-lit space.'
 
My earlier pieces for IT are: an interview with curator Jacquiline Creswell; an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of:
Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

--------------------------------------------------------------------------------------------------------------

Wilderthorn : IMMERSE - Live at Chanctonbury Ring [Part 1].

Friday, 4 September 2026

Church Times - Art review: Living by the Rule Contemporary Meets Medieval and other exhibitions (Sainsbury Centre, Norwich), and Benedictine Art Project (Norwich Cathedral)

My latest exhibition review for Church Times , is on 'Living by the Rule Contemporary Meets Medieval' and other exhibitions (Sainsbury Centre, Norwich), and Benedictine Art Project (Norwich Cathedral):

'SINCE 2023, the exhibition programme at the Sainsbury Centre, at the University of East Anglia, in Norwich, has been on the theme of life’s big questions. Exhibitions at the Centre have asked a range of important questions such as: “How do we adapt to a Transforming World?”, “What is truth?”, “Why do people take drugs?”, and “Can humans stop killing each other?” The latest exhibition series asks: “What is the meaning of life?”

Avoiding the answer famously given in The Hitchhiker’s Guide to the Galaxy, this latest exhibition series, as Jago Cooper and Tania Moore (Executive Director and Head of Exhibitions respectively at the Centre) have explained, “reflects the arc of life itself, beginning with childhood notions of playful exploration — of a world where life offers boundless opportunity — and ending with questions about what exists when life is taken away”.'

See also my articles about this exhibition for Artlyst and Seen and Unseen plus my pieces about the Sainsbury Centre's exhibition programme on life's big questions here, here, here, here, and here.

Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here, those for Seen & Unseen are here, and those for Art+Christianity are here.

---------------------------------------------------------------------------------------------------------

Sister Irene O'Connor - Fire Of God's Love.

Wednesday, 2 September 2026

Music update

My latest set of album reviews for International Times includes albums by Switchfoot, Jon Foreman and NEEDTOBREATHE:

'Switchfoot have been part of a generation of bands, including Lifehouse and NEEDTOBREATHE, whose lead singers and main songwriters have each developed solo careers to explore different styles of music to that for which their bands are principally known. Switchfoot have in the past collaborated and toured with NEEDTOBREATHE, a band who have achieved similar levels of success through their own distinctive blend of Americana, alt-rock, and spiritual depth.'

I have also had a profile of Andrew Rumsey published by Seen and Unseen:

'Andrew Rumsey is not your average Church of England Bishop. For starters, since becoming Bishop of Ramsbury, he has recorded three well-reviewed albums each recorded at a different church in Wiltshire. Now appointed as Bishop of St Albans, he comes to his new Diocese with a theology of parish, place, local identity, and the everyday that has seen expression in four books, in addition to the three albums.'

See here and here for my reviews of Rumsey's most recent albums.

For more of my writing on music, see my article for Seen and Unseen entitled 'Rock ‘n’ roll’s long dance with religion' and my co-authored book with Peter Banks, ‘The Secret Chord’, which has been described as an impassioned study of the role of music in cultural life written through the prism of Christian belief. The book can be purchased from Lulu - https://www.lulu.com/shop/jonathan-evens-and-peter-banks/the-secret-chord/paperback/product-1pey2g67.html?q=peter+banks&page=1&pageSize=4. Covering a range of musical styles and influences, from gospel music to X Factor, The Secret Chord conveys enthusiasm for music and its transformative powers. The book asks is there really a 'Secret Chord' that would both please the Lord and nearly everybody else as described in Leonard Cohen's popular song 'Hallelujah'? Posts related to the themes of 'The Secret Chord' can be found here.

Check out the following too, to explore further:
Read also my other posts on CCM. In a series of blog posts for Deus Ex Musica I shared rock and pop songs for Easter, Lent, Epiphany and New Year. Each year I post a Top Ten listing of albums I have enjoyed that year. My Top Ten's can be found here - 2025, 2024, 2023, 2022, 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013 and 2012.

Also see my Seen and Unseen article on 'Rock ‘n’ roll’s long dance with religion', as well as pieces on Natalie Bergman, Mumford and Sons, Annie Caldwell, David Ackles, Bob Dylan, Nick Cave, Rev Simpkins and Corinne Bailey Rae. For International Times, I have also written on: 'Moving Pictures' and 'Close-Ups' by Steve Scott, 'Never Mind the Ballads Here's Nick Battle' by Nick Battle and 'Blank Arcades' by Andrew Rumsey'Springsteen: Deliver Me from Nowhere'; 'Down River: In Search of David Ackles' by Mark Brend; The Last Supper: Art, Faith, Sex and Controversy in the 1980s; In Another World: The Four Seasons of Talk Talk; 'Headwater' by Rev Simpkins; albums by U2, Mumford and Sons' and Moby; 'Lux' by Rosalía; Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; plus Joseph Arthur in concert; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone. I have also written on Mavis Staples for Church Times. See also my profile of singer-songwriter Bill Fay.

I worked with Steve Scott, through commission4mission, to organize some of the different `Run with the Fire’ art exhibitions and events held in and around London, during the Olympic summer of 2012. You can learn more about `Run With The Fire’ by clicking here, here, and here. My own dialogues with Steve can be read here, here, here, here, and here.

Steve's recording career began through working with Larry Norman. Although known as the ‘Father of Christian Rock’, Larry Norman was originally lead singer of People! (whose ‘I Love You’ was a hit single in 1968) and a writer of Sixties musicals, who recorded three classic albums for Capital and then MGM (Upon This Rock, Only Visiting This Planet and So Long Ago the Garden). Frustrated with mainstream labels, he formed his own label and demonstrated his acute understanding of creativity by recruiting to Solid Rock Records a series of innovative singer-songwriters and bands including Randy Stonehill, Mark Heard, Tom Howard, Daniel Amos and Steve Scott. A fundamental lack of business acumen combined with other factors then led to delays in the label issuing key recordings, including Moving Pictures by Steve Scott, and the eventual demise of the label itself. Moving Pictures and Closeups are revealed as classic CCM albums which possess the potent combination found on the key Norman albums of accurate social commentary, poetic spiritual insight and powerful evangelical appeals.

Recently I also posted a series of guest posts by and an interview with Rupert Loydell which has added to the material about Jesus Rock, CCM and spirituality in rock music published here previously. The first post in this series was a listing of previous posts on these themes - click here. The second post was an interview with musician Nick Battle, click here. The third post was the interview with Rupert Loydell - click here. The fourth post was a new interview by Rupert with Nick Battle - click here. While the final post in the series was an interview by Rupert with Steve Scott - click here. Finally, my review of Andrew Rumsey's earlier album 'Collodian' can be read here.

Rupert's original interview with Nick Battle was undertaken as part of his research on christian rock. This research resulted in several interviews, reviews and articles that were published in Punk & Post-Punk journal, an acdemic publication, as well as feeding into a piece for Ship of Fools. Nick has had a long and varied career in the music business, including spells in significant Post-Punk christian rock bands such as After The Fire (ATF) and Writz. Rupert's interview with Nick explores the moment when Contemporary Christian Music (CCM) and mainstream rock diverged, and bands like ATF and Writz headed into the latter, perhaps paving the way for U2 and others writing about faith and doubt. Rupert's work has also included writing about Larry Norman, Steve Scott and Revolutionary Army of the Infant Jesus.

This short series added to the material about Jesus Rock, CCM and spirituality in rock music which has been published here previously. This material includes a recent article for Seen and Unseen 'U2’s music shows surrender can still sound like joy' which explores the spirituality of U2: 'Each element of U2’s spirituality also derives from Christianity: movement, from the Fall and pilgrimage; improvisation, from the inspiration of the Holy Spirit; allusiveness, from the fragments of story that have been meshed together to form the canon of scripture; and reconciliation, from the theme of surrender that is central to the Crucifixion.' I also reviewed U2's 'Days of Ash' for International Times (see here), while my original essay on the spirituality of U2 'Tryin' to throw your arms around the world' can be read here - 1, 2, 3, 4, 5, 6, 7.

Rock ‘n’ Roll merged blues (with its spiritual strand) and Country music (tapping its white gospel) while Soul music adapted much of its sound and content from Black Gospel. For both, their gestures and movements were adopted from Pentecostalism. Some, such as Jerry Lee Lewis and Sam Cooke, felt guilt at secularising Gospel while others, like Johnny Cash, arrived at a hard earned integration of faith and music. All experienced opposition from a Church angry at its songs and influence being appropriated for secular ends. This opposition fed a narrative that, on both sides, equated rock and pop with hedonism and rebellion. The born again Cliff Richard was often perceived (both positively and negatively) as the only alternative. Within this context the Biblical language and imagery of Bob Dylan and Van Morrison was largely overlooked, although Dylan spoke eloquently about the influence of scripture within the tradition of American music on which he drew.

With the majority of Soul stars having begun singing in Church, many of the most effective integrations of faith and music were found there with Marvin Gaye’s What’s Going On and the Gospel-folk of the Staple Singers being among the best and most socially committed examples. Gospel featured directly with Billy Preston, Edwin Hawkins Singers and Aretha Franklin’s gospel albums. Mainstream use of Christian themes or imagery in rock were initially either unsustained (e.g. Blind Faith’s ‘Presence of the Lord’ and Norman Greenbaum’s ‘Spirit in the Sky’) or obscure (e.g. C.O.B.’s Moyshe McStiff and the Tartan Lancers of the Sacred Heart and Bill Fay’s Time of the Last Persecution).

However, this changed in three ways. First, the Church began to appropriate rock and pop to speak explicitly about Christian faith. This led to the emergence of a new genre, Contemporary Christian Music (CCM), with interaction between CCM and the mainstream. Mainstream artists such as Philip Bailey, David Grant, Al Green, Larry Norman and Candi Staton developed CCM careers while artists originally within CCM such as Delirious?, Martyn Joseph, Julie Miller, Leslie (Sam) Phillips, Sixpence None The Richer and Switchfoot achieved varying levels of mainstream exposure and success.

Second, the biblical language and imagery of stars like Bob Dylan, Van Morrison and Bruce Springsteen began to be understood and appreciated (helped to varying degrees by explicitly ‘Christian’ periods in the work of Dylan and Van the Man).

Third, musicians such as After The Fire, The Alarm, T. Bone Burnett, The Call, Peter Case, Bruce Cockburn, Extreme, Galactic Cowboys, Innocence Mission, Kings X, Maria McKee, Buddy & Julie Miller, Moby, Over The Rhine, Ricky Ross, 16 Horsepower, U2, The Violent Femmes, Gillian Welch, Jim White, and Victoria Williams rather than singing about the light (of Christ) instead sang about the world which they saw through the light (of Christ). As rock and pop fragmented into a myriad of genres, this approach to the expression of faith continues in the work of Eric Bibb, Blessid Union of Souls, Creed, Brandon Flowers, Good Charlotte, Ben Harper, Michael Kiwanuka, Ed Kowalczyk, Lifehouse, Live, Low, Neal Morse, Mumford and Sons, Robert Randolph and the Family Band, Scott Stapp, Social Distortion, and Woven Hand.

I've created a playlist on Spotify called 'Closer to the light'. 'Closer To The Light' is a song by Bruce Cockburn that he said "was written addressed to the late Mark Heard ... He was a fantastic songwriter. His death sent a shockwave through our whole community, and what that did in me was that song." As a result, 'Closer to the Light' is a song that straddles both CCM and mainstream artists suggesting that both can bring us closer to the light. Similarly, this playlist, which includes blues, choral, classical, country, folk, gospel, jazz, pop, rap, rock, and soul music, aims to straddle music from both CCM and the mainstream which also brings us closer to the light.

----------------------------------------------------------------------------------------------------------

Switchfoot - Beautiful Life.