London, 2026
--------------------------------------------------------------------------------------------------------------
Eric Bibb - With My Maker I Am One.
Saturday, 11 July 2026
International Times - Reconstructed Landscape{s} Michael Takeo Magruder
My latest exhibition review for International Times is on 'Michael Takeo Magruder: Reconstructed Landscape{s}’ at Gazelli Art House Project Space:
'His works, therefore, manage the complex and tricky task of relating, at one and the same time, to the landscape tradition in art history, debates about the development and uses of AI, and the science documenting the increasing fragility of environments impacted by climate change. That six works in a small, dark, basement room can open out into such expansive terrain is a huge achievement that is reflective of the way that Takeo combines creativity and vision with an integrity of process that is consistently driven through the detail of his designs.'
My earlier pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of:
IT have also published several of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.
To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.
I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.
'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.
-------------------------------------------------------------------------------------------------------------
'His works, therefore, manage the complex and tricky task of relating, at one and the same time, to the landscape tradition in art history, debates about the development and uses of AI, and the science documenting the increasing fragility of environments impacted by climate change. That six works in a small, dark, basement room can open out into such expansive terrain is a huge achievement that is reflective of the way that Takeo combines creativity and vision with an integrity of process that is consistently driven through the detail of his designs.'
For more on Michael Takeo Magruder see my Seen and Unseen interview with Takeo, my Artlyst interview with Takeo, my review of De / coding the Apocalypse, my review of Visionary Cities, and my posts about Lamentation for the Forsaken, and my conversation with Takeo about Lamentation for the Forsaken.
My earlier pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of:
- The Last Supper: Art, Faith, Sex and Controversy in the 1980s
- In Another World: The Four Seasons of Talk Talk
- Hulda Guzman: Please awake - asked Nature kindly' at Turner Contemporary;
- 'Devotions' by Lucy Caldwell and 'Catholic Modernism and the Irish ‘Avant-Garde’: The Achievement of Brian Coffey, Denis Devlin, and Thomas MacGreevy' by James Matthew Wilson;
- the 'Stations' project from Dunlin Press;
- 'William Blake: The Age of Romantic Fantasy';
- Joseph Arthur in concert;
- installations by Chiharu Shiota and Yin Xiuzhen at Hayward Gsllery,
- U2's 'Days of Ash', Mumford and Sons' 'Prizefighter' and Moby's 'Future Quiet';
- 'Collected Poems' by Kevin Crossley-Holland;
- 'Lux' by Rosalía;
- 'Springsteen: Deliver Me from Nowhere';
- 'Great Art Explained' by James Payne;
- 'Down River: In Search of David Ackles' by Mark Brend;
- 'Headwater' by Rev Simpkins;
- 'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson;
- 'Breaking Lines' at the Estorick Collection of Modern Italian Art,
- albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey,
- also by Joy Oladokun and Michael Kiwanaku;
- 'Nolan's Africa' by Andrew Turley;
- Mavis Staples in concert at Union Chapel;
- T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone;
- Helaine Blumenfeld's 'Together' exhibition,
- 'What Is and Might Be and then Otherwise' by David Miller;
- 'Giacometti in Paris' by Michael Peppiatt,
- the first Pissabed Prophet album; and
- 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.
IT have also published several of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.
To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.
I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.
'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.
-------------------------------------------------------------------------------------------------------------
Steve Scott - Sun Poem.
Friday, 10 July 2026
Church Times - Art review: Reflections on Christian Themes: Jonathan Hutchins (Harrow Arts Centre, Pinner)
My latest exhibition review for Church Times , is on 'Reflections on Christian Themes' by Jonathan Hutchins at Harrow Arts Centre:
'The exhibition ranges from his earliest religious works — paintings based on medieval images — through to large views of St Mary’s, Harrow on the Hill, painted en plein air. In between, are the three series of Stations of the Cross, plus associated drawings and monotypes, paintings inspired by images from David Jones, including some anti-war paintings, and large-scale paintings on The Women of Jerusalem, The Four Horsemen of the Apocalypse from the revelations of St John, and The Dream of the Rood. It is an impressive and eclectic collection of works rendered in the Expressionist style that Hutchins favours.'
'The exhibition ranges from his earliest religious works — paintings based on medieval images — through to large views of St Mary’s, Harrow on the Hill, painted en plein air. In between, are the three series of Stations of the Cross, plus associated drawings and monotypes, paintings inspired by images from David Jones, including some anti-war paintings, and large-scale paintings on The Women of Jerusalem, The Four Horsemen of the Apocalypse from the revelations of St John, and The Dream of the Rood. It is an impressive and eclectic collection of works rendered in the Expressionist style that Hutchins favours.'
Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here, those for Seen & Unseen are here, and those for Art+Christianity are here.
---------------------------------------------------------------------------------------------------------------
---------------------------------------------------------------------------------------------------------------
U2 - Street of Dreams.
Church Times - Art review: Sacred Resonance by Renaud Muraire (Canterbury Cathedral)
My latest exhibition review for Church Times , is on Sacred Resonance by Renaud Muraire (Canterbury Cathedral):
'Muraire says that he is fascinated by the way in which religious paintings from the 15th and 16th centuries “introduced a new sense of proximity” as “people brought their own lives, fears, hopes, and inner struggles” into the images. He argues that this is also “what makes biblical narratives so powerful”, as “they depict condensed human situations” that “focus on inner turmoil, doubt, compassion, abandonment, and responsibility, experiences that every human being encounters at some point”.'
Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here, those for Seen & Unseen are here, and those for Art+Christianity are here.
-------------------------------------------------------------------------------------------------------------
'Muraire says that he is fascinated by the way in which religious paintings from the 15th and 16th centuries “introduced a new sense of proximity” as “people brought their own lives, fears, hopes, and inner struggles” into the images. He argues that this is also “what makes biblical narratives so powerful”, as “they depict condensed human situations” that “focus on inner turmoil, doubt, compassion, abandonment, and responsibility, experiences that every human being encounters at some point”.'
Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here, those for Seen & Unseen are here, and those for Art+Christianity are here.
-------------------------------------------------------------------------------------------------------------
Denison Whitmer - Little Flowers.
Saturday, 4 July 2026
Windows on the world (576)
London, 2026
---------------------------------------------------------------------------------------------------------------
The Velvet Underground - Beginning To See The Light.
International Times: Crypto-Religious Culture Wars
My latest book review for International Times is on The Last Supper: Art, Faith, Sex, and Controversy in the 1980s by Paul Elie:
'taken together, Elie’s The Life You Save May Be Your Own: An American Pilgrimage (a group portrait of Thomas Merton, Dorothy Day, Flannery O’Connor, and Walker Percy), Reinventing Bach: Music, Technology, and the Search for Transcendence (a meditation on how sound recording allowed Bach’s music to survive and be reimagined by the likes of Albert Schweitzer, Glenn Gould, and Yo-Yo Ma), and The Last Supper can be viewed as a loosely connected trilogy of twentieth century cultural and spiritual history. In them, Elie undertakes a wide-ranging inquiry into the ways in which religion and faith have shaped human creativity, memory, and community in the modern era by means of the ‘spiritualized encounter’. As Nora Futtner has written, ‘Elie’s work is an invitation—to engage, to reflect, and to explore how faith and culture continually shape one another in unexpected ways.’'
For more of my writing on music, see my article for Seen and Unseen entitled 'Rock ‘n’ roll’s long dance with religion' and my co-authored book with Peter Banks, ‘The Secret Chord’, which has been described as an impassioned study of the role of music in cultural life written through the prism of Christian belief.
The book can be purchased from Lulu - https://www.lulu.com/shop/jonathan-evens-and-peter-banks/the-secret-chord/paperback/product-1pey2g67.html?q=peter+banks&page=1&pageSize=4
Covering a range of musical styles and influences, from gospel music to X Factor, The Secret Chord conveys enthusiasm for music and its transformative powers. The book asks is there really a 'Secret Chord' that would both please the Lord and nearly everybody else as described in Leonard Cohen's popular song 'Hallelujah'?
My earlier pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of:
IT have also published several of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.
To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.
I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.
'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.
-------------------------------------------------------------------------------------------------------------
'taken together, Elie’s The Life You Save May Be Your Own: An American Pilgrimage (a group portrait of Thomas Merton, Dorothy Day, Flannery O’Connor, and Walker Percy), Reinventing Bach: Music, Technology, and the Search for Transcendence (a meditation on how sound recording allowed Bach’s music to survive and be reimagined by the likes of Albert Schweitzer, Glenn Gould, and Yo-Yo Ma), and The Last Supper can be viewed as a loosely connected trilogy of twentieth century cultural and spiritual history. In them, Elie undertakes a wide-ranging inquiry into the ways in which religion and faith have shaped human creativity, memory, and community in the modern era by means of the ‘spiritualized encounter’. As Nora Futtner has written, ‘Elie’s work is an invitation—to engage, to reflect, and to explore how faith and culture continually shape one another in unexpected ways.’'
For more of my writing on music, see my article for Seen and Unseen entitled 'Rock ‘n’ roll’s long dance with religion' and my co-authored book with Peter Banks, ‘The Secret Chord’, which has been described as an impassioned study of the role of music in cultural life written through the prism of Christian belief.
The book can be purchased from Lulu - https://www.lulu.com/shop/jonathan-evens-and-peter-banks/the-secret-chord/paperback/product-1pey2g67.html?q=peter+banks&page=1&pageSize=4
Covering a range of musical styles and influences, from gospel music to X Factor, The Secret Chord conveys enthusiasm for music and its transformative powers. The book asks is there really a 'Secret Chord' that would both please the Lord and nearly everybody else as described in Leonard Cohen's popular song 'Hallelujah'?
My earlier pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of:
- In Another World: The Four Seasons of Talk Talk
- Hulda Guzman: Please awake - asked Nature kindly' at Turner Contemporary;
- 'Devotions' by Lucy Caldwell and 'Catholic Modernism and the Irish ‘Avant-Garde’: The Achievement of Brian Coffey, Denis Devlin, and Thomas MacGreevy' by James Matthew Wilson;
- the 'Stations' project from Dunlin Press;
- 'William Blake: The Age of Romantic Fantasy';
- Joseph Arthur in concert;
- installations by Chiharu Shiota and Yin Xiuzhen at Hayward Gsllery,
- U2's 'Days of Ash', Mumford and Sons' 'Prizefighter' and Moby's 'Future Quiet';
- 'Collected Poems' by Kevin Crossley-Holland;
- 'Lux' by Rosalía;
- 'Springsteen: Deliver Me from Nowhere';
- 'Great Art Explained' by James Payne;
- 'Down River: In Search of David Ackles' by Mark Brend;
- 'Headwater' by Rev Simpkins;
- 'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson;
- 'Breaking Lines' at the Estorick Collection of Modern Italian Art,
- albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey,
- also by Joy Oladokun and Michael Kiwanaku;
- 'Nolan's Africa' by Andrew Turley;
- Mavis Staples in concert at Union Chapel;
- T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone;
- Helaine Blumenfeld's 'Together' exhibition,
- 'What Is and Might Be and then Otherwise' by David Miller;
- 'Giacometti in Paris' by Michael Peppiatt,
- the first Pissabed Prophet album; and
- 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.
IT have also published several of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.
To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.
I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.
'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.
-------------------------------------------------------------------------------------------------------------
U2 - All I Want Is You.
Thursday, 2 July 2026
Artlyst: The Art Diary July 2026
My July 2026 Art Diary for Artlyst begins with group exhibitions at Hauser & Wirth Menorca and GRIMM exploring disorientation and complexity as zeitgeist themes emerging from contemporary culture. Exhibitions at The Whitworth, V&A, Cento, Gazelli Art House, and Hauser & Wirth Somerset engage with aspects of contemporary culture in different ways, using dialogical and relational approaches that connect with either the past or the environment. Exhibitions at Fitzrovia Chapel engage with aspects of that space’s history while exhibitions at Charleston and Waddington Custot explore artists and movements from the early years of Modernism. Finally, exhibitions at St Oswald’s Ashbourne and the American Visionary Art Museum focus on current expressions of Christian spirituality.'
My other pieces for Artlyst are:
Interviews -
My other pieces for Artlyst are:
Interviews -
- Michael Petry Discusses In League With Devils with Revd Jonathan Evens
- Sean Scully A Humility Towards Nature
- Winslow Homer: American Passage An Interview With Biographer Bill Cross
- Grayson Perry Tapestries On Show At Salisbury Cathedral
- Sidney Nolan’s Africa: Interview With Andrew Turley
- Ilona Bossanyi: Tate’s Ervin Bossanyi Stained Glass Window Mothballed After 2011 Redevelopment
- Louis Carreon: Sampling Art History
- Modus Operandi - What Makes Successful Public Art: Vivien Lovell Interviewed
- Genesis Tramaine: A Queer Devotional Painter
- Lakwena Maciver: Review-Interview Hastings Contemporary
- Nicola Ravenscroft - Sculpture With A Peaceful Stillness
- Artist Hannah Rose Thomas – Tears of Gold – Interview
- Marcus Lyon: Human Atlas Explorations
- Elizabeth Kwant Interview
- Helaine Blumenfeld: Undulating Structures
- National Gallery Explores ‘Sin’ In New Exhibition – Interview Dr Joost Joustra Curator
- Betty Spackman: Posthumanism Debates
- Christopher Clack: Connecting The Material And Immaterial
- Peter Howson Artlyst Interview
- Marleen Hengelaar-Rookmaaker On The Legacy Of ArtWay
- Alastair Gordon A Testament To His Faith
- Katrina Moss Chaiya Art Awards Interview: Where is God in our 21st century world?
- Apocalypse Now: Michael Takeo Magruder Interviewed
- Jonathan Anderson: Religious Inspirations Behind Modernism
- Caravan – An Interview With Rev Paul Gordon Chandler On Arts Peacebuilding
- Art Awakening Humanity Alexander de Cadenet Interviewed
- Michael Pendry New Installation Lights Up St Martin In The Fields
- Mark Dean Projects Stations of the Cross Videos On Henry Moore Altar
- June 2026 Art Diary
- May 2026 Art Diary
- April 2026 Art Diary
- March 2026 Art diary
- February 2026 Art Diary
- January 2026 Art Diary
- The December Art Diary
- The November Art Diary
- The October Art Diary
- The August/September Art Diary
- The July Art Diary
- The June Art Diary 2025
- The May Art Diary 2025
- The April Art Diary 2025
- The Art Diary March 2025
- The Art Diary February 2025
- The Art Diary January 2025
- The Art Diary December 2024
- The Art Diary November 2024
- The Art Diary October 2024
- The Art Diary September 2024
- The Art Diary August 2024
- The Art Diary July 2024
- The Art Diary June 2024
- The Art Diary May 2024
- The Art Diary April 2024
- The Art Diary March 2024
- The Art Diary February 2024
- The Art Diary January 2024
- The Art Diary December 2023
- The Art Diary November 2023
- The Art Diary October 2023
- The Art Diary September 2023
- Jeremy Deller In Rennes And Brittany Post-Impressionism – August Diary
- The Art Diary July 2023
- The Art Diary June 2023
- The Art Diary May 2023
- The Art Diary April 2023
- The Art Diary March 2023
- The Art Diary February 2023
- Surveying New Exhibitions With A Spiritual Twist January 2023 Art Diary
- Christmas: The Art Of Faith December 2022 Diary
- Soulages And Strange Clay November 2022 Art Diary
- Alexander de Cadenet And Michael Forbes October 2022 Diary
- Spiritual Joseph Beuys Plus More: September Diary
- Holiday Snaps – End Of Summer Art Diary
- Art Search: August 2022 Diary
- Re-imagining Essex July 2022 Diary
- Art Illuminating spirituality June 2022 Diary
- Venice To London May 2022 Diary
- Jacob Epstein, Louis Carreon, Titus Kaphar, Betty Spackman – April 2022 Diary
- Audrey Flack Carlo Crivelli And Robert Indiana – March Diary
- My Art Diary And Other Thoughts February 2022
- And On An Art Note: End Of Year Diary 2021
- International Autumn Art Exhibition Reviews
- And On An Art Note: End Of Year Diary 2021
- The Sun and the Moon Saatchi Gallery A Sublime Experience
- The Meaning Of Life Explored At Sainsbury Centre
- Zurbaran Contrasts and Innovations National Gallery London
- Bruegel To Rembrandt Drawing The Rise of Naturalism Compton Verney
- Into Abstraction Meaning Connection And Hope Firstsite
- Nigerian Modernism Explored Tate Modern
- Can We Stop Killing Each Other? – Sainsbury Centre
- Millet Life on the Land National Gallery
- Lubaina Himid With Magda Stawarska Kettle’s Yard
- Arpita Singh Social Observations Serpentine North
- Siena: The Creative Achievement Of Christendom
- An Uncommon Thread Hauser & Wirth Somerset
- Michelangelo Leonardo Raphael At The Royal Academy Review
- Modern Art Oxford Reopens After £2million Redesign
- Leonora Carrington Still Relevant Firstsite Colchester
- Ken Currie, Kehinde Wiley, Susie Hamilton Three Exhibitions About Communities
- The Victorian Radicals And Other Related Exhibitions
- Cedric Morris And Arthur Lett-Haines Gainsborough House
- Lunar Lullabies, David Lock and Concrete Dreams Three Shows To See At Firstsite
- Tate Expressionists Exhibition Reveals Spirituality and Past Gender Disparity
- The Last Caravaggio National Gallery
- Issam Kourbaj Kettle’s Yard And Heong Gallery Cambridge
- Li Yuan-chia And Friends Kettles Yard Cambridge
- Antony Gormley Explores Self Awareness White Cube Bermondsey
- Holbein: Politics Religion And Draughtsmanship – The Queen’s Gallery
- R B Kitaj And Philip Guston: Figurative Painting Celebrated
- Paula Rego And Lord Harries Respond To Art And Religion
- A World In Common: Contemporary African Photography Tate Modern
- Chris Ofili Exploring Sin At Victoria Miro
- Ai Weiwei - The Artist of Resistance - The Design Museum
- Saint Francis of Assisi A Timely Exhibition - National Gallery
- Why Critics Have A Problem With The Pre-Raphaelites?
- Religion and Spirituality in Post Impressionism National Gallery
- Black Artists From The American South Royal Academy
- Donatello: The Divine Fused With The Human V&A
- Lucian Freud And His Circle Surveyed In Two London Exhibitions
- A Question Of Clay: Strange Clay – Hayward Gallery
- William Kentridge: Merging Politics With Aesthetics – RA
- Winslow Homer: Beyond The Sea – National Gallery
- Hidden Depths: The Woman in the Window – Dulwich Picture Gallery
- Heavenly Visions: Churches As Spaces For Contemporary Art
- In The Black Fantastic London’s Best Summer Exhibition
- Hew Locke And The Christian Roots Of Carnival – Tate BritainLes Lalanne, Schütte And Gursky London Spring Exhibition Highlights
- Sensuous Sickert and Philpot Two Major UK Solo Exhibitions
- Raphael The Human And Divine – National Gallery
- Damien Hirst The Visceral Reality Of Death
- Ali Cherri: Artist in Residence National Gallery
- Surrealism Outside The Usual Story – Tate Modern
- Marcus Lyon Creates Fields of Vision At St Martin-in-the-Fields London
- Van Gogh Self Portraits The Infinite And The Ordinary
- Marvellous Icons: The London Jesuit Centre
- Albrecht Dürer Travels Of A Renaissance Artist – National Gallery London
- Diasporan Identities: Life Between Islands Caribbean British Art – Tate Britain
- Isamu Noguchi: Socially Engaged Art – Barbican Centre
- Pablo Bronstein: A This-World Vision Of Hell
- Bosco Sodi: In The Beginning Of Wisdom
- George Condo Lockdown Works Hauser & Wirth
- Theaster Gates Clay As A Profound Metaphor
- Mark Rothko: Mesmerising And Intimate Works On Paper
- Roger Cecil: A Once In A Generation Welsh Painter
- Tino Sehgal: Location, Nature And Pandemic – Blenheim Palace
- Michael Armitage And The Power Of Art – Royal Academy
- Marie Raymond And Post-War Avant Garde Painting In Paris
- Rachel Kneebone: A Complex Tableau Of Organic And Geometric Forms
- Rodin: Suffering And Conflict – Tate Modern
- Barbara Hepworth: Symbols Of Art & Life – Hepworth Wakefield
- 20th Century Women Artists Challenging Conventions In Britain
- Chaiya Art Awards 2021 Gallery OXO
- Marc Chagall’s Exquisite Stained Glass Window Commissions
- George Gittoes Equal parts artist and warrior
- Keith Haring: Personal Spiritual Imagery
- Sean Scully: Philosophical Poetic Pastoral The 12 / Dark Windows
- Arthur Jafa: The Art Of Cutting And Pasting
- Blackpentecostal Breath: Spirit-Led Movement Jumps From Music To Visual Art
- Made in USA Ed Ruscha An American Perspective
- Robert Smithson: The Archetypal Nature Of Things
- If Jesus Is A Man Of Colour Why Did We Make Him Aryan?
- Cosmic Patches And Quilts Five Exhibitions
- Everyday Heroes: Southbank Exhibition Celebrates Low-paid Key Workers
- Entwining Spiritualism And Art – Three Shows
- Of Church And The Visual Arts
- Has The Word Master Reached Its Sell-By Date?
- The People Behind Community Is Kindness Billboard Campaign
- André Daughtry: Art, Rebellion And Racial Justice
- Salisbury Cathedral 800 Years Of Art And Spirit
- Home Alone Together Twenty Five Artists
- Botanical Mind Online: Art, Mysticism and the Cosmic Tree
- Salvador Dalí The Enigma of Faith
- Art And Faith A Time For Seeing
- Andy Warhol: Catholicism His Work, Faith And Legacy
- Kiki Smith: Embodied Art
- Art and Christianity Awards A Positive New Millennium Legacy
- Arnulf Rainer: 90th Birthday Exhibition Celebrated At Albertina Museum
- A Belonging Project And Exiles Loss and Displacement
- Robert Polidori: Fra Angelico Opus Operantis
- Art, Faith, Church Patronage and Modernity
- Contemplating the Spiritual in Contemporary Art
- Mat Collishaw Challenges Faith Perspectives With Ushaw Installation
- Waterloo Festival Launches At St. John’s Waterloo
- John Bellany Alan Davie Spiritual Joy and Magic
- RIFT Unites 17 Art and Science MA Graduates At Central St Martins
- Visionary Cities: Michael Takeo Magruder – British Library
- Van Gogh’s Religious Journey Around London
- William Congdon Holy Sites And The Kettle’s Yard Connection
- Mark Dean Premieres Pastiche Mass At Banqueting Hall Chelsea College of Arts
- John Kirby: The Torment
- Underlying The Civilised Facade
- Curating Spiritual Sensibilities In Changing Times
- Homeless Highlighted: New Beau Exhibition At St Martin-in-the-Fields
- Ken Currie: Protest Defeat And Victory
- Bosco Sodi: A Moment Of Genesis
- Bill Viola And The Art Of Contemplation
- Art In Churches 2018: Spiritual Combinations Explored
- Sister Wendy Beckett – A Reminiscence
- Guido Guidi: Per Strada Flowers Gallery London
- Peter Howson: The play is over – Flowers Gallery
- Camille Henrot: Scientific History And Creation Story Mash Up
- Nicola Green Explores Recent And Contemporary Religious Leaders – St Martin-in-the-Fields
- Art And The Consequences Of War Explored In Two Exhibitions
- Helaine Blumenfeld Translating Her Vision
- Sam Ivin: Physically Scratched Portraits Of Asylum Seekers Exhibited
- Sacred Noise: Explores Religion, Faith And Divinity
- Bill Viola: Quiet Contemplative Video Installation St Cuthbert’s Church Edinburgh
- The ground-breaking work of Sister Corita Kent
- Picasso To Souza: The Crucifixion Imagery Rarely Exhibited
- Michael Takeo Magruder: De / coding the Apocalypse – Panacea Museum
- Giorgio Griffa: The Golden Ratio And Inexplicable Knowledge
- Arabella Dorman Unveils New Installation At St James Church Piccadilly
- Can Art Transform Society?
- Art Awakening Humanity Conference Report
- Central St Martins in the Fields Design Then And Now
- The Sacramental And Liturgical Nature Of Conceptual Art
- Polish Art In Britain: Centenary Marked At London’s Ben Uri Gallery
- Refugee Artists: Learning from The Lives Of Others
- The Religious Impulses Of Robert Rauschenberg
- The Christian Science Connection Within The British Modern Art Movement
- Artists Rebranding The Christmas Tree Tradition
- Art Impacted - A Radical Response To Radicalisation
- The Art of St Martin-in-the-Fields
- Was Caravaggio A Good Christian?
Leigh Nash and Sixpence None The Richer - The Tide.
Subscribe to:
Posts (Atom)