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Sunday, 3 May 2026

Life with God and in God

Here's the sermon that I shared this morning at St Mary’s Runwell:

Where we live says quite a lot about the sort of people we are and the kind of relationships we have. Do we value the place where we were born or did we want to move away from it? Have we remained close to our wider family or are we independent of them? Have we a transient lifestyle by choice or necessity? Have we been able to choose where we live or have circumstances dictated that to us? Are our homes places of welcome to others or castles where we protect ourselves from the world?

Jesus told his disciples on the night before he died that he was going away from them to prepare a place for them to live – a dwelling place for them (John 14: 1 – 14). He gave them the picture of living in God’s house, all of them there together but each with their own specifically prepared room. This was a picture of the way in which, in future, they were going to live in God.

Jesus said that they would not be able to go with him as he left them. That was because he was going to the cross and only he, through his sinless death, could cross the divide between God and humanity and restore the relationship between us. That is why he is able to say that he is the way to the Father. No one else was able to bridge that gap by means of their death, only Jesus.

But when he came back to the disciples after death, through the resurrection, the way back to God from the dark paths of sin was now wide open and the disciples together with each one of us can now go in. The great opportunity that Jesus has opened up for us is that, despite our sin, we can live with God now, dwell in him throughout our lives, and also into eternity.

What is it like to live with God? First, it is a place without worry or fear. It is a place of arrival. Saint Augustine said, our hearts are restless till they find their rest in thee. And this is because it is a place where we are valued for who we are. Jesus spoke about going to prepare a specific place specifically for us and this is a way of saying that God knows us and loves us as we are. We can picture it in terms of rooms in our own homes. We put our mark on our rooms filling them with objects and decorations that reflect who we are and what is important to us. In a similar way, God is saying that he welcomes into him, into his presence the unique people that we are, you and I.

And that leads us on to the next characteristic of living with God which is expanse. Jesus says that there are many rooms in his Father’s house, so it is expansive and needs to be because it is open to all – people of every race, language, colour, creed, gender, sexuality, class, nation, whatever. There is room for all.

Living with God is about acceptance – we can stop searching and rest because we have been found, we are accepted and loved as the unique person that each of us is and we are part of a wider worldwide family that can encompass us all.

But living with God is not the end of the story. There is more because God also comes to live with us. In verse 11 we hear Jesus says that he is in the Father (he lives or dwells in God as we now can) and that the Father lives in him. And this is what can happen to us too. In the second half of chapter 14 Jesus speaks about the Holy Spirit coming to stay with us (v16). Then he says that he himself will be in us (v20) and finally in verse 23 he says that both he and the Father will live with us.

This is the incredible news that is central to Christianity. Not only can we live in God but himself comes and lives in us. We are in him and he is in us. Think about the wonder and privilege of it for a moment. Think of how you would feel if the person you most admire in the world lived with you – whether that’s King Charles, Taylor Swift, Greta Thunberg, Sarah Mullally, Pep Guardiola, Pope Leo or whoever. We know that that is unlikely to happen but the reality of our lives and faith is that the God who created the universe and who saved humanity wants to live in your life.

What would you do if that person that you most admire was coming to your home? I bet you would have a massive spring clean and get your house looking just as you would ideally like to have it looking. Shouldn’t we do the same because God is living in our lives? The Bible talks about our bodies being a temple of God’s Holy Spirit – in other words, a place where God lives - and because God lives in us then we should keep our bodies healthy and pure. But not just our bodies, our minds and feelings and actions too. Because we have the huge privilege of having the creator of the universe, the saviour of humanity living in us we need to clean up our act, get on with that spring cleaning and make our lives the sort of place that is fit for a King.

So, there is both challenge and the comfort in our Gospel reading today. The way is open for us to live in God and receive his love and acceptance and for God to live with us which means acting to clean up mess that there is in all our lives. Where are you living this morning? Have you come to live in God or would you like to take that step this morning? And how does God feel about living in you are there things that you need to change about the home that you are providing for God?

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Kahlil Gibran - On Love.

Saturday, 2 May 2026

Windows on the world (569)


London, 2026

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Nick Cave & the Bad Seeds - Long Dark Night.

 

Artlyst: Zurbarán Contrasts And Innovations National Gallery London

Here's my latest exhibition review for Artlyst, which is on the Zurbarán exhibition at National Gallery:

"'Francisco de Zurbarán’s ‘Saint Francis in Meditation’ was a highlight among many other wonderful works in the National Gallery’s Saint Francis exhibition, held in 2023. This image is an attention grabber for its intensity in both composition and content. St Francis is the sole focus, powerfully highlighted against a dark background through chiaroscuro contrasts that earned Zurbarán the nickname “Spain’s Caravaggio”. In frayed, patched, dull robes, Francis kneels, his eyes, set in shadow by his hood, raised radiantly heavenward while he tightly clasps a skull to his chest. Realism and mysticism are compellingly combined in a spellbinding image that screams mortality and devotion."

"Zurbarán’s innovations are threaded throughout this exhibition, which, after its introductory room, focuses on major religious commissions, his evocation of fabrics, his iconography, commissions from outside Seville, his still-lifes and those of his son, and private commissions. The curator’s thematic choices enable Zurbarán’s range to be seen, while also providing opportunities for contemplation that might not have been as apparent in a chronologically structured show'."

Click here for my review of the Saint Francis exhibition at National Gallery and here and here for posts about El Greco.

My other pieces for Artlyst are:

Interviews -
Monthly diary articles -
Articles/Reviews -

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Vigilantes of Love - Further Up The Road.

International Times: Mind The Gap

My latest article for International Times, which is on the Stations project from Dunlin Press:

"these Stations carry marks that are ‘gestures, fragments, traces’ that can’t be defined or pinned down’.

This is appropriate to the themes of life, death, suffering, solace and renewal that form the basis of the Stations of the Cross and which are also the basis for this project. The Stations are ‘a sequence of trials, of vulnerability and suffering, of moments where the burden becomes too much to carry alone’. Experiences of ‘grief, tenderness, labour and intimacy’ that ‘reference an inherited history and the weight of memory’ cannot be ‘fixed to a single meaning’. Therefore, the asemic, abstract and ambient approaches of both Johnston’s ‘abstract and gestural lines and cuts’ and MW Bewick’s music ‘which is mostly an assemblage of single, unrehearsed takes’ are particularly appropriate to use."

My earlier pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of: 'William Blake: The Age of Romantic Fantasy'Joseph Arthur in concert; installations by Chiharu Shiota and Yin Xiuzhen at Hayward Gsllery, U2's 'Days of Ash', Mumford and Sons' 'Prizefighter' and Moby's 'Future Quiet'; 'Collected Poems' by Kevin Crossley-Holland; 'Lux' by Rosalía; 'Springsteen: Deliver Me from Nowhere'; 'Great Art Explained' by James Payne; 'Down River: In Search of David Ackles' by Mark Brend; 'Headwater' by Rev Simpkins; 'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album; and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

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MW Bewick - For Us.

Friday, 1 May 2026

ArtWay: A Return to Soul: Review of Aaron Rosen’s 'Spiritual Traces'

My latest book review for ArtWay is a review of Aaron Rosen's 'Spiritual Traces':

"The essays and conversations in this volume pay special attention to places where spiritual traces might appear hidden and fleeting. Rosen is interested ‘in those places where spirituality feels latent, ephemeral, or on the edge of possibility’ and has written about or interviewed artists ‘whose approach to spirituality needed to be teased out.’"

For more on Aaron Rosen see my interview with him for Seen and Unseen - click here.

My other writing for ArtWay can be found at https://www.artway.eu/authors/jonathan-evens. This includes church reports, interviews, reviews and visual meditations.

ArtWay.eu has been hailed "a jewel in the crown of work in Christianity and the arts," and having come under the custodianship of the Kirby Laing Centre, the much-loved publication has entered an exciting new chapter in its story following the launch of a new website in September 2024.

Since its founding, ArtWay has published a rich library of materials and resources for scholars, artists, art enthusiasts and congregations concerned about linking art and faith. Founded by Marleen Hengelaar-Rookmaaker in 2009, ArtWay's significance is reflected in its designation as UNESCO digital heritage material in the Netherlands.

In 2018, I interviewed ArtWay founder Marleen Hengelaar-Rookmaaker for Artlyst on the legacy of ArtWay itself.


In the video above, the ArtWay team recounts the history of this much-loved resource and looks ahead
to an exciting future for ArtWay.

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Joseph Arthur - Currency Of Love.

Images of Jesus by DANK



A second print of a painting of Jesus by the street artist DANK has been gifted to St Andrew's Wickford.

Dan Kitchener (DANK - https://www.dankitchener.com/) hails from Wickford and specialises in worldwide street art, epic scale murals, interior and exterior works of art (https://www.dankitchener.com/street-art-murals). He has several large murals in Essex including at Rochford and Southend. His murals also include images of Christ in Belfast, Vassa (Finland) and elsewhere.

He says of ‘Garden of Light’, the new image: “When I paint I need to respond naturally to my subject matter, without overthinking, over planning or procrastination - often people comment how ‘quickly’ I paint murals and canvas works - for me it’s almost like a pent up explosion of creativity that I feel welling up like a bubbling spring inside me - I went to my studio last night and put on loud, powerful music, grabbed my cans and canvas and then released all the energy in me to create this canvas - I don’t stop when I paint like this - I paint until I feel it’s finished - for me this artwork achieved my intentions - light filled, nature, flowers and plants. Trees, branches with light flickering through - a sense of peace, calm, beauty and love - I could feel that warm sunlight on me, smell those flowers as I painted (could have been the MTN94 though) and heard his footsteps on the trail ahead.”

These prints will be on display when their hanging space is not required for our art exhibitions.

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Moya Brennan - Perfect Time.

US Episcopalian priest Spencer Reece: ‘Poetry saved my life’

Church Times has published an interview with Fr Spencer Reece following his recent visit to the Parish of Wickford and Runwell.

As he explained during his visit, he says in the interview that: 'Both his poetry and now his ministry have also helped him to survive personally. “Poetry saved my life,” he says; and the Church saves it now, though in a different way. As Rector of St Paul’s, Wickford, in Rhode Island, and after the recent deaths of his parents, the church has become not just a place of ministry, but a community that sustains him.'

Fr Spencer is Rector of St Paul’s Episcopal Church in Wickford, Rhode Island, and an internationally acclaimed poet. His dream, prayer, and ultimate goal for his time with St. Paul’s Church is to continue the ongoing work of the parish in spreading Jesus’ radical love. “Let kindness be our legacy,” he has said.

It was wonderful to welcome Fr Spencer to our parish and to reanimate the links between our two parishes. We look forward to time in Rhode Island ourselves and to welcoming Spencer and others from the parish to Wickford and Runwell next year. To find out more about the historic links between our parishes and towns, see Wickford Community Archive.

For more on Fr Spencer's visit, see here and here. To read my interview with Fr Spencer for International Times see here and, for my review of Fr Spencer's more recent poetry collection, see here. Fr Spencer spoke at St Martin-in-the-Fields during his visit, see below for that service and click here for one of the services in our parish at which he preached:


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Spencer Reece - Poetry Holds Us Together.