Wikio - Top Blogs - Religion and belief

Friday 31 December 2021

Church Times: Young Poland at the William Morris Gallery

My latest review for Church Times is of the Young Poland exhibition at the William Morris Gallery:

'The French artist Maurice Denis, in an address on “New Directions in Christian Art” published by the Revue des Jeunes in February 1919, referred to “the sumptuous glass windows of the Pole Mehoffer in Fribourg” as one example, among others, giving hope of a post-war revival in Christian art.

Józef Mehoffer was a collaborator with Stanisław Wyspiański in Young Poland (Mloda Polska), an Arts and Crafts movement with strong stylistic and philosophical affinities to the work of William Morris, John Ruskin, and their followers in Britain. These affinities were strong within Europe at the beginning of the 20th century. In addition to their exploration through the “Young Poland” exhibition at the William Morris Gallery, these affinities also feature currently at the Hungarian National Museum in “The Beauty of Utopia. Pre-Raphaelite Influences in the Art of Turn-of-the-Century Hungary”, which focuses on the Gödöllo artists’ colony founded by Aladár Körösfoi-Kriesch. Denis noted a further influence in the conversion of the Belgian art critic Bruno Destrée, in part through the influence of the works of the Pre-Raphaelite artist Edward Burne-Jones.'

Other of my pieces for Church Times can be found here.

--------------------------------------------------------------------------------------------------------------

Henryk Gorecki - O Domina Nostra.

Monday 27 December 2021

Artlyst - And On An Art Note: End Of Year Diary 2021

My latest article for Artlyst is a diary piece covering a wide range of  exhibitions and publications including work by Marc Chagall, Giacomo Manzù, Anna Ray, and Hughie O'Donoghue. It's mainly London-based but includes a trip to St Albans Museums:

'Touring galleries in the environs of Cork Street during Advent reminded me that, in the past, galleries would often have used Christmas as a reason to show works utilising religious iconography. That seems to be no longer the case, but, as I reflected further, that seems an indication that engaging with religion is no longer a niche theme for galleries but one that has been mainstreamed. As evidence, we can look at the extent to which the religious iconography of modern or contemporary artists is now explored either as a sole focus or central strand of retrospectives, as with Andy Warhol: Revelation, which is currently at Brooklyn Museum, or Paula Rego/Josefa de Óbidos: religious art in the feminine at Casa Das Historias Paula Rego earlier in the year. Also, the extent to which the religious iconography and themes of historical collections are increasingly being researched, displayed and shared in innovative ways, often specifically with faith communities. Examples range from exhibitions such as Dürer’s Journeys: Travels of a Renaissance Artist with its exploration of contacts with Martin Luther to the National Gallery’s new Sacred Art in Collections Pre-1900 Network and the developing Visual Commentary on Scripture providing online exhibitions in dialogue with passages from the Bible.’

My other pieces for Artlyst are:

Interviews -
Articles -
----------------------------------------------------------------------------------------------------------

Sunday 26 December 2021

humbler church Bigger God - January 2022








HeartEdge is fundamentally about a recognition of the activity of the Holy Spirit beyond and outside the church, and about a church that flourishes when it seeks to catch up with what the Spirit is already doing in the world. There was a time when church meant a group that believed it could control access to God – access that only happened in its language on its terms. But God is bigger than that, and the church needs to be humbler than that. Kingdom churches anticipate the way things are with God forever – a culture of creativity, mercy, discovery and grace – and are grateful for the ways God renews the church through those it has despised, rejected, or ignored.

‘humbler church Bigger God’ is the new title for our ongoing online festival of theology, ideas and practice. We’ve developed this in response to our changing world. The church is changing too, and - as we improvise and experiment - we can learn and support each other. This is ‘humbler church Bigger God’’ - talks, workshops and discussion - hosted by HeartEdge. Created to equip, encourage and energise churches - from leaders to volunteers and enquirers - at the heart and on the edge.

The online programme includes:
  • Regular workshops: Church History (Fortnightly on Mondays), Sermon Preparation (Weekly on Tuesdays) and Community of Practitioners (Weekly on Wednesdays)
  • One-off workshops and series on topics relevant to renewal of the broad church including Contemplation as a Gift to the Church and Reconciling Mission: Being Better Neighbours.
January's humbler church Bigger God programme includes:

Church History course:


A new course providing an introduction to and an overview of church history. If we are to see a humbler Church and a bigger God, we need to deal with the history of the Church to understand where we are now, and why. The course starts on Monday 24 January and runs twice a month at 7.45 pm on Mondays until 25 July (see below for dates and topics). It will be led by Rev Ruth Gouldbourne who has been a Baptist minister for more than 30 years, ministering in churches in Bedford, London and Cheadle Hulme, as well as being a tutor at Bristol Baptist College. An Associate Fellow of Spurgeon's College, she is also Senior Research Fellow of IBTSC Amsterdam, and a Research Fellow of Bristol Baptist College.

The schedule is as follows: Week 1 - Introduction; why church history? Jan 24; Week 2 - The Fathers – who they? Feb 7; Week 3 - Creeds, Councils and Controversies Feb 28; Week 4 - Augustine towers over us all March 14; Week 5 - Christendom; love it or hate it, you need to deal with it March 28; Week 6 - A thousand years when nothing happened April 11; Week 7 - Middle ages; Light April 25; Week 8 - Middle Ages; Dark May 9; Week 9 - Middle Ages; Shadow May 23; Week 10 - Reform of all shapes and sizes June 6; Week 11 - Reason and romanticism June 27; Week 12 - Expansion and disintegration July 11; Week 13 - Reconfiguration – and nothing new under the sun. July 25.

Register for the Zoom link at https://www.eventbrite.co.uk/e/church-history-course-tickets-232671395407.

Jesus Is Just Alright: Rocking the Church calendar

For over 50 years, pop musicians in all genres have explored the meaning and significance of Jesus in their music. The result is a rich collection of songs that consider important spiritual questions like faith, doubt, and prayer in unique and often provocative ways.

Delvyn Case and Jonathan Evens will, in conversation, mine this rich resource to share rock and pop music for Lent (4 January), Easter (10 January) and Christmas (18 January). Register for the Zoom link at https://www.eventbrite.co.uk/e/jesus-is-just-alright-rocking-the-church-calendar-tickets-225766482627.

Delvyn Case is a composer, conductor, scholar, performer, concert producer, and educator based in the Boston area who has set up Rock of Ages, a website where he shares his research into Jesus and Popular songs. Jonathan Evens is Associate Vicar for HeartEdge at St Martin-in-the-Fields and co-author of ‘The Secret Chord’, an impassioned study of the role of music in cultural life written through the prism of Christian belief.

Community of Practitioners workshop:

Wednesdays at 16:00 (GMT), Zoom meeting. Email jonathan.evens@smitf.org to register. This is a space for practitioners, lay and ordained, to reflect on theology and practice. Each week, we alternate between 'Wonderings' and discussion of a work of theology. Books to be read include ‘The Hidden Wound’ by Wendell Berry and ‘Improvisation’ by Sam Wells. 'Wonderings' help us to reflect and pray on what has stood out for each of us in the last week. Newcomers are very welcome.

The Binding of Isaac According to the Elohist

Thu, 13 January, 15:00 – 16:00 GMT. Register at https://www.eventbrite.co.uk/e/the-binding-of-isaac-according-to-the-elohist-tickets-225877895867.

For millennia, the Biblical story of Abraham and Isaac has provoked Jews and Christians to explore questions central to our religious lives: What is faith? What does God require of us? How do our Scriptures reveal those answers?

This ecumenical event explores these questions through the lens of a new musical composition inspired by Genesis 22 by American composer Delvyn Case. Participants will view a video of the world-premiere performance of this new work and then engage in small-group discussion about the ways it explores the complexities of this ancient story. Moderators include Delvyn Case, composer and hymn writer June Boyce Tillman, Rabbi Tzemah Yoreh, leader of The City Congregation, New York, and Revd Jonathan Evens.

Pioneer Practice

This is a free four-week webinar series with Jonny Baker and guests, run in partnership between HeartEdge and Church Mission Society (CMS). Sign up here for access to all the webinars, running on these dates:
  • 13 January: Be You
  • 20 January: See
  • 27 January: Build
  • 3 February: Change
Register at https://www.eventbrite.co.uk/e/pioneer-practice-tickets-212413463387.

As a pioneer, you see something — a possibility, an idea, a way that things could be better or new of different. Then you make something happen out of what you see.

This webinar series explores over four weeks how pioneering happens in practice. Its focus is how things happen on the ground. Each week Jonny will have two or three guests and get into the gritty day to day of how they pioneer. It’s ideal for you if you have started something or if you have an inkling or an idea you want to explore and get started. It would also be really useful to attend with a couple of others who you might pioneer something with. If you are a church leader it would be great for you too and do think of people in your church who might have the pioneer gift, whether they know it or not, and encourage them to come along.

That idea might be starting a new Congregation — the Church of England, for example, is encouraging every parish to pioneer one. It might also be an idea related to Compassion in your community. It might be related to Commerce as a way of making good in the world through enterprise. Or it might be related to Culture. These are the four Cs of the HeartEdge network.

If you can’t make a session, recordings will be made available for those signed up to the series.

Jonny Baker set up the pioneer training at CMS where he is one of the directors. He loves all things creative and especially is interested in how faith connects with the wider culture. He is an advocate for pioneers, encouraging and enabling people to give legs to their ideas. To that end, Pioneer Practice, his latest book distills the practical wisdom Jonny has learned over the years into short, full colour, easy to read articles and stories. He has been involved in youth ministry, alternative worship, emerging church, pioneering and will no doubt be involved in whatever else we call the waves of mission innovation in relation to post Christian Britain.

Theology Group and Theology Reading Group

The St Martin-in-the-Fields Theology Group provides an monthly opportunity to reflect theologically on issues of today and questions of forever with Sam Wells. Each month Sam responds to questions from a member of the congregation of St Martin-in-the-Fields who also chairs the session and encourages your comments and questions.

Advance dates for Theology Group meetings at St Martin-in-the-Fields are: Jan 23, Feb 20, March 20.

Additionally, the St Martin-in-the-Fields and HeartEdge Theology Reading Group meets termly to discuss a book together. The next online meeting of this group will be Jan 30.


Find our archive of Living God’s Future Now sessions at - https://www.youtube.com/channel/UCWUH-ngsbTAKMxCJmoIc7mQ.

The humbler church Bigger Church series also coincides with the publication of Samuel Wells, 'Humbler Faith, Bigger God: Finding a Faith to Live By', a major new articulation of the Christian faith that sees criticism as a gift to foster renewal. https://canterburypress.hymnsam.co.uk/books/9781786224187/humbler-faith-bigger-god (Pub date 29 April 2021)

“I’m not sure who else alive could have written this book. Scholars are not usually this accessible. Pastors not usually this sharp-eyed. Critics not usually this devastating. Advocates not usually so beautiful. This unusual book calls to mind Augustine’s heart, Aquinas’s mind, Day’s activism, Temple’s leadership. You say I exaggerate? Take up and read before you tell me I’m wrong.”

— Jason Byassee, Butler Professor of Homiletics and Biblical Hermeneutics at Vancouver School of Theology

-------------------------------------------------------------------------------------------------------

Randy Stonehill - Strong Hand Of Love.

Top Ten 2021

This is the music, in no particular order, that I've most enjoyed listening to in 2021:

Bob Dylan - Springtime in New York, The Bootleg Series: Springtime in New York represents a significant re-evaluation of a period of Dylan's work which had largely been written off (Shot of Love and Empire Burlesque) or thoroughly misinterpreted (Infidels) by those who wanted back the Dylan that they thought they had possessed rather than the Dylan who was actually evolving in front of them. Dylan left classic songs such as Caribbean Wind, The Groom's Still Waiting at the Altar, Angelina, Blind Willie McTell, Foot of Pride, and New Danville Girl off these albums. While each album included other classics such as Every Grain of Sand, Jokerman, I and I, and Dark Eyes, had the songs left off these albums been included the reaction to the albums as a whole would have been enhanced. In addition, these dense, wordy yet illuminating songs would have made it clearer that, in this period, Dylan was moving away from the simplistic and direct expression of faith that characterised the Gospel albums to songs where his exploration of faith was both more allusive and open. Springtime in New York reveals the inadequate nature of much initial response to a complex changing artist like Dylan while also showing that such initial misunderstandings of his work by becoming the standard response actively prevented understanding of the work until challenged by unreleased songs the quality and spirituality of which could not be denied.

Piers Faccini - Shapes of the Fall: 'In Shapes Of The Fall Piers Faccini has created a masterpiece – cerebral, thought-provoking, but above all, musically, an intensely enjoyable listening experience.' 'As he explains, “The fall is what we’re already living through, there is a kind of collapse happening already. And alongside that, I wanted to play around with the myth of the Garden of Eden, as if it were today.” The exhaustion of the planet’s resources and ongoing environmental catastrophes and loss of bio-diversity evidenced first-hand in his witnessing trees dying and birds disappearing within his locality leads him to pessimistically question man’s relationship with his environment whilst ruminating upon any possible resolutions. Thus hope and desperation, destruction and rehabilitation are parallel dichotomies that run like threads through the album.'

Nick Cave and Warren Ellis - Carnage: 'Carnage comes after a remarkable trilogy of Bad Seeds releases, in which Cave and his band—among the fiercest animals in rock’n’roll, when they want to be—approached total stillness.' 'The story they tell is a version of the one Cave has spent his whole career telling, before and after the tragedy that ruptured his personal life—about our equal capacities for cruelty and love, and the flickering possibility of salvation in a brutal world.' 'As ever, Cave uses overtly religious imagery in ways both subversive and devout. The “kingdom in the sky” first appears in the album’s opening lines, where the foreboding music suggests we are doomed never to find it. Its final recurrence comes near the album’s end, in the dreamlike “Lavender Fields,” where a choir urges Cave’s narrator to have faith despite his loss: “Where did they go?/Where did they hide?/We don’t ask who/We don’t ask why/There is a kingdom in the sky.”'

The Alpha Band - The Arista Albums: 'Originally T-Bone Burnett, Steven Soles and David Mansfield met when they worked together in Bob Dylan's Rolling Thunder review backing band. When the wheels fell off the bus of that particular tour at the end of 1975, the trio were immediately signed by Arista with big things predicted. They recorded three albums - 'Interviews', 'Spark In the Dark' and 'The Statue Makers Of Hollywood' - before sadly quitting as a band in 1979. Despite the high expectations and critical acclaim poured on the band, they failed to convert their talents into record sales so despite being fine albums, these remain cult classics. In hindsight, perhaps The Alpha Band were just too good or just ahead of their time. Mixing a myriad of Americana and world music influences together, they manage to sound spookily contemporary to 21st century listeners.' Robert Christgau writes of The Alpha Band as 'a country-rock band shocked by city living into a credible, slightly surrealistic nastiness, rather than the usual sleazy lies.' 'This unholy trio's second album is "humbly offered in the light of the triune God," but T-Bone Burnett still sounds like a helluva monad to me.' 'Now I learn that my man J.H. Burnett really is a born-again Christian, which must be why he feels so strongly about money changers and temples. Nonbelievers consider him shrill, but I find something sweet and reflective right beneath his cool, caustic self-righteousness.'

Our Lady Peace - Healthy in Paranoid Times: 'Deeply motivated by today’s social climate, Our Lady Peace finds a smooth balance between enjoyable music, and deep-thinking lyrics. This is surely one of the most mature albums that the group has made to date; and stands quite strongly in the post-American Idiot world of politically-minded rock records. The album opens with the punchy “Angels/Losing/Sleep,” and is represented on the airwaves by jaunty first single “Where Are You.” Highlights include the darkly played track “Wipe That Smile Off Your Face,” U2-tinged “Boy,” and the gorgeous, subdued album closer “Al Genina (Leave A Light On).” Sung with such passion, and child-like hope (choked with cynicism); it is truly a gorgeous tune.'

Revolutionary Army of the Infant Jesus - Songs of Yearning: 'The revival of Revolutionary Army Of The Infant Jesus that began in 2015 with the Dostoevsky-quoting Beauty Will Save The World has culminated in two new albums – Songs Of Yearning plus companion, Nocturnes. Just like Beauty…, the songs here are friendlier on the ear than the experimentalism of their youth, new players (including children of the original members) bringing fresh impetus. True, a still-intense album of neo-classical 4AD-style ambient folk featuring six different languages and a cover of Ave Maria might not sound that friendly but this is beautiful music built on a relatively unchanged sonic aesthetic that still works after nearly four decades – delicate, plaintive, swelling, and with a never-ending yearning for a half-forgotten past.' 'RAOTIJ may be destined to be remain one for the Godspeed-cum-Gorecki fans but Songs Of Yearning is far purer of spirit and intent than ever before – one for the heart not the heads.'

Valerie June - The Moon and Stars: Prescriptions for Dreamers: 'The Moon And Stars: Prescriptions For Dreamers is an unusual record, one that draws together a diverse array of influences – guided meditation, Fela Kuti, Sun Ra, Memphis soul, racial oppression, pedal steel and Tony Visconti among them, and somehow weaves them into one of this year’s most exceptional offerings.' 'The Order Of Time was an intimate, half-conversational affair, that voice muted and meandering, but oddly all the more heart-rending for its new restraint. The album drew wide critical acclaim and the admiration of Bob Dylan. The Moon And Stars feels a more fully realised project, more wide-ranging and self-assured than its predecessors. Its 14 tracks offer a loose lyrical narrative of the path of the ‘dreamer’ – the conjuring of self-belief, the setbacks, the sorrows, the strength to rise again. In and between, June introduces moments of sonic contemplation that on first listen prove unexpected; it is a brave album that follows its opening track with a 55-second wordless meditation – a wind-chimed, otherworldly deep breath before the heart-thumping, percussive scurry of “You And I”.'

Mica Paris - Gospel: 'the British soul icon returns to her roots with Gospel, her first studio release since 2009’s Born Again. The scope is fairly liberal: Paris tackles traditional gospel (‘Oh Happy Day’, ‘Amazing Grace’), African-American spirituals (‘Go Down Moses’, ‘Motherless Child’), contemporary anthems, perhaps with a latent religious subtext (‘Something Inside So Strong’, ‘I Want To Know What Love Is’), and two originals which, though secular in content, have a clear church influence (‘The Struggle’, ‘Mamma Said’).' 'in many ways this is the album a lot of Mica Paris fans have been waiting for: Songs which allow Paris’ marvellous voice, and all its colours and textures, to shine. Her instrument, which drew comparisons to Anita Baker when Paris first came on the scene in the late 1980s, has deepened beautifully with age. And there are some rousing vocal performances. She allows her voice to shred as she catches on a high note, opting for impassioned imperfection over polish. The heaviness and depth to Paris’ vocal imbues spirituals ‘Go Down Moses’ and ‘Motherless Child’ with a conviction and confident storytelling. Flecks of bluesy guitar swirl around Paris on original song ‘The Struggle’, where she sings of the challenges of navigating this world as a Black woman.'

Deacon Blue - Riding on the Tide of Love: 'Deacon Blue’s new album was never meant to be but, as Covid has bent lives and livelihoods out of shape, doors close, plans change and opportunities arise. With no option to tour their 2020 City of Love album, the band chose to mine the spirit of that record in other ways with their second album in less than 12 months. Riding on the Tide of Love is a continuation, featuring three tracks recorded during the City of Love sessions and others polished up incrementally, with each musician heading into the studio to record their part in isolation. The result is a mellow companion piece, gentle, unhurried, simple, effective and, given its piecemeal gestation, admirably cohesive. The opening title track combines a number of Deacon Blue signatures – a swagger to the rhythm, an ache to the vocals, an uplift to the arrangement – with the bonus feature of Ricky Ross intoning on the verses like a Caledonian Leonard Cohen warming to the theme of love in the time of adversity. Next comes love in a cold climate. She Loved the Snow is a winter song to snuggle up with, a comforting, cosy, breathy duet with Lorraine McIntosh. The easy rapture of their intertwined voices recalls the languid atmosphere of their 2009 McIntosh Ross album, The Great Lakes, recorded in the US with the cream of Americana players. This album is buffed up with more of a pop sheen, but the beguiling spirit remains the same, with a laidback southern soul feel to Send Out a Note. This last number is a call to call out in times of trouble, while there is further empathy in Ross’s beseeching falsetto assurance that “there’s nothing to be scared of, no reason to fear” on Nothing’s Changed. In a year where everything changed, Deacon Blue are determined to be a safe haven.'

Chrissie Hynde - Standing in the Doorway: Chrissie Hynde Sings Bob DylanA mini-genre of music has emerged in recent years: Bob Dylan tribute records from excellent female singers. Joan Osborne, Bettye LaVette, and Emma Swift have all made great contributions since 2017, but Chrissie Hynde, with her new album, Standing in the Doorway: Chrissie Hynde Sings Bob Dylan, may have achieved mastery. Made with Pretenders bandmate James Walbourne, via text messages during the pandemic lockdown, Standing in the Doorway is a rich experience of emotional and intellectual profundity. The eternal truth and power of Dylan’s lyrics, full of ancient wisdom and poetic dexterity, resonate with dramatic force. It is as if these songs are the chorus parts in a classical Greek tragedy, observing the consequences of human folly while also signifying the potential for deliverance. All four of Dylan’s recent celebrants demonstrate why his songs deserved the Nobel Prize for Literature.' 'The restraints of the lockdown work in her favor, as limited accompaniment — acoustic guitar, piano, mandolin, slide guitar — give the nine songs a hypnotic cohesion. Her curation is also inspired. There is not one “hit” on Standing in the Doorway. Instead, Hynde deftly leads her listeners through unique renditions of some of Dylan’s best and most obscure songs.' 'Standing in the Doorway: Chrissie Hynde Sings Bob Dylan rises out of the conditions of disease, chaos, and deprivation to document and exercise aesthetic and philosophic beauty. That’s one definition of hope.'   

My previous Top Ten's can be found here - 20202019, 2018, 2017, 2016, 2015, 2014, 2013 and 2012.

In January I'll be talking with Delvyn Case about rock and pop songs for Lent, Easter and Christmas. The latest series of Jesus Is Just Alright for HeartEdge will look at rocking the Church calendar. Register for the series here. 

My co-authored book ‘The Secret Chord’ is an impassioned study of the role of music in cultural life written through the prism of Christian belief. Order a copy from here.

---------------------------------------------------------------------------------------------------------

The Revolutionary Army of the Infant Jesus - Songs of Yearning.

Saturday 25 December 2021

Wonder of wonders

 


Wonder of wonders,
mystery of mysteries.
The brightness of Christmas
lies on its weather-beaten face.

Look at the cradle!
Look at the child!
Look at the face!
The body of Jesus Christ is our flesh.
He bears our flesh.
Where Christ is, there we are.
It is all our “poor flesh
and blood” which lies there
in the crib.
What happens to Jesus,
happens to us.
He became human,
that we would become
divine.
He came to us that we would
come to him.
He took human nature
that we might be eternally
with him.
Where the body of Jesus Christ is,
there we are;
we are his body.
In the body of this little child,
in the incarnate son of God,
our flesh, our distress,
anxiety, temptation,
our sin, all,
all is borne,
forgiven and healed.
We are accepted,
not despised.
God bears in his body
all our flesh and blood.

All Christian theology
has its origin here.
Without this holy night
there is no theology,
no Christology.
No priest, no theologian
stood at that cradle
and yet all theology arises
from those on bended knees
who do homage
to the mystery
of the divine child
in the stall.

Wonder of wonders,
mystery of mysteries
to know God in the flesh.
Wonder of wonders,
mystery of mysteries.
The brightness of Christmas
lies on its weather-beaten face.

(Adapted from Dietrich Bonhoeffer’s writings on Advent and Christmas)

------------------------------------------------------------------------------------------------------

Dietrich Bonhoeffer - Who Am I.

Windows on the world (359)


London, 2018

-------------------------------------------------------------------------------------------------------------

Sixpence None the Richer - It Came Upon A Midnight Clear.

The four wonders of Christmas

The four wonders of Christmas: A sermon preached at St Martin-in-the-Fields on December 24, 2021 at Midnight Mass

Three miracles or wonders come together on Christmas night. First, the miracle of carrying a baby. The wonder of new life growing within the life and body of a mother. A shelter within the womb in which dependent life can grow towards independence, a life providing all that is necessary to nurture hidden growth and development.

Second, the miracle or wonder of birth itself. The contractions that signal the inevitable, shuddering and painful (for the mother) descent down the birth canal and out, gasping tiny lungfuls of air for the first time. Then the marvel for the parents of holding this tiny being who is flesh of their flesh, bone of their bone; wholly theirs and yet wholly itself.

Third, there is the reaction of others; friends, family, hospital staff, others on the maternity ward, all of whom gather round to share their congratulations and point out those features which confirm that this is a baby that is the child of these parents and these alone. As the saying goes, ‘It takes a village to raise a child’, and that village begins gathering from the moment of birth.

These three miracles or wonders were all present on Christmas night. The miraculous conception of Jesus led Mary from Joseph’s initial rejection and his dream-based acceptance, to the support of her cousin Elizabeth and the recognition of the Messiah by Jesus’ cousin John while still in Elizabeth’s womb, and on to the journey to Bethlehem because of the census, the lack of room for them to stay, with the stable at the inn becoming their resting place in preparation for the birth. Mary was the God-bearer, the one who carried Jesus through his nine-month gestation and who delivered him into a world that neither knew him or particularly wanted him.

That delivery happened on the night that we celebrate tonight. Without midwives and for the usual length of time involving all the usual birth pains, the birth took place of a child about whom prophecies had been spoken and through whom the world itself had come into being and yet he came into a world that did not know him and did not accept him. While born into obscurity, living and dying in obscurity, many, throughout time, have come to see this moment, the birth, as the central moment in human history, the moment around which our wellbeing, salvation and future happiness revolve.

And then others began arriving; first, the animals in the stall, then angels sending shepherds, then a star leading Magi to find the baby born Kings of the Jews. There was celebration and singing, wonder and awe, gift-giving and more dreams providing warnings and directions. A hastily assembled village bringing affirmation, guidance, and protection for the new family who were a long way from home and shortly to become refugees.

All these wonders occurred in less than ideal circumstances, bringing into question our current yearning for Boris to ‘save’ Christmas. To save what and for what, when as we’ve already seen God is always most fully experienced and encountered in adversity, rather than comfort!

Three Christmas wonders, but we have yet to experience the full wonder of Christmas night. There one more wonder, I want to share. I want to encourage you to look more closely into the manger. If you do, looking more intently and closely at the child lying in the manger like new parents seeing their new-born child for the first time and recognising their features in their child, you will see yourself looking back at you.

This insight was first expressed in 1939 by Dietrich Bonhoeffer, a Lutheran pastor who directed an underground seminary in Germany, an intentional Christian community that practised a new form of monasticism. The seminary was closed down in 1937 by the Gestapo and more than two dozen of its students were arrested. Bonhoeffer, too, was arrested in 1943 and executed in 1945, just weeks before the end of World War II. Earlier, while still at liberty, he wrote circular letters to his students encouraging them to pursue and maintain fellowship with one another in any and every way possible.

In his circular letter sent at Christmas in 1939 Bonhoeffer wrote this about the nativity:

‘The body of Jesus Christ is our flesh. He bears our flesh. Therefore, where Jesus Christ is, there we are, whether we know it or not; that is true because of the incarnation. What happens to Jesus Christ, happens to us. It really is all our "poor flesh and blood" which lies there in the crib; it is our flesh which dies with him on the cross and is buried with him. He took human nature so that we might be eternally with him. Where the body of Jesus Christ is, there we are; indeed, we are his body. So the Christmas message for all … runs: You are accepted. God has not despised you, but he bears in his body all your flesh and blood. Look at the cradle! In the body of the little child, in the incarnate son of God, your flesh, all your distress, anxiety, temptation, indeed all your sin, is borne, forgiven and healed.’

That is the great insight of Bonhoeffer’s letters; where Jesus Christ is, there we are, whether we know it or not; what happens to Jesus Christ, happens to us. He became a human being like us, so that we would become divine. He came to us so that we would come to him. He took human nature so that we might be eternally with him. Where the body of Jesus Christ is, there we are; indeed, we are his body. Like new parents seeing their new-born child for the first time and recognising their features in their child, so, when we look in the manger, we see ourselves looking back at us.

‘How shall we deal with such a child?’ Bonhoeffer asks. How shall we respond to so many Christmas wonders? These wonders, these miracles, are all wonderful points of connection with the God who connects with us in and through the Christ-child on Christmas night.

I wonder with which of the four wonders of Christmas night you most identify? I wonder how you will come and connect with the Christ-child this Christmas night? As one who has carried a baby and given birth, as one who has gathered in support of a new family, or as one who has seen something of yourself in the new-born child.

Bonhoeffer also asks us, ‘Have our hands, soiled with daily toil, become too hard and too proud to fold in prayer at the sight of this child? Has our head become too full of serious thoughts … that we cannot bow our head in humility at the wonder of this child? Can we not forget all our stress and struggles, our sense of importance, and for once worship the child, as did the shepherds and the wise men from the East, bowing before the divine child in the manger like children?’ Will you look in the manger this Christmas night to see not only Jesus, but also yourself, and bow your head in humility and worship at the wonder of this God-given child.

---------------------------------------------------------------------------------------------------------

Jennifer Hudson - O Holy Night.  

Friday 24 December 2021

Begin again at Bethlehem

In 1935, Lutheran pastor Dietrich Bonhoeffer accepted an invitation from the confessing church in Germany to direct an underground seminary that would recover their rich Christian tradition and train a new generation of church leaders in practice and belief.

The seminary at Finkenwalde became a social experiment in intentional Christian community modelled on the Sermon on the Mount, “a sort of new monasticism.” Bonhoeffer’s book ‘Life Together’ gives the details for anyone interested in finding out more. In practice the seminary lasted but a moment; the Gestapo, the secret state police, closed the seminary in 1937 and arrested more than two dozen of its students. Bonhoeffer was also arrested in 1943 and executed in 1945, just weeks before the end of World War II.

Following the closure of the seminary, Bonhoeffer wrote circular letters to the disbanded seminarians of Finkenwalde. In the first letter, he wrote that 27 members of the group had spent time in prison. Bonhoeffer speaks in the letter of a “time of testing for us all” and implores his students not to allow their physical separation to result in their isolation from one another. A major theme of Bonhoeffer’s correspondence to the seminarians was a summons to pursue and maintain fellowship with one another in any and every way possible.

In his letters Bonhoeffer was not simply concerned to support and connect the seminarians. He also wanted to continue their theological reflection, particularly in relation to the question of who Jesus Christ is for us today. Christmas, he thought, was the key to answering that question. His view was that all the theology of the ancient church about Jesus “really arose at the cradle of Bethlehem”, and so “the brightness of Christmas lies on its weather-beaten face”. Even today, he wrote, “it wins the hearts of all who come to know it”. So, “at Christmas time we should again go to school with the ancient church and seek to understand in worship what it thought and taught, to glorify and to defend belief in Christ.”

In a letter sent at Christmas 1939, he wrote:

“No priest, no theologian stood at the cradle in Bethlehem. And yet all Christian theology has its origin in the wonder of all wonders, that God became [hu]man … Theologia sacra arises from those on bended knees who do homage to the mystery of the divine child in the stall. Israel had no theology. She did not know God in the flesh. Without the holy night there is no theology. God revealed in the flesh, the God-[hu]man Jesus Christ, is the holy mystery which theology is appointed to guard.

What a mistake to think that it is the task of theology to unravel God’s mystery, to bring it down to the flat, ordinary human wisdom of experience and reason! It is the task of theology solely to preserve God’s wonder as wonder, to understand, to defend, to glorify God’s mystery as mystery.”

That is what we are here to do together tonight; to glorify the mystery of God revealed in the flesh.

So, what can we say is going on here, where Mary becomes the mother of God, where God comes into the world in the lowliness of the manger, where pious shepherds are on their knees, and where kings bring their gifts? Bonhoeffer says that because God is in the manger, “God is near to lowliness” and “loves the lost, the neglected, the unseemly, the excluded, the weak and broken.”

That is the unrecognized mystery of this world: Jesus Christ as God with us. “God as the one who becomes low for our sakes, God in Jesus … that is the secret, hidden wisdom… that “no eye has seen, nor ear heard, nor the human heart conceived” (1 Cor. 2:9).” It is a redemptive mystery “because God became poor, low, lowly, and weak out of love for humankind, because God became a human being like us, so that we would become divine, and because he came to us so that we would come to him”. It is also a mystery of judgment because the Christ child in the manger “pushes back the high and mighty; he overturns the thrones of the powerful; he humbles the haughty; his arm exercises power over all the high and mighty; he lifts what is lowly, and makes it great and glorious in his mercy.”

In a letter sent out at Christmas 1939 Bonhoeffer wrote about the nativity ''The body of Jesus Christ is our flesh. He bears our flesh. Therefore, where Jesus Christ is, there we are, whether we know it or not; that is true because of the incarnation. What happens to Jesus Christ, happens to us. It really is all our "poor flesh and blood" which lies there in the crib; it is our flesh which dies with him on the cross and is buried with him. He took human nature so that we might be eternally with him. Where the body of Jesus Christ is, there we are; indeed, we are his body. So the Christmas message for all … runs: You are accepted. God has not despised you, but he bears in his body all your flesh and blood. Look at the cradle! In the body of the little child, in the incarnate son of God, your flesh, all your distress, anxiety, temptation, indeed all your sin, is borne, forgiven and healed."

In a later Advent letter, he wrote:

“The joy of God goes through the poverty of the manger and the agony of the cross; that is why it is invincible, irrefutable. It does not deny the anguish, when it is there, but finds God in the midst of it, in fact precisely there; it does not deny grave sin but finds forgiveness precisely in this way; it looks death straight in the eye, but it finds life precisely within it.”

If we want to understand this mystery, find God and forgiveness in the midst of anguish, look death straight in the eye and find life within it, then we must participate in the Christmas event, “we cannot simply sit there like spectators in a theatre and enjoy all the friendly pictures”. “Rather, we must join in the action that is taking place and be drawn into this reversal of all things ourselves.”

The 17th century German mystic, Angelus Silesius, warned:

“Though Christ a thousand times / In Bethlehem be born / If he’s not born in thee, / Thou art still forlorn.”

Ricky Ross, the lead singer of Deacon Blue, wrote:

“You got to go back, gotta go back, gotta go back in time / To Bethlehem / To begin again.”

This Christmas begin again by looking in the cradle to see not only Jesus, but also yourself. That is the great insight of Bonhoeffer’s letters; where Jesus Christ is, there we are, whether we know it or not; what happens to Jesus Christ, happens to us. He became a human being like us, so that we would become divine. He came to us so that we would come to him. He took human nature so that we might be eternally with him. Where the body of Jesus Christ is, there we are; indeed, we are his body. Like new parents seeing their new-born child for the first time and recognising their features in their child, so, when we look in the manger, we see ourselves looking back at us.

“How shall we deal with such a child?” Bonhoeffer asks. “Have our hands, soiled with daily toil, become too hard and too proud to fold in prayer at the sight of this child? Has our head become too full of serious thoughts … that we cannot bow our head in humility at the wonder of this child? Can we not forget all our stress and struggles, our sense of importance, and for once worship the child, as did the shepherds and the wise men from the East, bowing before the divine child in the manger like children?”

This Christmas, go back in time to begin again. Amen.

-----------------------------------------------------------------------------------------------------------

Deacon Blue - Bethlehem Begins.

CTiW Christmas Message

Here's my Christmas message to the members of Churches Together in Westminster:

Dietrich Bonhoeffer was a Lutheran pastor who directed an underground seminary in Germany, an intentional Christian community that practised a new form of monasticism. The seminary was closed down in 1937 by the Gestapo and more than two dozen of its students were arrested. Bonhoeffer, too, was arrested in 1943 and executed in 1945, just weeks before the end of World War II. Earlier, while still at liberty, he wrote circular letters to his students encouraging them to pursue and maintain fellowship with one another in any and every way possible; just as we also need to do in the challenges of the pandemic.

In his circular letter sent at Christmas in 1939 Bonhoeffer wrote this about the nativity:

‘The body of Jesus Christ is our flesh. He bears our flesh. Therefore, where Jesus Christ is, there we are, whether we know it or not; that is true because of the incarnation. What happens to Jesus Christ, happens to us. It really is all our “poor flesh and blood” which lies there in the crib; it is our flesh which dies with him on the cross and is buried with him. He took human nature so that we might be eternally with him. Where the body of Jesus Christ is, there we are; indeed, we are his body. So the Christmas message for all … runs: You are accepted. God has not despised you, but he bears in his body all your flesh and blood. Look at the cradle! In the body of the little child, in the incarnate son of God, your flesh, all your distress, anxiety, temptation, indeed all your sin, is borne, forgiven and healed.’

That is the great insight of Bonhoeffer’s letters; where Jesus Christ is, there we are, whether we know it or not; what happens to Jesus Christ, happens to us. He became a human being like us, so that we would become divine. He came to us so that we would come to him. He took human nature so that we might be eternally with him. Where the body of Jesus Christ is, there we are; indeed, we are his body. Like new parents seeing their new-born child for the first time and recognising their features in their child, so, when we look in the manger, we see ourselves looking back at us. I pray that that might be your experience this Christmas.

-----------------------------------------------------------------------------------------------------------

Thursday 23 December 2021

Christmas Greetings from HeartEdge

Dietrich Bonhoeffer was a Lutheran pastor who directed an underground seminary in Germany, an intentional Christian community that practised a new form of monasticism. Bonhoeffer’s book ‘Life Together’ gives the details for anyone interested in finding out more.

The seminary was closed down in 1937 by the Gestapo and more than two dozen of its students were arrested. Bonhoeffer, too, was arrested in 1943 and executed in 1945, just weeks before the end of World War II. Earlier, while still at liberty, he wrote circular letters to his students encouraging them to pursue and maintain fellowship with one another in any and every way possible; just as we also need to do in the challenges of the pandemic.

In his circular letter sent at Christmas in 1939, he wrote:

‘No priest, no theologian stood at the cradle in Bethlehem. And yet all Christian theology has its origin in the wonder of all wonders, that God became [hu]man … Theologia sacra arises from those on bended knees who do homage to the mystery of the divine child in the stall. Israel had no theology. She did not know God in the flesh. Without the holy night there is no theology. God revealed in the flesh, the God-[hu]man Jesus Christ, is the holy mystery which theology is appointed to guard.’

The Christmas story is one of God sending Jesus to be born as a human being, a person like us, God with us. The incarnation shows us that what is at the heart of the Christian faith is God's commitment to be with us. Being with is the holy mystery which theology is appointed to guard. In ‘A Nazareth Manifesto’, ‘Incarnational Mission’ and ‘Incarnational Ministry’ Sam Wells describes the theology and praxis of being with:

‘Being with involves paying attention to whether the person before us is called, troubled, hurt, afflicted, challenged, dying or lapsed, seeking, of no faith, of another faith, hostile; it is asking ‘what do you seek?’ and ‘what do you bring?’; and focuses on presence, attention, acknowledging mystery, openness to delight, enjoyment, and glory, and working in partnership.’

In thinking about what this looks like in practice, I’ve been drawn to ‘Epiphany’, a hymnlike lockdown song by the American singer-songwriter Taylor Swift which was released in July 2020 on her album Folklore. The song honours those who serve others, such as soldiers and medics, by telling their untold stories of being with others. In the song she imagines a nurse or doctor on a 20 minute break between shifts yearning for an epiphany that will provide relief from the unrelenting agony experienced on each shift.

In ‘Epiphany’ Swift shows us examples of being with others that are Christ-like in their nature. Whether soldier or medic, both sing ‘With you, I serve / With you, I fall down’. That is the essence of incarnate mission, of being with. The epiphany that soldier and medic seek is, on the one hand, ‘Just one single glimpse of relief’ and, on the other, ‘To make some sense of what you've seen’. To see that their being with is an echo of Christ’s being with and an anticipation of heaven, where there is nothing but being with, is an epiphany that truly makes sense of what they have seen.

The first lockdown generated slogans that included ‘Community like never before’ and ‘Let’s make this love normal’. Such sentiments have seemed in shorter supply since. Swift’s ‘Epiphany’ returns us to the place of those slogans and introduces us to the real meaning of epiphany and of Christmas; the incarnate practice of being with.

All of us in the HeartEdge team wish you a very happy Christmas.

---------------------------------------------------------------------------------------------------------

Taylor Swift - Epiphany.

HeartEdge Mailer - December 2021



A blessed Christmas and a Peaceful New Year.

As we move out of Advent, here's a shorter email update to wish you a blessed Christmas and a peaceful New Year.

With Covid on the up and in the midst of Christmas plans being hastily remixed, we hope you stay safe and find joy and wonder rekindled by that first Nativity.

This month:
  • Grace - a Christmas conversation about God, home and identity with Bev Thomas, Winnie Varghese and Azariah France-Williams.
  • Sam Wells on weariness and finding the joy this Christmas.
  • 'Print of Nails' - an extract from a new anthology looking to Holy Week with Steven Shakespeare on the Power of Healing.
Read the December Mailer here.

-------------------------------------------------------------------------------------------------------

Sufjan Stevens - O Come, O Come Emmanuel.

Visual Commentary on Scripture: Yet to Come

From December 1, the Advent Calendar from the Visual Commentary on Scripture has featured a link to a specially selected artwork. You simply click on the day's image to view the artwork and its associated commentary. An audio option is available, so you can enjoy listening to the commentary while exploring the high resolution image.

Designed to take you on a journey from the creation through to the Incarnation, encountering theophany and hope in the midst of uncertainty, this Advent Calendar offers a unique way to experience the Bible in dialogue with works of art. 

Today this wonderful Advent Calendar includes one of three commentaries I have written on paintings by Colin McCahon. The commentary focuses on what is 'Yet to Come' and is read by Richard Ayoade.

This reflection comes from my second exhibition for the Visual Commentary on Scripture which can be found at A Question of Faith | VCS (thevcs.org). It's called 'A Question of Faith' and explores Hebrews 11 through the paintings of New Zealand artist Colin McCahon. McCahon is widely recognised as New Zealand’s foremost painter. Over 45 years, his work encompassed many themes, subjects and styles, from landscape to figuration to abstraction and an innovative use of painted text. His adaption of aspects of modernist painting to a specific local situation and his intense engagement with spiritual matters, mark him out as a distinctive figure in twentieth-century art.

The VCS is a freely accessible online publication that provides theological commentary on the Bible in dialogue with works of art. It helps its users to (re)discover the Bible in new ways through the illuminating interaction of artworks, scriptural texts, and commissioned commentaries. The virtual exhibitions of the VCS aim to facilitate new possibilities of seeing and reading so that the biblical text and the selected works of art come alive in new and vivid ways.

Each section of the VCS is a virtual exhibition comprising a biblical passage, three art works, and their associated commentaries. The curators of each exhibition select artworks that they consider will open up the biblical texts for interpretation, and/or offer new perspectives on themes the texts address. The commentaries explain and interpret the relationships between the works of art and the scriptural text.

The McCahon exhibition varies the usual VCS format slightly by providing a greater focus on works by one artist than is usually the case. That is possible in this instance because all of the works in the exhibition explore aspects of Hebrews 11.

My first exhibition for the VCS was 'Back from the Brink' on Daniel 4: 'Immediately the word was fulfilled upon Nebuchadnezzar. He was driven from among men, and ate grass like an ox, and his body was wet with the dew of heaven till his hair grew as long as eagles’ feathers, and his nails were like birds’ claws.' (Daniel 4:33). In the exhibition I explore this chapter with William Blake's Nebuchadnezzar, 1795–c.1805, Arthur Boyd's Nebuchadnezzar's Dream of the Tree, 1969, and Peter Howson's The Third Step, 2001.

Find out more about the VCS, its exhibitions and other resources through a short series of HeartEdge workshops introducing the VCS as a whole and exploring particular exhibitions with their curators. These workshops can be viewed here, here, here and here.

-------------------------------------------------------------------------------------------------------

James K. Baxter - Let Time Be Still.

Wednesday 22 December 2021

The last shall be first and the first last

Here's the reflection I shared during today's Eucharist at St Martin-in-the-Fields:

‘St Laurence was a deacon of the Church of Rome in the third century, during the persecution of the Christians by the Emperor Decius. The Roman magistrate ordered Laurence to bring into the Church all its riches. He did not refuse: instead he accepted. He asked two days’ grace and used the time to set about his pattern of overaccepting [the Magistrate’s order]. In this case he considered what the riches of the Church truly were, and his habit taught him to look back to the neglected parts of the story. On the third day he invited the magistrate back to see the Church filled with the poor, the lame, the orphan and the widow. ‘These’, he said, pointing to the destitute people in front of him, ‘are the riches of the Church.’’ It was a perfect embodiment of the kingdom of God. But it was a rival kingdom to the Roman Empire, and the magistrate had Laurence roasted on a spit.' (Sam Wells)

Recall, for a moment, the words of Mary’s Magnificat: ‘He has brought down the powerful from their thrones, and lifted up the lowly; he has filled the hungry with good things, and sent the rich away empty’ (Luke 1:46-55).

Mary’s song was based firstly on her own experience, as God looked with favour on her lowliness as his servant. From that point onwards all generations call her blessed for the Mighty One has done great things for her. Mary was an obscure young girl who became an unmarried mother and yet her child proved to be the very Son of God. The second reason she gave for being able to sing this song was that God had helped his servant Israel ‘in remembrance of his mercy, according to the promise he made to our ancestors, to Abraham and to his descendants forever.’ Both examples proved to her that God sees and responds to the lowly.

Similarly, Jesus, her son, was himself born in obscurity and weakness. Dietrich Bonhoeffer writes of “God as the one who becomes low for our sakes, God in Jesus … that is the secret, hidden wisdom… that “no eye has seen, nor ear heard, nor the human heart conceived” (1 Cor. 2:9).” It is a redemptive mystery “because God became poor, low, lowly, and weak out of love for humankind, because God became a human being like us, so that we would become divine, and because he came to us so that we would come to him”. It is also a mystery of judgment because the Christ child in the manger “pushes back the high and mighty; he overturns the thrones of the powerful; he humbles the haughty; his arm exercises power over all the high and mighty; he lifts what is lowly, and makes it great and glorious in his mercy.”

Jesus’ constant refrain was that the last shall be first and the first last, an overturning of expectations and hierarchies. He demonstrated this personally by washing the feet of his disciples and calling them to do the same. Through his death - that of a cursed criminal - he became the chief cornerstone to our faith. A sign that the rejected are the route to revival, the gifts that God is calling us to recover as the source of life for all.

Sam Wells writes that: ‘The stone that the builders rejected didn’t find a place in the wall somewhere by being thoughtfully included like a last-minute addition to a family photo. The rejected stone became the cornerstone, the keystone – the stone that held up all the others, the crucial link, the vital connection. The rejected stone is Jesus. In his crucifixion he was rejected by the builders – yet in his resurrection he became the cornerstone of forgiveness and eternal life. That’s what ministry and mission are all about – not condescendingly making welcome alienated strangers, but seeking out the rejected precisely because they are the energy and the life-force that will transform us all. Every minister, every missionary, every evangelist, every disciple should have these words over their desk, their windscreen, on their screensaver, in the photo section of their wallet, wherever they see it all the time – the stone the builders rejected has become the cornerstone. If you’re looking for where the future church is coming from, look at what the church and society has so blithely rejected. The life of the church is about constantly recognising the sin of how much we have rejected, and celebrating the grace that God gives us back what we once rejected to become the cornerstone of our lives. That’s what prophetic ministry means.’

That is the intent of the Magnificat: ‘He has brought down the powerful from their thrones, and lifted up the lowly; he has filled the hungry with good things, and sent the rich away empty.’ St Laurence realised that vision when he invited the magistrate back to see the Church filled with the poor, the lame, the orphan and the widow. ‘These’, he said, pointing to the destitute people in front of him, ‘are the riches of the Church.’’

The Magnificat rose out of the experience of Mary and Israel but was realised in Jesus. Louis MacNeice, although basically agnostic in terms of religion, recognised this when he wrote in his ‘Autumn Journal’:

‘There was a star in the East, the magi in their turbans
Brought their luxury toys
In homage to a child born to capsize their values
And wreck their equipoise.
A smell of hay like peace in the dark stable
Not peace however but a sword
To cut the Gordian knot of logical self-interest,
The fool-proof golden cord;
For Christ walked in where no philosopher treads
But armed with more than folly,
Making the smooth place rough and knocking the heads
Of Church and State together.’

The child born to capsize the values and wreck the equipoise of the wealthy and powerful became the cornerstone, the keystone – the stone that held up all the others, the crucial link, the vital connection. Those who follow him, as did St Laurence, should seek out the rejected because, in Christ, God himself became poor, low, lowly, and weak out of love for humankind and because those we have rejected are the energy and the life-force that will transform us all. Amen.

------------------------------------------------------------------------------------------------------------