Church Times - Rachel Feinstein: Mirror at Gagosian Gallery, Davies Street, London

My latest review for Church Times is of 'Rachel Feinstein: Mirror' at Gagosian Gallery:

'After 9/11, Feinstein found solace in Old Master works of Jesus and Mary feeling their own pain, especially Matthias Grünewald’s Deposition paintings. The potential to empathise with the Gospel characters which is opened by Feinstein’s “Mirror” paintings, through eyes that reflect our features, enables the viewer to find solace similarly.'

For more on Rachel Feinstein, see my February Diary piece for Artlyst here.

Other of my pieces for Church Times can be found here.

------------------------------------------------------------------------------------------------------------

The Velvet Underground - I'll Be Your Mirror.

Picasso To Souza: The Crucifixion

My latest article for Artlyst explores powerfully expressive crucifixion images found in two of the Tate’s current exhibitions. In 1932, the ‘year of wonders’ explored by Tate Modern’s Picasso 1932: Love Fame Tragedy, Picasso created thirteen seminal ink drawings of the Crucifixion, while All Too Human: Bacon, Freud and a Century of Painting Life at Tate Britain showcases the fearful and terrible grandeur of the 1959 Crucifixion by F.N. Souza:

'Between the two World Wars and in the aftermath of World War II, Grünewald’s Isenheim Altarpiece with its brutally realistic depiction of the suffering endured by the crucified provided a frame and inspiration for artists such as Picasso, Rouault, Buffet, Bacon, Sutherland and Souza to protest the violence unleashed by human beings in that most bloody of centuries. The Tate’s current exhibitions provide an opportunity to explore some of less well-known and less frequently exhibited of these images, which ultimately stand as a warning against our human tendency to attack and destroy those we scapegoat.'

My other Artlyst articles and interviews are:

• Apocalypse Now: Michael Takeo Magruder Interviewed
• Jonathan Anderson: Religious Inspirations Behind Modernism
• Michael Takeo Magruder: De / coding the Apocalypse – Panacea Museum
• Giorgio Griffa: The Golden Ratio And Inexplicable Knowledge
• Arabella Dorman Unveils New Installation At St James Church Piccadilly
• Can Art Transform Society?
• Art Awakening Humanity Conference Report
• Central St Martins in the Fields Design Then And Now
• The Sacramental And Liturgical Nature Of Conceptual Art
• Caravan – An Interview With Rev Paul Gordon Chandler On Arts Peacebuilding
• Art Awakening Humanity Alexander de Cadenet Interviewed
• Polish Art In Britain Centenary Marked At London’s Ben Uri Gallery
• Michael Pendry New Installation Lights Up St Martin In The Fields;
• Mark Dean Projects Stations of the Cross Videos On Henry Moore Altar;
• Refugee Artists Learning from The Lives Of Others;
• The Religious Impulses Of Robert Rauschenberg;
• The Christian Science Connection Within The British Modern Art Movement;
• Artists Rebranding The Christmas Tree Tradition;
• Art Impacted - A Radical Response To Radicalisation;
• The Art of St Martin-in-the-Fields; and
• Was Caravaggio A Good Christian?

-----------------------------------------------------------------------------------------------------

Sufjan Stevens - Ring Them Bells.

The ravaged body of Christ in the context of the AIDS crisis

Today I took an assembly at St Edward's Church of England School and Sixth Form College on the theme of yesterday's World Aids Day:

Marcus Reichert's Crucifixions have been described as being among the most disturbing painted in the 20th century. One critic said of them, 'The image of an isolated human being in the process of being annihilated by the world and his own anxiety is one that speaks to every person.’

They were painted by Reichert after a friend had died from Aids and they were first exhibited as a group as part of a touring exhibition to benefit AIDS services in the American South. Reichert said, ‘The Jesus I painted didn't have AIDS … [but] it wasn't altogether a coincidence that this ravaged body of Christ would be there in the context of the AIDS crisis.’ To understand why that may be, it is helpful to think about another painting.
   

This is the crucifixion by Matthais Grunewald, part of the many-panelled Isenheim Altarpiece, which was commissioned for the Antonite monastery at Isenheim and was intended to give support to patients in the monastic hospital. Christ appears hideous, his skin swollen and torn as a result of the flagellation and torture that He endured. Because he worked in the hospital, Grunewald based his image of suffering on the patients whose torments he witnessed. These were mostly sufferers from skin diseases, which were common at the time.

So this was a powerful image in this hospital where those suffering from skin complaints could see God entering into the same suffering that they themselves were experiencing. And that is the central meaning of the crucifixion; that God comes into the suffering and sinfulness of the world taking it onto himself so that we can be set free from suffering and sin.

As Christians, we are called to love others in the same way. Yet some churches have been unwilling to become involved in work with those affected by HIV and AIDS. Usually this is because HIV is wrongly viewed as punishment from God on individual people who engage in ungodly behaviour. In some places, people who are known to be living with HIV are not welcome in churches. However, as we have seen, Jesus came to save sinners – like us. We must show grace, love and compassion to all people with the hope that they will become open to being transformed by Jesus. Churches should be doing something positive to respond to HIV and AIDS in the light of Jesus’ commandment to ‘Love your neighbour as yourself ’ (Luke 10:27).

More than 34 million people in the world have HIV; over 22 million live in Africa. The global HIV epidemic is most keenly felt in the poorest countries of the world. 90% of new HIV infections happen in poor countries, and 7,500 people die each day as a result of HIV and related illnesses. The disease is the leading cause of death in sub-Saharan Africa with approximately 3,600 people dying every day from AIDS.

Churches and Christians are among those tackling this situation and making a difference. For example, Tearfund partner Family AIDS Caring Trust (FACT) trains church volunteers to train family members in Zimbabwe to care for sick relatives. One-to-one meetings were first held with church leaders to win their support. Once the pastors had been envisioned they invited FACT staff to speak at church services, fellowship group meetings and introduce activities on HIV and AIDS in church youth group meetings. Once awareness had been raised, invitations were sent to churches to recruit volunteers for training. Within one year 125 volunteers had received training. The home care project, which used to reach 5% of those who needed home care support, now reaches 24%.

Let us pray: Loving and caring God, thank you, for You call us to love and serve Your people and you call those who care for victims of HIV/AIDS to be healing hands in Your hurting world. You send them to show compassion, to suffer with those who suffer. Day and night they labour to comfort Your people, often neglecting their own health and families in the HIV/AIDS struggle. Forgive us when we deal lightly with the wounds of Your people. Forgive our silence. Forgive our complicity. In Your mercy forgive our condemnation of people living with HIV/AIDS. May we demand drugs for the sick. May we demand care for the abandoned. May we denounce wastefulness by the affluent. Make us instruments of Your peace. Make us agents of Your transformation. Amen.

---------------------------------------------------------------------------------------

Elton John - Song for Guy.