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Showing posts with label spirituality. Show all posts
Showing posts with label spirituality. Show all posts

Friday, 29 November 2024

Thin Places and Sacred Spaces: October online launch


 

View the recording of the October online launch for Thin Places and Sacred Spaces here. Join editor Sarah Law of Amethyst Press on Friday for an evening hour of poetry readings and discussions on what makes the concept of a thin place so compatible with poetry. To see the September Launch, which includes my reading of 'Runwell', click here.


In this important and wide-ranging new anthology from Amethyst Press, with contributions by over 150 contemporary poets, readers are invited to reflect on and experience the poetry of ‘thin places’. The ‘thin place’ is a Celtic term, originally indicating a specific geographical location where the veil between heaven and earth seems exceptionally thin or lifted altogether. The anthology embraces and expands the concept of thin places and sacred spaces, including:

  • Sacred Locations
  • Sacred Nature
  • Sacred Architecture
  • Sacred Times & Holy Hours
  • The Thin Veil Between Life & Death
  • The Holy Unexpected
  • Thin Places in Art, Poetry & Language
If you have ever felt the touch of eternity in nature or sacred architecture; at specific times of the day or year; in stillness, movement, art, silence or surprise – this collection is for you.

'Runwell' is part of a series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios' and was the first poem in the sequence to be written and published. The poem takes the reader on a visit to St Mary's Runwell, while also reflecting on the spirituality of the space plus its history and legends.

The second poem in the sequence to be published is at International Times and is entitled 'Broomfield' Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. My poem reviews their stories, work, legacy and motivations. For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see herehereherehere and here. I will be giving a talk on 'Broomfield Artists in the Basildon Deanery' at St Andrew's Wickford in December (see below).

The third poem in the series to be published is entitled 'Pleshey' and celebrates the Diocesan Retreat House at Pleshey in Essex and the legacy of Evelyn Underhill as a retreat director. My poem can also be found on the Diocesan Retreat House website here.

'Bradwell', the final poem in the series to have been published, is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. My previous posts about Bradwell and the Othona Community can be found here and here.

I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for that anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Five of my poems have appeared in Amethyst Review. They are:'Pleshey''Runwell''Are/Are Not''Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride, click herehereherehere, and here. My poems published by International Times are 'Broomfield' and 'The ABC of creativity'. The latter covers attention, beginning and creation and can be read here.





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Launch of Thin Places & Sacred Spaces: an anthology of new poetry

Monday, 4 November 2024

Artlyst - November Art Diary

My November Art Diary for Artlyst begins with exhibitions by artists with whom I have some former connections, starting with some I have interviewed, such as Michael Petry, Sean Scully and Genesis Tramaine. Then, I highlight some other artists and exhibitions that address aspects of spirituality and mythology. These include Stanley Spencer, Takis and Jonathan Clarke. Finally, I end with exhibitions exploring themes of equality and inclusion, which enable difficult conversations to take place across boundaries:

'Another former interviewee of mine for Artlyst is Paul Chandler, who runs CARAVAN, an international arts NGO. Their latest exhibition, ‘SYMBOLS OF LIFE: BEYOND PERCEPTION: An Artistic Exploration of the Human Soul’, is part of the programming around the Biennale de Dakar, the premiere art event on the African continent. This exhibition features two remarkable artists whose work enhances our experience and understanding of each other and the transcendent. Tidiane Ndongo and Djibril Coulibaly brilliantly embody CARAVAN’s vision of seeing the arts play a strategic role in transforming our world; they touch the spiritual dimension of our human existence. Art is a universal language that can dissolve the differences that divide us. As long as division has torn apart the human family, art has offered a mode of reconciliation and wholeness. As is evident in this exhibition, artistic initiatives by their very nature, are “encounter points,” bringing people together from different backgrounds who might otherwise remain apart, deepening understanding across cultures and spiritual traditions.'

The interviews that I mention in this Art Diary can be found at: Michael Petry; Genesis Tramaine; Sean Scully; and Paul Chandler. I also mention the following reviews: ‘In The Black Fantastic’; ‘Rites of Passage’; and ‘A World In Common’.

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David Fanshawe: African Sanctus: 9. The Lord's Prayer (The Offertory).

Wednesday, 30 October 2024

Artlyst: Leonora Carrington Still Relevant - Firstsite Colchester

My latest exhibition review for Artlyst is on ‘Leonora Carrington: Avatars & Alliances’ at Firstsite Gallery:

'As is clear from this exhibition, the many visionary elements of her work, including her feminism, ecological awareness, interest in spirituality outside of organized religion, and understanding of a world without boundaries, not only result in the creation of extraordinary artistic and personal worlds but connect to key themes and challenges in contemporary society. Her cousin and friend, Joanna Moorhead, has said “The themes that were important to her, as long ago as the 1940s, are the themes that are important to all of us today – especially the natural world, our place in it, and the interconnectedness of everyone and everything.” By offering us a holistic view of Carrington’s life and work, this exhibition fully demonstrates the truth of that statement.'

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Tuesday, 2 July 2024

Artlyst: The Art Diary July 2024

My July Art Diary for Artlyst includes exhibitions at Fitzrovia Chapel, Ingleby, The Gallery of Everything, Yorkshire Sculpture Park, Cristea Roberts Gallery, The Parsonage Gallery, Wellhouse Gallery, The Fry Art Gallery, Focal Point Gallery, Newlands House Gallery and the Holt Festival which include work by Hayley Barker, Anna Zemánková, Bharti Kher, Miriam de Búrca, Leonora Carrington and Michael Petry, among others. These exhibitions engage with an extensive range of spiritualities, some seeking to reverse long-held perceptions:

'The forgotten gods, which have been left for dead in the dust heap of history, are the ones that interest Michael Petry. He says, “I feel like an archaeologist sifting through the sands of time to uncover the old stories, the old myths, the old beliefs on which modern believers act”:

“I have bathed in the spirit of the ancients. Marduk and Thor, Brigit and Ra, and Janus and Seth are only a few of the now-mythologised gods of old. They are no longer held in the respect they were, but does that stop them from being gods? Is it simply time that morphs a god into a myth, and if so, what of the current gods and devils? Will they, too, just become stories told around a campfire?”'

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Mumford & Sons, Baaba Maal - There Will Be Time.