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Showing posts with label prodger. Show all posts
Showing posts with label prodger. Show all posts

Thursday, 9 April 2015

Spokesperson for the silent throng of things made by the human hand

The Evening Standard has four pieces written in appreciation of Neil MacGregor following the announcement that he is to step down as Director of the British Museum. This is fitting because "he has popularised the extraordinary riches of the museum in such as a way as to make them part of an intelligible human story, accessible to the ordinary public."

Michael Prodger writes that MacGregor "sees no conflict between popularity and scholarship and instinctively grasps that the public wants information as much as entertainment."

Antony Gormley described MacGregor as "the spokesperson for the silent throng of things made by the human hand, heart and brain over all time. Like no other before him, he has helped us see, empathise and interpret the huge diversity of humanly made things, allowing us to understand what they are and the world from which they come."

I was pleased to see that his future projects "include working with the BBC and the museum on a new Radio 4 series on faith and society." His series 'A History of the World in 100 Objects' was, in part, an inspiration for my short story The New Dark Ages, which can be read using these links - Part 1, Part 2, and Part 3.

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The Band - Don't Do It.

Saturday, 13 September 2014

Anselm Keifer and Barjac

There is considerable anticipation of the Anselm Keifer retrospective to be held at the Royal Academy of Arts shortly. The Guardian has an interesting article today about Barjac, the home and studio complex near Nîmes in the south of France, to which Keifer moved in 1992. Michael Prodger writes of Keifer's, 'vast pictures, thick with paint and embedded with objects from sunflowers and diamonds to lumps of lead, nod to the Nazis and Norse myth, to Kabbalah and the Egyptian gods, to philosophy and poetry, and to alchemy and the spirit of materials' and suggests that 'the Kiefer worldview is best seen at La Ribaute, his 200 acre compound near Barjac.'

The first work by Kiefer that I saw was his Palmsonntag or Palm Sunday Artist Room at Tate Modern. I was so moved by this piece that I wrote a meditation based on notes and impressions that I jotted down while in the room itself.

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