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Showing posts with label southbank mosaics. Show all posts
Showing posts with label southbank mosaics. Show all posts

Saturday, 11 July 2015

St Lawrence Jewry: Exhibitions and Music Festival

Southbank Mosaics summer exhibition at St Lawrence Jewry Church celebrates ‘London Skylines’ alongside other mosaic works created by Southbank Mosaics in-house artists. This exhibition ends Sunday 20th September 2015. Alongside the mosaics Katrina Bradley is exhibiting a series of her photographs. As well as working in the church office, Katrina is a wonderful photographer.

It has been a tradition at St Lawrence Jewry that they hold a summer festival of some significance. This is unusual in the City of London in that many churches ‘shut up shop’ for the month of August. Every 1.00pm lunch time during the month they will host a concert for the pleasure of those who continue to work throughout the summer season. As usual, there will be an emphasis on younger artists, giving them a chance to perform in the beautiful setting and to experience the joy of working in such a fine acoustic.

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Verter Trio - William Lloyd Webber Fantasy Trio.

Friday, 15 February 2013

Subsumed into the strata of time
















I've enjoyed visits to the Saatchi Gallery ('Breaking the ice: Moscow Art 1960-80s' and 'Gaiety is the most outstanding feature of the Soviet Union: New art from Russia') and Tate Modern ('A Bigger Splash: Painting after Performance'). The highlights for me were the work of Jānis Avotiņš and Dmitry Plavinski:

With their ghostly, alienated faces and figures reminiscent of Soviet-era photography, Jānis Avotiņš thinly painted canvases draw us into a fragile, elliptic world haunted by collective memory. Often using a minimalistic, monochromatic aesthetic reminiscent of fellow Latvian artist Vija Celmins, Avotiņš’ virtuosic imprimatura washes and technique blur and erase the specificity of his subjects, imbuing his images with an air of mystery, rather than nostalgia.

Dmitry Plavinski describes the artistic movement he developed as ‘structural symbolism’ where an integral view of the world disintegrates into a sequence of symbolic forms, subsumed into the strata of time – the past, present and future. In 1964 he produced a graphical book of grasses painted from life after which he finally moved across to figural painting, as well as texture painting, and his works increasingly included religious motifs. In the middle of the 1960’s the artist created large canvases entitled ‘Gospel of John’, ‘Novgorod Wall’ and ‘The Ancient Book’ which used plastic and ligatures of scripts from ancient Slavic texts. Plavinsky said, 'Creation by human thought and hand is sooner or later absorbed by the eternal poetry of nature ... For me, it is not the birth of a civilisation which is of greatest interest but its death and the moment its successor is born …’

I was also fortunate to visit St John the Evangelist Waterloo in time to hear part of their lunchtime concert by the X Ray Quartet while viewing artworks such as a 'Nativity' and 'Crucifixion' by Hans Feibusch, plus the 'Blue King, Crowned' sculpture. The church clearly contains more contemporary art than it was possible to see while the concert was under way and also houses the Southbank Mosaics Studio and Gallery.

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King Creosote and Jon Hopkins - Bubble.