Wikio - Top Blogs - Religion and belief
Showing posts with label sickert. Show all posts
Showing posts with label sickert. Show all posts

Friday, 8 July 2022

Church Times - Glyn Philpot: Flesh and Spirit

My latest piece for Church Times is about 'Glyn Philpot: Flesh and Spirit' at Pallant House Gallery, Chichester:

'... what we see in Balthasar, where Philpot eschews the other Magi to “focus entirely on the African king who brings myrrh to the child Jesus”. “With his head held aloft, he is depicted as empowered, noble and dignified.” He looks not at us, but to the Holy Family, placing us in a privileged position, as if witnessing Balthasar’s arrival among the Holy Family. Philpot paints in this way and with this sensibility because, [Simon] Martin says, “As a queer man, Philpot was a social outsider himself, and so it is tempting to believe that he identified with an outsider of a different sort.”'

My Artlyst piece comparing and contrasting the differences and similarities between Glyn Philpot and Walter Sickert in the light of the overlap in the careers of both artists and the Pallant House Gallery exhibition plus the first major retrospective of Walter Sickert at Tate in over 60 years, is here.

Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here and those for Art+Christianity are here. See also Modern religious art: airbrushed from art history?

--------------------------------------------------------------------------------------------------------

Wednesday, 18 May 2022

Artlyst: Sensuous Sickert and Philpot Two Major UK Solo Exhibitions

My latest piece for Artlyst compares and contrasts the Walter Sickert exhibition at Tate Britain and the Glyn Philpot exhibition at Pallant House Gallery:

"Both exhibitions provide comprehensive overviews of their subject’s works; Walter Sickert primarily uses a thematic structure to do so, while Glyn Philpot: Flesh and Spirit’s aim is to combine the thematic with the chronological. As an exhibition enhancing one with an established reputation – albeit one that has faced questions about the dynamics of power depicted as well as those exercised by the depicter – Walter Sickert can include works by the influencers of Sickert – Whistler and Degas – and those influenced, including Lucien Freud. By contrast, Glyn Philpot: Flesh and Spirit seeks to rehabilitate and re-establish a reputation on different grounds from those on which his reputation was originally gained. As such, the focus is on Philpot’s work with a sense that the edginess of his work was what undermined his original reputation without gaining, either at the time or subsequently, the recognition it deserves.

Between them, these exhibitions provide and open up the foci and tensions of British art in a period when the traditional and the modern were, within British art, effectively counterbalanced. That balance was lost with Sickert’s reputation rising and Philpot’s, despite his effective embrace of modernism, falling. Interestingly, it is Philpot’s engagement with racial and sexual power dynamics which is playing a part in rehabilitating his work, while raising questions about aspects of Sickert’s work and reputation."

My other pieces for Artlyst are:

Interviews -
Articles -
------------------------------------------------------------------------------------------------------------

Steve Taylor and Danielson Foil - Nonchalant.

Sunday, 23 August 2015

Gallery and exhibition update

In addition to visiting Fabrica and the Otter Gallery during the past week, I was also able to see exhibitions and collections at Brighton Museum & Art Gallery and at Pallant House Gallery.

'Brighton Museum & Art Gallery is located in the Royal Pavilion garden, at the heart of the city’s cultural quarter. Its diverse collections bring together the arts and history to tell stories about the city and the world we live in.'

'Royal Pavilion and Museums’ Fine Art collection ranges from late 15th century woodcuts, through old masters of all the major European schools, to key 20th century works informed by New York’s abstract expressionists. This remarkable collection contains nearly 1,500 oil paintings, 4,000 watercolours and drawings, and well over 10,000 prints. It also includes topographical material on the history of Brighton & Hove, and prized Chinese export watercolours and oil paintings.

This collection ranges from works influenced by post impressionism to major late 20th century works from across the Atlantic. Other highlights include one of the finest public collections of Glyn Philpot, and works by Walter Sickert, Vanessa Bell, Paul Nash, Graham Sutherland, Jacob Epstein, Eric Gill and Stanley Spencer.'

'Brighton Museum & Art Gallery displays many objects with an LGBTQ (Lesbian, Gay, Bisexual, Transgender, and Queer) connection. However, their histories are often hidden; as a result they have a Trail giving a brief guided tour of pieces on display, exploring and revealing additional LGBTQ stories.

Glyn Philpot was homosexual and a practising Christian, who became celebrated for his society portraits in the early 20th century. While serving in World War I he met Vivian Forbes who became his student and companion, sharing a home and studio in London. A silver loving cup, engraved with their names and given to the couple as a gift, can also be seen in the 20th Century Art & Design gallery. A sculpture and more of his paintings are also displayed there.'

Pallant House Gallery's Collection of British Modern art is frequently described as one of the best in the UK. with important works by Gino Severini , Ivon Hitchens, Henry Moore, John Piper, Graham Sutherland, Patrick Caulfield, Michael Andrews, Peter Blake and Richard Hamilton. Alongside the Collection, there is a rolling programme of first-class exhibitions and displays incorporating national, international and contemporary art.

Currently these include:

'Nek Chand: The Rock Garden Sculptures is an installation of sculptures by internationally renowned Outsider artist Nek Chand (b. 1924), creator of the famous sculpture park The Rock Garden of Chandigarh, in India. Over forty figurative concrete and mosaic works created from found objects and on loan from the Nek Chand Foundation are on display in the Courtyard Garden and Garden Gallery. A self-taught Indian artist Nek Chand’s sculptures reflect his intuitive approach to creating.'

'St Ives and British Modernism is an exhibition exploring one of the Gallery's most significant donations, the George and Ann Dannatt Gift, which includes a largely unseen and newly conserved group of paintings, drawings, sculptures and prints by key figures associated with the St Ives Group of Artists in the 1950s, 60s and 70s, including Terry Frost, Roger Hilton, Peter Lanyon, Ben Nicholson, Wilhelmina Barns-Graham and John Tunnard.'

'Sickert in Dieppe' which demonstrates the artist's vivid interest in everyday life in Dieppe, to which he was a regular visitor for over four decades and a permanent resident from 1898-1905. Over 80 paintings, prints, preparatory drawings and etchings show Sickert's breadth of subject matter - the town's architecture, harbour and fishing quarter, shops, café culture and inhabitants - whilst charting the development of his pictorial technique during this period. It shows the importance of the personal and professional relationships he made in Dieppe, including European artists such as Degas, Whistler and the Impressionists.

In addition to much mentioned above, I particularly appreciated seeing work by Cecil CollinsJohn Craxton, Dora Holzhandler, Albert Houthuesen, David Jones, R.B. Kitaj, Albert LoudenWinifred Nicholson, Ceri Richards and Keith Vaughan. The following quote from Winifred Nicholson seemed relevant to much that I saw: 'The nature of abstract colour is utter purity - but colours wish to fly, to merge, to change each other by their juxtapositions, to radiate, to shine, to withdraw deep into themselves.'

------------------------------------------------------------------------------------------------

Hiss Golden Messenger - Blue Country Mystic.