All Saints Goodmayes, which has a set of Stations of the Cross by the artist Henry Shelton, has prepared a booklet of images, reflections and prayers based on these Stations. The reflections and prayers used are those that I wrote for an earlier collaboration with Henry called 'The Passion'.
The Passion: Reflections and Prayers features minimal images with haiku-like poems and prayers that enable us to follow Jesus on his journey to the cross reflecting both on the significance and the pain of that journey as we do so. Henry and I aimed in these reflections to pare down the images and words to their emotional and theological core. The mark making and imagery is minimal but, we hope, in a way that makes maximum impact. Here is an example of one of the reflections and prayers:
Jesus dies on the cross
The sun is eclipsed, early nightfall, darkness covers the surface of the deep, the Spirit grieves over the waters. On the formless, empty earth, God is dead.
Through the death of all we hold most dear, may we find life. Amen.
The set of Stations now at All Saints Goodmayes have previously been exhibited at York Minister, St stephen Walbrook, and Chelmsford Cathedral. The booklet comes with a Foreword by The Most Revd and Rt Hon. Stephen Cottrell, Archbishop of York:
"At this most holy time, as we follow Jesus on His journey to the cross, Henry Shelton's contemporary images provide an evocative background against which we can place our deepest reflections as we contemplate the Passion of our Lord Jesus Christ, who by his death and resurrection delivered and saved the world."
Henry Shelton was born and grew up in Stratford, East London. He joined West Ham church as a choir boy where he first became aware of the importance of Christian art.
After leaving school he joined a London studio as an apprentice draughtsman developing his drawing skills in lettering and fine art. After 15 years of service he set up his own studio receiving many commissions to design for such clients as the Science Museum, Borough Councils, private and corporate bodies.
During this time he continued painting Christian art and after meeting Bishop Trevor Huddleston he completed a series of portraits of him which were exhibited in St Dunstan's Church, Stepney, where he was also confirmed by the Bishop.
Messy Holy Week / Easter Mess! Fun! Food! FREE Kids crafts, activities, games, stories, & songs! plus FREE tea for each child 2-4pm, Saturday 12th April 2025, St Andrews Church, Wickford Email emmacdoe@googlemail.com or Sue.wise@sky.com
Sunday 13th April (Palm Sunday): 9.30 am Eucharist, St Mary’s; 10.00 am Eucharist - St Andrew’s; 11.00 am All Age Eucharist St Catherine's; 6.30 pm Reflective Evening Prayer, St Mary’s.
Holy Week & Easter Services
Holy Week (14-19 April)
Stations of the Cross and Night Prayer – 8.00 pm, St Andrew’s (Monday), St Catherine’s (Tuesday), St Mary’s (Wednesday)
Eucharist with footwashing – Maundy Thursday (17 April), 8.00 pm, St Catherine’s (followed by The Watch)
Good Friday Walk of Witness (18 April) – begins from Our Lady of Good Counsel at 10.00 am At the Foot of the Cross – 2.00 pm, St Andrew’s with soloist Eva Romanakova
Easter Day (20 April)
Service of Light – 5.30 am St Mary’s, followed by breakfast Eucharist – 9.30 am St Mary’s; Eucharist – 10.00 am St Andrew’s; Eucharist – 11.00 am St Catherine’s
Meditations for the Stations of the Cross will be drawn from Mark of the Cross and The Passion, collections of images, meditations and prayers by Henry Shelton and myself on The Stations of the Cross. They provide helpful reflections and resources for Lent and Holy Week. These collections can both be found as downloads from theworshipcloud.
Mark of the Cross is a book of 20 poetic meditations on Christ’s journey to the cross and reactions to his resurrection and ascension. The meditations are complemented by a set of semi-abstract watercolours of the Stations of the Cross and the Resurrection created by Henry Shelton.
The Passion: Reflections and Prayers features minimal images with haiku-like poems and prayers that enable us to follow Jesus on his journey to the cross reflecting both on the significance and the pain of that journey as we do so. Henry and I have aimed in these reflections to pare down the images and words to their emotional and theological core. The mark making and imagery is minimal but, we hope, in a way that makes maximum impact.
Jesus dies on the cross
The sun is eclipsed, early nightfall, darkness covers the surface of the deep, the Spirit grieves over the waters. On the formless, empty earth, God is dead.
Through the death of all we hold most dear, may we find life. Amen.
At St Andrew's on Monday 14 April, we will pray the Stations of the Cross by Steve Whittle. Steve's exhibition entitled 'The Way' can be seen at St Andrew's until Good Friday.
This year the Ministry Team in the Wickford and Runwell Team Ministry have once again written our own Lent Course, a five week course looking at journeys in the Bible.
The Bible is full of journeys made by people guided by God.
Some are shorter and some are longer. All are
transformational.
Life is often thought of as a journey. There are high points
and low points, paths where we travel swiftly and paths
where we feel bogged down, there are some times when we
feel like we have come to a dead end and some times when
the future ahead looks far away.
In this course we look at five particular biblical journeys and
think about how the people involved might have felt, and
what responses they evoke in us when we hear them. Do they
remind us of our own journeys with God?
Week 1: Abraham’s wanderings
Week 2: The Exodus
Week 3: Ruth and Naomi
Week 4: Jesus journey to Jerusalem (based on St Luke’s gospel)
Week 5: Paul’s missionary journeys (based on Acts)
These sessions will be offered on Tuesday evening and Thursday afternoon and evening, depending on numbers, starting the week of 10th March.
Mark of the Cross and The Passion are collections of images, meditations and prayers by Henry Shelton and myself on The Stations of the Cross. They provide helpful reflections and resources for Lent and Holy Week. These collections can both be found as downloads from theworshipcloud.
Mark of the Cross is a book of 20 poetic meditations on Christ’s journey to the cross and reactions to his resurrection and ascension. The meditations are complemented by a set of semi-abstract watercolours of the Stations of the Cross and the Resurrection created by Henry Shelton.
The Passion: Reflections and Prayers features minimal images with haiku-like poems and prayers that enable us to follow Jesus on his journey to the cross reflecting both on the significance and the pain of that journey as we do so. Henry and I have aimed in these reflections to pare down the images and words to their emotional and theological core. The mark making and imagery is minimal but, we hope, in a way that makes maximum impact.
Jesus dies on the cross
The sun is eclipsed, early nightfall, darkness covers the surface of the deep, the Spirit grieves over the waters. On the formless, empty earth, God is dead.
Through the death of all we hold most dear, may we find life. Amen.
“This place has known magic, very dark, very powerful. This time I cannot hope to destroy it alone. Times like these, dark times, they can bring people together but they can tear them apart. Evil will pass through from their world into our own – these are mad times we live in, mad – and the darkest hour is upon us all. In my life I’ve seen things that are truly horrific, now I know that you will see worse. You have no choice. You must not fail.”
Does anyone know or would anyone like to guess where those words come from?
They are from the film Harry Potter and the Half-Blood Prince; a film and a series which are about a battle between forces of darkness and light described in words and images that are not so dissimilar from those we heard today in each of our Bible readings:
“For our struggle is not against flesh and blood, but against the rulers, against the authorities, against the powers of this dark world and against the spiritual forces of evil in the heavenly realms. Therefore put on the full armour of God, so that when the day of evil comes, you may be able to stand your ground, and after you have done everything, to stand.” (Ephesians 6. 12-13)
"Does this make you want to give up? What gives life is God’s spirit; human power is of no use at all. The words I have spoken to you bring God’s life-giving Spirit. Yet some of you do not believe." (John 6. 61-64)
Does this mean that as Christians we are actually living in the equivalent of a Harry Potter film? Life generally, although it is often a real struggle, doesn’t look or feel like that! Fantasy books and films can be a means of exploring the dark forces in life and the sense of a cosmic conflict in our world but they can also be a reason for dismissing, as fantasy, this Biblical sense of there being a cosmic conflict in which we are all in some way engaged.
The most helpful writer I have found on these themes to date is Stephen Verney, a former Bishop of Repton. His commentary on John’s Gospel, Water into Wine, begins by noting the way in which this Gospel consistently speaks about there being two different levels or orders to reality. What he means by this are different patterns of society, each with a different centre or ruling power. He gives as an example, the difference between a fascist order and a democratic order:
“In the fascist order there is a dictator, and round him subservient people who raise their hands in salute, and are thrown into concentration camps if they disobey. In the democratic order … there is an elected government, and round it persons who are interdependent, who share initiatives and ideas.”
So, what are the two orders that he sees described in John’s Gospel? In the first, “the ruling principle is the dictator ME, my ego-centric ego, and the pattern of society is people competing with, manipulating and trying to control each other.” In the second, “the ruling principle is the Spirit of Love, and the pattern of society is one of compassion – people giving to each other what they really are, and accepting what others are, recognising their differences, and sharing their vulnerability.”
I see these two different orders clearly defined when Jesus comes before Pilate, as I have described in the first of a series of meditations I have written on the Stations of the Cross:
Jesus and Pilate head-to-head in a clash of cultures. Pilate is angular, aggressive, threatening representing the oppressive, controlling Empire of dominating power, with its strength in numbers and weaponry, which can crucify but cannot set free. Jesus is curves and crosses, love and sacrifice, representing the kingdom of God; a kingdom of love, service and self-sacrifice birthing men and women into the freedom to love one another.
The way of compassion or the way of domination; the way of self-sacrifice or the way of self; the way of powerlessness or the way of power; the way of serving or the way of grasping; the kingdom of God or the empires of Man.
These two orders or patterns for society are at war with each other and it is this struggle, against the rulers, the authorities, the powers of this dark world and the spiritual forces of evil, of which we are a part.
Now, in today’s readings, we are asked to choose our side in this struggle. Verney writes of this being the key question for us as human beings, the question being “so urgent that our survival depending on finding the answer. He writes that: “we can see in our world order the terrible consequences of our ego-centricity. We have projected it into our institutions, where it has swollen up into a positive force of evil. Human beings have set up prison camps where they torture each other for pleasure. We are all imprisoned together, in a system of competing nation states, on the edge of a catastrophe which could destroy all life on our planet.”
And so, as Colin Buchanan writes in his commentary on Ephesians: “… the major battle in which we are called to engage is among the principalities and powers, in the structures of society, in the liberation of the oppressed, in the conserving of the environment, in the provision of housing and jobs, and in the protection of the helpless and innocent.”
It is at this point that we often draw back and say what people often say about engagement in politics i.e. what different can I make? What different can my vote or my voice or my actions make? Aren’t we talking here about global order and forces that can’t be influenced or affected by individuals, so what possible difference can I make on my own?
But individual action is not what Jesus or Paul were primarily talking about. Jesus was talking to the disciples who would go on to form the bedrock of the Church. And Paul, who had already written in Ephesians 3. 10 that “[God’s] intent was that now, through the church, the manifold wisdom of God, should be made known to the rulers and authorities in the heavenly realms”, when he writes about the armour of God writes not in the singular but the plural. The armour of God is armour for us to put on and use together in the cosmic conflict.
Colin Buchanan writes that: “Our being ‘drawn together’ by Jesus Christ, as denominations, church fellowships and individuals within those fellowships, is crucial to the fight … Paul may be telling us how to become a single army under the hand of God … So let the church identify the enemy and, as a single force – the body of Christ, go for the jugular. We have … God’s kingdom to bring in. We can only do it … together.”
We have seen this happen in practice in the various non-violent revolutions of the twentieth century; Gandhi, Martin Luther King, Jubilee 2000 and other campaigns show what is possible when people of faith and people of peace come together in sufficient numbers to make a difference. Together we can engage the principalities and powers, the structures of society, to liberate the oppressed, conserve the environment, provide housing and jobs, and protect the helpless and innocent.
Together; we can only do it together. Joshua challenged the people of Israel, Jesus challenged the disciples, Paul challenged the Church:
‘Choose for yourselves this day whom you will serve, whether the ego-centric ego, where people compete with, manipulate and try to control each other or the Spirit of Love, where people give to each other what they really are, and accept what others are, recognising their differences, and sharing their vulnerability. But as for me and my household, we will serve the Spirit of Love.’ Amen.
"Painting is intrinsically spiritual and prayerful. It is an act of spiritual hope. I’ve been dressing up as saints for selfies (linking Biblical saints to specific super-heroes – e.g. St Thomas being Spider Man), and when I was artist-in-residence at Lincoln cathedral during 2019 I invited staff and visitors to identify with a biblical character, dress up as them and then I drew or painted their portrait."
The interview has a particular focus on the new Stations of the Cross that Matthew has created for St Nicholas Church, Hornsea:
"This is a site-specific commission of paintings that link each Station to a part of the town. At each location in the town itself there is a QR Code to link to information about each Station. His ‘Stations’ are egg-tempera on gesso panels and are traditionally made, just like Orthodox icons. The theological theme of these Stations (in addition to The Cross of course) is ‘water and blood’."
In Luke’s Gospel we read that Jesus, when the days drew near for him to be taken up, set his face to go to Jerusalem (Luke 9.51-62). In Isaiah 50, we read of God’s servant setting his face like flint and not turning backwards although he gives his back to those who struck him, and his cheeks to those who pulled out the beard; so, he did not hide his face from insult and spitting (Isaiah 50.4-11). That is an accurate description of what Jesus did and endured in Jerusalem on the way to the cross:
Your face, set like flint, set towards Jerusalem, bears the mark of the cross. You carry the cross in the resolution written on your features. Death is the choice, the decision, the destiny, revealed in the blood, sweat and tears secreted from your face in prayerful questions, prophetic grief, pain-full acceptance, then imprinted on Veronica’s veil.
Jesus bore the mark of the cross on his face as he was so determined to go to Jerusalem and to the cross. In Luke’s Gospel we read that he entered a village of the Samaritans but they did not receive him, because his face was set towards Jerusalem. The flint-like determination on his face was such that the Samaritan villagers could see what he was determined to do.
What does this determination, this decision, say to us about Jesus and his death? In our Lent Course on the Stations of the Cross, we asked ourselves what was it that held Jesus to the cross? Was it the nails, or Pilate’s judgement and decree, or the presence of the soldiers, or the size of the crowd? If Jesus was God, then legions of angels could have freed him so, if that was the case, what actually held him there?
We then reflected on these two poems:
What holds you here? The cruel nails driven into wrists and feet? Armed guards ringing the base of your cross? The crowd mocking your purpose and pain? The exhaustion of a battered and beaten victim? A willed commitment to a loving, reconciling purpose?
***
Blow after hammer blow holds your body to the cross. Yet, if you had willed so, you could have walked away. You did not so will, your will held you crucified and dying.
As God, Jesus had the power to walk away from the Cross or be rescued from it by legions of angels. He chose not to do so. Ultimately, it was not the nails or soldiers or the crowd, or those who condemned him that held him to the cross. He was there because he chose to be. It was his will and his determination and his love that held him there. We first see that will and determination in the flint-like setting of his face to go to Jerusalem. The steely determination that can be seen in his face is the mark of the cross on his face and a sign of his love for each one of us. This Holy Week may we see that love afresh as we look on his face that is set like flint.
St Catherine’s (Monday), St Andrew’s (Tuesday), St Mary’s (Wednesday)
Eucharist with footwashing – Maundy Thursday
(28 March), 8.00 pm, St Catherine’s (followed by The Watch)
Good Friday
Walk of Witness – begins from Our Lady of Good Counsel at 10.00 am
At the Foot of the Cross – 2.00 pm, St Andrew’s with The Rt Revd Dr Guli Francis-Dehqani, Bishop of Chelmsford and soloist Eva Romanakova
Easter Day (31 March)
Service of Light – 6.00 am St Mary’s, followed by breakfast
Eucharist – 9.30 am St Mary’s; Eucharist – 10.00 am St Andrew’s; Eucharist – 11.00 am St Catherine’s
Additionally, I will be speaking at Billericay Methodist Church Western Road as part of their Holy Week Midday Meditation Services on Monday 25 March, 12.00 pm.
The Visual Commentary on Scripture’s Lent offering this year is based as usual around 14 ‘Stations’ which began on Ash Wednesday and continue on Mondays and Fridays until Holy Week. All the commentaries in the series have an audio feature so that you can listen to them while viewing the works of art. Their 2024 Stations share with you a series of seven works exploring, first, the seven vices most commonly included in lists of the ‘deadly sins’, and then, second, the seven cardinal and theological virtues.
The Christian practice of listing vices and virtues has a long history, going back at least to the times of the very early desert monks in the fourth and fifth centuries. As they cultivated their little patches of land in order to sustain themselves, they also cultivated their bodies and souls to make them as fruitful as they could. Later, medieval Christian manuscripts featured the motif of the ‘virtue garden’, in which the virtues (usually seven) are shown as trees, being watered by prayer.
Christianity, like Judaism, likes having things in sevens. The sixth-century Pope Gregory the Great codified what he thought of as the seven ’capital’ sins—the vices from which all other wrongdoings flow—establishing what we still commonly refer to today as the seven ‘deadly’ sins. The list has varied a little over time. Some vices have dropped out and others have been dropped in. But overall, it has been remarkably consistent.
There has also been variety in the seven virtues Christians have listed for special consideration and imitation. Some lists are based on Jesus’s teaching in the Sermon on the Mount (‘the Beatitudes’); some were developed to describe specific antidotes to each of the capital vices; and one was a combination of four ‘cardinal’ virtues, celebrated in ancient classical philosophy as well as in Jewish and Christian tradition—Prudence, Justice, Temperance, and Fortitude—with the three ‘theological’ virtues outlined by St Paul in 1 Corinthians 13—Faith, Hope, and Love.
Their commentaries explore what some of the more archaic-sounding virtues, like fortitude and temperance might have to teach us in a 21st-century context. Perseverance and self-restraint are, after all, things we need as much as ever.
And because vices are usually good things gone wrong—inordinate or disordered love for something that isn’t necessarily bad in itself, but bad when desired too much or in the wrong way—then you may find the occasional surprise along this Lenten journey: for example, a ‘vice’ having more of the qualities of a ‘virtue’ than you expected.
Lent is a time for spiritual gardening. They hope you will find this year’s Lent Stations a helpful way to take stock of what you might like to weed and what you might like to nurture in your own contexts.
McCahon is widely recognised as New Zealand’s foremost painter. Over 45 years, his work encompassed many themes, subjects and styles, from landscape to figuration to abstraction and an innovative use of painted text. His adaption of aspects of modernist painting to a specific local situation and his intense engagement with spiritual matters, mark him out as a distinctive figure in twentieth-century art.
The VCS is a freely accessible online publication that provides theological commentary on the Bible in dialogue with works of art. It helps its users to (re)discover the Bible in new ways through the illuminating interaction of artworks, scriptural texts, and commissioned commentaries. The virtual exhibitions of the VCS aim to facilitate new possibilities of seeing and reading so that the biblical text and the selected works of art come alive in new and vivid ways.
Each section of the VCS is a virtual exhibition comprising a biblical passage, three art works, and their associated commentaries. The curators of each exhibition select artworks that they consider will open up the biblical texts for interpretation, and/or offer new perspectives on themes the texts address. The commentaries explain and interpret the relationships between the works of art and the scriptural text.
The McCahon exhibition varies the usual VCS format slightly by providing a greater focus on works by one artist than is usually the case. That is possible in this instance because all of the works in the exhibition explore aspects of Hebrews 11.
My first exhibition for the VCS was 'Back from the Brink' on Daniel 4: 'Immediately the word was fulfilled upon Nebuchadnezzar. He was driven from among men, and ate grass like an ox, and his body was wet with the dew of heaven till his hair grew as long as eagles’ feathers, and his nails were like birds’ claws.' (Daniel 4:33). In the exhibition I explore this chapter with William Blake's Nebuchadnezzar, 1795–c.1805, Arthur Boyd's Nebuchadnezzar's Dream of the Tree, 1969, and Peter Howson's The Third Step, 2001.
Find out more about the VCS, its exhibitions and other resources through a short series of HeartEdge workshops introducing the VCS as a whole and exploring particular exhibitions with their curators. These workshops can be viewed here, here, here and here.
My March Art Diary for Artlyst includes exhibitions at Kettle’s Yard, Gallery 1957, Dulwich Picture Gallery, National Portrait Gallery, Compton Verney, Stanley Spencer Gallery, Benjamin Rhodes Arts and covers artists such as Isaam Kourbaj, Nidhi Khurana, Woody De Othello, Polly Braden, Matthew Askey, Steve Whittle, Patrice Moor and Josh Tiessen:
"Steve Whittle’s retrospective at the Beecroft Gallery in Southend includes a series of Stations of the Cross and other crucifixion and resurrection images. Additionally, there are images of churches, including St Peter’s Chapel at Bradwell. M.L. Banting writes: “Asking what had drawn him to this ancient Chapel, Whittle says it’s almost impossible to put into words, he’d felt a primal and immediate connection on his first visit and had to return again and again. That powerful pull has resulted in a number of works, including charcoals, pastels, paintings and collages, all of which portray the extraordinary sense, or spirit, of place – remote, lonely, glorious and powerful – the austere silhouette of the Chapel monumental against the sea and sky.”"
This year the Ministry Team in the Wickford and Runwell Team Ministry have once again written our own Lent Course, which looks more deeply into the Stations of the Cross which we use during Holy Week, including images, readings, reflection and prayer.
These sessions will be offered on Tuesday evening and Thursday afternoon and evening, depending on numbers, starting the week of 19th February. We also have the opportunity to share these sessions with Christ Church, giving additional days and times (Tuesday mornings and Wednesday evenings).
Mark of the Cross and The Passion are collections of images, meditations and prayers by Henry Shelton and myself on The Stations of the Cross. They provide helpful reflections and resources for Lent and Holy Week. These collections can both be found as downloads from theworshipcloud.
Mark of the Cross is a book of 20 poetic meditations on Christ’s journey to the cross and reactions to his resurrection and ascension. The meditations are complemented by a set of semi-abstract watercolours of the Stations of the Cross and the Resurrection created by Henry Shelton.
The Passion: Reflections and Prayers features minimal images with haiku-like poems and prayers that enable us to follow Jesus on his journey to the cross reflecting both on the significance and the pain of that journey as we do so. Henry and I have aimed in these reflections to pare down the images and words to their emotional and theological core. The mark making and imagery is minimal but, we hope, in a way that makes maximum impact.
Jesus dies on the cross
The sun is eclipsed, early nightfall, darkness covers the surface of the deep, the Spirit grieves over the waters. On the formless, empty earth, God is dead.
Through the death of all we hold most dear, may we find life. Amen.
Unveiled – a wide range of artist and performers from Essex and wider, including Open Mic nights (come and have a go!).
Unveiled – view our hidden painting by acclaimed artist David Folley, plus a range of other exhibitions.
Spring Programme 2024
26 January – Open Mic Night organised with John Rogers. Everybody is welcome to come along and play, read, sing or just spectate. See you there for a great evening of live performance!
9 February – Who Tells Your Story? Who Tells Your Future? View this exhibition and hear the artist Maciej Hoffman speak about his work. ‘I choose themes that pervade everyday life, our constant battle with problems which we inevitably face. But also issues which haunt us for years, shaping our perspective on the world and building us as humans.’
23 February – Tryin’ to throw your arms around the world. Jonathan Evens talks about the spirituality of the rock band U2. This talk sets out the main characteristics of U2’s spirituality, examines their roots, makes links between their spirituality and themes in contemporary theology and, considers three reasons why U2’s spirituality has connected with popular culture.
8 March – Dave Crawford in concert. Popular local musician, Dave Crawford writes engaging/melodic songs in Americana/Alt-Rock/Indie-Folk. He has performed at the Leigh Folk Festival, Pin Drop Sessions, and Music for Mind together with Kev Butler. He was recently included on The Open Mic Show Album, Vol. 1 from SoSlam. We have enjoyed Dave’s powerful vocals and guitar here when he has performed previously at our Open Mic Nights.
22 March – An evening with the Ladygate Scribblers. Hear poetry and prose from a long-established Wickford-based writers group.
These events do not require tickets (just turn up on the night). There will be a retiring collection to cover artist and church costs. See http://wickfordandrunwellparish.org.uk/whats-on.html for fuller information.
Who Tells Your Story? Who Tells Your Future? An exhibition of paintings by Maciej Hoffman 23 January – 29 March 2024 St Andrew’s Church, 11 London Road, Wickford SS12 0AN
‘I choose themes that pervade everyday life, our constant battle with problems which we inevitably face. But also issues which haunt us for years, shaping our perspective on the world and building us as humans. I try to capture the moments of tension, the climax, and the spark before ignition.’
Holocaust Memorial Day reflection – 27 January, 3.00 pm.
Hear Maciej speak about his work at ‘Unveiled’ – the arts & performance evening in St Andrew’s Wickford - Friday 9 February, 7.00 pm.
Maciej Hoffman was born in Wrocław, Poland in 1964, the son of artist parents, growing up under Poland's communist regime; after studying philosophy at the School of Theology in Wrocław, he graduated in Painting and Sculpture from the Academy of Fine Art in 1992. Becoming fascinated with web art and new graphic technologies, he then worked for 15 years in one of Poland's largest advertising agencies until a watershed moment in 2003, when he returned fulltime to the studio and to oil painting. He moved to England in 2012, in search of new artistic and life opportunities, and continues to paint, teach and exhibit in the UK and abroad.
Here he became involved in leading art workshops for school students, encouraging self-expression through art therapy for young people from disadvantaged backgrounds, or coping with mental health issues and trauma. He also contributed artworks to exhibitions dealing with conflict and resolution, including two marking Holocaust Memorial Days in 2012 and 2018 respectively. Maciej Hoffman's work has been exhibited in the UK on numerous occasions, including at Chelmsford Cathedral; Barry Gallery Central; Polish Social and Cultural Association (POSK) Gallery and Willesden Gallery (both London), and at the Warwick Art Centre.
‘Painting begins with a spark, an idea, an impulse. Sometimes it seems as though the painting creates itself, intuition guides me during the process … In trivialities as well as in big events I seek contrasts between imagination and reality. Our expectations and our anticipations are never what we finally meet in real life. This constant collision fascinates me. It’s irrelevant whether it’s beauty and ugliness, order or chaos - the point is, how it’s reflected in the mirror of my interpretation … I am moved by people’s stories with all their misfortunes and moments of happiness. It seems like one is always part of the other.’
Parish Study Day: Becoming a HeartEdge Community Saturday 27 Janurary, 9:30 a.m. - 2.00 p.m., St Andrew's Wickford
Our PCC recently agreed that the Wickford and Runwell Parish would join the HeartEdge network of churches that are creating new ways of being church in a changing world; churches at the heart of their communities, while being with those on the edge. This half day plus lunch aims to help us all understand more about how HeartEdge works, and will be led by Revd Olivia Maxfield-Coote and our own Revd Jonathan. There will be plenty of time for discussion and questions, and a light lunch will be provided. Please sign up to come using the sign-up sheets at our three churches.
Lent 2024: Exploring the Stations of the Cross
Tuesday evening and Thursday afternoon and evening, starting the week of 19th February
This year the Ministry Team will once again be writing our own Lent Course, which will be looking more deeply into the Stations of the Cross which we use during Holy Week, including images, readings, reflection and prayer. These will be offered on Tuesday evening and Thursday afternoon and evening, depending on numbers, starting the week of 19th February. We also have the opportunity to share these sessions with Christchurch, giving additional days and times. Please think about whether you would like to join or even host a group. Sign up sheets available soon.