Who Is The Sender?

In the latest edition of Uncut several musicians speak about the spirituality of music.

One of the feature articles explores the making of many of Van Morrison's best albums from Astral Weeks (Lewis Merenstein - '... it was immediately clear to me that he was being born again') to Back on Top (Walter Samuel - 'I'm not sure how he does it... it just comes out of him. It just happens'). From the musicians who played on these albums there is much talk about 'looking for the spark,' 'channelling,' 'transcendental telepathy,' and 'intuitive communication'. When he channelled or connected with the spark Morrison set everyone else on fire so that the atmosphere was truly transcendental.

In his interview Morrison describes this as 'creating space.' The key to the creation of space - the stretching out of time - is listening, watching and absorbing. Most musicians, he says, don't understand this. They 'might be great technically; but they don't have the feeling;' the ability to listen in order to be in the same space and have 'a collective experience,' The phrase he regularly used for the times 'when he felt it was working' was, 'I think it's all coming together.'

My co-authored book with Peter Banks, The Secret Chord, is essentially an extended exploration of this experience common to artists and musicians, which is often described in spiritual terms, of things coming together - gelling, coalescing - into something greater than the sum of its parts.

Jef Labes, a longtime associate of Morrison, notes that:

'He once said to me that he sees all his work as variations on one piece of music that he channels. He doesn't sit down and work on songs, he gets a rush of energy. He'll grab a guitar and start playing, switch on a recording device, and whatever comes out, he'll write down. It arrives as almost a complete work ... when that goes away he's sad and exhausted, and when it's there, when he's visited by the spirit, he's compelled to get it out. It's scary. He has no idea where it comes from.'

The song 'Who Is The Sender?' on Bill Fay's latest album is about this same phenomenon, which Fay sees as 'songfinding' rather than songwriting:

'Ask Bill Fay about his relationship with his instrument and he says something revealing, not "Ever since I learnt to play the piano", but "Ever since the piano taught me..."

What the piano taught him was how to connect to one of the great joys of his life. "Music gives," he says. And he is a grateful receiver. But, it makes him wonder, "Who is the sender?" ...

joy and sadness are indeed deep in this material, which Bill describes as "alternative gospel". Though it clearly stems from his belief, he doesn't seek to proselytise or convert anybody, but just hopes to share the concerns he puts into the words and the feelings that he receives from the music: 

"Goodness, beauty, comfort. If something gives in the world, that's a good thing, isn't it? Maybe that's what music wants to do."'

-----------------------------------------------------------------------------------------

Van Morrison - Listen To The Lion.

Seeing us all as bearers of the divine image

In speaking about his Head over Heels series Gerald Folkerts writes; “The homeless, the poor, the sick, the young, the age – the very ones whom we often tend to ignore, or at least overlook – their stories seemed worth telling. Such stories are often difficult to hear … Yet these are often the stories that need to be heard most desperately. … why not focus on the face and the feet? They might reveal a great deal about the journey of one’s life, the road on which one has travelled.”

In Imago's E Magazine we read: 'The people found in these paintings are people that the artist took time to get to know. The subjects are burdened in one way or another but the artist depicts them possessing grace and dignity. These important human traits also characterized the artist. He has carried out his artistic calling, deeply shaped by his faith. His work is that of a truth-teller and in the midst of the difficulties of life his faith-ful artist’s eye discerns threads of hope. His work nurtures the human spirit and calls us to view the world and others in it through a lens of justice and compassion, seeing us all as bearers of the divine image.'

Calvin Seerveld said, “Folkerts has the wisdom to let his Christian faith subtly percolate in the spirit of his painterly art by showing compassion for the problematic figures he treats.”

Similarly, on her website Helen Morley quotes the Dutch priest and author Henri J.M. Nouwen who observed: ‘In this crazy world, there’s an enormous distinction between good times and bad, between sorrow and joy. But in the eyes of God, they’re never separated. Where there is pain, there is healing. Where there is mourning, there is dancing. Where there is poverty, there is the kingdom.’

Morley explains that her work is informed by police mugshot images of addicts but they become at the end, autobiographical: 'I see in them our brokenness and need, which invites in either death or Grace. My practice involves developing the right ‘feel’ which is created with action and attitude. Through drawing, music, dance and seeking the intuitive signals of truth, I paint with joy and gesture: whole glooping armfuls of it. In this way I achieve a surrender, and make things I did not know I could do.'

She writes: 'My proposal is that when an artist makes work using their intuition throughout, then they achieve a kind of loving and tender detachment from the piece, a suspension of expectation of a fixed outcome. As this process unfolds, there is opportunity and room for Grace to become evident or operational and this is generational, evolutionary. The end result is a painting that has the potential to be far more than decorative: it can be transcendent.'

Morley is part of the Creative Recovery group, a charitable organisation set up by four people in recovery from alcoholism, drug addiction and eating disorders. Their belief is that 'creativity challenges us to try new things, brings wellbeing, and helps us be open to change.' They provide a rolling programme of different things to try and encourage members to share their creative skills. They state, 'We do not believe that arts and crafts or ‘wellbeing’ activities alone can get us clean, but being with other people trying to get well, sharing in a positive community and making something practical is beneficial as we grow in recovery together.'

--------------------------------------------------------------------------------------------

King Crimson - Peace - An Ending.