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Showing posts with label trees. Show all posts
Showing posts with label trees. Show all posts

Wednesday, 26 June 2024

You will know them by their fruits

Here's the reflection I shared at St Andrew's Wickford this morning:

The imagery of tree and fruit was regularly used by Jesus in his teaching. His followers were chosen and appointed to bear fruit. Fruitfulness is the overall aim and lack of fruitfulness is to be challenged and is ultimately destructive. So, Jesus speaks of the difference between trees which bear good fruit and those which bear bad fruit:

"every good tree bears good fruit, but the bad tree bears bad fruit. A good tree cannot bear bad fruit, nor can a bad tree bear good fruit. Every tree that does not bear good fruit is cut down and thrown into the fire. Thus you will know them by their fruits." (Matthew 7.17-20)

The question, then, is how do we recognise fruitfulness and how do we become fruitful?

Fruitfulness is a consequence of being ‘in’ Christ, as Jesus makes clear in John 15.5, where he says: "I am the vine; you are the branches. If you remain in me and I in you, you will bear much fruit; apart from me you can do nothing.

Branches can only bud and grow because they are part of the vine as a whole receiving the sustenance that flows up into the vine from the roots. A vine roots in the soil but has most of its leaves in the brighter, exposed area, getting the best of both worlds. So, being rooted in Jesus is the way in which Christians can open to the light and bear fruit.

Rootedness could mean commitment to Christ or being embedded in Christ’s life and ministry or both. Psalm 1 uses the image of good fruit growing on a tree in order to say that good fruit grows in our lives when we delight in the law of the Lord and meditate of that law, day and night. Regular meditation on scripture feeds our ability to better integrate our words and actions.

What is fruitfulness? What is it that Jesus is aiming to see in his followers? One way of answering that question for Christians, because Christianity has been a missionary faith, has been to see fruit as souls saved but when Paul writes in Galatians 5 about the fruit of the Spirit he is writing about the character and actions of Christians as fruit, rather than the outcome of our actions: the fruit of the Spirit is love, joy, peace, forbearance, kindness, goodness, faithfulness, gentleness and self-control.

The originator of these behaviours in us is the Holy Spirit. The fruit are of the Spirit whenever and however they show up in our lives and actions. The Spirit is the Spirit of Jesus and the fruit which is grown in Christian’s lives is Christlikeness. Being rooted in Jesus enables the Spirit of Jesus to flow in and through a Christian enabling them to begin to become Christlike.

This kind of fruit is about behaviours leading to actions. Actions speak louder than words. That proverb can be traced at least as far back as a speech made by J. Pym in Parliament in 1628 in which he said: ‘A word spoken in season is like an Apple of Gold set in Pictures of Silver,’ and actions are more precious than words.’

The proverb is, however, ultimately based on Biblical ideas and phrases such as 1 John 3. 18 where we read: ‘let us not love with word or with tongue, but in deed and truth.’ This teaching probably then derives from Jesus’ words in Matthew 7. 15 – 21, where he argues that we are known by our fruits, meaning our actions, and that simply saying ‘Lord, Lord’ without then acting on that confession is not enough to guarantee our salvation.

In the Parable of the sheep and goats (Matthew 25.31-46) Jesus emphasises that it is actions, not words, that will count in the final judgement, when he says: ‘‘Come, you that are blessed by my Father, inherit the kingdom prepared for you from the foundation of the world; for I was hungry and you gave me food, I was thirsty and you gave me something to drink, I was a stranger and you welcomed me, I was naked and you gave me clothing, I was sick and you took care of me, I was in prison and you visited me.’ St Francis of Assisi summed up this aspect of Jesus’ teaching well, when he said: ‘Preach the gospel at all times. Use words if necessary.’ So, what kind of fruit is evident is our lives?

Finally, Paul writes in 1 Corinthians 13 that such actions as faith, hope and love remain. The word he used for remain hints that such actions continue beyond the grave into eternity i.e. that we can take something with us when we die, that the fruit or acts of faith, hope and love grown in this life continue into, and continue to bear fruit in, the next.

Jesus said we will know disciples and false prophets by their fruits. He said to his disciples, "I chose you and appointed you so that you might go and bear fruit — fruit that will last" (John 15.16).

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Dave Gahan, Soulsavers - Shine.

Wednesday, 28 June 2023

Fruitfulness, and how to gain it

Here's the reflection I shared at St Andrew's Wickford this morning: 

The imagery of tree and fruit was regularly used by Jesus in his teaching. His followers were chosen and appointed to bear fruit. Fruitfulness is the overall aim and lack of fruitfulness, as here (Matthew 7.15-20), is to be challenged and is ultimately destructive.

The question, then, is how do we recognise fruitfulness and how do we become fruitful?

Fruitfulness is a consequence of being ‘in’ Christ, as Jesus makes clear in John 15.5, where he says: "I am the vine; you are the branches. If you remain in me and I in you, you will bear much fruit; apart from me you can do nothing.

Branches can only bud and grow because they are part of the vine as a whole receiving the sustenance that flows up into the vine from the roots. A vine roots in the soil but has most of its leaves in the brighter, exposed area, getting the best of both worlds. So, being rooted in Jesus is the way in which Christians can open to the light and bear fruit.

Rootedness could mean commitment to Christ or being embedded in Christ’s life and ministry or both. Psalm 1 uses the image of good fruit growing on a tree in order to say that good fruit grows in our lives when we delight in the law of the Lord and meditate of that law, day and night. Regular meditation on scripture feeds our ability to better integrate our words and actions.

What is fruitfulness? What is it that Jesus is aiming to see in his followers? One way of answering that question for Christians, because Christianity has been a missionary faith, has been to see fruit as souls saved but when Paul writes in Galatians 5 about the fruit of the Spirit he is writing about the character and actions of Christians as fruit, rather than the outcome of our actions:

22 the fruit of the Spirit is love, joy, peace, forbearance, kindness, goodness, faithfulness, 23 gentleness and self-control.

The originator of these behaviours in us is the Holy Spirit. The fruit are of the Spirit whenever and however they show up in our lives and actions. The Spirit is the Spirit of Jesus and the fruit which is grown in Christian’s lives is Christlikeness. Being rooted in Jesus enables the Spirit of Jesus to flow in and through a Christian enabling them to begin to become Christlike.

This kind of fruit is about behaviours leading to actions. Actions speak louder than words. That proverb can be traced at least as far back as a speech made by J. Pym in Parliament in 1628 in which he said: ‘A word spoken in season is like an Apple of Gold set in Pictures of Silver,’ and actions are more precious than words.’

The proverb is, however, ultimately based on Biblical ideas and phrases such as 1 John 3. 18 where we read: ‘let us not love with word or with tongue, but in deed and truth.’ This teaching probably then derives from Jesus’ words in Matthew 7. 15 – 21, where he argues that we are known by our fruits, meaning our actions, and that simply saying ‘Lord, Lord’ without then acting on that confession is not enough to guarantee our salvation.

In the Parable of the sheep and goats (Matthew 25.31-46) Jesus emphasises that it is actions, not words, that will count in the final judgement, when he says: ‘‘Come, you that are blessed by my Father, inherit the kingdom prepared for you from the foundation of the world; for I was hungry and you gave me food, I was thirsty and you gave me something to drink, I was a stranger and you welcomed me, I was naked and you gave me clothing, I was sick and you took care of me, I was in prison and you visited me.’ St Francis of Assisi summed up this aspect of Jesus’ teaching well, when he said: ‘Preach the gospel at all times. Use words if necessary.’ So, what kind of fruit is evident is our lives?

Finally, Paul writes in 1 Corinthians 13 that such actions as faith, hope and love remain. The word he used for remain hints that such actions continue beyond the grave into eternity i.e. that we can take something with us when we die, that the fruit or acts of faith, hope and love grown in this life continue into, and continue to bear fruit in, the next. Jesus said we will know disciples and false prophets by their fruits. He said to his disciples, "I chose you and appointed you so that you might go and bear fruit — fruit that will last" (John 15.16).

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Delirious? - Everything.

Friday, 29 April 2022

Art review: Victoria Crowe: Resonance of Time at Flowers Gallery, Cork Street, London W1

My latest review for Church Times is of Victoria Crowe: Resonance of Time at Flowers Gallery:

'These are images that sit in the borderlands between permanence and transience, capturing the still point of the turning world in moments of twilight, in which the setting sun still blazes in the reflecting waters of a still lake, or snow turns blue in the early light of the moon. The varying lights of twilight create the subtle and yet vibrant colours of these landscapes, and tree studies with their immersion in this liminal time of transition, which is both now and not yet ...

Crowe is widely known for her winter landscapes, which are often painted from recollections of walking at dusk. A low blaze of crimson on the horizon will often signal the transitory moments of twilight, in which she finds elements of dream and combines these with strong visual memories of place. The twilight within her works is also reflective of an inner life, indicating a transitional and contemplative state between beginnings and endings.'

For more on Victoria Crowe, see my Church Times review of her 2019 retrospective here.

Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. Those pieces for Artlyst are here and those for Art+Christianity are here. See also Modern religious art: airbrushed from art history?

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Lone Justice - You Are The Light.

Friday, 28 September 2018

Review - Exhibition of Works by Helaine Blumenfeld OBE: Tree of Life

My latest exhibition review for the Church Times covers “Exhibition of Works by Helaine Blumenfeld OBE: Tree of Life” which is at Ely Cathedral until 28 October:

'“Tree of Life” is one of Blumenfeld’s largest exhibitions to date. Her work is well suited to display in the setting of a cathedral, both because the works themselves are all about possibility and hope, healing, and renewal, and also as their luscious expanses of cream and white combine with the flow of their organic curves to contrast with the soaring vertical lines of Ely’s expanses.'

I have also written about Blumenfeld for Artlyst - click here to read.

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Joni Mitchell - Big Yellow Taxi.

Wednesday, 29 November 2017

Start:Stop - Small Action Big Difference


Bible reading

‘He put before them another parable: “The kingdom of heaven is like a mustard seed that someone took and sowed in his field; it is the smallest of all the seeds, but when it has grown it is the greatest of shrubs and becomes a tree, so that the birds of the air come and make nests in its branches.”’ (Matthew 13: 31 & 32)

Meditation

This year’s BBC Radio 4 Christmas Appeal for St Martin-in-the-Fields uses the slogan ‘Small Action Big Difference’. This reminded me of the statement made by Brother Lawrence that ‘We ought not to be weary of doing little things for the love of God, who regards not the greatness of the work, but the love with which it is performed.'

The Parable of the Mustard Seed is an illustration of this truth. In this brief parable a small action, the sowing of a small seed, leads to the growth of a large plant. Jesus says that, in a similar way, the kingdom of God has small beginnings but grows to become something much larger. As a result, we should, like Brother Lawrence says, in no wise despise small actions.

We see this illustrated in Jesus’ life, death and resurrection. Here is a man who was born in an obscure village, the child of a peasant woman. He grew up in another village. He worked in a carpenter shop until He was thirty. Then for three years He was an itinerant preacher. While still a young man, the tide of popular opinion turned against him. He was nailed upon a cross between two thieves. Long centuries have come and gone but all the armies that ever marched, all the navies that were ever built; all the parliaments that ever sat and all the kings and queens that ever reigned, put together, have not affected the life of human beings upon this earth as powerfully as has that one solitary life. Jesus’ life, death and resurrection is the ultimate expression of a small action with a big impact.

We could respond to this by thinking what small thing can I do today that will have a big effect but the reality is that we are rarely able to accurately predict future effects. Instead, we can learn, like Brother Lawrence, to value small, mundane actions in the knowledge that, if well done for the love of God, these actions can have significantly larger impacts.

Prayer

Lord God, enable us not to be weary of doing little things for love of You, recognising that you regard not the greatness of the work, but the love with which it is performed. Please take and use the little that we offer and multiply it to your praise and glory.

As we do small things for love of you multiply the impact of our actions.

Enable us to sow small seeds of Your love through our actions in those we know and in our communities and workplaces. Bring those seeds to fruition and make their growth be greater than the seed which was sown.

As we do small things for love of you multiply the impact of our actions.

Teach us to value the doing of small, mundane actions recognising that You are equally present in the small things of life as in the great. Give us the eyes of faith to discern You as You come to us at each moment of our daily routine - truly present, truly living, truly attentive to the needs of each person.

As we do small things for love of you multiply the impact of our actions.

Blessing

Giving us eyes of faith, being present in the small things of life, bring seeds sown to fruition, multiplying the impact of our actions. May those blessings of almighty God, Father, Son and Holy Spirit, rest upon us and remain with us always. Amen.

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Tears for Fears - Sowing The Seeds Of Love.

Tuesday, 12 May 2015

Valence House








Valence House was voted by the Guardian as one of the 50 best free things to do in London. The only surviving manor house in Dagenham, it dates back to Medieval times and is still partially surrounded by a moat. The site on which Valence House now stands was first recorded in a property deed in 1269. The house that stands today dates back at least to the 1400s.

The Valence House gallery traces the history of the house and surrounding land, and looks at many of the people who have lived there. It contains a model of the house in 1921, when it was still a family home. Following extensive refurbishment in 2010, exciting galleries tell the story of Barking and Dagenham and its people throughout the ages.

As well as exploring the museum, visitors can discover the tranquil herb garden and Dig for Victory plot, or research local and family history in the Archives and Local Studies Centre.

The Valence House grounds used to include the whole of what is now Valence Park. The moat was dug to encircle the house over 700 years ago! Along its banks are swamp cypresses, which glow a spectactular red in autumn. Between the moat and the house sits a spectacular veteran evergreen Holm Oak, judged to be one of the Great Trees of London.

Approaching the house, you can’t miss the tulip tree (Liriodendron). Its orange and yellow flower is the Valence House logo. A ginkgo biloba tree nestles close to the wall to the left of the door. An English Oak (Quercus robur) was planted nearby to mark the Queen’s Diamond Jubilee in 2012.

Between Valence House and Valence Library is an ancient coppiced hazel. The remains of an ancient yew tunnel and holly trees shield the park and library from Becontree Avenue.

Valence House also offers a year-round programme of events for all the family. Visits can be rounded off by enjoying light refreshments in the Oasis Café and browsing the gift shop.

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Alisha's Attic - The Indispensibles.

Tuesday, 23 December 2014

Cartoons 4 Trees

After taking a short course on comics with Sarah Lightman, artist Sam Cowan was hooked! As a keen environmentalist, she paired her love for doodling with her wish to do something constructive on the climate change/ food security front - tasks both done beautifully by trees - and Cartoons 4 Trees was born. One tree is planted in the world for every issue subscribed to.

Click here to see a Timebank cartoon created after the recent Skills Swap organised by the Seven Kings Timebank.

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Bruce Cockburn - If A Tree Falls.

Saturday, 20 October 2012

Murphy, McCahon and Buber

"Idris Murphy’s extensive career as a painter has been widely lauded. Since 1988, Murphy has been Lecturer at UNSW’s College of Fine Arts, Sydney, and in 1994 received his Doctorate of Creative Arts from the University of Wollongong. Acknowledged as one of the most influential landscape painters in Australian contemporary art, his work is held in the public collections of the National Gallery of Australia, the National Library of Australia, Canberra and the Art Gallery of NSW. In 2009, following a New Zealand tour, a survey exhibition of Murphy’s work—I-Thou—was held at King Street Gallery on William and at the Hazelhurst Regional Gallery, Sydney."

Murphy said that "the things that enticed me originally to go to New Zealand: Colin McCahon, to see the land and to see what he has made of it, and from it, first hand. To somehow use it as a contrast to the desert country that I am most at home with."

John McDonald wrote: "This intense identification with the landscape can be felt everywhere in this survey. It is a relationship that comes naturally to Aboriginal artist but requires strenuous efforts on behalf of Westerners, who have to break with the pictorial habits of a lifetime. Whereas most non-indigenous artists tend to objectify the landscape, Murphy tries to fuse his own subjectivity with the mood and spirit of a place. The results are far from realistic but they are powerful and persuasive. This quest entails a leap of faith on behalf of the artist, a willingness to believe in a greater truth that lies beyond the veil of appearances. In trying to discern the atmosphere conjured up by these paintings, one might use the word “spiritual” with confidence and “mystical” with only slight embarrassment."

Murphy "titled the show I and Thou, after the small but influential book by the Jewish philosopher Martin Buber. It is a basic existentialist idea, that one only becomes “I” through understanding one’s existence in relation to an “Other”; but Buber extends this to the relationship between a human being and God, and even to his own relationship with a tree. It is the tree idea for which Murphy has a special affection. In the catalogue he quotes Buber’s words: “In considering the tree I become bound up in relation to it. The tree is no longer It.”

Murphy writes: "When looking back and considering the 'influences' on my work, several artists and writers come to mind; these may be more or less influential at any given time. There are though, certain connections that hold and seem to be continuing. Martin Buber has been one of these connections; often encountered in quotes by other writers. Buber's articulation of how we respond to the world has been seminal to my way of seeing and therefore how I 'see' my paintings. The Martin Buber connection (exemplified by McMahon's Painting I-Thou) added to my interest in the work of Colin McMahon; in particular the way in which he depicted land ... As the difference between the truth of a painting and the truth about a painting are significant. Buber's writings have for me been a way of continuing my assessment of western paradigms in painting and have added to my encounter with indigenous art."

I and Thou "is one of McCahon’s earliest ‘word’ paintings, in which words are presented as the main imagery. The words have a physical presence, appearing as three dimensional, solid forms in space, while still maintaining their linguistic function. The fracturing of the picture surface and the spatial ambiguities of the image clearly indicates the artist’s familiarity with Cubist notions of constructing space. The presentation of the words also resembles the handiwork of signwriters, whose craft had interested McCahon since youth."


"In the first ‘word paintings’ by McCahon each image is constructed in a manner best described as ‘architectural’. To compose the paintings I Am ... and I and Thou ... McCahon has rendered each phrase in block letters, achieving pictorial illusion through the restriction of colour and the placement of the words on (or in) an ambiguous background. Dating from February 1954, both images are notable for their strong vertical, linear structure.

The source for each title is clear. ‘I and Thou’ is the title of a book by the theologian Martin Buber. ‘I am’, which McCahon re-employs in several guises in later works, is drawn from Exodus 3:4–6:

‘Then Moses said to God, “if I go to the Israelites and tell them that the God of their forefathers has sent me to them, and they ask me his name, what shall I say?” God answered “I AM that is who I am. Tell them I AM has sent you to them.”’

Of course in McCahon’s painting of this name, an ambiguity is present. For while the ‘I’ in ‘I AM’ is the God of the Old Testament, it is also possible to read it as a statement of affirmation by McCahon, who with these words reasserts himself as an artist.

In respect of the work I and Thou 1954, critic Francis Pound has a further suggestion – that the ‘I’ is floating around in Cubist space because everything is still unclear: a New Zealand culture has not yet been formed. The ‘I’ moves around in time and space.!"


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I And Thou - Go or Go Ahead.

Saturday, 6 October 2012

Photographic roundup












Here is a roundup of recent photographs showing the heron and a fallen tree at Westwood Recreation Ground, the recent auction at St John's Seven Kings and newish public art at South Woodford by Tim Ward of Circling the Square.

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Traveling Wilburys - Heading For The Light.

Saturday, 21 July 2012

Roydon, Parndon Mill and the Gibberd Gardens
















Essex is celebrating its fourth Summer of Art this year. Artists are exhibiting their work on art trails and open studios in the county's rural, coastal and urban settings, showcasing the county's artistic talent. This weekend it is the Parndon Mill and Roydon Open Studios.

I began by visiting the studios of Alan Burgess and Angela Godfrey at Roydon. Alan Burgess spoke about his increased admiration for trees which has resulted in a recent major painting project "Great British Trees." Angela Godfrey works in an organic style with natural materials and environmental themes and has undertaken numerous significant church commissions. Angela showed me designs, models and photographs from several of these commissions. Her work can also be seen at St Peter-ad-Vincula Roydon where both the altar and a carved memorial are her work and feature in the Barking Episcopal Area Art Trail.

Work by Burgess and Godfrey also features in Structure, the current exhibition in the Gallery at Parndon Mill. Structure demonstrates how artists can be inspired by structure, how they depict it and how they work with designers, architects and engineers to create constructions. Angela had already spoken of her collaborations with craftspeople as had occurred with the model Dove exhibited here which had been created in stainless steel for Carryduff Catholic church in Belfast. Inspired by natural structures, Godfrey has also displayed a stunning sculpture based on a tiny piece of animal skull.

Among the artists whose work I particularly enjoyed in the Structure and Project Space exhibitions and their open studios were Anthony de Jong Cleyndert and Liz Boast. Churches and crosses feature among the vibrant semi-abstract expressionism of Cleyndert's paintings. Last year he created a new specially commissioned glass panel for the Windhill Churches Centre in Bishops Stortford. Liz Boast showed me work based on confessional boxes which also double as Punch and Judy booths. There is a clear dialectic element to Boast's often surrealistic work - "a dialogue with ... lifes idiosyncracies." She spoke about the sense of evil within each of us that is expressed through Mr Punch and which needs some form of safe expression.

Finally, I visited the Gibberd Garden created by Sir Frederick Gibberd, the planner of Harlow New Town, who designed the garden and filled the grounds with sculptures, ceramic pots and architectural salvage from 1972 till his death in 1984.  In Sir Frederick's own words: 'Garden design is an art of space, like architecture and town design. The space, to be a recognisable design, must be contained and the plants and walls containing it then become parts of adjacent spaces. The garden has thus become a series of rooms, each with its own character, from small intimate spaces to large enclosed prospects.' Unlike the choices made for Harlow New Town where the quality and quantity of work have led to the designation of Sculpture Town, the sculptures in the Gibberd Garden seem predominantly minor work.

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Deacon Blue - Your Town.

Friday, 23 March 2012

'Simulacro' and 'Odyssey'
















Odyssey is Robert Koenig’s attempt to call up his Polish ‘ancestral ghosts’ by carving a large group of male and female figures, each 2.5m tall, out of lime trees which grew in his mother’s home village of Dominikowice in South East Poland. These trees bore witness to the many dramatic events that shaped the lives of people over the last 100 years.

These remarkable figures are on display across the site of St Martin-in-the-Field’s from 19 March – 20 July. During his Gallery exhibition (4 - 10 June), the artist will be creating a new sculpture inspired by his time at St Martin’s. The current Gallery show - Simulacro, an exhibition of works made by sixteen multidisciplinary artists - can be seen until 1st April.

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Michael Kiwanuka - Home Again.