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Showing posts with label ribeiro. Show all posts
Showing posts with label ribeiro. Show all posts

Friday, 1 November 2024

Church Times - Art review: Lancelot Ribeiro: Heads — In and Out of Our Time (Ben Uri Gallery, London NW8)

My latest exhibition review for Church Times is on 'Lancelot Ribeiro: Heads — In and Out of Our Time' at Ben Uri Gallery:

'In experimenting with heads, shapes, and their dissolution by use of colour and the interplay between human and natural forms, Ribeiro achieves intensity and, as one reviewer put it, “enormous expressive power”.

His achievement is under-appreciated and under-recognised, and yet the thread that runs throughout his work, as identified by a close friend, the poet, Indian translator, and critic R. Parthasarathy, is of relevance to us all: “How does a human being come to terms with multiple histories and in the process achieve wholeness?”'

Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here, those for Seen & Unseen are here, and those for Art+Christianity are here.

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Mike Peters - Breathe.

Wednesday, 2 October 2024

Artlyst: October Art Diary

My October Art Diary for Artlyst highlights artist monographs, which increasingly appearing on the market as we approach Christmas. So I begin the October Art Diary with several, which are also linked to launch exhibitions. I also feature several exhibitions in sacred spaces before ending with some interesting thematic shows. Among the works featured you will find Leonora Carrington, Ken Currie, Tracey Emin, Susie Hamilton, Ana Maria Pacheco, Michael Petry, and Lancelot Ribeiro, among others:

'Another fascinating monograph to be published shortly is ‘Nolan’s Africa’ by Andrew Turley. In this monograph, Turley takes readers on a journey with Sidney Nolan from the United Nations Headquarters in New York to a suspected assassination on the Congo border, from the crematoria of Auschwitz to the formation of the World Wildlife Fund and on to the plains of the Serengeti. He walks in Nolan’s footsteps across Tanzania, Uganda and Ethiopia, seeing the world through the artist’s eyes. Written over twelve years and across three continents, this is the first book based on the newly opened Sidney Nolan Archives at the National Library of Australia, containing never-before-seen diaries, photographs and personal notes.

The result is a rich narrative that weaves together art, adventure, philosophy, global politics and world history. Artistic influences and processes, breathtaking in their scope, are laid bare as the thoughtful balance of text and images urges readers to consider the effect that the Holocaust, animal extinctions, colonial disenfranchisement and human conflict had on the artist and society. ‘Nolan’s Africa’ is a compelling picture of one of the most complex and famous painters of the twentieth century, shining new light on his examination of nature, human nature and the nature of modern civilisation.'

For more of my writing on artists included in my October Art Diary see here: Susie Hamilton; Ken Currie; Marcus Lyon; Micah Purnell; Michael Petry; Sidney Nolan; Brian Whelan; Ana Maria Pacheco; and Michael Takeo Magruder.

Interviews -
Monthly diary articles -

Articles/Reviews -

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Ed Kowalczyk - Angels On A Razor.