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Showing posts with label sphere. Show all posts
Showing posts with label sphere. Show all posts

Thursday, 16 August 2018

Arnaldo Pomodoro: Sphere & Crucifix

The most famous of Arnaldo Pomodoro’s work is called Sphere within a Sphere, also known as Sfera con Sfera in his native Italian language. 'It is a monumental series of sculptures featuring a large bronze sphere with seemingly damaged surface and complicated inner design consisting of another smaller, broken sphere inside. The artist created this sphere for the Vatican in the 60s, but due to its international popularity, Pomodoro was commissioned to build the same sculpture for important institutions and organizations worldwide. At the moment, Sphere within a Sphere is located at the headquarters of the United Nations in New York, Trinity College in Dublin, The Tehran Museum of Contemporary Art, the Columbus Museum of Art, Tel Aviv University in Israel and a couple of other locations.

Since the original design was created for the Vatican, the idea behind it is related to Christianity. Pomodoro claims that the outer sphere is the metaphor for Christianity while the inner sphere represents the Earth and people, suggesting that our world is contained within the bigger, sacred world of Catholicism. The layers of the inner sphere which contain gears are the symbol of intricacy and subtlety of our world. Pomodoro explained the motif of spheres in one of his interviews: A sphere is a marvelous object, from the world of magic and wizards. It reflects everything around it and it can easily get transformed or become invisible, leaving only its interior, tormented and corroded, full of teeth. Pomodoro feels puzzled by the perfect form of sphere and at the same time provoked to break its pristine roundness and cause the internal conflict, tension which is threatening to rip apart the entire form.

In addition to Sphere within a Sphere, Pomodoro designed many other pieces which found their home around the globe. For example, he created a large fiberglass crucifix for the Cathedral of St. John the Evangelist in Wisconsin. The sculpture is famous for its enormous, fourteen foot in diameter crown of thorns above the head of the Christ’s figure.'

Pomodoro says: 'My goal was to create a highly symbolic and expressive work in which suffering and glory, the human and the divine were united in the moment of the Crucifixion. But an approach to Christ as a human being also required His presence as a human figure: I therefore sought the collaboration of Giuseppe Maraniello, who in constructing his works has always considered the figure to be fundamental.

The radiant crown is the symbol of the Passion—the crown of thorns—and transforms into an enormous halo, whereas Christ, rather than on the Cross, is himself the Cross. I see this as a truly singular work and I believe it can be understood by everyone in an intuitive and immediate way.

The crown, charged with oversized thorns, spikes, and nails, shows full and empty spaces, and is constructed of wood, fiberglass, and copper powder. The light which falls from above on its numerous faceted surfaces refracts into thousands of gleams and iridescences, producing, here as well, a kind of reverberation, as though to “illuminate” those who are here in prayer.'

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Tuesday, 23 August 2016

Margate & Turner Contemporary





 








 





Today I went to Turner Contemporary in Margate to visit 'Seeing Round Corners: The Art of the Circle,'  which explores the significance and symbolism of the circle and sphere in art and culture; architecture and engineering; astronomy and geometry; optics and perception; religion, spirituality and everyday life.

Featuring more than 100 works – from 3000BC to the present day, the exhibition brings together artworks and artefacts that reflect a vast range of themes and ideas from roundness, rotation and visual perception to wonderment and cycles of time. The exhibition encompasses sculpture, film, painting, design, installation, performance and photography, with works by leading historical and contemporary artists including Leonardo da Vinci, Paul Nash, Barbara Hepworth, JMW Turner, Theaster Gates, Rebecca Horn, David Shrigley and Bridget Riley.

Also at the Gallery are two major works by Yinka Shonibare MBE. Co-commissioned by Turner Contemporary and 14-18 NOW, Shonibare’s newest sculptural work 'End of Empire' explores how alliances forged in the First World War changed British society forever, and continue to affect us today. The new work features two figures dressed in the artist’s signature bright and patterned fabrics; their globe-heads highlighting the countries involved in the First World War. Seated on a Victorian see-saw, the entire work slowly pivots in the gallery space, offering a metaphor for dialogue, balance and conflict, while symbolising the possibility of compromise and resolution between two opposing forces.

Presented alongside this new commission is Shonibare’s 'The British Library,' a colourful work, celebrating and questioning how immigration has contributed to the British culture that we live in today. Shelves of books covered in colourful wax fabric fill the Sunley Gallery, their spines bearing the names of first and second generation immigrants who have enriched British society. From T.S. Eliot and Hans Holbein to Zaha Hadid, The British Library reminds us that the displacement of communities by global war has consequences that inform our lives and attitudes today.

In Margate Old Town \I saw work by David Bunting, Abbott van Dada, Jose Inacio Fonseca, Gay Gower and Luda Ludmila. Gower, Bunting and Fonseca were at King Street Art Gallery & Studio in a group show entitled 'The Eclectics' which is part of Thanet Open Studios. Dada and Ludmila are at the Pie Factory with a mixed media exhibition consisting of quality sculptured jewellery worked in solid gold and silver part of the new Dada collection along with his bespoke oak furniture, plus textured acrylics by Ludmila

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