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Showing posts with label notre dame de france. Show all posts
Showing posts with label notre dame de france. Show all posts

Thursday, 2 December 2021

Notre Dame de France: A showcase of Art Sacré






Notre Dame de France is a showcase of Art Sacré as Cultural Attaché René Varin encouraged the creation of a sacred space, which would honour France. He approached eminent artists of the time.

Jean Cocteau (1889-1963) | Our Lady’s chapel 1959

  • Cocteau came to London to paint the superb murals in Our Lady’s chapel, between November 3rd and 11th 1959.
  • Cocteau was a multi-talented and well-known artist, already famous for his poetry, drawings, novels, films and plays. Such was his fame that a screen was erected to hold back the public and press while he painted the murals. He was an influential artist who, along with other famous contemporaries animated artistic life at that time.
  • Cocteau received his honorary doctorate from Oxford University with the support of René Varin. Cocteau asked him if there was anything he could do in return. Varin suggested that he decorate a chapel at Notre Dame de France.
  • The murals are dedicated to the Virgin Mary divided into 3 panels: the Annunciation, the Crucifixion and the Assumption. The murals are simplified drawings, lines with muted colours. Cocteau included a self-portrait within the Crucifixion scene on the left side of the altar.
  • He arrived each morning at about 10am and always began by lighting a candle. He was heard talking to the Virgin Mary while working on the drawings.
Dom Robert (Guy de Chaunac-Lanzac, 1907-1997) | Notre Dame de France Tapestry 1954
  • A beautiful Aubusson tapestry, above the altar, which is a work by this Benedictine monk of the En Calcat abbey.
  • The theme of the tapestry is Paradise on earth with a reference to the Creation and to Wisdom. The New Eve, title given to Mary by the Church, is walking towards us as pure as a new bride.
  • The quotation at the bottom of the tapestry (book of Proverbs) refers to the personification of Wisdom, present at God’s side when the world was created: “Cum eo eram cuncta componens ludens coram eo omni tempore” “I was by his side, like a master craftsman, ever at play in his presence”
  • Dom Robert is a well-known tapestry artist of the 20th century. The key theme of his work is Nature as it emerged from the hands of the Creator of the world. There are frequent representations of vegetation and flowers in his work.
  • He entered En Calcat Abbey in 1930. After 10 years spent at Buckfast Abbey in England, he went back to En Calcat. It was then that he started to produce works of art.
Georges-Laurent Saupique (1889-1961) | Bas relief carving: Our Lady of Mercy 1953
  • The representation of Our Lady of Mercy above the entrance welcomes visitors as they walk in from the street and enter the church.
  • Work of art of the famous French sculptor. He was head of the restoration work of Reims cathedral.
Boris Anrep (1863-1969) | Mosaic of the Nativity 1954
  • Russian artist and mosaic specialist who was very active in England.
  • He was very well known for his mosaics in Westminster Cathedral, the National Gallery and the Bank of England.
  • In 2003 reordering work in the church led to the re-discovery of the mosaic by the artist in Our Lady’s side-chapel.
Jeremy Clarke: Framed Psalm
  • Original poem and handwritten manuscript in brown ink on stained wood.
  • 40 x 40 x 2 cm. One of 20 original pieces.
  • Text is from the book, Psalms in the Vulgar Tongue, by Clarke.
  • A collection of 51 poems in the tradition of the Psalms.
  • For more information: jeremyclarke.com
Statue of Our Lady of Victories c.1870
  • Exact copy of the statue of ‘Notre Dame des Victoires’ in Paris.
  • Destroyed during the bombardments of 1940. The head was parachuted back into France in 1942 in order to be restored.
  • Sculptor Henri Vallette re-sculpted the statue based on the dimensions of the head.
  • In 1945 the full statue was brought back to London.
Timur D’Vatz: Flight into Egypt
  • Made of 12 paintings of 1x1meter, united in one. The piece was made and given by Timur D’Vatz to celebrate the 150th birthday of Notre Dame de France, in 2015.
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Olivier Messiaen - Visions de l'Amen: 1. Amen de la Création (Amen of Creation).

Thursday, 24 January 2019

Churches Together in Westminster report


Here's the report that I gave as Acting Chair of Churches Together in Westminster at the Annual Meeting held in Regent Hall Salvation Army last Monday:

Our year in CTiW has focused around our three areas of activity; education and getting to know one another; worship and social action.

We pursue our first aim largely through Meet The Neighbours and Join The Neighbours – inviting people to join in regular events at various churches. These have taken us to The Jesuit Church of the Immaculate Conception (Farm Street), Ukrainian Catholic Cathedral of the Holy Family and St Martin-in-the-Fields. We have heard the history of Jesuits in both London and Britain, the History of the Ukrainian Church and Diaspora Life in the UK, and the wide history of St Martin’s, especially its model of mission to-day and the importance of the four C’s – Culture, Commerce, Charity and Congregational life. We also went to All Saints Margaret Street for Voices of Iraq: Stories of Trauma, Survival and Hope. If you would like to be part of either MTN or JTN in any way, please let us know. Rosa, our admin officer is great at passing news on among our churches both through our newsletter which she is responsible for editing and sending out, and through the database which she uses to share invitations and items of interest among churches. Rosa has prepared Newsletters – No. 11 (Report of last AGM), No. 12, No. 13 (Prisons Mission special), No. 14.

Our second aim regularly invites us to worship together, and we did this on Advent Sunday at St James Piccadilly, where Lindsey Meader led us in Advent reflections, and on Pentecost, this year here at Regent Hall where we were led by Major Richard Mingay. We also shared in the Cross on Victoria Street; a Good Friday Walk of Witness.

In October our Prisons Mission Prayer Vigil took place at Notre Dame de France and included a sequence of readings, dialogue, testimonies, reflections, music and prayer on the themes of prison reform, rehabilitation of prisoners, needs of victims and the Christian response. Speakers described experiences and observations of prisons and the prison system from several very different perspectives. There were performances of pieces by Handel and Fauré, both of whom wrote on themes of imprisonment, and ‘Voices from Prison’, a drama for three voices based on: ‘Koestler Voices: New Poetry from Prisons Volume One’. Prayers were led by The Prison's Mission Team at Notre Dame de France, Jonathan Evens, Richard Mingay and the Prison’s Mission volunteers.

Our third aim involves us in the prison ministry which we will hear about later in the meeting, and as well as the actual visiting of prisons which is great work, also in praying together in prisons week. The resources that are produced for that are significant. The 2018 Prisons Week booklet was used by scores of churches and circulated to churches of all Christian denominations, far beyond London. Many people told us that it was the best yet, so, if you haven’t used them before, can I recommend that you look out for them later in the year; prisons week is in October – and see how they might best serve you.

Additionally, this year, “First Impressions: Portraits from Prison”, an exhibition of paintings by men, women and children, curated by the Koestler Trust, was organised for St James’s Piccadilly, Bloomsbury Central Baptist Church and St Martin-in-the-Fields. At each church, the exhibition was the focus for worship, lectures, debates and discussions on the subject of penal policy and the crisis in British prisons. Many visitors attended from churches in London and far beyond, including Prison Chaplaincy team members of different faiths, as well as other individuals and organisations. This was a major initiative led by the Prisons Mission. The venture involved a partnership with the host churches and the Koestler Trust, which for over fifty years has promoted the visual arts in prisons as an aid to education, recover and rehabilitation. The Prisons Mission raised over £10,000 from individual benefactors so that there would be no financial burden on either the churches or the Koestler Trust.

Our theme for the AGM usually reflects an aspect of mission and ministry in Westminster. This year we are exploring the model of mission (congregation, compassion, culture and commerce) advocated by HeartEdge, a new ecumenical movement for renewal. HeartEdge has been initiated by St Martin-in-the-Fields and churches in Westminster have been early adopters in the movement. We look forward to hearing from Bloomsbury Central Baptist Church, Notre Dame de France, St Martin-in-the-Fields and St James Piccadilly about innovative mission activity in Westminster to do with the 4Cs of congregation, compassion, culture and commerce.

The exec has, as always, gone through various changes, and we have had to say goodbye to our former Chair Ruth Gouldbourne from Bloomsbury Central Baptist Church, who has moved to become Minister of Grove Lane Baptist Church, Cheadle. We wish to record our thanks to Ruth for all that she did as Chair of CTiW, not only in the interesting and varied programme that she oversaw as Chair but also by responding to the need for a new constitution that she saw through to completion and which was adopted last year.

Andreea Gherman (Bloomsbury Central Baptist Church - Treasurer) and Majors Richard & Caroline Mingay (Salvation Army, Regent Hall) have all completed a full first year on the Exec and we have benefited hugely from their input. We have been very glad to welcome and co-opt Rev’d Canon Anthony Ball (Westminster Abbey), Rev’d Matthew Catterick (St Saviours Pimlico), Gillian Dare (All Saints Church, Margaret Street), Rev’d Joan Ishibashi (St James’s, Piccadilly) and Rob Thompson (Hinde Street Methodist Church) during the year. They have joined the other members of the Exec: John Plummer (St George’s Church, Hanover Square), Rev’d Dominic Robinson (The Immaculate Conception, Farm Street), Rev’d Roderick Leece (St George’s Hanover Square) and myself.

We have been ably supported, as in recent years, by Rosa Postance who, as Secretary, undertakes administration and communications including our website and Newsletter. Our thanks to everyone who has served on the Exec this year for the tremendous contribution made. In a moment we will ask the approval of the meeting for those who have been co-opted in the course of this year and will note that Andreea Gherman and John Plummer are standing down from the Exec.

Andreea’s work schedule, family and church commitments have become such that she cannot continue to volunteer the time necessary to do my job as treasurer and member of the Executive with the thoroughness she would like and she is therefore resigning effective June 1st, 2019. We are all very sorry to hear this news because of the significant contribution Andreea has made to CTiW through her helpful and constructive contributions to Exec meetings and especially for the way in which she was able to take on the Treasurer role without a handover and sort through the hiatus in order to get us back on track with up-to-date information and effective systems. We are all very grateful for this very significant piece of work as well as being appreciative both of the time that Andreea has had to commit to undertaking it and the patient and constructive way in which she have gone about it.

John Plummer brings huge energy and enthusiasm to all his commitments and undertakings combined with a very precise knowledge of the issues and tasks he addresses. All these have been abundantly evident in the time that he has spent as a CTiW Executive member. Nowhere was this more apparent than in the work he did to draft a new constitution for CTiW. We are much in John’s debt for all his input to the Executive and, in particular, for our constitution. So, as with Andreea, while we understand the reasons for his decision to stand down, it is with real regret that we lose his input at this stage. We are glad, however, that he will continue to be a force for mission, and for change in the Prison Service, through his continued leadership of CTiW’s Prison’s Mission.

To lessen the burden of monthly meetings on busy people, it was decided that the Executive will meet approximately five times a year for “themed” meetings, and that when necessary smaller “task groups” will be set up to work on specific projects as has been the case with the organisation of the prayer vigil and the AGM.

As part of the MTN at St Martin-in-the-Fields members from one denomination spoke of things they particularly appreciated about a different denomination. I spoke about the development of my faith as a child in a Baptist Church and the more recent inspiration provided by Baptist ministers through their involvement with HeartEdge. Sr Catherine Jones of Notre Dame de France had been impressed by the way in which Major Richard Mingay of the Salvation Army had led prayer for support, healing, hope and forgiveness at the Prayer Vigil. Rev’d Richard Carter, Associate Vicar at St Martin’s, spoke about his admiration for the Jesuits when working in New Guinea and a new appreciation the importance of the Sacrament during a year spent at a Roman Catholic Seminary in Melbourne. 

These personal stories and appreciations of other denominations demonstrate the value of the links, understanding, friendships and fellowship built up through the work of CTiW, which is based on, but which transcends, the educative element of our work through events such as MTN and JTN. It is real experience and encounter of each other in our similarities and differences that can lead to real appreciation for and understanding of each other. This is why worshipping and praying together, whether in Advent or at Pentecost as well as in Vigils and at MTNS or JTNs is at the heart of all we do. Our work together – getting to know and understand one another better; sharing in prayer and worship and taking on challenging social issues still matters. The Kingdom has not yet come in its fullness; we are still called to seek it, and to explore it. Thank you for being here tonight to take part in this expression, and thank you, too, to all of those who do various things during the year to keep those glimpses of the Kingdom of God coming.

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Lizz Wright - I Believe, I Believe.

Sunday, 21 October 2018

Prisons Mission Prayer Vigil
















Churches Together in Westminster's Prisons Mission Prayer Vigil took place at Notre Dame de France on Friday evening and included a sequence of readings, dialogue, testimonies, reflections, music and prayer on the themes of prison reform, rehabilitation of prisoners, needs of victims and the Christian response.

Fr Pascal Boldin welcomed us to Notre Dame de France. John Plummer introduced speakers who described experiences and observations of prisons and the prison system from several very different perspectives:

  • Paula Harriott. Lead Prisoner Involvement. Prison Reform Trust
  • Erica. Ex-offender and Award winning artist
  • Ruth Fogg. Specialist in youth crime and related matters.
  • Marcel McCarron. Managing Chaplain HMP & YOI Bronzefield.
  • Joanna Ex-Offender. St Giles Trust
  • Josie Bevan. Wife of a serving prisoner.
  • Gethin Jones. Care system to youth crime, custody and reformer.

Shirley Vaughan sang pieces by Handel and Fauré, both of whom wrote on themes of imprisonment. This performance was followed by ‘Voices from Prison’, a drama for three voices written and compiled by Richard Carter, Associate Vicar at St Martin-in-the-Fields, based on: ‘Koestler Voices: New Poetry from Prisons Volume One’. This book presents some of the best poetry from the 2016 and 2017 Koestler Awards. Poetry and prose has a long tradition in secure establishments and the criminal justice system. With the only materials needed being a pen and paper, poetry is the most popular type of Awards submission to Koestler Awards – with around 3,000 poems each submitted annually across Poem, Anthology, Poetry Collection and our Themed Category. One prisoners who writes explains the impulse like this: ‘Jail is like purgatory. You are still around, but you have no impact. No effect. The point of your existence is void. You slowly begin to die … In his introduction to ‘The Illustrated Man’, Ray Bradbury says that he writes “so as not to be dead.” And that is it.’

The Prison's Mission Team at Notre Dame de France led by Sister Catherine Jones guided us in our first prayer session based on Desmond Tutu's prayer: 

Goodness is stronger than evil;
Love is stronger than hate;
Light is stronger than darkness;
Life is stronger than death;
Victory is ours through Him who loves us.
I led the next prayer session based on prisoners & homelessness. Between April 2017 and March 2018, 38% of people (approx 491) seen rough sleeping in Westminster are known to had had experience of prison. 3% (14 people) of those new rough sleepers seen by outreach teams in Westminster were people who had been in prison prior to their rough sleeping. The majority (approx 79%) of these would have had alcohol, drugs or mental health support needs or a combination of these.

We prayed about the issues depicted in ‘Coming out after Fourteen Years’ by P and E (Manager): 'E and I created this piece by using cuttings from today’s newspapers about the complexities of society, which you are shielded from in prison. After 14 years I was that figure walking out into an overwhelming society, full of problems.'

P and E are both at KPH House, a hostel for 20 men convicted of criminal offences who have recently left prison. Their residents come to them from prison under license to continue their sentence within the community. It is one of 12 Independent Approved Premises in the country and is funded by the Ministry of Justice. We prayed for the ministry of KPH House and West London Mission.

The next time of Prayer was led by Major Richard Mingay, Corps Officer Regent Hall Corps. This session focused on Supporting Victims and was divided into four parts-

  • 'The God of our Support'
  • 'The God of Healing'
  • 'The God of Forgiveness'
  • 'The God of Hope'

Each section included a Scripture verse; a thought; prayer time and the song verse 'O Lord Hear my Prayer'.

Finally Prisons Mission volunteers presented their personal stories from prison visits and read contributions from other volunteers. Suggested areas for prayer included: those wrongly imprisoned; those who are depressed or lonely; those held beyond the end of their sentence; those experiencing ill health; and those fearing deportation.

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Gabriel Fauré - Prison.

Wednesday, 26 September 2018

CTiW: Prayer Vigil & Meet the Neighbours



CTiW Prisons Mission PRAYER VIGIL

19 October 2018 | 7.00-11.00 pm, Notre Dame de France, 5 Leicester Place, London WC2H 7BX - A sequence of readings, dialogue, testimonies, reflections, music and prayer on the themes of prison reform, rehabilitation of prisoners, needs of victims and the Christian response. This is an inter-denominational and inter-faith event. All are welcome.

British prisons are described, by successive HM Chief Inspectors as “dirty, dangerous, vermin infested and unsafe” and the whole system is in crisis. We lock up more men, women and children, per head of population, and we detain them for longer than any other western European nation. But, we do not have more crime. The reoffending rates are also worse than our neighbours. Despite many very good staff and chaplains, these prisons are not a suitable environment within which to begin the process of recovery and rehabilitation. Not serving the needs of prisoners, victims of crime, or tax-payers. Join others in prayer and vigil as Christians of all denominations seek to deepen our awareness and compassion.

CTiW “Meet the Neighbours” at St Martin-in-the-Fields

On Wednesday, 24 October beginning at 6.30pm with Bread for the World, St Martin’s will host our friends from Churches Together in Westminster who will also join us for soup and roll in No 6 St Martin’s Place at 7.30pm before having a talk about the ministry of St Martin’s in the Dick Sheppard Chapel at 8.00pm.

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Morten Lauridsen - O Magnum Mysterium.

Tuesday, 20 March 2018

CHURCHES SHOW PRISONERS’ ART





First Impressions – Portraits from Prison, has been curated by the Koestler Trust, at the invitation of the Prisons Mission of Churches Together in Westminster. The exhibition was opened tonight at St James Piccadilly by prison reformist, Jonathan Aitken.

The Koestler Trust is the UK’s leading prison arts charity. It plays a vital part in the rehabilitation journey offered to prisoners and ex-prisoners to transform their lives through participation in arts.

The Prisons Mission is an initiative of Churches Together in Westminster (CTiW) which provides support and assistance identified and needed by the multi-faith Chaplaincy Teams in prisons. It also aims to ensure that prisoners while out of sight are not out of mind. 

The Prisons Mission has developed a very useful relationship with the Koestler Trust enabling the of this four Churches Show of Art by Prisoners. Artwork will be exhibited at St James’s Piccadilly, St Martin-in-the-Fields, Notre Dame de France and Bloomsbury Central Baptist Church. It is hoped that the artwork will be the focus for other prison related activities, discussions, lectures, displays and dramas, providing information about the prison and criminal justice system, not only to the regular congregations, but to a wider audience.

The exhibition showcases a selection of portraiture and sculpture entered into the Koestler Awards – an annual scheme run by the Koestler Trust that has been inspiring participation in the arts by people in the UK’s criminal justice system and secure sectors for over 55 years.

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Johnny Cash - San Quentin.

Sunday, 19 May 2013

Art Pilgrimage and Jean Cocteau

A further article has been published by ArtWay in the series that I will be writing following visits to sites which are of interest in exploring the relationship between modern/contemporary art and faith.

This series began with a report of visits to sites in the South of France and has continued with visits to  St Christopher's Hospice to see the work of Marian Bohusz-Szyszko and to Notre Dame de France to see their murals by Jean Cocteau. My Art Pilgrimage will continue next year as the focus of the sabbatical I will take then.

Other pieces I have contributed to ArtWay include:



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Ed Sheeran - Lego House.

Tuesday, 14 August 2012

Cocteau Chapel: Notre Dame de Jerusalem

























Notre Dame de Jerusalem is the final chapel decorated by Jean Cocteau. The contemplative experience which this chapel provides is of an all-surrounding multi-media immersion in the mysterious world of Cocteau.
Cocteau was, as James S. Williams writes, "a totally new breed of modern artist ... because his art is intrinsically biographical":
"Cocteau's artistic strength was precisely to chronicle his own existential crisis by becoming his own subject of experimentation and recording the vicissitudes of his being with implacable honesty and courage. His restless self-construction through the Other revealed itself to be an existential 'work in progress', that is, a continuous putting into question of the Self."

Gino Severini wrote that Cocteau was chief among the “somewhat atheist poets” that Jacques Maritain transformed into Christian artists but notes too that this period “was all too brief.” Neal Oxenhandler has written that what these artists found in Maritain was both "a spiritual leader" and "an esthetician" who "accorded a large place to the mystery of art with its double nature, its concreteness and its spirituality."

Rowan Williams considers in Grace and Necessity that “Maritain’s relations with Cocteau … constituted an important if inconclusive episode in the lives of both.” Although Cocteau’s subsequent life seemed, from the perspective of Maritain, to be “going deeper “into the caves of death” and to be dealing with the “powers of darkness”, the influence that Maritain and Catholicism had had on Cocteau was not altogether lost. Something of this can be sensed in the church decorations that Cocteau undertook.

On my visit to Notre Dame de Jerusalem the afternoon sun beat down on the grave-grey gravel of the slow incline climbing the forested hills outside of Fréjus which leads to the chapel. The track wound up the hillside opening on views of the steeper slopes further on and deeper in before revealing the small shelf of plateauxed land on which octagonal footprint of Notre Dame de Jerusalem sits.

The area in which the chapel was built was bought in the early sixties by Jean Martinon, a banker from Nice and the project is unfinished in the sense both that Cocteau died in 1963 before its completion and the chapel is isolated without the artist’s colony it was originally intended to serve. Cocteau drew up the plans and designs for a Chapel assisted by architect Jean Triquenot and the project was finished by his close friend, the muralist Edouard Dermit, and ceramicist Roger Pelissier.

The octagonal floorplan of the chapel is laid out in two concentric rings creating an octagonal ambulatory outside and an similarly shaped inner chamber. Mosaics of the Exile, the rebuilding of the Temple and the Annunciation ring the ambulatory while three heavy iron stained glass double doors provide the entrance to the inner octagon. The Cross of Jerusalem may have been the basis for the octagonal floorplan and this emblem of the Equestrian Order of the Holy Sepulchre of Jerusalem (a Roman Catholic order of knighthood under the protection of the pope) appears elsewhere within the overall design. The floor tiles, which include the Cross of Jerusalem, are glazed tiles shaped in elongated hexagons radiating from a central point and shining like the ocean in different tones of blue. Knights of the Holy Sepulchre also feature in the stained glass and frescoes. 'Dieu le Veult', a motto of the First Crusade, can be found in the floor mosaic and also on the altar.
The frescoes portray Christ's Passion (The Last Supper, Crucifixion and Resurrection) in crayon on concrete. The style (as which all Cocteau’s murals) is line drawing with muted colour. Cocteau, although untrained as an artist, had an intuitive affinity for line and a talent for suggesting mass through line alone. Line is life and the ‘soul’s style,’ he wrote, arguing that the artist’s presence makes itself felt when a line lives at each point along its course. 
Cocteau - prefiguring artists like Andy Warhol and Tracy Emin for whom life and art are co-mingled - seeks to immerse us in Cocteau-world. His church murals - at Villefranche-Sur-Mer, Milly-la-Foret, Leicester Square, and here - aim to do so by surrounding us with his personal combination of traditional and esoteric religious imagery filling every inch of the chapel’s walls and ceiling and among which the artist and his friends regularly appear. Here, for example, we have a Last Supper featuring Cocteau, Coco Chanel, Max Jacob, Raymond Radiguet, Francine and Carole Weisweiller. As with Warhol and Emin, Cocteau’s use of his life, faith and image is inclusive and distancing, sincere and ironic, arrogant and humble; a means of immersing us in the paradoxes and mystery of life.
Art is artifice; a lie, as Picasso stated, that makes us realise truth. Cocteau personalised this perception in an epigram saying, ‘I am a lie that always speaks the truth.’ For that reason he preferred mythology to history: ‘History is made of truths that are, with time, turned to lies; while mythology is made of lies that with time, turn to truth.’  The Catholicism of his youth and his public return to the faith under the influence of Maritain are part of the mythology of Cocteau’s life and feature prominently in the church murals which he undertook in his later years. They are among the most idiosyncratic contributions to the renewal of religious art in twentieth century France.

Cocteau finished his first church murals in 1957 for the Chapelle Saint-Pierre in Villefranche-Sur-Mer. This was a deconsecrated chapel which fishermen used to store their nets. Cocteau began work on the murals when he was 68 although he had become enchanted with the rundown chapel while staying at the nearby Hotel Welcome in the 1920s. His designs there, as in all of his work for churches, reflect his singular vision; a merging of myth and catechism.

The façade and the exterior depict the life of Saint Peter - his walk on water, and his arrest by Roman soldiers - and a homage to Saint-Mary-of-the-Sea (who is serenaded by Django Reinhardt) and the women of Villefranche (who carry their baskets of fish and sea urchins under the watchful eyes of the angels). Above it all, angels swoop in a cascade of movement. The chapel was reopened and reconsecrated in 1957 with the admission fee paid to the fishermen. Today, only the families of the fishermen of Villefranche-sur-Mer can use it for weddings.

Cocteau continued with frescoes and decorations at the registry office in Menton and redecoration with the themes from Greek mythology of an ancient theatre at The Mediterranean Centre for French Studies in Cap d’Ail. He and Dermit painted Francine Weisweiller's Villa Santo Sospir, near Cap Ferrat, with largely mythological imagery. His other church decorations include: Interior frescos (depictions of plants and the resurrection of Christ) at Chapelle Saint-Blaise des Simples (1960) at Milly-la-Foret and for Our Lady’s chapel at Notre Dame de France, London (1959), and motifs on the stained glass windows at the Chapelle des Gournay in the Église Saint-Maximin at Metz (1962).

Cocteau received his honorary doctorate from Oxford University with the support of the French cultural advisor in London, René Varin. Cocteau asked him if there was anything he could do in return. Varin suggested that he decorate a chapel at Notre Dame de France. Cocteau came to London to paint these murals between November 3rd and 11th 1959 and to play the role of narrator in the London production of Oedipus Rex, a performance conducted by Stravinsky. The murals are dedicated to the Virgin Mary divided into 3 panels: the Annunciation, the Crucifixion and the Assumption. The murals are simplified drawings, lines with muted colours. Cocteau included a self-portrait within the Crucifixion scene on the left side of the altar.

Jean Cocteau died of a heart attack at his chateau in Milly-la-Foret, France, on 11 October 1963 at the age of 74. He is buried in the Chapelle Saint Blaise Des Simples with his epitaph reading: "Je reste avec vous" (I stay among you).

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U2 - The Fly.