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Showing posts with label stride. Show all posts
Showing posts with label stride. Show all posts

Thursday, 30 July 2026

Writing for Strait

At the beginning of the year, as part of our Unveiled programme at St Andrew's Wickford, I gave an illustrated talk reflecting on my experiences of writing on the Arts for publications including Artlyst, ArtWay, Church Times, International Times, Seen and Unseen and Stride Magazine, among others:

My writings on the Arts and other topics have been published in the following: AM, Artlyst, ARTS, ArtWay, Art & Christianity, ArtServe, Ben Uri Gallery & Museum, The Big Picture, Church Times, Epiphany, Faith in Business Quarterly, Franciscan, Image Journal, International Times, Muslim Weekly, National Church Trust, New Start, Seen and Unseen, Strait, Stride Magazine and the Visual Commentary on Scripture. This includes articles, exhibitions, interviews, meditations, poetry, reviews, and short stories.

My writings on the Arts were first published in 1984 in ‘Strait’, the Greenbelt Newspaper. The Greenbelt Festival began in 1974 with a holistic take – ‘Bible in one hand and newspaper in the other’ – and the belief that all artistic expression and endeavour was God-given. ‘Strait’, which has been described as Greenbelt’s very own quarterly answer to the NME, first appeared in 1981 as the literary wing of the Festival. It sought to assess what was going on in the world, its institutions and our environment from a framework of thinking which is biblical universality.

My contributions to ‘Strait’ included poetry and art, book, drama, film and music reviews. So, all the things that I continue to write about regularly. Click on the following links to see the pages from 'Strait' which feature my writings - here, here, here, here, here, here, here, here, here, here, here, and here.

My contributions were primarily made when the poet Stewart Henderson was Editor and later, through a friend at St Martin-in-the-Fields, I was able to get back in touch with Stewart and thank him for his support of my early writing.

I also had my first article published in ‘Strait’ – a profile of the poet Ted Hughes – and this generated the first public critique I had received. That came from another regular contributor to ‘Strait’, the poet Rupert Loydell. Rupert argued that in writing about Hughes, I had fallen into the trap of expecting secular writers to fit into our patterns of belief. Receiving feedback of your writings and opinions is always useful and Rupert’s critique was a helpful corrective.

At this time, Rupert also published some of my poems in Stride Magazine, a small press publication that he began in 1982. He has therefore edited Stride magazine for over 40 years, and was managing editor of Stride Books for 28 years. He and I have kept in touch over the years. He did a poetry reading at St Stephen Walbrook while I was there. He has also helpfully introduced me to others with whom I have collaborated. I continue to write for Stride and also for International Times, where he is a contributing editor.

I recently posted a series of guest posts by and an interview with Rupert which has added to the material about Jesus Rock, CCM and spirituality in rock music published here previously. The first post in this series was a listing of previous posts on these themes - click here. The second post was an interview with musician Nick Battle, click here. The third post was the interview with Rupert Loydell - click here. The fourth post was a new interview by Rupert with Nick Battle - click here. While the final post in the series was an interview by Rupert with Steve Scott - click here.

Click here to read my full presentation on 'Writing on the Arts'.

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Echo and the Bunnymen - Bring On The Dancing Horses.

Thursday, 16 July 2026

Amethyst Review: Connections and contemplation in poetry and prayer

'Connections and contemplation in poetry and prayer', a brief survey of the connections between poetry and prayer has been published by Amethyst Review today. It looks at the connections between the two and highlights both poems about prayer and poems that are prayers. This piece was originally written as the introduction to a Quiet Day I ran recently on Poetry and Prayer. On the same day, I also wrote a new poem entitled 'Prayer' which was published recently by Amethyst Review.

The references for the article are:
Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

My poems to have been published in Amethyst Review are: 'Prayer', 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

To read my poems published by Stride, click here, here, here, here, here, and here. International Times have also published other of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

Several of my short stories have also been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

For more of my poems, see here, and for my poetic meditations, see here.

My first review of poetry for Tears in the Fence was of 'Modern Fog' by Chris Emery. My second review was of 'The Salvation Engine' by Rupert Loydell and my third was of 'For All That’s Lost' by David Miller. My poetry reviews for Stride include a review of two poetry collections, one by Mario Petrucci and the other by David Miller, a review of Temporary Archive: Poems by Women of Latin America, a review of Fukushima Dreams by Andrea Moorhead, a review of Endangered Sky by Kelly Grovier and Sean Scully, a review of John F. Deane's Selected & New Poems, a review of God's Little Angel by Sue Hubbard and a review of Spencer Reece's 'Acts'.

My poetry-related pieces for IT are: an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, plus reviews of: 'Collected Poems' by Kevin Crossley-Holland; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, and 'What Is and Might Be and then Otherwise' by David Miller. I have also published pieces on poetry at Seen and Unseen - a profile of the poet Theresa Lola - and the Journal of Theological Studies - a review of Faith, Hope and Poetry: Theology and the Poetic Imagination by Malcolm Guite. For more on poetry, read my ArtWay interview with David Miller here and my interview with Rupert Loydell here. See also Rupert Loydell's interview with poet and musician Steve Scott. My own dialogues with Steve can be read here, here, here, here, and here. For thoughts on the links between poetry and prayer see here and here.

My key literature posts (including poetry) are:
See also 'Art and Faith: Decades of Engagement: Introduction, 1880s, 1890s, 1900s, 1910s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, and 1980s.

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Gideon Heugh - Love - An Easter Poem.

Saturday, 13 June 2026

International Times: 'Spencer Reece at Bemerton'

My latest poem to be published by International Times is entitled 'Spencer Reece at Bemerton' and is based on the visit that I made to Bemerton earlier in the year with Spencer Reece:

'The poet George Herbert was priest in the parish of Bemerton for three years before his death from consumption. On his death bed he sent the manuscript of The Temple (his collection of poetry) to his friend Nicholas Ferrar to publish if he thought them of value to others. The Temple was published and Bemerton became a place of quiet pilgrimage for lovers of Herbert’s poems. Among such, was Vikram Seth, poet and novelist, who in 2003 bought the Old Rectory in Bemerton where Herbert had once lived. Seth later wrote a group of six poems entitled Shared Ground based on six of those included in The Temple. US poet Spencer Reece first visited Bemerton while a student in his twenties. In 2026, by now himself also a priest and a published poet, he returned, at the invitation of the George Herbert in Bemerton Group, to give a talk at St Andrew’s Lower Bemerton on his love of Herbert’s verse.'

For more on Fr Spencer's visit, see herehere and here. To read my interview with Fr Spencer for International Times see here and, for my review of Fr Spencer's more recent poetry collection, see here. Fr Spencer spoke at St Martin-in-the-Fields during his visit, see below for that service and click here for one of the services in our parish at which he preached:


IT have also published other of my poems, including 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

Several of my short stories have also been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

My other pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of: the Stations project from Dunlin Press; 'William Blake: The Age of Romantic Fantasy'; Joseph Arthur in concert; installations by Chiharu Shiota and Yin Xiuzhen at Hayward Gsllery, U2's 'Days of Ash', Mumford and Sons' 'Prizefighter' and Moby's 'Future Quiet'; 'Collected Poems' by Kevin Crossley-Holland; 'Lux' by Rosalía; 'Springsteen: Deliver Me from Nowhere'; 'Great Art Explained' by James Payne; 'Down River: In Search of David Ackles' by Mark Brend; 'Headwater' by Rev Simpkins; 'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album; and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

My first review of poetry for Tears in the Fence was of 'Modern Fog' by Chris Emery. My second review was of 'The Salvation Engine' by Rupert Loydell and my third was of 'For All That’s Lost' by David Miller. My poetry reviews for Stride include a review of two poetry collections, one by Mario Petrucci and the other by David Miller, a review of Temporary Archive: Poems by Women of Latin America, a review of Fukushima Dreams by Andrea Moorhead, a review of Endangered Sky by Kelly Grovier and Sean Scully, a review of John F. Deane's Selected & New Poems, a review of God's Little Angel by Sue Hubbard and a review of Spencer Reece's 'Acts'.

I have also published pieces on poetry at Seen and Unseen - a profile of the poet Theresa Lola - and the Journal of Theological Studies - a review of Faith, Hope and Poetry: Theology and the Poetic Imagination by Malcolm Guite. For more on poetry, read my ArtWay interview with David Miller here and my interview with Rupert Loydell here. See also Rupert Loydell's interview with poet and musician Steve Scott. My own dialogues with Steve can be read here, here, here, here, and here. For thoughts on the links between poetry and prayer see here and here.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

For more of my poems, see here, and for my poetic meditations, see here.

My key literature posts (including poetry) are:
See also 'Art and Faith: Decades of Engagement: Introduction, 1880s, 1890s, 1900s, 1910s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, and 1980s.

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Tuesday, 8 April 2025

Tears in the Fence: For All That’s Lost by David Miller (Knives, Forks and Spoons Press)

My latest review for Tears in the Fence is of  'For All That’s Lost' by David Miller:

"This is the hope of all the playful intertwining of genres and styles, of disciplines and narratives, of losses and gaps, fragments and forms, that characterises and shapes Miller’s works and collections. He utilises ‘concision, elision, contrast and paradox to open up meanings as one opens up Matryoshka Dolls’ and does so in the hope that each might learn one from the other, even in the midst of loss – especially in the time of loss – when the one that is lost is walking alongside and ‘what surpasses death / is transgressive’."

Tears in the Fence is an internationalist literary magazine based in the U.K. Publishing a variety of contemporary writers from around the world, it provides critical reviews of recent books, anthologies and pamphlets and essays on a diversity of significant modern and contemporary English and American poets. Each issue features a number of regular columnists adding wide focus and independent thought on the contemporary poetry world. A wide range of book and pamphlet reviews are also published on the magazine’s blog.

My first review for Tears in the Fence was of 'Modern Fog' by Chris Emery. My second review was of 'The Salvation Engine' by Rupert Loydell.

My poetry reviews for Stride include a review of two poetry collections, one by Mario Petrucci and the other by David Miller, a review of Temporary Archive: Poems by Women of Latin America, a review of Fukushima Dreams by Andrea Moorhead, a review of Endangered Sky by Kelly Grovier and Sean Scully, a review of John F. Deane's Selected & New Poems, a review of God's Little Angel by Sue Hubbard and a review of Spencer Reece's 'Acts'.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. My latest poem, 'The ABC of creativity', has been published by International Times. It cover attention, beginning and creation and can be read here.

I am very pleased to be among those whose poetry has been included in Thin Places & Sacred Spaces, a new anthology forthcoming in 2024 from Amethyst Press. Check in at Amethyst Review for more details, including a publication date in July and an online launch and reading in September. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

Additionally, several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford last Autumn. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

For more on poetry, read my ArtWay interview with David Miller here and my interview with the poet Chris Emery for International Times here. I have also written an article for Seen & Unseen 'Theresa Lola's poetical hope' about the death-haunted yet lyrical, joyful and moving poet for a new generation.

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Thursday, 20 March 2025

Stride Magazine - Algorithmic Prayers

Stride Magazine is currently publishing a series of poems inspired by The Prayer, an art-installation that tries to explore the supernatural through artificial intelligence. 

"The artist Diemut Strebe created a talking mouth, which creates and voices original prayers on its own. It is part of a computer system using AI technology, to explore the possibilities to connect to ‘the divine’, ‘the noumenal’ as the mystery of ‘the unknown’ as it appeared in various ways throughout the history of mankind in religious belief and philosophical speculation. The installation’s software uses deep learning, a method of machine learning, that attempts to mimic human brain circuits. 

Several questions are involved within this artwork, the most provocative being: How would a divine epiphany appear to an artificial intelligence? The question may sound absurd but the focus of the project could maybe shed light on the difference between humans and AI machines in the debate about mind and matter. It reflects on the potentials and implications of deep learning AI within both its narrow, targeted setting and general (human-like) state."

The series of poems begins with 'Algorithmic Prayers' by Rupert Loydell and will include my latest poem, which due to be published on 26 March.

My reviews for Stride include a review of two poetry collections, one by Mario Petrucci and the other by David Miller, a review of Temporary Archive: Poems by Women of Latin America, a review of Fukushima Dreams by Andrea Moorhead, a review of Endangered Sky by Kelly Grovier and Sean Scully, a review of John F. Deane's Selected & New Poems, a review of God's Little Angel by Sue Hubbard and a review of Spencer Reece's 'Acts'.

To read my poems published by Stride, click here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. My latest poem, 'The ABC of creativity', has been published by International Times. It cover attention, beginning and creation and can be read here.

I am very pleased to be among those whose poetry has been included in Thin Places & Sacred Spaces, a new anthology forthcoming in 2024 from Amethyst Press. Check in at Amethyst Review for more details, including a publication date in July and an online launch and reading in September. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

Additionally, several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford last Autumn. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

For more on poetry, read my ArtWay interview with David Miller here and my interview with the poet Chris Emery for International Times here. My review of 'Modern Fog' by Chris Emery is on Tears in the Fence. I have also written an article for Seen & Unseen 'Theresa Lola's poetical hope' about the death-haunted yet lyrical, joyful and moving poet for a new generation.

Stride magazine was founded in 1982. Since then it has had various incarnations, most recently in an online edition since the late 20th century. You can visit its earlier incarnation at http://stridemagazine.co.uk.

I have read the poetry featured in Stride and, in particular, the work of its editor Rupert Loydell over many years and was very pleased that Rupert gave a poetry reading when I was at St Stephen Walbrook.

Rupert Loydell is a poet, painter, editor and publisher, and senior lecturer in English with creative writing at Falmouth University. He is interested in the relationship of visual art and language, collaborative writing, sequences and series, as well as post-confessional narrative, experimental music and creative non-fiction.

He has edited Stride magazine for over 30 years, and was managing editor of Stride Books for 28 years. His poetry books include Wildlife and Ballads of the Alone (both published by Shearsman), and The Fantasy Kid (for children).

His latest collections are Damage Limitation and The Salvation EngineReviewing both collections, Dominic Rivron writes that:

"Damage Limitation is part of Loydell’s ongoing investigation into cults and obsession. It begins with a brief, potted history of the band Throbbing Gristle and Genesis P-Orridge’s subsequent venture, Psychic TV, outlining the way both bands managed their public image, pressing ‘all the obvious buttons’ to portray themselves as provocative, transgressive and offensive; while all the time Genesis P-Orridge ‘wanted to control everything, despite their questioning the very notion of power and control’.

The hypnotic lure of TG and PTV lies in ‘the counterculture’s desire for psychic understanding’, while, in fact, the whole project is a microcosm of capitalism, its ‘industrial music revolution’ holding up a mirror to the Industrial (non-musical) Revolution. And the machines we build are not merely physical: the processes whereby people can groom, control and abuse others could be described as a form of psychic machine-building."

"The Salvation Engine ... which came out before Damage Limitation, ‘grapples with the frightful mix of personality cults, religious populism, liturgical experiment, rave culture, censorship, puritanical mindlessness, and stupidity within the organised church, questioning and critiquing its power structures and beliefs, not to mention a lack of safeguarding and accountability, which allow and sometimes encourage abuse, manipulation, greed and desperate beliefs to thrive.’"

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August, Yours Truly - Inhale. 

Sunday, 19 January 2025

Meditations

My reflection for the online Church of England service included a meditation I wrote on transformation. Over the years I have written a considerable number of meditations alongside my poetry. Some have been posted here; some in sermons and some in their own right. Others are available to download from other sites.

This post provides links to the majority of these meditations:

'Come, Lord Jesus, Come' is an Advent devotional (booklet & slideshow) by Victoria Emily Jones based on an Advent meditation written by myself.

Mark of the Cross and The Passion are collections of images, meditations and prayers by Henry Shelton and myself on The Stations of the Cross. They provide helpful reflections and resources for Lent and Holy Week. These collections can both be found as downloads from theworshipcloud.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times. IT have also published a poem, The ABC of creativity, which covers attention, beginning and creation.

Other of my poems have appeared in Amethyst Review. They are: 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride, click here, here, here, here, and here.

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Kelly Joe Phelps - Down To The Praying Ground.

Friday, 29 November 2024

Thin Places and Sacred Spaces: October online launch


 

View the recording of the October online launch for Thin Places and Sacred Spaces here. Join editor Sarah Law of Amethyst Press on Friday for an evening hour of poetry readings and discussions on what makes the concept of a thin place so compatible with poetry. To see the September Launch, which includes my reading of 'Runwell', click here.


In this important and wide-ranging new anthology from Amethyst Press, with contributions by over 150 contemporary poets, readers are invited to reflect on and experience the poetry of ‘thin places’. The ‘thin place’ is a Celtic term, originally indicating a specific geographical location where the veil between heaven and earth seems exceptionally thin or lifted altogether. The anthology embraces and expands the concept of thin places and sacred spaces, including:

  • Sacred Locations
  • Sacred Nature
  • Sacred Architecture
  • Sacred Times & Holy Hours
  • The Thin Veil Between Life & Death
  • The Holy Unexpected
  • Thin Places in Art, Poetry & Language
If you have ever felt the touch of eternity in nature or sacred architecture; at specific times of the day or year; in stillness, movement, art, silence or surprise – this collection is for you.

'Runwell' is part of a series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios' and was the first poem in the sequence to be written and published. The poem takes the reader on a visit to St Mary's Runwell, while also reflecting on the spirituality of the space plus its history and legends.

The second poem in the sequence to be published is at International Times and is entitled 'Broomfield' Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. My poem reviews their stories, work, legacy and motivations. For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see herehereherehere and here. I will be giving a talk on 'Broomfield Artists in the Basildon Deanery' at St Andrew's Wickford in December (see below).

The third poem in the series to be published is entitled 'Pleshey' and celebrates the Diocesan Retreat House at Pleshey in Essex and the legacy of Evelyn Underhill as a retreat director. My poem can also be found on the Diocesan Retreat House website here.

'Bradwell', the final poem in the series to have been published, is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. My previous posts about Bradwell and the Othona Community can be found here and here.

I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for that anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Five of my poems have appeared in Amethyst Review. They are:'Pleshey''Runwell''Are/Are Not''Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride, click herehereherehere, and here. My poems published by International Times are 'Broomfield' and 'The ABC of creativity'. The latter covers attention, beginning and creation and can be read here.





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Launch of Thin Places & Sacred Spaces: an anthology of new poetry