Wikio - Top Blogs - Religion and belief
Showing posts with label macgregor. Show all posts
Showing posts with label macgregor. Show all posts

Monday, 10 May 2021

Artlyst - British Museum Spotlight Loan Crossings: Community And Refuge

My latest article for Artlyst highlights the British Museum Spotlight Loan Crossings: Community And Refuge tour. This begins at Coventry Cathedral, where it will be shown briefly alongside Jake Lever's 'Do the Little Things' installation:

"Curator Jill Cook says, “The Lampedusa Cross reminds us of all the histories that are lost and of the thousands of people who are not otherwise remembered ...

Neil MacGregor described how, “Kourbaj’s little convoy of matchstick figures stand for all migrants, anywhere, driven by fear, guided by hope.” ...

“In the face of increasing isolation and uncertainty,” [Lever] says, “I wanted to convey a sense of journeying with them and cherishing them from afar.” That impulse is one that would seem to be shared by all the makers contributing to this tour. Would that we all felt the same."

Jake Lever was recently interviewed as part of HeartEdge's 'Living God's Future Now' programme - https://www.facebook.com/506026059544325/videos/1076762322816164.

My recent piece for Artlyst on 'Keith Haring: Personal Spiritual Imagery' has been republished by ArtWay and can be read here.

My other pieces for Artlyst are:

Interviews -
Articles -
-----------------------------------------------------------------------------------------------------------

The Alpha Band - Rich Man.

Sunday, 16 July 2017

Worth Abbey: At the Heart, On the Edge.























One hundred and eight members of the congregation, clergy, choir and C-Club members from St Martin-in-the-Fields gathered together this weekend at Worth Abbey; the theme of the weekend was At the Heart, On the Edge. Jane Williams, Neil MacGregor, Tim Bissett, the Disability Advisory Group and many others from our community led reflections, along with an evening of Great Sacred Choral Classics: Allegri Miserere in the Abbey Church with the Choir of St Martin-in-the-Fields and Revd Dr Sam Wells.

It was wonderful to be back at Worth Abbey and to be there together with so many from the St Martin's community. Our Education Committee had organised a particularly full and varied programme. 

The weekend as a whole was wonderful but highlights for me included insights from: Jane Williams on truthful prayer in the Psalms that enable us to anger and concern; Neil McGregor exploring our human need to share the sacred by expressing what is beyond our grasp; our Disability Advisory Group speaking from lived experience about reclaiming the healing miracles in the Gospels; a Theology Group that began by reflecting on reasons why the central act in human history occurred on the edge of Empire and influence; our Choir singing Allegri's Miserere in the resonant acoustic of the Abbey church with reflections from Sam Wells; and a special closing Eucharist drawing all our activities and reflections together.  

I gave an update on HeartEdge, the growing ecumenical network of churches and other organisations working across the UK and overseas initiated by St Martin's. Tim Bissett did the same in relation to the Frontline Network, which equips and supports those on the front line working with homeless and vulnerably housed people.

In addition there was also time for socialising, games, children's activities, walks, an art activity, a film, Tai Chi session, a tour of the Abbey and worship both with our community and with the monks. The art activity, led by Andrew and Helen Carter and Alice Bree, created a wall hanging depicting swallows darting to the centre of two large circles, as well as also being on the edge.

Phyllis Santa-Maria was one of those who came. She reflected: 'Wonderful St Martin-in-the-Fields Parish weekend at Worth Abbey, East Sussex. It's my fourth one, done biennially, and hard to believe each one is better than the last. Our theme, 'At the heart. On the edge.' focused on how we as a church in the heart of London and being with people on the edges of society and the economic mainstream can deepen our commitment to ourselves and our communities for making the world a better place. We prayed, learned from each other and guests, had a great, stimulating time.' 

Since I last visited Worth Abbey the monks have commissioned Heatherwick Studio to design and develop a furniture strategy as part of wider renovations to the Abbey church. The furniture package included pew benches, choir stalls with misericord seats and desks, benches, credence tables, server seats and reconciliation (confessional) rooms. Heatherwick has embedded curved threads of ash into the dark walnut pews.

------------------------------------------------------------------------------------------------------

Gregorio Allegri - Missa Vidi Turbam Magnam.

Saturday, 26 November 2016

Advent, Carol & Christmas Services at St Stephen Walbrook

Here are details of the Advent, Carol & Christmas Services at St Stephen Walbrook:

The Grand Priory of England of the Knights Templar Advent Carol Service - 3 December, 5.00pm

This Service will mix readings and carols under the guidance of their Master of Music, Dr Michael Walsh, and The Reverend Dr Gordon Giles KOTJ, Grand Chaplain-General. All are welcome for a service which gives the opportunity of looking at some themes other than the obvious Christmas stories and where the Knights and Dames provide some extra 'colour' with their robes and banners.

Fight for Sight Christmas Carol Concert – 6 December, 6.30pm

Join Fight for Sight for a celebration of Christmas for all the family featuring popular carols and festive readings. Guest readers include BBC Radio 4 broadcaster Sue MacGregor and presenter and broadcaster Jan Leeming. The concert will also include Imperial College Choir. Tickets £25 (adult) £10 (child) - https://www.eventbrite.co.uk/e/fight-for-sight-christmas-carol-concert-tickets-25676854162#tickets.

Carols by Candlelight – 7th December, 7.30pm

Carols by Candlelight is back for another year of song and Christmassy merriment in aid of Michael Varah Memorial Fund. The stunning Vasari singers, legendary Richard Stilgoe and vast amounts of mince pies will be ready and waiting. Tickets £30 (pew seats) or £20 (bench seats - restricted view) - www.michaelvarahfund.org or email: michaelvarahfund@btinternet.com.

Carols for the Animals – 8 December, 6.30pm

Join International Animal Rescue in a celebration for all the animals at Christmas. Traditional carols, music from the fabulous Massive Violins, mulled wine and mince pies plus readings by special guests including actor Peter Egan. Sing your heart out this Christmas whilst raising money for the work of International Animal Rescue which rescues animals from cruelty and suffering around the world. Tickets £25 - https://www.eventbrite.co.uk/e/carols-for-the-animals-tickets-27928993371.

Parish Carols by Candlelight – 14 December, 6.00pm

Arrive early to get a seat for our free, popular Parish Carol Service led by Revds Jonathan Evens and Sally Muggeridge with St Stephen’s Voices and organist Joe Sentance. The service will include ‘Sir Christèmas’ – Mathias, ‘Bethlehem Down’ – Warlock, and ‘Gaudete’ - arr. Jenkins. Join us after the service for mince pies and mulled wine.

Midnight Mass – 24 December, 11.30pm


Join us for the first Communion of Christmas where St Stephen’s Voices and organist Joe Sentance will lead us with ‘Missa Brevis in D, K194’ – Mozart and ‘Sussex Carol’ - arr. Ledger. The service will be followed by mince pies and hot drinks.

---------------------------------------------------------------------------------------

Peter Warlock - Bethlehem Down.

Sunday, 8 May 2016

The Dance of Love: Living the prayer of Jesus

Here is the sermon that I preached at St Martin-in-the-Fields today:

If you knew you had roughly eighteen hours to live and could use that time to talk and pray with your nearest and dearest, I wonder what you would say and do? It is likely that whatever you did and said in that time it would all be to do with what was of central importance to your life and thought.

That was the situation in which Jesus found himself in the hours before his crucifixion and we know that he used that time to share acted parables and key messages with his disciples, as well as to pray. His prayer at that time, a part of which forms today’s Gospel reading (John 17. 20 - 26), was for the unity of his current and future disciples – that they might be one. So, why was unity of such central importance to Jesus’ thinking and praying at that most significant moment in his life - the time of his death? If we can answer that question, we can reach into the very heart of Jesus’ being and thinking.

When Jesus prayed that his followers might all be one, he prayed this on the basis that his followers might be in God as he is in the Father and the Father is in him. He was praying that we, who follow in his footsteps, would experience the same oneness with God and each other that he enjoys with God, his Father. In essence, his prayer is that we will experience unity, because unity is what is at the very heart of God.

The Greek Fathers called the relationship of Father, Son and Holy Spirit perichoresis, which “means ‘to dance around one another in relationship’, … peri meaning around, and choreio to dance” (Touching the Sacred, Chris Thorpe and Jake Lever, Canterbury Press). Stephen Verney, a former Bishop of Repton, explored this idea in several of his books (e.g. The Dance of Love, Fount) writing about “the dance of love of the Trinity in which they give place to each other.” “This is the glory revealed in Jesus, as the Father and the Son give authority to each other in mutual interdependence, and as the creator and the creation interpenetrate each other.” Similarly, David Runcorn has described “the Holy Trinity as a dancing community of divine poverty. Each eternally, joyfully, dispossessing themselves; emptying, pouring themselves out to the favour and glory of the other. Nothing claimed, demanded or grasped. They live and know each other in the simple ecstasy of giving” (Choice, Desire and the Will of God, SPCK). At the heart of the Godhead is a relationship of love where love is constantly being shared and exchanged between Father, Son and Holy Spirit and this exchange or dance of love holds them together in unity.

Verney goes on to say that the eternal dance of the Trinity in heaven is reflected in creation and we are invited to join in because it was out of that relationship of love at the heart of the Godhead that Jesus came into our world to open up a way for us to participate in the eternal dance of love constantly shared between Father, Son and Spirit. We are familiar with the idea that God’s love for us is shown in Jesus’ sacrifice of himself for us by becoming human and then dying for us on the cross. We are, perhaps, less familiar with the idea that we can be part of the constant exchange of love in God of which we have been speaking and which Jesus’ once-for-all sacrifice of himself enables us to experience. If we live in God, we live in love and love lives in us. We become included in the constant exchange of love which exists in the Godhead and are, therefore, constantly loved no matter what else is going on in our lives.

In the words of Paul Simon, we could respond to this by saying ‘So beautiful or so what’. It’s all very well picturing a beautiful dance at the heart of the Trinity but what difference does that make to us or anyone else?

Firstly, it says to us that we are 100% loved by God, surrounded by and filled by love, and that the more we experience of God, the more we can come to know love for ourselves. I wonder, do we allow the reality that we are accepted and loved by God to seep into the depths of our being where it can and will address our insecurities and anxieties? Do we know this for ourselves? Do we accept it for ourselves? Because ultimately our deepest need is to know with absolute confidence that we are loved and that is what is assured for us through the sacrifice of Jesus and the dance of love which is the Trinity.

Second, we see that love involves the continual giving and receiving of affirmation and authority. The dance of love is not a solo with the spotlight firmly fixed on an individual who garners all the glory for his or herself. It’s not even a picture of the kind of intuitive interaction which we see in ballroom dancing and which has been popularised on TV by ‘Strictly Come Dancing’. We are talking here of reciprocal love or giving which cannot be manipulated by ego, because the gift always moves beyond the reach of the one who first gives it. That is one of the reasons why it is so important that God is Trinity, three persons who are also one.

Lewis Hyde notes in his book called ‘The Gift’ that when giving is reciprocal: "The gift moves in a circle, and two people do not make much of a circle. Two points establish a line, but a circle lies in a plane and needs at least three points.” It is only “When the gift moves in a circle [that] its motion is beyond the control of the personal ego, and so each bearer must be a part of the group and each donation is an act of social faith.” That is what we see in the Trinity and what we are called to replicate in our own relationships. “The Dance of Love,” Verney writes, “is the glory in God’s heart, but it is also the pattern which is reflected in everything he has created.” The more we live according to God’s pattern for life, the more we know in our lives the love and unity of the Trinity itself.

In his prayer Jesus makes a contrast between giving which can be controlled by personal ego or one pair of gift partners and giving which is genuinely reciprocal. He states that the world does not know his Righteous Father and, earlier in the prayer, that the world hates his disciples because they do not belong to the world, just as he does not belong to the world.

When Jesus uses this language of separation in John’s Gospel between his disciples and the world, Verney suggests that he is speaking about two different levels or orders to reality. What he means by this are different patterns of society, each with a different centre or ruling power. In the first, “the ruling principle is the dictator ME, my ego-centric ego, and the pattern of society is people competing with, manipulating and trying to control each other.” In the second, “the ruling principle is the Spirit of Love, and the pattern of society is one of compassion – people giving to each other what they really are, and accepting what others are, recognising their differences, and sharing their vulnerability.” Runcorn puts it like this, “the life of God is non-possessive, non-competitive, humbly attentive to the interests of the other, united in love and vision.” To be God-like, “is not to be grasping” and so “Jesus pours himself out ‘precisely because’ he is God from God.”

These two orders or patterns for society are at war with each other and we are caught up in the struggle that results. Choosing our side in this struggle is a key question for us as human beings, the question being “so urgent that our survival depends on finding the answer.” Verney writes that: “we can see in our world order the terrible consequences of our ego-centricity. We have projected it into our institutions, where it has swollen up into a positive force of evil. Human beings have set up prison camps where they torture each other for pleasure. We are all imprisoned together, in a system of competing nation states, on the edge of a catastrophe which could destroy all life on our planet.”

I was reminded of these words when reading a recent interview that Neil McGregor gave to The Observer. In this interview he made some typically insightful contributions to the current debate about the EU referendum based on research for his book ‘Germany: Memories of a Nation’. He said, for example, that: “German people see the whole purpose of a political leader is to make successful alliances. The proper use of sovereignty is all about pooling it to achieve your aims. The British idea that you should entirely do these things on your own and try to assume total control over your environment is unthinkable.”

Similarly, President Obama suggested, during his recent visit to Europe, that “the people of Europe … are more secure and more prosperous because we stood together for the ideals we share.” As a Guardian article commenting on this speech noted this message runs counter to Europe’s growing populism; “the self-glorification of national egos, the distrust towards outsiders, and the reflex of putting up walls or closing down borders.”

In the UK we are at the very heart of this discussion as the last few years have seen us engaging in considerable political debate about the benefits of collaboration versus independence. From 2010 – 2015 we had our most recent experience of coalition government and, for all the complications inherent in coalitions, many would see that period as preferable to the licence that a majority Conservative Government has had to pursue austerity cuts on those with the least influence and political power in our society. In 2014 Scots voted narrowly to remain part of the United Kingdom rather than choosing independence and this year we are asked vote on essentially the same issue but in relation to the European Union.

Jesus’ focus on unity at the time of his death and the dance of love within the Trinity which is the basis for that focus, would suggest that, as his followers, we should favour collaboration, coalition, alliances and unions over independence, in the way that Neil suggests the German people have come to do. Yet we know, too, that a focus on unity at all costs also can silence voices of dissent and conscience and that power can accrue in unhelpful or unaccountable ways the larger or all-embracing an organisation or union may be.

Here at St Martin’s we know how difficult and complex it can be to create and sustain a community that is both unified and inclusive. We also know how valuable it is to make the attempt and to grapple with the complexities. I know that I have been both impressed and impacted by the way in which St Martin’s grapples with these issues and realise that I need to make changes in my thinking and practice as a result. These issues and complexities are, of course, magnified when it comes to working them through in the context of a union of nations, as we can by being part of the EU.

Nevertheless, the dance of love at the heart of the Trinity and our participation in that dance, as God’s children, compels us, I think, to make that attempt within the communities, organisations and networks of which we are part; whether that is family, church, local community, nation or union of nations. In doing so, we come to know ourselves firstly as surrounded by and filled by the love which overflows from the Trinity, then understand that such love involves the continual giving and receiving of affirmation and authority as we seek to live in and through the dance of love in the complexities of human relationships, alliances, coalitions, collaborations and unions. Like the Holy Trinity, we strive to be a dancing community of divine poverty. Each eternally, joyfully, dispossessing themselves; emptying, pouring themselves out to the favour and glory of the other. Nothing claimed, demanded or grasped; living and knowing each other in the simple ecstasy of giving, which is the unity for which Jesus prayed.

-----------------------------------------------------------------------------------------------

K.D. Lang - Jericho.

Friday, 22 April 2016

The whole purpose of a political leader is to make successful alliances

Last Sunday The Observer published an interview with Neil MacGregor in which he made what seem to me to be some of the most pertinent observations that I have heard to date on the issues surrounding the EU referendum and the possibility of Brexit. In the interview he talks about acts of memory as a defining difference within Europe:

'In Germany, he says, “the thing I continue to find striking is that in the centre of Berlin you keep coming across monuments to national shame. I think that is unique in the world.”

Did they really have an option but to confront what had happened though?

“Well,” he says. “Austria hasn’t done it. Post-Soviet Russia hasn’t done it. Japan hasn’t done it.”

And, he would suggest, Britain and France have never really done it. “If you compare the way we remember, the perfect example was the opening ceremony of the Olympics, that selective national memory: all true but not looking at any of the difficult bits.”

Two things, he says, in the past couple of months have highlighted that complacency. The Cecil Rhodes statue debate “shows that we still cannot look at the past dispassionately, even a hundred years on”. Likewise, the centenary of the Easter Rising. “There is still no appetite to look hard at British behaviour in Ireland. What I find so painfully admirable about the German experience is that they are determined to find the historical truth and acknowledge it however painful it is. You can’t be an informed adult – or an artist – in Germany without doing that.”

The great thing a museum can do is allow us to look at the world as if through other eyes

That reflexive act of memory also colours the great political schisms of our times. Much has changed in Europe in the 18 months since the British Museum’s Germany show and the first publication of his book. It contains many chapters of forensic storytelling, but the one that stands out reading it now is MacGregor’s analysis of a simple refugee cart. That cart was representative of one of the most forgotten events of the last century: the forced “repatriation” of German speakers from eastern Europe after the war. About 30 million people were “ethnically cleansed” and 12-14 million returned to a devastated homeland they didn’t know, and became absorbed into a society that was rebuilt and reordered within a decade.

“If you try to explain why Germany has taken its unique stance on Syrian refugees in Europe you can’t ignore this,” MacGregor says. “Some argue the policy is another way of atoning for the Nazi era. But another absolutely central motivation, rarely mentioned, is that almost everybody now in Germany in their 20s or 30s has a grandparent or great-grandparent who has been a refugee. Pretty well every German has direct family experience of knowing what it means to be welcomed.”

The other debate that has become more charged since the book first appeared is the notion of sovereignty. MacGregor believes that the British and Germans mean completely different things when they use that word. Partly because of its own traumatic experience of nationalism and partly because of the history of shifting borders and alliances during the Holy Roman Empire, in Germany, he says, sovereignty always means an appetite for coalition and compromise. “Any German knows that as well as the Bundestag there are 16 other parliaments making laws within its borders. In Britain we don’t have the language for that.”

The European debate in Britain looks so strange if you are a German for precisely this reason, he suggests. “German people see the whole purpose of a political leader is to make successful alliances. The proper use of sovereignty is all about pooling it to achieve your aims. The British idea that you should entirely do these things on your own and try to assume total control over your environment is unthinkable.”'

This, it seems to me, explains, in part, the shortcomings of the argument currently being made by anti-EU campaigners that Barack Obama is guilty of double standards when he encourages the UK to remain part of the EU. What those campaigners fail to acknowledge is that the USA is, as it says on the tin, a Union of States. Obama recognises the importance of cooperation rather than isolation and interdependence rather than independence because that is built in to the existence of America, part of its raison d'ĂŞtre. By contrast, the anti-EU campaigners believe, as McGregor notes, that we should entirely do these things on our own and try to assume total control over our environment. In my view it is this refusal to recognise the value of cooperation and interdependence that causes the shallowness in the arguments made in favour of Brexit.

---------------------------------------------------------------------------------------------

Woody Guthrie - This Land Is Your Land.

Thursday, 9 April 2015

Spokesperson for the silent throng of things made by the human hand

The Evening Standard has four pieces written in appreciation of Neil MacGregor following the announcement that he is to step down as Director of the British Museum. This is fitting because "he has popularised the extraordinary riches of the museum in such as a way as to make them part of an intelligible human story, accessible to the ordinary public."

Michael Prodger writes that MacGregor "sees no conflict between popularity and scholarship and instinctively grasps that the public wants information as much as entertainment."

Antony Gormley described MacGregor as "the spokesperson for the silent throng of things made by the human hand, heart and brain over all time. Like no other before him, he has helped us see, empathise and interpret the huge diversity of humanly made things, allowing us to understand what they are and the world from which they come."

I was pleased to see that his future projects "include working with the BBC and the museum on a new Radio 4 series on faith and society." His series 'A History of the World in 100 Objects' was, in part, an inspiration for my short story The New Dark Ages, which can be read using these links - Part 1, Part 2, and Part 3.

----------------------------------------------------------------------------------------------

The Band - Don't Do It.

Thursday, 25 August 2011

Radical Compassion


This autumn the Educational Programme series at St Martin-in-the-Fields looks particularly interesting both because of the topic and speakers chosen.

Radical Compassion: The Gospel and Social Justice seeks to examine the radical implications of Christ’s life and transforming compassion in relation to issues of social justice. What is Christ saying to the poor, marginalised, and the struggles of our time? Can we rediscover a theology of liberation for today?

The lectures will take place in St Martin-in-the-Fields Church from 7.00pm – 8.30pm. They are free and no booking is required. There will be a retiring collection to cover some of the costs of the programme.

Monday 19 September: The Revd Professor Nicholas Sagovsky: Compassion and Justice - Professor Nicholas Sagovsky’s experiences in advocacy and justice for refugees and asylum seekers as a member of both the Independent Asylum Commission and the Churches Refugee Network provide the basis for his discussion of the Gospel in relation to issues of social justice.

Monday 3 October: Revd Clare Herbert: Compassion and Protest - As an ‘out’ lesbian priest and active campaigner on behalf of gay and lesbian Christians, Revd Clare Herbert has plenty of experience in fighting for what she believes in.  This lecture will explore the ways she has come to terms with needing to express both protest and compassion.

Monday 17 October: Neil MacGregor: Compassion and Art - In this lecture the Director of the British Museum uses images to help us enter more profoundly into our understanding of the radical compassion of Christ captured in some of our greatest art treasures, whilst asking the question: Can these works of art speak to our present and deepen our own compassion and humanity?

Monday 31 October: Nicola Slee: Compassion and Empowerment - As a poet and theologian who has looked extensively into the relationship between women and spirituality, Nicola’s lecture will address how the radical compassion shown throughout the gospel can lead to female empowerment.
  
Wednesday 16 November: Terry Eagleton: Compassion and Power - Widely regarded as Britain’s most influential literary theorist, Terry Eagleton will consider the contemporary relevance of the Gospel’s critique of power and the use of violence, drawing on themes discussed in his 2010 Richard Price Memorial Lecture ‘The New Atheism and the War on Terror’.

Monday 20 February: Dr Robert Beckford: Compassion and Freedom - Dr Robert Beckford is one of the most prolific black documentary presenters in Britain and will use his knowledge of racial tension to discuss Christ’s radical compassion in relation to freedom.
-------------------------------------------------------------------------------

Marvin Gaye - Save The Children.

Monday, 10 January 2011

The New Dark Ages (3)

III

www.godsgraffiti.com/news/01012012.htm/

Birmingham-based street artist Unit-Y begins a new work today at the entrance to the Water Hall of the Birmingham Museum and Art Gallery. At the artist’s request I will be present to document the development of this work for God’s graffiti and readers of freeze.

The inspiration for this new work has come as Unit-Y has reflected on the current culture crisis through the lens of his Islamic faith. He has always viewed his unique brand of street art as a spray-painted message to humanity by directing his aerosol to themes of diversity, justice and love. Now he intends to recreate the cultural journey made by humanity in the form of the 100 objects identified by Neil MacGregor as telling the story of the world.

Images of these 100 objects will be spray-painted onto the wall of Birmingham’s principal palace of culture containing, as it does, a collection of similarly significant artefacts. Unit-Y is well aware that the earliest objects which he paints will inevitably be enveloped by the darkness which is currently extending through our cultural heritage. This is part of his thinking for this work. As a graffiti artist he is used to his own work being eradicated by Council cleansing teams and he will, in his usual fashion, simply begin again each day that the darkness continues to cover up his images.

In an act of faith Unit-Y commits to repainting each day in a different form these 100 objects as an act of actively remembering our heritage and its influence. His work is therefore envisaged as an act of resistance against this eradication of our cultural history. Unit-Y invites the general public to join and assist him in this act of resistance and remembering.

In view of the significance of this initiative, freeze will follow the project posting visuals documenting the project and regular reports on Unit-Y’s activity and achievement. Unit-Y is taking a stand, a stand for human culture and deserves the active support of all who value our common culture past, present and future. This is art for humankind’s sake.

Don Wolf, Editor of freeze, 31/12/11

www.godsgraffiti.com/news/02012012.htm/

The New Year began with clear skies and a hard frost. Unit-Y, keeping active with his aerosol to combat the cold and begin the work, explained the genesis of his decision to begin this resistance project which dates back to the Prophet’s (pbuh) time in Medina.

At Medina, the Prophet (pbuh) and his followers lived peacefully with Christians, Jews and pagans, each valuing the culture of the other. Equality and freedom of religion were both codified in the Constitution of Medina. Unit-Y says that he seeks through the images and messages of his work to recapture the essence of that Medina vision.

In this project he aims in an act of solidarity, as a Muslim, to demonstrate his valuing of the cultural artefacts of many other faith groups, in addition to those of his own. He sees this as an opportunity to bring to the forefront of our collective minds understandings that are gradually fading away from modern society.

News of the project begins to circulate. Passers-by stop to view proceedings and share views. Texts are sent, the website gets hits, and the numbers arriving increase. Unit-Y shares his vision with those who come and the work expands to encompass each of the 100 artefacts.

This first version sets the objects, logically enough, on a timeline which doubles as a Swarovski charm bracelet; so seeing the artefacts as the precious jewels of humanity. As each historically early object is completed it is immediately covered by the darkness; the onset of which palpably deflates those present.

As natural darkness descends, candles are lit and prayers recited in differing forms. The small crowd begins to disperse, Unit-Y is congratulated, hands are shaken, backs are slapped, people commit to returning, and the completed work is left to the street light’s glow. The soft light makes vivid the voids created by the darkness.

Don Wolf, Editor of freeze, 01/01/12

www.godsgraffiti.com/news/07012012.htm/

Returning a week later, the transformation is immense. The eyes of the world are now on Unit-Y. Cameras from TV companies and News Agencies are relaying his work and observations around the nations. The street is a milling mass of well-wishers, many of whom have taken up residence intending to be with Unit-Y for the duration. The area surrounding his painting has become a shrine through the crowd of candles which mark the boundaries of the space within which he paints. Scaffolding towers with tarpaulin stretched between them now offer protection to the work and respite from the inclement weather to Unit-Y.

Gazebos and other shelters have been erected. Food outlets have sprung up. A stage has been erected as a festival feel is unfolding. Local acts have begun to perform in shows of solidarity or associated publicity. Areas and times for various types of worship have been initiated.

Yet, while an organisation of sorts has emerged, what seems most positive are the myriad examples of more informal and casual interactions: musicians jamming together; rappers inspiring each other to more audacious rhythmic rhymes; accapella folk singathongs; ad-hoc interfaith groups studying each others’ scriptures together, among others too numerous to document here.

Unit-Y is thrilled with these developments. "I started this project just as a gut response to the crisis of culture caused by the darkness. It was a simple act of resistance and I had no idea whether others would share that gut response. Now, though, I’m getting a sense of something much bigger building. People are getting the project. They’re not just here for the vibe. They’re checking out the 100 objects and getting the connection between these objects and us, here and now. I’m sensing that forgetting or ignoring those connections is in some way linked to the rise of the darkness and could be key to us resisting its rise."

Today’s image is word heavy replete with phrases deriving from or accruing around the objects themselves. The wall of the Water Hall becomes a word cloud of associations released by human creativity. Phrase upon phrase building a construct of creativity. The darkness redacts this visual document with increasing censorship of that same creativity.

Don Wolf, Editor of freeze, 07/01/12

www.godsgraffiti.com/news/10012012.htm/

I have been fortunate to have able to globetrot in order to see art in many countries and cultures around the world. I have reviewed and reported on most, if not all, the most recent trends in contemporary art. I have met many of the most significant artists of our time and have been present at some of the most profoundly original and exciting exhibitions, festivals and installations of recent years. Yet, I have never experienced an art happening such as occurred today.

It began with the great and the good descending on the Water Hall. The Prime Minister, Deputy Prime Minister, Leader of the Opposition, Directors of each National Museum and Gallery, national religious and secular community leaders, all came to stand in front of Unit-Y’s latest creation; a global interlinking of the 100 objects with countries of origin and countries where Unit-Y’s act of resistance was being replicated. The speeches and prayers that you would anticipate from such figures were duly made. The crowd was restive, not fully appreciating the stereotypical phrases praising Unit-Y’s initiative and prayers which seem ineffective in the face of the relentless rise of the darkness over human culture.

Unit-Y commended this gathering of the great and good to the crowd as a unique coming together of culture, politics and religion before requesting that those who had come to speechify and pray now took time, before leaving, to speak with those in the crowd and hear from some of the myriad other performers present now responding to the artworks and the cultural crisis.

Clocks nearby sounded the hours and the crowd rose as one to tell the history of the world by naming, in order of their creation, the 100 objects. TV cameras relayed the chant around the world where it was taken up in the same moment by those at each site where Unit-Y’s initiative was being replicated. Millions of human voices – the great and the good, creatives, religious, secular, marginalised, dispossessed, nameless - each naming the great cultural artefacts of human history; knowing, owning, valuing, appreciating, and understanding these same artefacts. Collective scales were falling from the eyes of humankind. These objects are what we made and what have made us.

And in this moment of collective realisation the darkness stalled, weakened and faded before vanishing like mist. For a moment following stillness was absolute then the dam of pent-up emotion broke in a vortex of hugs and tears and kisses and dances and whoops and cheers releasing all into a realisation that the world had listened and learnt and understood.

Dan Wolf, Editor of freeze, 10/01/12

-----------------------------------------------------------------------------------
 
PM Dawn - Looking Through Patient Eyes.