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Showing posts with label julian of norwich. Show all posts
Showing posts with label julian of norwich. Show all posts

Wednesday, 8 May 2024

Julian of Norwich: An inspiration in love and prayer

Here's the reflection that I shared at St Andrew's Wickford this morning and, in which, I used material from Dan Graves to reflect on Julian of Norwich as an example to inspire us on her feast day:

"On 8th May in the year 1373, when Julian of Norwich was thirty years old and suffering from what was considered to be a terminal illness, she experienced a series of sixteen visions, which revealed aspects of the love of God. Following her recovery, she spent the next twenty years of her life pondering their meaning and recorded her conclusions in what became the first book written by a woman in English, The Revelations of Divine Love. At an unknown point in her life, she became an anchoress attached to the Church of St Julian in Norwich. She died around the year 1417."

"As an anchoress, she was a woman who had set herself apart for God and lived isolated in a cell. Recognizing her need for a deeper love of Christ, she appealed to God for three things: a stronger understanding of Christ’s passion; a sickness unto death while still young, allowing her to experience all that a body and soul experience in death but without actual death—so that she might learn to live more mindful of God; three “wounds:” absolute contrition, kind compassion, and steadfast longing toward God.

It seemed her unusual prayer was being answered, as Julian became deathly ill. Everyone around her despaired of her life. She also believed she was dying. The last rites were administered to her. Then a wonderful thing happened: Julian experienced what a future generation might describe as a near-death experience. At the crisis of her sickness, between four and nine one afternoon, she received fifteen “showings,” or revelations. She reported that heaven opened to her, she beheld Christ in his glory, and she saw the meaning and power of his sufferings. She also saw Christ’s mother, Mary, exalted and beloved.

In her thirteenth showing, Julian received a comforting answer to a question that had long troubled her: “In my folly, before this time I often wondered why, by the great foreseeing wisdom of God, the onset of sin was not prevented: for then, I thought, all should have been well. This impulse [of thought] was much to be avoided, but nevertheless I mourned and sorrowed because of it, without reason and discretion.

“But Jesus, who in this vision informed me of all that is needed by me, answered with these words and said: ‘It was necessary that there should be sin; but all shall be well, and all shall be well, and all manner of thing shall be well.'

“These words were said most tenderly, showing no manner of blame to me nor to any who shall be saved.”

In this she recognized the compassion she had prayed for. She was impressed with her need to be joyful in all circumstances, however adverse, and for no particular reason, except this: that all things will ultimately be put right by Christ.

The following night Julian received a final, sixteenth showing while she slept. In it Satan and his hosts assailed her, but God gave her grace, and she fixed her eyes on the crucified Christ and trusted that because of his suffering and victory over sin he could protect her, and he delivered her from the demonic jeers and mutterings."

"This week is the fourth consecutive Week of Prayer in the Diocese of London in preparation for the great Feast of Pentecost. This year we join with Christians around the country, responding to the encouragement of the Archbishops of Canterbury and York to spend focused and dedicated time in prayer for all Christians to deepen our relationship with Jesus so that we may have confidence to share our faith that all may respond to the call of Jesus Christ to follow Him."

Julian of Norwich is a wonderful example to us of prayer leading to revelation and understanding. She says to us: “Our Lord is most glad and joyful because of our prayer; and he expects it, and he wants to have it, for with his grace it makes us like to himself in condition as we are in nature, and such is his blessed will. For he says: Pray wholeheartedly, though it seems to you that this has no savour to you; still it is profitable enough, though you may not feel that. Pray wholeheartedly, though you may feel nothing, though you may see nothing, yes, though you think that you could not, for in dryness and in barrenness, in sickness and in weakness, then is your prayer most pleasing to me, though you think it almost tasteless to you. And so is all your living prayer in my sight.” (14th Revelation, p. 249)

Julian encourages us to persevere in prayer because: "Prayer unites the soul to God, for though the soul may always be like God in nature and in substance restored by grace, it is often unlike him in condition, through sin on our part. Then prayer is a witness that the soul wills as God wills, and it eases the conscience and fits us for grace. And so he teaches us to pray and to have firm trust that we shall have it; for he beholds us in love, and wants to make us partners in his good will and work." (14th Revelation, p. 253)

Here are prayers that I used in Morning Prayer this morning:

Triune God, Father and Mother to us all, who showed your servant Julian revelations of your nurturing and sustaining love: Move our hearts, like hers, to seek you above all things, for in giving us yourself you give us all. God of everything, both great and small, we praise you for the rich variety of your creation and for the love and care you lavish on all that you have made. Help us to appreciate your world, to care for it properly and not to damage it. We thank you for the wisdom of the Bible and for the works of Christian thinkers such as Julian of Norwich. Help us to pay attention, to understand and to follow. We praise and thank you for the knowledge that, despite all the sin and suffering humankind has caused, you are always with us ready to support and encourage us and that all shall be well, and all shall be well, and all manner of thing shall be well. Lord, in your mercy, hear our prayer.

Awareness of the presence of God fills Julian of Norwich with joy, desire, hope and love. Lord, we pray that, seeking wisdom from her we may make your presence in our daily lives more conscious and vibrant so that we may be responsive to the graces, blessings and opportunities you offer at each moment of the day. Blessed Julian our Mother, speak of us to the Father. Blessed Julian our Sister, speak of us to the Son. Blessed Julian our Friend, speak of us to the Spirit. That we may know what it means to pray: God of Thy goodness, give me Thyself, for Thou art enough to me. And I can ask nothing that is less that can be full honour to Thee. And if I ask anything that is less, ever shall I be in want, for only in Thee have I all. Lord, in your mercy, hear our prayer.

In you, Father all-mighty, we have our preservation and our bliss. In you, Christ, we have our restoring and our saving. You are our mother, brother, and Saviour. In you, our Lord the Holy Spirit, is marvellous and plenteous grace. You are our clothing; for love you wrap us and embrace us. You are our maker, our lover, our keeper. Teach us to believe that by your grace all shall be well, and all shall be well, and all manner of things shall be well. Lord, in your mercy, hear our prayer.

Last year I had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for the anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Ink’s Wish'. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Foue of my poems have appeared in Amethyst Review. They are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

Check back at Amethyst Review for more details, including a publication date in July and an online launch and reading in September, of Thin Place & Sacred Spaces, a new anthology from Amethyst Press in which I will also have work included.

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Jonathan Evens - 'Meditation on Alan Oldfield's Revelations of Divine Love of Julian of Norwich'.

Monday, 29 April 2024

Thin Place & Sacred Spaces

Very pleased to be among those whose poetry has been included in Thin Place & Sacred Spaces.

Thin Place & Sacred Spaces
is a new anthology forthcoming in 2024 from Amethyst Press, featuring work from the following poets:


Check back at Amethyst Review for more details, including a publication date in July and an online launch and reading in September!

I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for the anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Ink’s Wish'. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Foue of my poems have appeared in Amethyst Review. They are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

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Friday, 3 November 2023

Church Times - Art review: Love is the Meaning in Norwich churches

My latest review for Church Times is on Love is the Meaning an exhibition in several of Norwich's churches:

'“LOVE is the Meaning”, an exhibition of new art celebrating the words and shewings of Julian of Norwich, is the last event in the year-long programme of events for the 650th anniversary of Julian’s “shewings”.

Including an art exhibition in the anniversary programme is a way of reminding those celebrating that, while Julian’s words formed the earliest surviving book in the English language written by a woman, those words began as a series of images. The images that Julian saw were sent to her from God at her request, because she wanted to understand life and what it means.

Accordingly, the 34 participating artists were asked to look at Julian’s descriptions of her visions and then explore their meaning in our day. Their images have been shared between three Norwich churches, these being the places most associated with Julian when she lived in Norwich 650 years ago. This enables viewers to go on a prayerful pilgrimage around images and sites connected with her life.'

For more on the 650th Anniversary events and an anthology of poems published in celebration of it, to which I contributed, click here. For my sabbatical visits to sites connected with Julian click here.

Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here and those for Art+Christianity are here.

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Saturday, 28 October 2023

Love is the Meaning

















Love is the Meaning is an international art exhibition in response to Julian of Norwich’s ‘shewings’ 650 years ago which is in Julian’s city from 18th October – 16th November.

Julian of Norwich's writing continues to surprise, baffle and delight. She thought it was worthwhile to ask God how He could possibly claim that ‘All shall be Well’ and the end response was ‘Love is the Meaning’.

To celebrate the 650th anniversary of Julian’s shewings in her home city, the Friends of Julian and the Julian Partnership wanted to focus on the pictures themselves, not only the words of this remarkable woman. So in March 2023 they challenged modern artists to think about Julian’s “shewings” and imagine what she actually saw.

Over forty artists from several different countries have responded, and the results are on show in three venues. The artists have used media from the traditional crafts of stained glass, stone carving, and weaving to conceptual art in sound and light. There is a podcast and interactive installations to spark the imagination and light up Julian’s words.

Often it takes years of living with a picture – a good picture – to see it all. And often we can’t put the reason it is so satisfying into words. Julian studied the pictures sent to her by God for over twenty years – because she wanted to understand them and she believed their meaning was important. It was a most dangerous act of faith in those years when it became illegal to read or write about God in English. For lay people like Julian, teaching theology – in English – was punishable by a most hideous death of burning at the stake in nearby Lollard’s Pit. In spite of the danger, Julian wrote the first book in English by a woman.

St Julian's, St John's Timberhill, and St Stephen's Rampant Horse Street in Norwich are all connected with Julian's life. The exhibition takes the form of an exciting pilgrimage walk and exploration of the art and history of these important churches. Special guided walks with Paul Dickson on some dates introduce visitors to Medieval Norwich to help visitors explore the medieval city that Julian would have known so well.

“Julian counselled people daily throughout her years as an anchoress, and we want to reawaken the conversation.” says Lucy Care, curator of the exhibition. “This exhibition exploring her pictures through the eyes of modern artists allows us to see her work with fresh eyes. Prepare to wonder, be confused, indignant or refilled with happiness as her conviction that Love is the meaning of God’s creation is made visible. That love resides in every being, every drop of water and every organic cell of the universe, just as the artist’s DNA can be found in every fibre of their own work.”

The exhibition is over three venues, St Julian’s in Julian Alley, St John the Baptist, Timberhill and St Stephen’s, Rampant Horse Street. The exhibition is planned to give a sense of pilgrimage as visitors walk the streets of medieval Norwich. All venues are open 10am – 3pm, seven days a week. Church services will also be happening from time to time.

For information on workshops and times of church services please look on the website: https://julianofnorwich.org/pages/love-is-the-meaning-an-exhibition-of-new-art-celebrating-the-words-and-shewings-of-julian-of-norwich#.

All Shall Be Well: Poems for Julian of Norwich, the Amethyst Press anthology of new poems for Julian of Norwich has also been prepared for the Anniversary and 20 of its poems are also displayed around Norwich, several being shown close to the exhibition venues.

'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review. Copies can be purchased here: Amazon USAmazon UKAmazon AU (plus other Amazon platforms).

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Sian Croose - All Shall Be Well.

Saturday, 23 September 2023

Launch of 'All Shall Be Well: Poems for Julian of Norwich'

 



The online launch for the anthology of poems for Julian of Norwich took place last Wednesday and can be viewed via the link above. The launch featured new poems read by contributors, my recorded contribution can also be viewed via the link above. 

All Shall Be Well: Poems for Julian of Norwich, the Amethyst Press anthology of new poems for Julian of Norwich is now available in print and as an e-book!

To celebrate the 650th anniversary of Julian of Norwich's visionary 'Shewings', here is 'All Shall Be Well', an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

With contributions from: Susan Brice, Mark S. Burrows, Lance Carden, Carol Casey, Johanna Caton, O.S.B.. Sarah Cave, Ann Cefola, Jennifer Clark, Linda Collins, Jonathan Cooper, Scott Dalgarno, Keren Dibbens-Wyatt, Diana Durham, Jeffrey Essmann, Jonathan Evens, Ruth Gilchrist, Maryanne Hannan, James Harpur, Maura H. Harrison, Kale Hensley, Terry E. Hill, Angela Hoffman, Laura Reece Hogan, Erich von Hungen, Rosie Jackson, Elisabeth Engell Jessen, Sylvia Karman, Jane Keenan, Adrienne Keller, Desmond Kon, Irina Kuzminsky, Sarah Law, Tim Lenton, Shannon Lippert, Viv Longley, Rupert M. Loydell, Hannah Lucas, Tony Lucas, Marjorie Maddox, Marda Messick, Jennifer Davis Michael, Nessa O’Mahony, Tory V. Pearman, Ann Power, Frances Presley, Patrick T. Reardon, Merryn Rutledge, Deborah W. Sage, Maha Salih, Steven Searcy, Kathryn Simmonds, Susan Delaney Spear, Mark Tulin, Laura Varnam, Gail White, Martin Willitts Jr and Mike Wilson.

My poem for the anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amazon US
Amazon UK
Amazon AU
(plus other Amazon platforms)

To learn more about Julian of Norwich, please visit the Friends of Julian and consider supporting their work.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Ink’s Wish'. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Foue of my poems have appeared in Amethyst Review. They are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. I have also had several poems in Stride magazine, including several reflecting on other poets, beginning with the artist-poet David Jones, continuing with Dylan Thomas and ending with Jack Clemo. To read my poems published by Stride, click here, here, here, here, and here.

Additionally, several of my short stories have been published by International Times, the Magazine of Resistance, including three about Nicola Ravenscroft's mudcub sculptures (now known as Earth Angels), which we exhibited at St Andrew's Wickford last Autumn. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

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Elizabeth Jessen - From The Sidelines.

Sunday, 10 September 2023

Online launch for All Shall Be Well: Poems for Julian of Norwich


The online launch for the anthology of poems for Julian of Norwich is on Wednesday 20 September 2023, 19:00 - 20:00 BST. The launch features new poems read by contributors. Register at https://www.eventbrite.co.uk/e/all-shall-be-well-poems-for-julian-of-norwich-online-launch-tickets-527733122977

All Shall Be Well: Poems for Julian of Norwich, the Amethyst Press anthology of new poems for Julian of Norwich is now available in print and as an e-book!

To celebrate the 650th anniversary of Julian of Norwich's visionary 'Shewings', here is 'All Shall Be Well', an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

With contributions from: Susan Brice, Mark S. Burrows, Lance Carden, Carol Casey, Johanna Caton, O.S.B.. Sarah Cave, Ann Cefola, Jennifer Clark, Linda Collins, Jonathan Cooper, Scott Dalgarno, Keren Dibbens-Wyatt, Diana Durham, Jeffrey Essmann, Jonathan Evens, Ruth Gilchrist, Maryanne Hannan, James Harpur, Maura H. Harrison, Kale Hensley, Terry E. Hill, Angela Hoffman, Laura Reece Hogan, Erich von Hungen, Rosie Jackson, Elisabeth Engell Jessen, Sylvia Karman, Jane Keenan, Adrienne Keller, Desmond Kon, Irina Kuzminsky, Sarah Law, Tim Lenton, Shannon Lippert, Viv Longley, Rupert M. Loydell, Hannah Lucas, Tony Lucas, Marjorie Maddox, Marda Messick, Jennifer Davis Michael, Nessa O’Mahony, Tory V. Pearman, Ann Power, Frances Presley, Patrick T. Reardon, Merryn Rutledge, Deborah W. Sage, Maha Salih, Steven Searcy, Kathryn Simmonds, Susan Delaney Spear, Mark Tulin, Laura Varnam, Gail White, Martin Willitts Jr and Mike Wilson.

My poem for the anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amazon US
Amazon UK
Amazon AU
(plus other Amazon platforms)

To learn more about Julian of Norwich, please visit the Friends of Julian and consider supporting their work.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Ink’s Wish'. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Foue of my poems have appeared in Amethyst Review. They are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. I have also had several poems in Stride magazine, including several reflecting on other poets, beginning with the artist-poet David Jones, continuing with Dylan Thomas and ending with Jack Clemo. To read my poems published by Stride, click here, here, here, here, and here.

Additionally, several of my short stories have been published by International Times, the Magazine of Resistance, including three about Nicola Ravenscroft's mudcub sculptures (now known as Earth Angels), which we exhibited at St Andrew's Wickford last Autumn. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

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Gordon Bok, Ann Mayo Muir, Ed Trickett - All Shall Be Well Again.

Saturday, 15 July 2023

All Shall Be Well: Poems for Julian of Norwich


All Shall Be Well: Poems for Julian of Norwich, the Amethyst Press anthology of new poems for Julian of Norwich is now available in print and as an e-book!

To celebrate the 650th anniversary of Julian of Norwich's visionary 'Shewings', here is 'All Shall Be Well', an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

With contributions from: Susan Brice, Mark S. Burrows, Lance Carden, Carol Casey, Johanna Caton, O.S.B.. Sarah Cave, Ann Cefola, Jennifer Clark, Linda Collins, Jonathan Cooper, Scott Dalgarno, Keren Dibbens-Wyatt, Diana Durham, Jeffrey Essmann, Jonathan Evens, Ruth Gilchrist, Maryanne Hannan, James Harpur, Maura H. Harrison, Kale Hensley, Terry E. Hill, Angela Hoffman, Laura Reece Hogan, Erich von Hungen, Rosie Jackson, Elisabeth Engell Jessen, Sylvia Karman, Jane Keenan, Adrienne Keller, Desmond Kon, Irina Kuzminsky, Sarah Law, Tim Lenton, Shannon Lippert, Viv Longley, Rupert M. Loydell, Hannah Lucas, Tony Lucas, Marjorie Maddox, Marda Messick, Jennifer Davis Michael, Nessa O’Mahony, Tory V. Pearman, Ann Power, Frances Presley, Patrick T. Reardon, Merryn Rutledge, Deborah W. Sage, Maha Salih, Steven Searcy, Kathryn Simmonds, Susan Delaney Spear, Mark Tulin, Laura Varnam, Gail White, Martin Willitts Jr and Mike Wilson. 

My poem for the anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amazon US

Amazon UK

Amazon AU

(plus other Amazon platforms)

Please make a note of the online launch to be held on September 20th. To learn more about Julian of Norwich, please visit the Friends of Julian and consider supporting their work.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Ink’s Wish'. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Foue of my poems have appeared in Amethyst Review. They are: 'Runwell''Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. I have also had several poems in Stride magazine, including several reflecting on other poets, beginning with the artist-poet David Jones, continuing with Dylan Thomas and ending with Jack Clemo. To read my poems published by Stride, click here, here, here, here, and here.

Additionally, several of my short stories have been published by International Times, the Magazine of Resistance, including three about Nicola Ravenscroft's mudcub sculptures, which we exhibited at St Andrew's Wickford last Autumn. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

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Bruce Cockburn - 3 Al Purdy's.

Monday, 19 June 2023

All Shall Be Well: Poems for Julian of Norwich


To celebrate the 650th anniversary of Julian of Norwich's visionary 'Shewings', here is 'All Shall Be Well', an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

The anthology has contributions from: Susan Brice, Mark S. Burrows, Lance Carden, Carol Casey, Johanna Caton, O.S.B.. Sarah Cave, Ann Cefola, Jennifer Clark, Linda Collins, Jonathan Cooper, Scott Dalgarno, Keren Dibbens-Wyatt, Jeffrey Essmann, Jonathan Evens, Ruth Gilchrist, Maryanne Hannan, James Harpur, Maura H. Harrison, Kale Hensley, Terry E. Hill, Angela Hoffman, Laura Reece Hogan, Erich von Hungen, Rosie Jackson, Elisabeth Engell Jessen, Sylvia Karman, Jane Keenan, Adrienne Keller, Desmond Kon, Irina Kuzminsky, Sarah Law, Tim Lenton, Shannon Lippert, Viv Longley, Rupert M. Loydell, Hannah Lucas, Tony Lucas, Marjorie Maddox, Marda Messick, Jennifer Davis Michael, Nessa O’Mahony, Tory V. Pearman, Ann Power, Frances Presley, Patrick T. Reardon, Merryn Rutledge, Deborah W. Sage, Maha Salih, Steven Searcy, Kathryn Simmonds, Susan Delaney Spear, Mark Tulin, Laura Varnam, Gail White, Martin Willitts Jr and Mike Wilson.

My poem for the anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

The online launch of the anthology is to be held on September 20th. To learn more about Julian of Norwich, please visit the Friends of Julian and consider supporting their work.

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The Albion Christmas Band - Julian Of Norwich.

Monday, 22 May 2023

Amethyst Review: Runwell











My latest poem, entitled 'Runwell', has been published today by Amethyst Review. 'Runwell' takes the reader on a visit to St Mary's Runwell, while also reflecting on the spirituality of the space plus its history and legends. 

I read 'Runwell' at the One Beautiful World Arts Festival poetry reading with Tim Harrold, held on Saturday at St Catherine's Wickford. I also read a poem about Julian of Norwich which is being published by Amethyst Review this month as part of an anthology of poems (All Shall Be Well) celebrating the 650th anniversary of Julian's shewings. Click here for more information about the anthology and here for its online launch event. This poem is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.  

Reflect in the magnificent mediaeval building that is St Mary’s Runwell, and relax in its beautiful churchyard with two Quiet Days. St Mary’s itself is often described by visitors and by regular worshippers as a powerful sacred space to which they have been drawn. Experience this yourself, while also exploring its art and heritage. Quiet Day: Creation, Wednesday 31 May, 10.30 am – 3.30 pm, St Mary’s Runwell. A day spent reflecting on creation and our environment in the beautiful environs of St Mary’s Church and its churchyards. Led by Revd Sue Wise, Team Vicar, Wickford and Runwell Team Ministry. Quiet Day: Poetry & prayer, Saturday 1 July, 10.30 am – 3.30 pm, St Mary’s Runwell. Explore prayer through poetry, with poems about prayers and poems that are prayers. Enjoy poems by John Berryman, John Donne, Carol Ann Duffy, George Herbert, and Ann Lewin, among others. Led by Revd Jonathan Evens, Team Rector, Wickford and Runwell Team Ministry. Each of the Quiet Days costs £8.00 per person, including sandwich lunch (pay on the day). To book: Phone 07803 562329 or email jonathan.evens@btinternet.com.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Ink’s Wish'. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Three of my poems have appeared in Amethyst Review previously. They are: 'Are/Are Not''Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. I have also had several poems in Stride magazine, including several reflecting on other poets, beginning with the artist-poet David Jones, continuing with Dylan Thomas and ending with Jack Clemo. To read my poems published by Stride, click here, here, here, here, and here.

Several of my short stories have been published by International Times, the Magazine of Resistance, including three about Nicola Ravenscroft's mudcub sculptures, which we exhibited at St Andrew's Wickford last Autumn. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. 

My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

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Bruce Cockburn - Us All.

Monday, 9 May 2016

Discover & explore: Julian of Norwich


For today's Discover & explore service at St Stephen Walbrook I used material from Dan Graves to reflect on Julian of Norwich as an example to inspire us in the Week of Prayer for the Diocese of London:

"On 8th May in the year 1373, when Julian of Norwich was thirty years old and suffering from what was considered to be a terminal illness, she experienced a series of sixteen visions, which revealed aspects of the love of God. Following her recovery, she spent the next twenty years of her life pondering their meaning and recorded her conclusions in what became the first book written by a woman in English, The Revelations of Divine Love. At an unknown point in her life, she became an anchoress attached to the Church of St Julian in Norwich. She died around the year 1417."

"As an anchoress, she was a woman who had set herself apart for God and lived isolated in a cell. Recognizing her need for a deeper love of Christ, she appealed to God for three things: a stronger understanding of Christ’s passion; a sickness unto death while still young, allowing her to experience all that a body and soul experience in death but without actual death—so that she might learn to live more mindful of God; three “wounds:” absolute contrition, kind compassion, and steadfast longing toward God.

It seemed her unusual prayer was being answered, as Julian became deathly ill. Everyone around her despaired of her life. She also believed she was dying. The last rites were administered to her. Then a wonderful thing happened: Julian experienced what a future generation might describe as a near-death experience. At the crisis of her sickness, between four and nine one afternoon, she received fifteen “showings,” or revelations. She reported that heaven opened to her, she beheld Christ in his glory, and she saw the meaning and power of his sufferings. She also saw Christ’s mother, Mary, exalted and beloved.

In her thirteenth showing, Julian received a comforting answer to a question that had long troubled her: “In my folly, before this time I often wondered why, by the great foreseeing wisdom of God, the onset of sin was not prevented: for then, I thought, all should have been well. This impulse [of thought] was much to be avoided, but nevertheless I mourned and sorrowed because of it, without reason and discretion.

“But Jesus, who in this vision informed me of all that is needed by me, answered with these words and said: ‘It was necessary that there should be sin; but all shall be well, and all shall be well, and all manner of thing shall be well.'

“These words were said most tenderly, showing no manner of blame to me nor to any who shall be saved.”

In this she recognized the compassion she had prayed for. She was impressed with her need to be joyful in all circumstances, however adverse, and for no particular reason, except this: that all things will ultimately be put right by Christ.

The following night Julian received a final, sixteenth showing while she slept. In it Satan and his hosts assailed her, but God gave her grace, and she fixed her eyes on the crucified Christ and trusted that because of his suffering and victory over sin he could protect her, and he delivered her from the demonic jeers and mutterings."

"This week is the fourth consecutive Week of Prayer in the Diocese of London in preparation for the great Feast of Pentecost. This year we join with Christians around the country, responding to the encouragement of the Archbishops of Canterbury and York to spend focused and dedicated time in prayer for all Christians to deepen our relationship with Jesus so that we may have confidence to share our faith that all may respond to the call of Jesus Christ to follow Him."

Julian of Norwich is a wonderful example to us of prayer leading to revelation and understanding. She says to us: “Our Lord is most glad and joyful because of our prayer; and he expects it, and he wants to have it, for with his grace it makes us like to himself in condition as we are in nature, and such is his blessed will. For he says: Pray wholeheartedly, though it seems to you that this has no savour to you; still it is profitable enough, though you may not feel that. Pray wholeheartedly, though you may feel nothing, though you may see nothing, yes, though you think that you could not, for in dryness and in barrenness, in sickness and in weakness, then is your prayer most pleasing to me, though you think it almost tasteless to you. And so is all your living prayer in my sight.” (14th Revelation, p. 249)

Julian encourages us to persevere in prayer because: "Prayer unites the soul to God, for though the soul may always be like God in nature and in substance restored by grace, it is often unlike him in condition, through sin on our part. Then prayer is a witness that the soul wills as God wills, and it eases the conscience and fits us for grace. And so he teaches us to pray and to have firm trust that we shall have it; for he beholds us in love, and wants to make us partners in his good will and work." (14th Revelation, p. 253)

Intercessions

Merciful God, who gave such grace to your servant Julian that she served you with singleness of heart and loved you above all things: help us to forsake all that holds us back from following Christ
and to grow into his likeness from glory to glory; through Jesus Christ our Lord. Lord, in your mercy, hear our prayer.

In you, Father all-mighty, we have our preservation and our bliss. In you, Christ, we have our restoring and our saving. You are our mother, brother, and Saviour. In you, our Lord the Holy Spirit, is marvellous and plenteous grace. You are our clothing; for love you wrap us and embrace us. You are our maker, our lover, our keeper. Teach us to believe that by your grace all shall be well, and all shall be well, and all manner of things shall be well. Lord, in your mercy, hear our prayer.

O God, of your goodness, give us yourself, for only in you do we have all. Lord, in your mercy, hear our prayer.

Blessing

Most holy God, the ground of our beseeching, who through your servant Julian revealed the wonders of your love: grant that as we are created in your nature and restored by your grace, our wills may be made one with yours, that we may come to see you face to face and gaze on you for ever; and may the blessing of God almighty, the Father, the Son, and the Holy Spirit, be among you and remain with you always. Amen.

The Choral Scholars of St Martin-in-the-Fields sang: Trenney, Tom (arr.) Mothering God, you gave me birth; Larsen, Libby Flee we to our Lord; Mathias, William As Truly as God is our Father; and Urquhart, Craig All Shall be Well.

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Tom Trenney - Mothering God, You Gave Me Birth.

Monday, 22 February 2016

Discover & explore: Love


This week's Discover & explore service at St Stephen Walbrook explored the theme of Love. The service was led by Sally Muggeridge and featured the Choral Scholars of St Martin-in-the-Fields singing 'Set me as a Seal' by William Walton, 'Dieu, qu'il la fait bon regarder!' by Claude Debussey, 'Rise up, my Love' by Healey Willan and 'A New Commandment' by Thomas Tallis

Sally spoke about Julian of Norwich who said in her 'Revelations of Divine Love' that our soul is naturally rooted in God in endless love.

Sally also chose for this service 'The Magic of Love' by Helen Steiner Rice:

'Love is like Magic and it always will be,
For Love still remains Life's Sweet Mystery!
Love works in ways that are wondrous and strange
And there's Nothing in Life that Love cannot change!
Love can transform the most common place
Into beauty and splendor and sweetness and grace!
Love is unselfish, understanding and kind,
For it sees with its Heart and not with its Mind
Love gives and forgives, there is nothing too much
For Love to heal with its Magic Touch!
Love is the language that every heart speaks,
For Love is the one thing that every heart seeks!

The next Discover & explore service is on Monday 29th February at 1.10pm. The theme will be Dreams.

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Sunday, 7 September 2014

Sabbatical art pilgrimage: Evening Services

I am using photographs, meditations and other resources from my sabbatical art pilgrimage for Evening Services at St John's Seven Kings during September.

This evening we focused on Julian of Norwich using the DVD of Alan Oldfield's paintings and extracts from Julian's Revelations of Divine Love. I also read my Julian meditations together with a slideshow of Passion images taken during my sabbatical visits.

Next week I will be using Jane Quail's Stations of the Cross, which can be found at the Anglican Shrine in Walsingham.

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Arcade Fire - Supersymmetry.

Monday, 18 August 2014

Julian Meditation 2

Here is the second collage of words from Julian of Norwich which I have compiled as part of reflecting on the her writings, particularly as used in the DVD featuring Alan Oldfield's paintings. They are intended to put Julian's words in new combinations while retaining her overall meaning:

There were times when I wanted to look away from the Cross, but I dared not.
The huge, hard, hurtful nails pulled the wounds wide open
The body sagged with the weight of its long hanging
Fair skin was driven deep into the tender flesh
Harsh striking all over the sweet body
The nails wrenched it as the weight of the body pulled against it
Shaken in sorrow and anguish and tribulation
As a cloth is shaken in the wind
The weeping and wailing of the soul
Bearing the loss of every kind of comfort except the deep, quiet keeping of God

I knew that while I gazed on the Cross I was safe and sound.
The holy joining made in heaven. God's son fell with Adam
Adam's old shirt - narrow, threadbare and short - our mortal flesh that God's son took upon him
So joined in love that the greatness of our love caused the greatness of his grief
The shame, the despising, the utter stripping he accepted
All the bodily and spiritual pains and passions of his creatures
Our Lord Jesus made nothing for us and we made nothing with him
In our joining together in love lies the life of all who shall be saved
In falling and rising again we are held close in one love
For our falling does not stop him loving us

I dared not look away. I was not willingly going to imperil my soul.
Flee to our Lord and we shall be comforted. Touch him and we shall be made clean.
Cling to him and we shall be safe and sound from every kind of danger.
For our courteous Lord wills that we should be at home with him
as heart may think or soul may desire .
Our soul rests in God its true peace, our soul stands in God its true strength,
and is deep-rooted in God for endless love.
He did not say 'You shall not be tempest-tossed, you shall not be work-weary,
you shall not be discomforted'.

But he did say, 'You shall not be overcome.'

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Indelible Grace - All Must Be Well.