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Showing posts with label arts. Show all posts
Showing posts with label arts. Show all posts

Monday, 15 December 2025

Unveiled Spring 2026 programme














A regular Friday night arts and performance event
at St Andrew’s Church, 7.00 – 9.00 pm
11 London Road, Wickford, Essex SS12 0AN

See below for our Spring 2026 programme and http://wickfordandrunwellparish.org.uk/whats-on.html
for more information.

Exhibitions, open mic nights, performances, talks and more!

Unveiled – a wide range of artist and performers from Essex and wider, including Open Mic nights (come and have a go!).

Unveiled – view our hidden painting by acclaimed artist David Folley, plus a range of other exhibitions.

Spring Programme 2026
  • 9 January (7.00 pm) – ‘Fear not, for I am with you: An exhibition of religious paintings’ exhibition viewing evening. Meet artist David Sowerby, see his exhibition & hear him speak about his work. David worked as a freelance illustrator and teacher and was a Principal Lecturer at The University of the Arts London.
  • 23 January (7.00 pm) – ‘Writing on the Arts’. A talk by Jonathan Evens reflecting on his experiences of writing on the Arts for publications including Artlyst, ArtWay, Church Times, International Times, Seen and Unseen and Stride Magazine, among others.
  • 6 February (7.30 pm) – Meet film director Will Norman and see his acclaimed film My Brother Bob, which explores the meaning of quality of life and won Best Documentary at the UKFF. Will Norman is a London based director known for his surreal and playful approach to storytelling across commercials and music videos.
  • 27 February (7.30 pm) – Rev Simpkins in concert. Suffolk-Essex musician, Rev Simpkins, presents an evening of acoustic music of great imagination and charm. The Rev will perform songs from his acclaimed folk albums such as ‘Big Sea’ and ‘Saltings’, together with songs from his band album ‘Pissabed Prophet’. The gig will also feature songs from the Rev’s most recent album ‘Headwater’, a collection of fever dreams and reflections on awe and delirium, recorded in the aftermath of an extreme reaction to immunotherapy treatment for stage 4 cancer. These songs recreate sounds and visions experienced on the hospital ward. The Rev’s sweeping melodies, rich harmonies, and fascinating lyrics have won him both a cult following and national acclaim. This is a rare chance to experience the breadth of the Rev’s  work in one evening. "Bizarre Post-Punk mastery...Ludicrously cool" 8/10 Vive le Rock on ‘Pissabed Prophet’ “Headwater takes us into new ruminative territory with its industrial electronic soundscapes and use of drones and silences to bring us into contemplation.” International Times
  • 13 March (7.00 pm) – ‘Nevendon to Wickford’. A talk by Geoff Whiter of Wickford Community Archive. Geoff’s talk will include a number of unseen photographs of Wickford Town centre.
  • 27 March (7.30 pm) – Open Mic Night. Everybody is welcome to come along & play, read, sing or just spectate. See you there for a great evening of live performance!
These events do not require tickets (just turn up on the night). There will be a retiring collection to cover artist and church costs. See http://wickfordandrunwellparish.org.uk/whats-on.html for fuller information.

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Rev Simpkins - Speak Low.

 

Sunday, 17 September 2023

Quiet Day: The Rhythm of Life

Quiet Day: The Rhythm of Life
Wednesday 20th September 10.30 am – 3.30 pm, St Mary’s Runwell

A day spent reflecting on Celtic Spirituality, its place in our history, its saints, prayer and worship, music and art. Reflect in the magnificent mediaeval building that is St Mary’s Runwell, and relax in its beautiful churchyard. St. Mary’s itself is often described by visitors and by regular worshippers as a powerful sacred space to which they have been drawn. Experience this yourself, while also exploring its art and heritage.

Led by Revd Sue Wise, Team Vicar, Wickford and Runwell Team Ministry.

Cost: £8.00 per person, including sandwich lunch (pay on the day).

To book: Phone 07941 506156 or email sue.wise@sky.com

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Caedmon - Caedmon's Hymn.

Tuesday, 7 June 2022

Networks for Essex creatives

Bas-Arts-Index is a home for Basildon’s creatives to connect and collaborate. I've just recently joined - see my profile at https://bas-arts-index.com/Jonathan-Evens.

Here's how they describe themselves:

Our mission

We are Basildon's first interdisciplinary, artist-led directory/network. Our mission is to provide an online space for Basildons creative individuals, groups and organisations, born, living, working in or making work about the Basildon Borough. We hope to connect local creatives which in turn will generate activity, collaboration and to help support a cohesive local arts ecology.

Basildon as the borough currently includes: Basildon, Laindon, Langdon Hills, Pitsea, Vange, Billericay and Wickford.

Our values are:
  • Collaborative: we believe in building a connected creative community across the borough, which starts with knowing who is out there, how to view their work and how to make contact. We hope to facilitate peer to peer support which is built on mutual aid and care.
  • Interdisciplinary: we believe in the value of bringing together creatives working in all disciplines together at different points of their career.
  • Artist-led: Bas-Arts-Index is run by its members, for its members, with a no pressure ethos. You can be listed on the website and receive the newsletter, or if you want to attend events, that's cool, or if you wish to be more actively involved in the running of the Index in a core group, thats great, but no pressure. Each level of engagement is valid and it is about what works best for you.
What we do

Our activities aim to offer creative development, discussion and to facilitate collaboration. Ongoing projects we currently run or aim to start running again include, Socials, Crits, Film Club and Playlist Project. For more info on the projects please click here.

Join Us!Bas-Arts-Index is open to creative individuals, groups, orgs, born, living, working in or making work about the Basildon Borough. We are interested in creatives working in all disciplines and levels of professional experience.

To become a member click here.

I've also joined Christian Creative Network Essex. The Thurrock branch launched in January 2020 and has a thriving community of Christian creatives in and around the South Essex area, run by branch leader Wendi Lee. This branch is part of Christian Creative Network UK, a national network of local branches with the mission to ‘Champion creativity in the body of Christ’.

This network gives Christian creative professionals and skilled amateurs, who are looking for like-minded Christian creatives, a local community, support and resources, so they grow in their creative pursuits, find local collaboration opportunities and grow their creative businesses.

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Saturday, 13 July 2019

Book Review - Church and Patronage in 20th Century Britain: Walter Hussey and the Arts

Oxford Academic Journals has just published my latest book review in The Journal of Theological Studies:

Church and Patronage in 20th Century Britain: Walter Hussey and the Arts. By Peter Webster.

Peter Webster is an historian based in London and Chichester, with interests in the history of Christianity in twentieth century Britain, particularly the relation of church, law and state, the religious arts, and evangelicalism.

"In this book Peter Webster reviews Hussey's work as a patron between 1943 and 1978, seeking to place Hussey in his theological, cultural and aesthetic context. As such, Hussey is a lens through which Webster views relationships between patrons and artists in the twentieth century and explores ways in which the Church of England met, resisted and negotiated with forces of cultural change in the arts and in the religious life of the nation."

My earlier book reviews for the Journal of Theological Studies are:
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Malcolm Guite - Singing Bowl.

Saturday, 17 June 2017

Greyfriars Kirk








I had an inspiring HeartEdge visit to Greyfriars Kirk last Wednesday to meet the Minister Revd. Dr. Richard E Frazer and the Associate Minister Revd. Lezley Stewart

Greyfriars is a worshipping congregation of the Church of Scotland in the heart of Edinburgh’s Old Town where a church has stood since 1620. The Kirk seeks to be a welcoming, inclusive community and to respond to local needs in a variety of ways. Worship takes place during the week as well as on Sundays in English and Gaelic.

The Kirk is a major venue for the arts, a tourist destination and through the Grassmarket Community Project supports many vulnerable citizens. Greyfriars community outreach takes many forms but is primarily focused around their centre in the Kirkhouse on Candlemaker Row. The project is now managed by Grassmarket Community Project Ltd. - a partnership between Greyfriars Kirk and Grassmarket Mission.

Throughout the week the Grassmarket Community Project offers a variety of workshops aimed at developing people’s self worth, social networks and skills.

Craft, art and community are all central themes in their work. Participants have the opportunity to join in with GRoW wood workshop, the Plough to Plate cookery and gardening program, the Grassroots Textiles workshop, Greyfriars Herb Garden or one of their many arts and education activities.

Although primarily aimed at individuals facing deep social exclusion, the Grassmarket Community Project encourages members of the local community to join in and work side by side with participants from all walks of life.

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Ricky Ross - Trouble Came Looking.

Thursday, 14 July 2016

Addicted to sin & selfishness

Here is my sermon from today's Eucharist at St Stephen Walbrook:

If there was a common theme to the past weekend for me, it involved addiction. There were encounters at both churches with those who were influenced by their addictions, including an attempted theft and incidents of dealing. The lives and behaviour of those involved were clearly governed by their substance abuse making interaction with them difficult and meaning that they tended to reject the sources of support offered to them.

Then on Sunday, in the annual service celebrating the Arts organised by commission4mission, the art group of which I am part which will exhibit here in September, we heard poems, songs and stories for one of our artists, Anthony Hodgson, who has found release from his addictions through faith in Christ. As a result, his art explores the themes of addiction and release.

The effects of severe substance addictions are very clear and can be seen around us daily. It can be easy for those of us who are not in that situation to condemn those who are and to believe that we are not affected by addictions ourselves.

However, that is not what scripture says about our situation. Scripture regularly, as in our Epistle today (Romans 6. 19 - 23), uses the imagery of addiction about our sinfulness as human beings. We see it here in the references to our having been slaves to sin. Essentially, what is being claimed is that we are addicted to selfishness and independence. Until we turn to Christ, we are separated from God because our lives are turned in on ourselves; oriented around our needs, wants and wishes. In our day and time this is a reality which has been used as the basis for our consumerist culture, where we are continually persuaded to buy stuff we don't actually need in order to assuage our sense of inadequacy and boost our sense of ego. Those who manage large or unsustainable levels of personal debt will readily acknowledge the overwhelming nature of the pressures which cause us to spend, spend, spend.

As with any addiction, it is vital that we reach a point in our lives where we acknowledge that we are actually powerless in the grip of powerful forces which control us - slaves to sin, as we have acknowledged that St Paul expresses it - and need to recognise that we need outside help. That, of course, is where God comes into the picture, as it is only when we can look outside ourselves that our addiction to selfishness can begin to be broken.

Looking to God firstly addresses the insecurities and fears which underpin our focus on protecting and benefiting ourselves. God's unconditional love means that we can be sure that we are loved absolutely and can therefore look outside ourselves, our fears and anxieties. Looking to God also involves acknowledging the claim that others have on our lives and gives us a frame of reference beyond ourselves. Jesus speaks of this in terms of love for God, for neighbours and for ourselves.

Our reality, whether this is visibly apparent or hidden, is that each of us is gripped by forces beyond our control and that it is only as we become open to God and others that the addiction to selfishness can be managed and mitigated.

Alcoholics Anonymous teaches its users that they are always recovering alcoholics. Christianity teaches that we are all recovering sinners. Just as those who go to AA have a 12 step programme which enables them to be a recovering alcoholic rather than an alcoholic, I wonder whether we have the equivalent in place to deal with our own personal addictions. The 12 steps of AA are actually as relevant to all other addictions as they are to alcoholism. The starting point is to admit that we have been powerless in relation to our actions and that our lives had become unmanageable. Then to believe that a Power greater than ourselves can restore us to sanity and to turn our will and our lives over to the care of God as we understand Him.

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The Verve - The Drugs Don't Work.

Saturday, 30 January 2016

Becoming the Other: Art as Empathy

This year's Glen Workshop organised by Image Journal has a great theme; Becoming the Other: Art as Empathy. This theme will provide a focal point for discussion throughout the week.

The folk at Image explain their theme like this ...

"Though the human race is one family, we have seldom lived as if that were true. Our ancient texts often address the cultural, racial, and geopolitical distinctions that fragment us into groups, real and imagined. When we meet an Other, someone who represents a difference, we call them stranger. While we can respond with hospitality, more often we feel uncertainty, envy, and fear.

Yet for as long as conflict has torn the human family, art has allowed us to see similarity within difference, offering a mode of reconciliation. The scriptures are clear: we are to welcome Others, treating them as we wish to be treated.

During the week we’ll explore this and other questions together: Can the arts allow us to imagine more deeply the lives of those who seem unlike us, and so move us to greater compassion, connection, and acts of justice? How can art make us more humble, reveal our own prejudices, and destabilize our tidy categories? In short, how can fostering the imagination engender true empathy?"

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Over The Rhine - All My Favourite People.

Thursday, 22 January 2015

Proof of the intangible value of the arts and culture

Here is one piece of evidence for the value of the creative industries:

'Figures ... from a report produced by BOP Consulting for the City of London Corporation show that the City’s world-leading arts and culture cluster had a total economic impact of £247 million in 2013/14. Measured in terms of job creation, this is equivalent to supporting between 6,600 and 7,060 full time equivalent jobs. The cluster organisations together brought in an estimated 8.5 million visitors in 2013/14, an uplift of 9.9% from the 2011/12 baseline figure, and the value of ticket sales for these organisations rose by 11% to £55.5 million.

The City arts and culture cluster includes St Paul’s Cathedral, the Barbican Centre, the London Symphony Orchestra, Guildhall School of Music and Drama, Museum of London, Tower Bridge, and the Tower of London among others.

As part of the report, the impact of Crossrail was examined. The authors found this could translate into an additional 991,000 visitors to the City each year when combined with public realm improvements and the development of the wider leisure and retail offer in the City.

Commenting on the launch of the report Mark Boleat, Policy Chairman for the City of London Corporation, said: “While we have all been long aware of the intangible value of the arts and culture to the City’s role as a world-leading financial centre, this report provides proof of their value beyond their obvious cultural merit. The cultural cluster supports jobs and growth in both the City of London and outside, and provides a huge variety of cultural opportunities for Londoners to enjoy.”

The full report is available here: http://www.cityoflondon.gov.uk/business/economic-research-and-information/research-publications/Pages/City-arts-and-culture-cluster.aspx.

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Ed Sheeran - The City.

Sunday, 24 August 2014

Sabbatical art pilgrimage: Sermon

The rock band Switchfoot have a song called ‘Meant to Live’ which articulates the sense which, I suggest, we all have that there must be more to life than we are experiencing now. They sing:

‘We were meant to live for so much more
Have we lost ourselves?
Somewhere we live inside

Maybe we've been livin' with our eyes half open
Maybe we're bent and broken

We want more than this world's got to offer
We want more than this world's got to offer
We want more than the wars of our fathers
And everything inside screams for second life’

The singer-songwriter Bruce Cockburn expresses the same sense in a song called ‘More not More’ when he sings:

‘There must be more...
More songs, more warmth
More love, more life

More current, more spark
More touch, deep in the heart

More growth, more truth
More chains, more loose’

Christianity is about the something more of life. We believe that there is more to life than the material, more to life than just the visible and we express this through signs and symbols. So, bread and wine is not simply wheat and grapes or food and drink but is also the body and blood of Jesus Christ. Jesus himself was a physical being – a human who could be touched and felt – but was also more by being, at one and the same time, divine; the Son of God.

One of the ways in which we express this sense of there being something more to life is through the Arts. When we make art – whether that is literature, performing arts or visual arts – we are essentially following what Jesus did when he made bread and wine into a symbol of his life and death; we are using something known to us to make the invisible visible. This happens most powerfully when the symbol connects us to something real; if Jesus had broken bread and shared wine with his disciples and said this is my body and blood but had not then died, we would not celebrate communion today. We celebrate using the symbols of bread and wine because they connect us with the reality of Christ’s death and resurrection and all that that opens out to us. When something visible and tangible connects us to the invisible reality of the divine that is what we call a sacrament and, at its best, that is what art can do.

During my sabbatical I heard Rev. Sam Wells, Vicar of St Martin-in-the-Fields talk about the way his church using the Arts. He used a description of Jesus as prophet, priest and King, which he took from the writings of John Calvin, to illustrate how the Arts reveal the something more of life. Prophetic art holds a mirror up to society and asks, ‘Are you proud of what you see?’ This kind of art can create a vision of what society could be (the kingdom of God) and then brings home to us the painful gap between this possibility and our present reality. As a result, prophets and prophetic acts are often shocking.

Priestly art takes the opposite approach. The poet George Herbert wrote that when we look at glass we can either see ourselves reflected (like a mirror) or we can look through it to see the heavens. Priestly art gets us seeing beyond the stars. Through priestly art the ordinary stuff of life speaks or sings of the divine.

Kingly art, Wells suggested, is about glory; the glory of God and, through that, the glory of human beings reaching their full potential in God. Kingly art is art which stretches us by showing what humanity can be when we reach our full potential. 

The art made for churches often succeeds in doing all these things and that is why it can impact and change our lives. However, there have been periods in the life of the Church when the Arts haven’t been fully appreciated and understood and when artists have felt disconnected from and disillusioned with the Church.

The beginning of the twentieth century was just such a time. Modern art looked, sounded and felt very different from the art that had traditionally been made for the Church, meaning that the Church avoided using modern art while many modern artists were excitedly exploring new ways of creating art and couldn’t see any connection between what they were doing and the styles of art which the Church continued to use. As a result, there was a whole segment of society – artists and art lovers – that were not being impacted by Christianity.

Fortunately, there were some visionaries both in the Church and among modern artists who made it their life’s work to reconnect the Church with modern and contemporary art. The visits I have made during my sabbatical have been to places where they worked or had an influence.
 
My concern in making this story the focus of my sabbatical has been to encourage the Church to value, learn from and tell the story of what these people did. In my ordained ministry, particularly through commission4mission, I have seen the value of promoting and publicising the artworks which churches have commissioned. Art competitions, exhibitions, festivals, talks, trails, walks and workshops all bring new contacts to the churches that use them and build relationships between those churches and local artists/arts organisations.

Telling more fully the story of the engagement which the Church has had with modern and contemporary art, as I am trying to do using my sabbatical, can impact people in these ways and contribute to the wider mission of the Church. Ultimately, though, it brings me and others into contact with art which speaks powerfully and movingly of the Christian faith and informs the spirituality of those who see.

Next Sunday I will be leading an Evening Service at St Peter’s Chapel in Bradwell which will be a celebration of the Arts and during September I will share some of the artwork and other resources that I have found during my sabbatical in the Evening Services at St John's Seven Kings.

As we use the signs and symbols of the Arts to reflect in this way on the something more which Christianity reveals to us – the divine in the human, the invisible in the visible – we have the opportunity to become walking, talking, living works of art ourselves. Through the way we live and act we can be signs and symbols of the divine. As the singer-songwriter Keith Green sang:

“We are like windows, stained with colours of the rainbow,
Set in a darkened room, till the bridegroom comes to shining through,
Then the colours fall around our feet, over those we meet,
Covering all the grey that we see,
Rainbow colours of assorted hues, come exchange your blues,
For His love that you see shining through me.”

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Keith Green - Stained Glass.

Saturday, 2 August 2014

St Peter's Chapel Bradwell: Evening Services

During August, the evening services at Bradwell-on-Sea are held in St Peter's Chapel, at the place where the land meets the sea and the sky comes close, a place where the distance between heaven and earth is tissue thin. All services start at 6.30pm.
AUGUST 3rd Trevor and Rev'd Pam Thorne - The cross and the cosmos
AUGUST 10th Suzy Edmunson - 'Gossiping the Gospel : Creative Preaching Through a Puppet.'
AUGUST 17th Camerata - Choral Evensong
AUGUST 24th Rev'd Brigid & Laurie Main - Music & Healing
AUGUST 31st Rev'd Jonathan Evens - Visual Art
The service I will be leading will involve Peter Banks, co-author with myself of 'The Secret Chord', and will feature work by commission4mission artists. The service will be a celebration of and thanksgiving for the Arts. All are very welcome.

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After The Fire - Pilgrim.

Monday, 7 October 2013

Hearts on Fire and The Secret Chord

Peter Banks and I will shortly be speaking on some of the themes from The Secret Chord at this year's ArtServe's Festival weekend.

Finding inspirational ways of telling God’s story shaped the Bible and the Christian faith. It shapes the Hearts on Fire! weekend too through the sharing of vision and experiences through contrasting and innovative media – story telling, music, drama and art.

Hearts on Fire! festival weekend is inspired by the power of story – our stories shared, God’s story lived. Stories are told not in words alone, but in music, drama, and prayer.

Sharing inspirational stories can reveal God alive and present among us, speaking through our actions and lives. Telling stories is not just about words, but all forms of media; we will be exploring all sorts – word, song, touch, movement, painting, animation, looking and listening.

ArtServe aims to show how we can tell stories in so many ways if we have the confidence to try. As a community of faith we will be called on to try our hand at story telling, making music, and creating visual effects. There will be time to consider the significance of bringing the arts and faith together, thinking about what we do, praying and celebrating together, as well as enjoying a shared life as an ArtServe community.

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After The Fire - Der Kommisar.

Thursday, 22 August 2013

Where to find me at Greenbelt!

I will be on commission4mission's market stall at this year's Greenbelt Festival. The stall has been organised for us by Harvey Bradley, who will be showing ceramics and paintings at the stall.

Harvey's work will be supplemented by a selection of original work from Hayley Bowen, Ally Clarke, Elizabeth Duncan Meyer, Jonathan Evens, Mark Lewis, Caroline Richardson, Joy Rousell Stone, Henry Shelton and Peter Webb.

Additionally, we will have cards, jewellery, meditations, notebooks and t-shirts produced by our artists for sale, as well as information about our work on commissions, exhibitionsevents and publications.

The Secret Chord, my co-authored book with Peter Banks, will be on sale in the Greenbelt Bookshop.

Greenbelt is 40 years old in 2013. The thread that has run throughout its 40 consecutive festivals is that the arts, faith and justice make for a heady mix of creativity and challenge.

As for many people, it has been a significant space for me; somewhere that has consistently provided new perspectives, information and contacts across the arenas of the arts, faith and justice. I have been challenged and encouraged in my faith as a result and that thinking has informed many aspects of my ministry. Under Stewart Henderson's editorship, the Greenbelt magazine Strait was one of the first places where my writing was published and, again, was a real encouragement to me.  

Do come to see us on the commission4mission stall, if you will be at Greenbelt this year.

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After The Fire - Carry Me Home.

Thursday, 21 February 2013

A quest for spiritual freedom


My latest exhibition review will be in tomorrow's Church Times:

"Our arts coverage features a Polish painter, Maciej Hoffman, engaged in a quest for spiritual freedom, having experienced the ups and downs of communism and capitalism and found them wanting."

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Lloyd Cole and the Commotions - Are You Ready To Be Heartbroken?

Tuesday, 12 February 2013

Diocese of Chelmsford Arts page

I've recently written a new website page on the Arts for the Chelmsford Diocesan website. The page includes information about the Barking Episcopal Area Art Trail, the Barking Episcopal Area Arts Festival and commission4mission commissions in the Diocese.

The Art Trail aims to raise awareness of the rich and diverse range of modern and contemporary arts and crafts from the last 100 years which can be found within the 36 featured churches.

The Barking Episcopal Area Arts Festival involves quality events from a variety of Arts genre as a way of embracing and celebrating performing and visual arts and engaging with local communities, their people and arts culture.

commission4mission is an initiative and organisation which has grown out of the Chelmsford Diocese although its membership and activities now extend beyond the Diocese itself.

Click here to see the new website page.

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The Innocence Mission - You Chase The Light.

Sunday, 13 November 2011

Run the Race (2)

On Saturday I spoke about 'Art and Mission - the Cultural Olympiad' at 'Run the Race', a special day offered in the Barking Episcopal Area to enhance mission and prepare for 2012.

I began by saying that the starting point for understanding the Arts has to be God’s own creativity which he shares with us by creating us with the ability and need to make new things ourselves as part of our understanding and exploration of what it means to be alive as human beings. Bertil Ekström (InterAct) says:
 
“Artistic creativity is a gift from the Creator and reflects the image of God in the human. The commandment to take care of God’s creation demands this capacity to produce new things in dialogue and tension between the feelings of our inner being and the outer reality in which we live. Therefore, the arts have an important therapeutic function as well as a pedagogic purpose, helping us to understand the different dimensions of life ...
The Scriptures are full of artistic expressions, including the way that God’s revelation of himself has come to us through metaphors and case studies of intervention in the history of humankind ...
 
Art is present everywhere and probably much more so than we think about. Music, dance, poetry, sculptures, paintings and drama are arts that we usually recognise. But we could add to that list many other forms, such as architecture, arrangement of gardens and flower expositions, design of clothes, and many more. What would the world and life be without art? ...
 
Art is not just a tool for expressing faith. Art is a mission in itself — in the sense that excellent art is a way of honouring God and giving testimony to His image in us. In other words, great art fulfils part of the Creator’s purpose with our lives.”
 
So art is not primarily a tool to be used by the Church in evangelism. Instead, it is much more fundamental to human life than that, in that it fulfils part of God’s purpose for our lives by honouring him through it’s quality and exploring who we are in him through it’s content.
 
The London 2012 Cultural Olympiad is the largest cultural celebration in the history of the modern Olympic and Paralympic Movements. Spread over four years, it is designed to give everyone in the UK a chance to be part of London 2012 and inspire creativity across all forms of culture, especially among young people.
 
The 'Art' strand of the London 2012 Cultural Olympiad features a range of projects and programmes, including large commissions such as Artists Taking the Lead. 'Film and digital' features a short film competition for young people. The 'Literature and libraries' strand features a number of Inspire mark projects. 'Museums and galleries' features UK-wide projects such as 'Stories of the World'. The 'music' strand includes a wide range of projects and programmes - from large-scale commissions to local activities run through the Inspire programme. The 'outdoor and events' strand features 'Discovering Places'. A series of major commissions, Unlimited is the UK’s largest programme celebrating arts, culture and sport by disabled and deaf people. The World Shakespeare Festival, produced by the Royal Shakespeare Company, will run from 23 April to 9 September 2012, celebrating how the world performs, teaches and engages with Shakespeare. It will form part of the London 2012 Festival. The culmination of the Cultural Olympiad will be the London 2012 Festival, bringing leading artists from all over the world together from 21 June 2012 in the UK’s biggest ever festival – a chance for everyone to celebrate London 2012 through dance, music, theatre, the visual arts, film and digital innovation, and leave a lasting legacy for the arts in the UK.
 
Not-for-profit organisations can submit applications to run programmes, events or activities. No matter whether they are large or small, the very best of these will be awarded the coveted Inspire mark which, subject to certain conditions, can be used on brochures, posters and websites to promote the project or event. The Inspire mark will be awarded across many sectors, including sport, culture, education, environment and enterprise. Successful applicants will be those presenting outstanding, non-commercial projects that are truly inspired by the London 2012 Games.
Cultural projects that gain the Inspire mark will become part of the Cultural Olympiad.
Although the content of the projects will vary, all must meet the following criteria to be eligible:
  
·    only not-for-profit organisations can apply - companies limited by guarantee, for example;
·    you must have non-commercial funding and support;
·    your project must start before 9 September 2012;
·    your project must be mainly cultural;
·    your project must be above and beyond anything you’ve done before, build a lasting legacy, have young people at its heart, be inclusive and participative; and
·    your project must be clearly inspired by the London 2012 Games and not from an existing piece of work. It must differ from the kind of work you normally do and it must be clear to participants that they are part of a London 2012 project or event.

Cultural Olympiad projects and events are already taking place around the UK. If you have an idea for a project the Cultural Olympiad organisers would like to hear from you. Firstly, their network of Creative Programmers will work with project organisers to develop ideas. Approved projects can then become part of the Cultural Olympiad through being granted the London 2012 Inspire mark.

Contact the Creative Programmers for your region and let them know the following details as clearly as possible in your email:
·    Your name
·    Your company name and job title (if applicable)
·    Your telephone number
·    Your email address
·    What is your project or event idea and how is it different from what you normally do?
·    How do you feel it takes its genuine inspiration from London 2012?
·    How would your project or event meet the Cultural Olympiad criteria?

The 2012 Olympics gives the UK church an unprecedented opportunity to engage with contemporary culture. More than Gold aims to harness the creativity of the Church to connect with people around the 2012 Games. Their Creative and Performing Arts team will give local churches and national Christian arts groups an opportunity to serve in the context of mission initiatives including Community festivals and Hospitality Centres. More Than Gold is producing a list of performers and artists for local churches to book.

The ways you can use creative arts to engage with your community include national tours:
  • Saltmine Theatre Company will tour with  In Their Shoes – a collaboration with a Muslim Theatre Company. The theme is it's possible to get along with others in spite of our differences. And focuses on a pair of sports trainers the Muslim (Stripe) and Christian (Spot) that neighbours are fighting over. Ideal for primary schools and all age community events.
  • Lantern Arts Centre will tour with their version of Dangerous Jouney. In celebration of 2012 Games, the team has revised the classic Bunyan play based on one man's race. With music by Paul Field, this production is relevant for all ages.  
  • Riding Lights tour nationally between March and June 2012 with Monsieur de Coubertin’s Magnificent Opymlic© Feat! It goes back to the roots of the modern Games, bringing together the company’s church-linked audience with a new audience of people passionate about sport.
  • Act 4 have Star Citizen 2012, a record breaking interactive games show for primary schools, community groups and churches. It connects with the 2012 Games by encouraging children to reach for their potential.
Community Festivals are one of the best ways for churches to engage with their wider community. And can also leave a legacy of more local churches working together to serve their community. The 2012 Games offers a special opportunity to run festivals with a big screen showing of the Games. No special licence is needed, providing the content is broadcast without editing and without charge.

Community Festivals are timed for key points in the Games – the Torch Relay, opening ceremony, a major sports competition, the closing event etc – and can vary from place to place. They can be a one day event to a full week with a variety of events.

More Than Gold offers support for two distinct approaches:
  • A Community Festival with a variety of events celebrating the Christian message through the arts, sport and debate - with support and help from Share Jesus International
  • An Open Crowd Festival that gives a taste of authentic community - activities and games that bring celebration and fun where the participants are the stars – with support from Fusion
These festivals may include:
  • Big screen showing the ceremonies or key events,
  • Fun for children including face painting, clowns and competitions
  • Sport based games
  • Free barbecue and tea and coffee
  • Live music
  • Arts and theatre performances
Helping to resource the Festivals is a collaboration of Fusion Community and Youth and Share Jesus International. Together they have a vast range of experience and expertise to share. And offer two alternative models of festival.
 
There are three kinds of training available:
  • Intensive Training Days for Fusion Open Crowd Community Festivals and Share Jesus International Festivals with no festival at the end.
  • Fusion Open Crowd Community Festivals Training Days. These vary from 2 to 24 hours followed by taking part in an actual festival to put what you have learnt into practise.
  • Share Jesus Festival Training Day including experiencing a festival event.
Arts Festivals could include any or all of the following: Art trails, community arts events, concerts, craft fairs, demonstrations, exhibitions, installations, lectures, performances, poetry readings, storytelling, workshops etc.
 
The Barking Episcopal Area has experience of several such initiatives:
·      Art Trail - an Art Trail has been created for the Barking Episcopal Area by commission4mission with funding from London-over-the-Border. The Art Trail aims to raise awareness of the rich and diverse range of modern and contemporary arts and crafts from the last 100 years which can be found within the 36 featured churches. The significant works of art in these churches, taken collectively, represent a major contribution to the legacy of the church as an important commissioner of art. The Rt. Revd. David Hawkins, Bishop of Barking, has said: “For centuries the Arts have been an important medium through which public communication of the faith has taken place and the Church has had a lengthy and happy marriage with the Arts.” The Art Trail demonstrates that this long relationship between the Church and the Arts continues today, as the Trail includes work by significant twentieth century artists such as Eric Gill, Hans Feibusch, John Hutton and John Piper together with contemporary work by the like of Mark Cazalet, Jane Quail and Henry Shelton.

·      The Barking Episcopal Area Arts Festival was a new initiative which began in 2011. The Festival involves a series of quality events from a variety of Arts genre as a way of embracing and celebrating both performing and visual arts from the Barking Episcopal area and engaging with the local communities, their people and arts culture. We intend to organize a Barking Episcopal Area Arts Festival annually but in a different part of the Episcopal Area each year and will organize it to run parallel with one of the already established community arts festivals or trails within the Area. The benefits of this approach being: to establish and/or maintain links with the local community and existing arts networks; to work alongside already established and successful frameworks; and to share a common network for publicity. The first Barking Episcopal Area Arts Festival took place from Thursday 14th – Saturday 24th July and ran parallel to the Leytonstone Festival -  http://www.leytonstonefestival.org.uk/.
·      Run with the Fire is an arts project for the London 2012 Olympics organized by CANA, commission4mission and Veritasse based on the image of fire which links the Church’s Pentecost celebration with that of the Olympic runner. Run with the Fire aims to celebrate creativity, cultural exchange and hope for the future by providing a virtual exhibition of international artwork for use in Olympics-themed events organised by churches in 2012. The images that seeded Run with the Fire come from the celebration of Pentecost, with its tongues of fire, new languages, and promise of dreams and visions, plus the Olympic Games, with its running messenger carrying forward the burning torch and its dreams of cross cultural harmony.  The vision of Pentecost, and also of the Olympics, is one of celebration and cross-cultural understanding. As a result, our title Run with the Fire emerged. 25 international artists are participating in Run with the Fire. These artists were selected, from a pool of 45 artists who applied to be part of the project, by an international jury of Dr. Dianne B. Collard (Director of Ministries – Europe, Artists in Christian Testimony International), Martin Crampin (Artist, Researcher and Designer) and Marleen Henglaar– Rookmaaker (Editor-in-Chief, ArtWay). The selected artists began the project by writing a statement to describe their vision of ’running with the fire’ for the other artists involved. Each artist will be creating an artwork, using the idea of another artist as a starting point. This aspect of the project simulates the idea of a relay, with ideas being passed from one artist to the next. Each artist will make their work available electronically for use in the project, so that the mapping of ideas as they travel from one artist to another can become part of the final product. Run with the Fire will provide a virtual exhibition of international artwork available on DVD, for display on large scale HD TV or monitor, or for projection using a digital projector. This digital exhibition can be presented as part of Olympics-themed events organised by churches in 2012 plus arts events or exhibitions organized by local churches. Run with the Fire will also provide an electronic resource package, to accompany the virtual exhibition, which will give ideas for churches on how to organize and facilitate community/arts events. These local events will enrich the experiences of those attending and will provide a context for the Run with the Fire exhibition in each venue. Optimal exhibition spaces include churches, community centres, open air venues (with some covered space), local art galleries etc. The Run with the Fire resources (virtual exhibition DVD and electronic resource package) will be available at a cost of £50.00. Any profit on the sale of resources from this project will be donated to Oxfam. Churches will bear the costs of putting on any events using Run with the Fire resources, including venue hire, additional publicity and resources used.

To organise an Arts event, begin by dreaming some dreams together with like-minded people. Think how an art piece has spoken to you. What was it? A visit to a gallery?  A song you heard on the radio? Something your child brought home from school? We all have different kinds of experiences and encounters with art. Share memories of an experience like that. Sharing stories like that plants the seeds for a whole community of appreciation.
Now imagine a top notch arts event at your church. What is happening and why is it going well? It’s crowded. Why? Personal invites? Heard about it via local media? The visual art is very good and displayed well. The theatrical and musical acts go off flawlessly and everyone seems to appreciate them. The refreshments are fabulous. Everyone is talking about this show for days and weeks afterwards. There are already plans for another one. Other churches and communities are thinking of doing one and are asking you how its done. Once you have your vision then you can begin planning to achieve it:
          Planning group
          Aims - what you hope to achieve by running your event
          Objectives - the activities you undertake to bring these achievements about
          Outcomes – measureable results that establish whether you have achieved your aim
          Event plan – venue(s), equipment, content, publicity, health & safety, risk
          assessments, licences etc.

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Lindisfarne - Run For Home.