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Showing posts with label rilke. Show all posts
Showing posts with label rilke. Show all posts

Wednesday, 28 August 2024

Augustine: Four foundational approaches to faith

Here's the sermon that I shared at St Andrew's Wickford this morning:

Today is the Feast Day of St Augustine. Augustine was born in North Africa in 354. His career as an orator and rhetorician led him from Carthage to Rome, and from there to Milan where the Imperial court at that time resided. By temperament, he was passionate and sensual, and as a young man he rejected Christianity. Gradually, however, under the influence first of Monica, his mother, and then of Ambrose, bishop of Milan, Augustine began to look afresh at the Scriptures. He was baptised by Ambrose at the Easter Vigil in 387. Not long after returning to North Africa he was ordained priest, and then became Bishop of Hippo. It is difficult to overestimate the influence of Augustine on the subsequent development of European thought. A huge body of his sermons and writings has been preserved, through all of which runs the theme of the sovereignty of the grace of God. He died in the year 430.

In his Confessions Augustine tells of his travels which take him from Carthage to Rome, and then to Milan, until his conversion. He meets the Manichean leader, Faustus, but finds no answers. He also encounters the doubt of the Academics and comes close to total scepticism in his own philosophy. In Milan he listens to Bishop Ambrose, whose homilies, little by little, answer many questions about Scripture which have been nagging at him for a long time. Looking back on this time, in Confessions, Augustine shares several understandings that prepared him for his conversion. These are the place of science in belief, the value of questions, the necessity of faithful prayer, and non-literal interpretations of scripture.

In Confessions, Augustine compares the teachings of the Philosophers and the Manichees concluding that the teachings of the Manichees were rambling and confused when it came to phenomena such as solstices, equinoxes or eclipses. By contrast, the observations of the Philosophers about creation could be verified by mathematics, by the progress of the seasons, and by the visible evidence of the stars. 
Augustine was essentially saying that religious beliefs should not be in conflict with the findings of science and where they are, as in the case of the Manichees, that has to undermine the whole system of belief. How should we view this position in an age when scientists like Richard Dawkins believe there is no common ground between science and religion?

Sir John Polkinghorne, who is both a world-class physicist and an Anglican priest, is one who seeks to present an account of the friendship between science and theology, which he believes to be the truest assessment. Religion, he says, is our encounter with divine reality, just as science is our encounter with physical reality. He notes that a general scientific theory is broadly persuasive because it provides the best available explanation of a great swathe of physical experience. The cumulative fruitfulness of science encourages Polkinghorne to believe that this is an effective intellectual strategy to pursue. He then also engages in a similar strategy with regard to the unseen reality of God. God’s existence makes sense of many aspects of our knowledge and experience: the order and fruitfulness of the physical world; the multilayered character of reality; the almost universal human experiences of worship and hope; the phenomenon of Jesus Christ (including his Resurrection). So, he suggests that very similar thought processes are involved in both cases and that, in their search for truth, science and religion are intellectual cousins under the skin. This, it seems to me, is a position which equates to the approach advocated by Augustine.

Next, Augustine complains that in the crowd that came to hear the Manichee teacher, Faustus, he was not allowed to voice his anxious questions, and place them before him in the relaxed give-and-take of discussion. The asking of questions is fundamental to Augustine’s approach in writing Confessions. In the first Chapter he asks 6 questions, in the second he asks 12, in Chapter 3 he asks 8, and so it continues throughout the book. Augustine clearly believes that the asking of questions is fundamental to gaining true knowledge of God.

In Letters to a Young Poet the poet Rainer Maria Rilke calls for the unknown to be embraced, and not necessarily puzzled out. His call is one which I think equates with Augustine’s use of questions in Confessions. Rilke writes: “…have patience with everything unresolved in your heart, and try to love the questions themselves, as if they were locked rooms or books written in a very foreign language. Don’t search for the answers, which could not be given to you now, because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing, live your way into the answer….”

That was essentially what Monica, Augustine’s mother, had to do as she prayed that Augustine would come to faith. Augustine writes in Confessions that God did not grant what she desired at the moment that she first prayed, but, true to his higher purpose, he met the deeper wish of her heart. Monica had to learn to persevere in prayer in the face of what seemed to be a lack of response from God to her prayer. When Jesus told parables about prayer, the stories he told were of those who did what Monica did and kept on praying no matter what. When Monica’s prayer was finally answered it was the deepest wish of her heart that was realised as her son becomes one of the most influential figures in the history of Christianity.

Finally, Augustine explains that the change in his understanding of Christianity comes as he changes the way in which he interprets scripture. He is impacted by hearing Bishop Ambrose in Milan because Ambrose explains the spiritual meaning of Old Testament passages by figurative interpretations. Previously, Augustine says, taking these passages literally had been the death of me.

Literal understandings of the Bible claim that the meaning originally expressed by the writer is clear and they deny the legitimacy of any approach to Scripture that attributes to it meaning which the literal sense does not support. The problem with this is that the Gospel writers and St Paul do not interpret scripture in that way. The Gospel writers constantly apply Old Testament passages to Jesus in ways that do not reflect the meanings that the writers originally expressed while St Paul, like Ambrose, regularly uses allegorical or figurative interpretations of Old Testament passages. As a result, if we are, like Augustine, to understand the spiritual meanings of scripture we cannot simply apply one interpretative method to our reading of scripture but have to embrace the diversity of ways in which scripture is interpreted and understood and used within the pages of scripture itself.

So, in Confessions, Augustine gives us these four foundational approaches to faith: the taking seriously of science, living our questions, perseverance in prayer; and a diversity of approaches to the interpretation of scripture. These four approaches return Augustine to the place where he becomes once again an inquirer in the Catholic Church. He would therefore, I believe, commend them to us as well in our ongoing inquiries and investigations into the truth of Christianity.

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U2 - Surrender.

Wednesday, 9 June 2021

Artlyst - Rodin: Suffering And Conflict – Tate Modern

My latest review for Artlyst is of The Making of Rodin at Tate Modern:

'Rodin learnt from Michelangelo’s ability to show internal pain and suffering through the gestures of the whole body noting that, ‘It is Michelangelo who has freed me from academic sculpture.’ In describing the greatness of Michelangelo, it was experience of suffering that was emphasised: ‘Michelangelo was only the last and greatest of the Gothics. The turning in of the soul upon itself, suffering, a disgust with life, struggle against the chains of matter, such are the elements of his inspiration … he himself has been tortured by melancholy.’

Rodin also saw suffering and conflict as characteristic of modern art, saying, ‘Nothing is more moving than the maddened beast, dying from unfulfilled desire and asking in vain for grace to quell its passion.’ As Rachel Corbett notes in ‘You Must Change Your Life,’ her biography of Rodin and his secretary, the poet Rainer Maria Rilke, to Rodin’ punishment was the condition of the living’ as his vision of Dante’s hell ‘mirrored the realities of life in Paris at the fin de siècle‘ because its inhabitants were ‘living in a nightmare of their own earthly passions.’

My other pieces for Artlyst are:

Interviews -

Articles -
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This Picture - Death's Sweet Religion.

Wednesday, 3 April 2019

Live the questions now

Here is my reflection on Book V of St Augustine's Confessions shared tonight as part of the Lent Course at St Martin-in-the-Fields:

In Book V of his Confessions Augustine tells of his travels in search of better students which take him from Carthage to Rome, and then to Milan, until his conversion. He meets the Manichean leader, Faustus, but finds no answers. He also encounters the doubt of the Academics and comes close to total scepticism in his own philosophy. In Milan he listens to Bishop Ambrose, whose homilies, little by little, answer many questions about Scripture which have been nagging at him for a long time.

In Book V Augustine shares several understandings that prepare him for his conversion. These are the place of science in belief, the value of questions, the necessity of faithful prayer, and non-literal interpretations of scripture. I want to explore each of these in turn.

In Chapter 3 Augustine compares the teachings of the Philosophers and the Manichees. He concludes that the teaching of Manes, the founder of the Manichees, was rambling and confused when it came to phenomena such as solstices, equinoxes or eclipses. By contrast, the observations of the Philosophers about creation could be verified by mathematics, by the progress of the seasons, and by the visible evidence of the stars.

Augustine is essentially saying that religious beliefs should not be in conflict with the findings of science and where they are, as in the case of the Manichees, this has to undermine the whole system of belief. How should we view this position in an age when scientists like Richard Dawkins believe there is no common ground between science and religion and when some Christians hold beliefs such as creationism which are opposed to scientific findings?

Sir John Polkinghorne, who is both a world-class physicist and an Anglican priest, is one who seeks to present an account of the friendship between science and theology, which he believes to be the truest assessment. Religion, he says, is our encounter with divine reality, just as science is our encounter with physical reality.

He notes that the intellectual strategy of science is neither an undue credulity nor a perpetual scepticism. A general scientific theory is broadly persuasive because it provides the best available explanation of a great swathe of physical experience. The cumulative fruitfulness of science encourages Polkinghorne to believe that this is an effective intellectual strategy to pursue. He then also wishes to engage in a similar strategy with regard to the unseen reality of God. God’s existence makes sense of many aspects of our knowledge and experience: the order and fruitfulness of the physical world; the multilayered character of reality; the almost universal human experiences of worship and hope; the phenomenon of Jesus Christ (including his Resurrection). He suggests that very similar thought processes are involved in both cases.

Therefore he does not believe that he shifts gear in some strange intellectual way when he moves from science to religion. In particular, he does not claim that religious belief springs from some mysteriously endorsed and unquestionable source of knowledge that is not open to rational assessment and, if necessary, to reassessment. Theology has long known that our images of God are inadequate to the infinite richness of the divine nature; that human concepts of God are ultimately idols to be broken in the face of the greater reality. So, in their search for truth, he claims that science and religion are intellectual cousins under the skin. This, it seems to me, is a position which equates to the approach advocated by Augustine in Book V.

Next, Augustine, in Chapter 6, complains that in the crowd that came to hear the Manichee teacher, Faustus, he was not allowed to voice his anxious questions, and place them before him in the relaxed give-and-take of discussion. The asking of questions is fundamental to Augustine’s approach in writing Confessions. In the first Chapter of Confessions he asks 6 questions, in the second Chapter he asks 12, in Chapter 3 he asks 8, and so it continues throughout the book. Augustine clearly believes that the asking of questions is fundamental to gaining true knowledge of God.

In Letters to a Young Poet the poet Rainer Maria Rilke calls for the unknown to be embraced, and not necessarily puzzled out. His call is one which I think equates with Augustine’s use of questions in Confessions. Rilke writes: “…have patience with everything unresolved in your heart, and try to love the questions themselves, as if they were locked rooms or books written in a very foreign language. Don’t search for the answers, which could not be given to you now, because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing, live your way into the answer….”

That was what Monica, Augustine’s mother, had to do as she prayed that Augustine would come to faith. Augustine writes in Chapter 8 that God did not grant what she desired at that moment, but, true to his higher purpose, he met the deeper wish of her heart. Monica had to learn to persevere in prayer in the face of what seemed to be a lack of response from God to her prayer. When Jesus told parables about prayer the stories he told were of those who did what Monica did and kept on praying no matter what. When Monica’s prayer is finally answered it is the deepest wish of her heart that is realised as her son becomes one of the most influential figures in the history of Christianity.

Finally, Augustine explains that the change in his understanding of Christianity comes as he changes the way in which he interprets scripture. He is impacted by hearing Bishop Ambrose in Milan because Ambrose explains the spiritual meaning of Old Testament passages by figurative interpretations. Previously, Augustine says, taking these passages literally had been the death of me.

Literal understandings of the Bible claim that the meaning originally expressed by the writer is clear. Biblical literalism became an issue in the 18th century as a reaction to the Enlightenment and the scientific revolution. Some Christians, such as those who in 1978 wrote the Chicago Statement on Biblical Inerrancy, have made this way of understanding scripture their test as to whether the Church is being faithful to God or not. They affirm the necessity of interpreting the Bible according to its literal sense. The literal sense is, as we have heard, the meaning which the writer expressed and they deny the legitimacy of any approach to Scripture that attributes to it meaning which the literal sense does not support.

The problem with this is that the Gospel writers and St Paul do not interpret scripture in that way. The Gospel writers constantly apply Old Testament passages to Jesus in ways that do not reflect the meanings that the writers originally expressed while St Paul, like Ambrose, regularly uses allegorical or figurative interpretations of Old Testament passages. As a result, if we are, like Augustine, to understand the spiritual meanings of scripture we cannot simply apply one interpretative method to our reading of scripture but have to embrace the diversity of ways in which scripture is interpreted and understood and used within the pages of scripture itself.

So, in Book V, Augustine gives us these four foundational approaches to faith: the taking seriously of science, living our questions, perseverance in prayer; and a diversity of approaches to the interpretation of scripture. These four approaches return Augustine to the place where, as he writes at the end of Book V, he becomes once again an inquirer in the Catholic Church. He would therefore, I believe, commend them to us in our ongoing inquiries and investigations into the truth of Christianity.   
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Rainer Maria Rilke - Letters To A Young Poet.

Friday, 2 January 2015

A listening gaze: Paul Martin and Idris Murphy

Edgelands is an exhibition of new work by Paul Martin and Idris Murphy at The Warburton Gallery:

'Idris Murphy and Paul Martin, who exhibit together here for the first time, met in London at the age of 22; they met again in Perth, Western Australia at 65, a meeting which planted the seed for this show. The intervening years were spent painting and making, teaching and learning, seeking an understanding of the nature of nature and a sense of which what Martin has called“the gritty sacredness of places and things” ...

Paul Martin’s most recent exhibition was in part inspired by his reading of Rilke, who wrote that “in order for a Thing to speak to you, you must regard it for a certain time as the only one that exists, as the one and only phenomenon, which through your laborious and exclusive love is now placed at the centre of the universe”. Idris Murphy, in the introduction to his 2013 show Everywhen, quoted the words attributed to the 1st century churchman Ignatius of Antioch: “We each carry our own depth of silence, a human kind of silence, not found anywhere else…silence is a presence, a receptivity, a readiness, a waiting, a listening.” It is perhaps here that Murphy and Martin find their greatest point of convergence, in the understanding that the environmental challenges we face necessitate our developing this readiness and receptivity, this capacity for concentration, for laborious and exclusive love, this ability to regard nature with a steadiness of gaze that we might equate with the aesthetic gaze, and that this, ultimately, might be what constitutes the work of art.'

The works on show are complemented by a series of texts from leading Scottish and Australian writers reflecting on the ecological and environmental challenges we face across the world. This strand of the show is collated and introduced by the renowned novelist and short story writer Tim Winton.


'Here are two painters who’ve learnt to look at natural forms so keenly and humbly that theirs has become, each in their own way, and in separate hemispheres, a listening gaze. Their reverent attention seems to have left them open to the steady returning stare of a creation that groans in travail even as it feeds us. The world we see in their recent work has been transformed and illuminated through their loving attention and in turn, over the decades, as artists, they have clearly been changed.'

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Midnight Oil - Dreamworld.