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Showing posts with label nhs. Show all posts
Showing posts with label nhs. Show all posts

Saturday, 10 October 2026

ArtWay - Nicola Ravenscroft: The silent language of art













My latest interview for ArtWay is with the sculptor Nicola Ravenscroft and focuses on her bronze sculpture at the Royal Free Hospital which stands as a lasting tribute to the courage, compassion, and dedication of NHS staff:

'As a quiet peacemaker, a sculptor, a songwriter and a mother/grandmother, I seek out the universal languages that connect, and bring us together.

‍Agape – the pure, unconditional love a parent has for their child – is one of those languages. In their acts of self-sacrifice, the “peaceful warriors” of the NHS, and indeed all health workers across the world, were fighting for the lives of others.

Children represent the future. They have an innocent perspective that, if we allow it, can tenderly inform our adult vision.

Heaven belongs to little children: they are especially loved by God.'

For more on Nicola, click here for my Artlyst interview with Nicola, and here for an ArtWay Visual Meditation on her work. Click here for a poem published by Stride Magazine that was inspired by Nicola's series of 'in the language of angels' images. I have also written short stories about Nicola's mudcub sculptures (now called EarthAngels), which we exhibited at St Andrew's Wickford. The first story in the series is 'The Mudcubs and the O Zone holes.' The second is 'The Mudcubs and the Clean-Up King'. The third is 'The mudcubs and the Wall'.

My other writing for ArtWay can be found at https://www.artway.eu/authors/jonathan-evens. This includes church reports, interviews, reviews and visual meditations.

ArtWay.eu has been hailed "a jewel in the crown of work in Christianity and the arts," and having come under the custodianship of the Kirby Laing Centre, the much-loved publication has entered an exciting new chapter in its story following the launch of a new website in September 2024.

Since its founding, ArtWay has published a rich library of materials and resources for scholars, artists, art enthusiasts and congregations concerned about linking art and faith. Founded by Marleen Hengelaar-Rookmaaker in 2009, ArtWay's significance is reflected in its designation as UNESCO digital heritage material in the Netherlands.

In 2018, I interviewed ArtWay founder Marleen Hengelaar-Rookmaaker for Artlyst on the legacy of ArtWay itself.


In the video above, the ArtWay team recounts the history of this much-loved resource and looks ahead
to an exciting future for ArtWay.

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Friday, 6 March 2026

Nicola Ravenscroft - Honouring NHS Heroes: A Memorial in Bronze

































Nic Careem, Project Director of the NHS Covid Memorial Sculpture, writes:

'Some projects carry an emotional weight that transcends mere planning and execution. This is one of them.

As Project Director of the NHS Covid Memorial Sculpture, I have the privilege of working alongside my great friend Dean Russell, former MP and business minister, and chair of the Memorial Committee to bring this tribute to life.

For me this memorial is personal as the NHS saved my life on three occasions.

Our mission has been clear: to create a lasting memorial for the NHS heroes who gave their lives on the frontlines of the pandemic. These were the doctors, nurses, paramedics, carers, and countless others who risked and ultimately sacrificed everything for the wellbeing of others. They deserve to be remembered, not just in words, but in something permanent, something powerful. We are grateful for the editor of the Daily.Express Newspaper Group for his total commitment to the memorial.

We knew this had to be more than just a statue. It had to be a piece of art that speaks to the heart. That’s why we turned to Nicola Ravenscroft, a renowned artist whose ability to translate deep human emotion into bronze is simply remarkable. She has created a stunning 10ft sculpture one that embodies the courage, compassion, and selflessness of those we lost.

Raising the necessary funds to make this vision a reality was no small feat, but it was a labour of love. Thanks to the generosity of supporters who understood the importance of this tribute, we were able to move forward with the commission. And now, after months of dedication, the sculpture is ready finaly to be unveiled.

Fittingly, we have chosen 6th March 2026 for the unveiling on the 6th anniversary of the Pandemic in the specially renamed memorial garden The Royal Free Hospital Hampstead will host this momentous occasion, where families, colleagues, and communities and political notables will come together to reflect, to honour, and to remember.

For me, this is not just a project it’s a promise. A promise that those we lost will never be forgotten. That their bravery will stand tall, immortalized in bronze, a reminder to all of us of the price they paid and the gratitude we owe.

This is for them. And for all of us who will carry their legacy forward.'

The unveiling included speeches from Nic Careem, Dean Russell, Nicola Ravenscroft, Lord John Bird MBE, Lord Rami Ranger, and Fatima Whitbread, among others. Children from local schools read poems written about their Covid lockdown experiences. 

Nicola Ravenscroft: NHS memorial sculpture

A 13ft high sculpture created by sculptor Nicola Ravenscroft was unveiled on Friday 6 March 2026 in the gardens at the Royal Free Hospital in London as a national memorial honouring the NHS and healthcare workers who gave their lives on the covid front line.

Award winning British activist, cultural ambassador, and entrepreneur, Nic Careem, who has overseen the project to commission the sculpture, says:

‘The NHS is often called the jewel in our crown and rightly so. On three separate occasions, it has saved my life. I owe everything to it…

That’s why, together with my dear friend, former Business Minister Dean Russell, we commissioned renowned artist Nicola Ravenscroft to create a lasting tribute. A 13-foot bronze memorial will soon stand on the grounds of a world-famous London hospital.’

Created by renowned artist Nicola Ravenscroft, this striking bronze sculpture stands as a lasting tribute to the courage, compassion, and dedication of NHS staff. The unveiling will be a moment to come together to honour, remember, and reflect on their extraordinary contribution.

‘Breath’, Nicola’s national memorial sculpture, features two children below two tall trees, as she knew that her design must portray the lives that those on the Covid front line sacrificed their futures to save. In the tender symbolism of this sculpture, two trees touch, intricate as one, soaring ancient beyond two young children who sit in simple-dappled shade and light. Like them, in ongoing gratitude and hope, Nicola celebrates the collective sacrifice of NHS and care workers through an image that lives singing into our future; a new life, their new life.

She says:

‘I remember that the first emotion I felt when invited to come up with a concept, was one of deep sadness. I mused on the sacrificial hearts of so many, courageous, innocent, and now silent. I kept returning in my mind to the tomb of the unknown warrior and in fiery gratitude, I knew that I must give LIFE to something that not only honoured those on the front line who sacrificed their futures to save the lives of others, but that simultaneously, and in ongoing gratitude and hope, celebrated this truth. I wanted their collective sacrifice to live singing into our future; a new life, their new life.’

Pamela Burnard, Professor of Arts, Creativities and Educations, University of Cambridge, says:

‘Nicola Ravenscroft’s sculpture commissioned for the national memorial, not only honours the NHS workers who sacrificed their lives on the covid frontline, it embodies and encourages reimagined ways to co-create these ethical and care-ful spaces. Her sculptures embody everyday and lifelong ways in which we can nurture kinship and in doing so creativity becomes a powerful and provocative agent of change.’

Nicola Ravenscroft

"children are the future dream makers and possibility thinkers"

“I believe the children are our future
Teach them well and let them lead the way”

Sculptor Nicola Ravenscroft places the potential of a child’s clarity of vision, at the heart of her work. A graduate of Camberwell School of Art, a songwriter and an art teacher, she has nurtured many young people into celebrating their inherent creativity, courageously embracing their differences, and imaginative, compassionate possibility-thinking beyond boundaries. Her work has been exhibited at locations as diverse as churches and corporate HQs, colleges, galleries and schools, race courses, street parties and summits. These include: St Martin-in-the-Fields; St John’s College, Cambridge; HSBC global headquarters, Canary Wharf; University of Cambridge Primary School; and Talos Art Gallery, Wiltshire, among others. Her sculpture installation ‘With the Heart of a Child’ was part of a project exploring what the arts in transdisciplinary learning spaces can contribute to primary education.

Always allowing space for open contemplation, interpretation and healing, the themes and images of her emotive body of work, which includes: the national memorial sculpture honouring the selfless sacrifice of NHS and care workers on the covid frontline (‘Breath’); EarthAngel sculptures; ‘With the Heart of a Child’ installations; painting and drawing series entitled ‘Among the Words of Trees’, ‘In the Language of Angels’ and ‘The Song of Songs’; and portrait sculptures, including Gandhi, a commission in 2019 for the Romney Marsh Sculpture Park. Her latest project aims to create a fresh new activist perspective on the Anne Frank story.

‘With the Heart of a Child’ is the over-arching and unifying theme for Nicola’s work. ‘With the Heart of a Child’ is about bringing people together. It is about harnessing our individual giftings and identities. It is about a shared conversation, and it is about children leading leaders. Her dream is that this understanding might be the rock on which our children, standing faith-filled and free, together lay a new foundation for peace.

Nicola's EarthAngel sculptures and installations are intended as are messengers of hope and healing, guardians of our earth (www.earthangelsforpeace.com). Accordingly, her EarthAngels are portrayed as naturally open-hearted and wide-eyed hungry for mystery, delight and wonder. Like the NHS memorial sculpture, these have also been seen in health settings, including the Great Ormond Street Institute of Child Health, where Nicola is artist-in-residence. Educational settings have also welcomed these installations and these works also featured in a global research initiative led and conducted by researchers in the Faculty of Education at the University of Cambridge (https://withtheheartofachild.com/cambridge-research/).

Born of an idea that has been beating in the visionary heart of social entrepreneur Nic Careem, Nicola’s latest sculpture project is titled ‘Anne Frank and a Child of Tomorrow’. This fresh new life-size bronze builds on the perceptions of children found in Nicola’s earlier works. It shows us Anne Frank sitting quietly reading her story together with a ‘Child of Tomorrow’, who is reading Anne’s diary, and remembering her experiences. Anne is a child of yesterday who is leading a child of tomorrow.

She writes of the bronze maquette she has created of this sculpture:

‘a living book illustration
that speaks peacefully into the future
with the quiet voice of history
nourishing
our wonder in diversity
our childish delight in imagination
and the healing joy of friendship

Her hope is that ‘from the broken grounds of yesterday grow the seedlings of tomorrow’.

Her work offers still, safe spaces for mediation and meditation, diplomacy and reconciliation, empathy and engagement.

Quotes about Nicola’s work

“In this adult-centric world of complicated international issues, of striving personalities, conflicts, and the apparently unstoppable demise of meaningful, substantive interpersonal communication... it might be easy and perhaps seem an acceptable expedient to overlook the basic need to convey essential themes between generations: our responsibilities as the residents of one single ecosphere, and also the message of how to preserve Life itself. Tangibly, nothing embodies Life and our interconnectedness better than the Earth’s one universal solvent: water. That is the essential message, to all children.

Nicola Ravenscroft's works value the awareness by children with regard to what is universal and therefore truly important. This artistic and educational effort deserves to be shared as a uniting message to the next generations, in all the countries we have created but more importantly for all the children of Earth.”

Peter Carlson, Washington, D.C

“… a sculpture installation which embodies a powerful set of values and a message central to solving the pressing planetary problems shared as a global community.

This installation creates an expressive form that enables the global community to secure an empathic participation in the lives of others and in their settings.”

Pamela Burnard, Professor of Arts, Creativities & Education, University of Cambridge

“'With the Heart of a Child’ touches at the core anticipation and hopeful dreaming that springs from childhood. With the intention to connect us all in deeply reflecting about our purpose, our hopes and the possibilities that arise when humanity works for the betterment of all, the children and penguin invite new possibility thinking. Through the organic sculptures, questions about childhood, the future and our collective responsibility are provoked: open-ended responses are encouraged so that together there is opportunity to make a difference.”

James Biddulph, Headteacher, University of Cambridge Primary School

“Nicola Ravenscroft’s extraordinary sculptures stand as symbols of human hope, grace and defiance in the face of climate change. By being cast in bronze, they symbolise our resilience in the face of all that the winds can throw at us. By being cast as children, they mirror our fragility amid the havoc we wreak on the world, and on all that sustains us.”

Martin Wright @MartinFutures

Contact
nicola@nicolaravenscroft.com
www.nicolaravenscroft.com

Details of unveiling

Unveiling of the NHS Memorial Sculpture
Honouring the NHS heroes we lost to Covid‑19

Date: Friday, 6 March 2026
Time: 12 pm – 1 pm
Location: The Gardens, Royal Free Hospital, Pond Street, London NW3 2QG

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Raphael Ravenscroft - And A Little Child Shall Lead.

Monday, 16 August 2021

Nicola Ravenscroft: Daily Express article

The sculptor Nicola Ravenscroft, who currently has an exhibition at St Martin-in-the-Fields of her ‘With the Heart of a Child’ sculptures, has been commissioned to create a sculpture as a Memorial to NHS and Care workers who have died during the pandemic. The project is featured today on the front page and in a double-page spread in the Daily Express - https://www.express.co.uk/news/uk/1477390/memorial-for-NHS-Heroes-bronze-sculpture-honour-donate.

Read my interview with Nicola for Artlyst here.

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Raphael Ravenscroft - And A Little Child Shall Lead Them.

Sunday, 24 August 2014

Sale of the Century: Privatisation sucks

Review in the Saturday Guardian had an excellent article by James Meek on privatisation entitled 'Sale of the Century'. Among the highlights of its arguments were these:

'Privatisation failed to turn Britain into a nation of small shareholders. Before Thatcher came to power, almost 40% of the shares in British companies were held by individuals. By 1981, it was less than 30%. By the time she died in 2013, it had slumped to under 12%. What is significant about this is not only that Thatcher and her chancellor Nigel Lawson's vision of a shareholding democracy failed to come to pass through privatisation, but that it undermines the justification for the way the companies were taken out of public ownership.'

'There are many forms of private ownership. The department store chain John Lewis, an unsubsidised commercial firm in a fiercely competitive market, is owned by its employees. The Nationwide Building Society, an unsubsidised commercial firm in a fiercely competitive market, is owned by its members. The Guardian Media Group, an unsubsidised commercial firm in a fiercely competitive market, is owned by a trust set up to support its journalistic values and protect it from hostile takeover. And so on. None of the many alternatives to stock market flotation were put up for discussion by either side: it was either shareholder capitalism or the nationalised status quo.'

'Privatisation failed to demonstrate the case made by the privatisers that private companies are always more competent than state-owned ones – that private bosses, chasing the carrot of bonuses and dodging the stick of bankruptcy, will always do better than their state-employed counterparts. Through euphemisms such as "wealth creation" and "enjoying the rewards of success" Thatcher and her allies have promoted the notion that greed on the part of a private executive elite is the chief and sufficient engine of prosperity for all. The result has been 35 years of denigration of the concept of duty and public service, as well as a squalid ideal of all work as something that shouldn't be cared about for its own sake, but only for the money it brings.'

'What the story of the latter years of the NHS shows is that the most powerful market force eating away at the core of the welfare state is not so much capitalism as consumer capitalism – the convergence of desires between the users of a public service and the private companies providing it when the companies use the skills of marketing to give users a sense of dissatisfaction and peer disadvantage.'
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The Clash - Lost In The Supermarket.

Wednesday, 21 March 2012

The myth of greater private-sector efficiency (2)

Seamus Milne is the latest Guardian columnist to take on busting the myth of privatisation - vital action now that the Government has effectively privatised the NHS: 

"Central to the corporate-driven ideology that dominates this government and public debate is a myth: that the risk-taking, entrepreneurial private sector drives technological innovation and industrial advance, while attempts by state bureaucracies to "pick winners" are a recipe for disaster.

That myth is exploded by Sussex University economist Mariana Mazzucato in her book The Entrepreneurial State. Even in the US, heartland of "free enterprise", the public sector has taken the risk to invest in one cutting edge sector after another: from aviation, nuclear energy and computers to the internet, biotechnology and nanotechnology.

The private sector has come in later – and usually reaped the reward. So the algorithms that underpinned Google's success were funded by the public sector. The technology in the Apple iPhone was invented in the public sector. In both the US and Britain it was the state, not big pharma, that funded most groundbreaking "new molecular entity" drugs, with the private sector then developing slight variations. And in Finland, it was the public sector that funded the early development of Nokia – and made a return on its investment.

The lessons should be clear. States such as Germany, South Korea and China are now spending far higher proportions of national income on research and development into green technologies. Even some Tory ministers understand that only state intervention can drive the new motors of growth – but dare not say so publicly.

That's hardly surprising. But the government's economic strategy isn't working. If Britain is going to rebuild a broken economy, its political class is going to have to learn to turn its back on three decades of clapped-out myths and bankrupt ideology."

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Get the Blessing - So It Goes / Yes I Said Yes I Will Yes. 

Friday, 27 May 2011

Andrew Lansley, are you listening?

I've sent the following comment to Andrew Lansley's listening exercise on his NHS reforms:

"I have fundamental concerns about these proposed changes to the NHS and I think Andrew Lansley needs to go back to the drawing board.

For example, I am concerned that proposals to make competition the priority within the NHS would undermine our health service. The NHS should focus on cooperating to provide quality patient care, not on competition. The role of the regulator, "Monitor", should reflect this.

It can be demonstrated that the introduction of competition in the provision of public services, such as the tendering out of Local Authority services, has not led to cost savings, greater efficiencies or improvements in services but instead has resulted in reduced levels of service, waste of resources and increased bureaucracy. The ethos of the 'market' contradicts the ethos of 'public service' and, if introduced, will inevitably erode the government’s “duty to provide” a comprehensive health service.

Dropping this duty would erode the foundations of the NHS and would lead to the 'cherry picking' by private companies of NHS services. Such “cherry picking” must be fully ruled out, and the mechanism for preventing it must be clearly established."

You can send your own comment by clicking here.

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Athlete - Wires.

Friday, 21 May 2010

Hospital loses records following death

The Davie family from St John's Seven Kings have had their fight to find out the truth behind death of wife, mother and local GP, Sugi Davie, featured in the local press this week.

Sugi died on 22nd December 2007 in the early morning, having been discharged the night before from a transfusion. When the family asked for the records, within four weeks, first the hospital said they lost the records of 21st Dec. from the Day Unit and later that they have lost the entire file!!

The family write:

"As you know, my mother passed away just over 2 years ago very unexpectedly, and my family and I have been trying to understand the true circumstances of her death. The hospital had lost ALL her medical records, within 4 weeks after her death – which has hindered greatly our ability to find out the truth and we want to ensure the distress we’ve been through does not happen to anyone else.

We have attempted to contact numerous organisations to get support (NHS Trust, Department of Health, Healthcare commission, Local MP, Data Protection etc) – but none of them can offer help, as they don't know what to do or recommend when the individual concerned has died. We decided to go to press for the main reason to highlight a huge flaw in the NHS system and to ensure the NHS does not continue to purposely ‘lose’ medical records to cover the truth, especially when the individual dies following treatment."

The links to the articles are here, both include the opportunity to comment on the story and the family's situation:

http://www.guardian-series.co.uk/news/8169643.REDBRIDGE__Son_continues_fight_for_truth_over_mother_s_death/
and
http://www.ilfordrecorder.co.uk/content/redbridge/recorder/news/story.aspx?brand=RECOnline&category=newsIlford&tBrand=northlondon24&tCategory=newsilford&itemid=WeED20%20May%202010%2015%3A40%3A02%3A930

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Corinne Bailey Rae - The Sea.