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Showing posts with label b. hughes. Show all posts
Showing posts with label b. hughes. Show all posts

Wednesday, 27 December 2023

Seen & Unseen: Finding the human amid the wreckage of migration

My latest article for Seen&Unseen is 'Finding the human amid the wreckage of migration'. In this article I interview Shezad Dawood about his multimedia Leviathan exhibition at Salisbury Cathedral where personal objects recovered from ocean depths tell a story of modern and ancient migrations:

'Dawood has said that the exhibition is “an exciting opportunity to bring some of the key questions I’ve been asking of climate, migration and our shared humanity … at a time when a renewed sense of sharing and purpose is urgently needed.” In the light of such thinking, Beth Hughes, Salisbury Cathedral’s Visual Arts Curator, suggests that,

“Shezad’s exhibition is a powerful reminder of how we are all connected to each other, and to the natural world … [focusing] the mind to help us think about how we might be part of the solution, to make a better world for ourselves, our loved ones and all of humanity.”'

See photographs from my recent visit to Salisbury Cathedral here, an interview with the Dean of Salisbury Cathedral here, and reviews of earlier exhibitions at Salisbury Cathedral here and here. The exhibition I curated on migration themes for Ben Uri Online can be viewed here.

My first article for Seen&Unseen was 'Life is more important than art' which reviews the themes of recent art exhibitions that tackle life’s big questions and the roles creators take.

My second article 'Corinne Bailey Rae’s energised and anguished creative journey' explores inspirations in Detroit, Leeds and Ethiopia for Corinne Bailey Rae’s latest album, Black Rainbows, which is an atlas of capacious faith.

My third article was an interview with musician and priest Rev Simpkins in which we discussed how music is an expression of humanity and his faith.

My fourth article was a guide to the Christmas season’s art, past and present. Traditionally at this time of year “great art comes tumbling through your letterbox” so, in this article, I explore the historic and contemporary art of Christmas.

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Corinne Bailey Rae - Erasure.

Thursday, 14 July 2022

Artlyst: Grayson Perry Tapestries On Show At Salisbury Cathedral

My latest interview for Artlyst is with The Very Revd Nicholas Papadopulos, Dean of Salisbury, and Beth Hughes, Curator, Arts Council Collection, in relation to The Vanity of Small Differences, an exhibition of six huge tapestries by Grayson Perry which has recently opened to the public at Salisbury Cathedral:

‘Beth Hughes: The exhibition will make clear the artworks that have been referenced as intermediaries. The tapestries are not about telling a bible story, however, rather they are more about art history. Is this about the grandiose nature of the way we treat past artworks or about Perry aligning his artworks with paintings from the past? In the second panel, a club singer is aligned with Grunewald’s Isenheim altarpiece. There are clear references in relation to size and shape. This layering of references shows that art doesn’t come from nowhere.

Nicholas Papadopulos: The point I like to make to visitors is that Perry is using the religious references to address issues of class division and that post-Brexit, Covid, the cost-of-living crisis, and the Ukraine conflict, the issue of how united or divided we are is of more relevance than ever. Vibrant, witty, and well-observed, they are an invitation to see ourselves. That surely is one of the purposes of liturgy and worship, to look at ourselves in the light of the Gospel. Doing so is a core spiritual discipline.’

For more on The Vanity of Small Differences see my July diary for Artlyst - 'Re-imaging Essex'.

My other pieces for Artlyst are:

Interviews -
Articles -
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The Merchants of Venus - The Arms of Morpheus.