As a result first and overall impressions of his work are ones of exuberance and abundance characterised by the sinuous, sensuous curves and colours of his works. Whether we are encountering the shifting sea-like blues of the Casa Batlló, the abstract collage of the wave-like trencadis bench at Park Güell or the whirlpool-like undulations on the ceiling at Casa Milà, Gaudí's work possesses an ecstatic sense of natural beauty."
Monday, 28 April 2025
Antoni Gaudí: The Venerable mystic master of Catalan Modernism
As a result first and overall impressions of his work are ones of exuberance and abundance characterised by the sinuous, sensuous curves and colours of his works. Whether we are encountering the shifting sea-like blues of the Casa Batlló, the abstract collage of the wave-like trencadis bench at Park Güell or the whirlpool-like undulations on the ceiling at Casa Milà, Gaudí's work possesses an ecstatic sense of natural beauty."
Saturday, 22 March 2025
International Times - Bill Fay: not your typical rock star
My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, plus reviews of: 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album - 'Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired & profound album this year. ‘Pissabed Prophet’ will thrill, intrigue, amuse & inspire' - and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.
Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.
IT have also published several of my poems, beginning with The ABC of creativity, which covers attention, beginning and creation, Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.
Sunday, 23 February 2025
Realising the worth that God sees in us
Here's the sermon I shared this evening at St Catherine’s Wickford:
“Ever since God created the world his invisible qualities, both his eternal power and his divine nature, have been clearly seen, they are perceived in the things God has made.” (Romans 1. 20) That is the claim which St Paul makes in the first chapter of Romans and that understanding forms the basis of the teaching about worry that Jesus gives us in the Sermon on the Mount (Matthew 6. 25 - 34).
The teaching Jesus gives us is based on lessons drawn from his understanding of nature and creation. Firstly, he looks at the cycle of existence – the circle of life - which enables all creatures to live and flourish in their way and time.
Birds provide his specific example, possibly because they would have been prolific and yet are not reliant on human beings for their survival. The birds don’t do any of the things that human beings do to provide food for themselves – they “do not sow seeds, gather a harvest and put it in barns” – yet, in the circle of life there is a sufficiency of the food that they need in order to survive.
In this way, Jesus says, we see that God the Father is taking care of them. For Jesus, God’s provision for the birds is a sign of the worth that he sees in his creation as a whole and in each specific part. Just as the creation as a whole is “good,” so are the birds which are found within it. If that is true of birds, then is it not also true of human beings? “Aren’t you worth much more than birds?” Jesus asks.
In Eucharistic Prayer G we read that in the fullness of time God made us in his image, the crown of all creation. That gives us incredible worth and value, in and of ourselves and regardless of how we feel about ourselves. Jesus is saying that the power we have over creation and our unique position in creation - being conscious creators – speaks clearly to us of this incredible privilege of having been made in the image of God.
To what extent do we appreciate this reality? Often, we can be so caught up in the busyness of daily life that we do not stop to reflect on the wonder of existence and our existence. Stop for a moment to think about the incredible complexity of our physical bodies and of our conscious existence.
Stop for a moment and think about the incredible achievements of the human race – the great art we have created, amazing technological developments and inventions, the cities we have built, the scientific and medical advancements we have seen, the depths of compassion and sacrifice which have been plumbed by the great saints in our history. While we are also well aware of the darker forces at work in human beings, our positive abilities and achievements reveal the reality of our creation as beings that resemble God in his creative power and energy. We can and should celebrate this reality – realising the worth that God sees in us – at the same time as giving thanks to our God for creating us in this way.
Isn’t life worth more than food and isn’t the body worth more than clothes, Jesus asks us. Often, we can be so caught up in the busyness of daily life that we do not realise the wonder of our existence and do not realise all that we could achieve if we were to use our abilities and creativity more fully in his service. “We were meant to live for so much more” is how the rock band Switchfoot put it. Jesus challenges us to be concerned with more than the worries of daily life, to be “concerned above everything else with the Kingdom of God and with what he [God] requires of you.”
Stop for a moment and think of the unique way in which you have been created by God – the unique combination of personality and talents with which you have been blessed – and ask yourself how these things could more fully be used for the building up of the Kingdom of God on earth, as in heaven.
Stop for a moment and think about the Kingdom of God as described in the Beatitudes with which Jesus began the Sermon on the Mount. The Kingdom of God is a place of happiness for those who know they are spiritually poor, a place of comfort for those who mourn, a place of receptivity for those who are humble, a place of satisfaction for those whose greatest desire is to do what God requires, a place of mercy for those who are merciful, a place in which God is seen by the pure in heart, a place in which those who work for peace are called God’s children, and a place which belongs to those who are persecuted because they do what God requires. What might God be calling us to do for him to bring the Kingdom of God to others?
Jesus argues that the goodness and worth of all created things can be seen in the way that creation provides all that is needed for creatures and plants to live and thrive. Our worth is greater still because we are made in the very image of God having power over creation and innate creative abilities ourselves. It is incumbent on us then to use the power we possess for the good of others and for the good of creation itself. We are, as God says, in Genesis to cultivate, tend and guard creation. Bringing happiness, satisfaction and belonging by giving comfort, practicing humility, sharing mercy and working for peace are all powerful ways of tending and guarding creation and building the Kingdom of God on earth, as in heaven.
Stop for a moment to recognise the something more for which we are meant to live. Dedicate your life to be concerned above everything else with the Kingdom of God and with what God requires of you.
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Wednesday, 29 January 2025
The Beautiful World of Holiness: Explorations of Creation and Nature Through New Sacred Music
Choral Evensong followed by: 'The Beautiful World of Holiness: Explorations of Creation and Nature Through New Sacred Music'
Saturday, 26 October 2024
International Times: From Auschwitz to Africa
My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, plus reviews of: Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's Together exhibition, What Is and Might Be and then Otherwise by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album - 'Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired & profound album this year. ‘Pissabed Prophet’ will thrill, intrigue, amuse & inspire' - and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.
Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.
IT have also published a poem, The ABC of creativity, which covers attention, beginning and creation, and 'Broomfield', which is part of a series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios'.
Saturday, 3 August 2024
Louis Carreon: Dear Aspen
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Thursday, 6 June 2024
Love your Burial Ground and Churches Count on Nature week
- Saturday 8th - Messy Church Goes Wild, 2pm at St Mary’s Hall - Surveying starts
- Sunday 9th - Pet Blessing Service, 3pm St Mary’s North Churchyard
- Monday - Friday - schools being encouraged to visit - surveying continues
- Saturday 15th - Scavenger Hunt, 3pm St Catherine’s Churchyard - Surveying ends
- Video – Love Your Burial Ground Week – https://www.caringforgodsacre.org.uk/resources/films/video-love-your-burial-ground-week/
- Caring For God's Acre – the conservation charity for burial grounds across the UK - https://www.caringforgodsacre.org.uk/
- Wickford Wildlife - www.wickfordwildlife.co.uk
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Bruce Cockburn - O Sun By Day O Moon By Night.
Monday, 3 June 2024
Artlyst - The Art Diary June 2024
'Richard Kenton Webb has, for several years, been in a visual dialogue with a later poet, John Milton. He has said that “Milton has been a companion like Virgil to Dante guiding me through the narrative of my own life”. In 2021, he completed a 10-year project dedicated to ‘A Conversation with Milton’s Paradise Lost’ – 128 drawings, 40 paintings and 12 relief prints. This led to a commission of 12 drawings in response to Milton’s pastoral elegy, ‘Lycidas’, for the Milton Society of America, and a chapter in ‘Milton Across Borders and Media’, published by Oxford University Press. Now, his exhibition ‘A Conversation with Paradise Regain’d and Samson Agonistes’ will be displayed throughout the historic rooms of Milton’s Cottage in Chalfont St Giles, the only surviving home of the visionary poet and parliamentarian. The exhibition commemorates the 350th anniversary of Milton’s death, which is being celebrated this year..'
Interviews -
- Sean Scully A Humility Towards Nature
- Winslow Homer: American Passage An Interview With Biographer Bill Cross
- Grayson Perry Tapestries On Show At Salisbury Cathedral
- Sidney Nolan’s Africa: Interview With Andrew Turley
- Ilona Bossanyi: Tate’s Ervin Bossanyi Stained Glass Window Mothballed After 2011 Redevelopment
- Louis Carreon: Sampling Art History
- Modus Operandi - What Makes Successful Public Art: Vivien Lovell InterviewedGenesis Tramaine: A Queer Devotional Painter
- Lakwena Maciver: Review-Interview Hastings Contemporary
- Nicola Ravenscroft - Sculpture With A Peaceful Stillness
- Artist Hannah Rose Thomas – Tears of Gold – Interview
- Marcus Lyon: Human Atlas Explorations
- Elizabeth Kwant Interview
- Helaine Blumenfeld: Undulating Structures
- National Gallery Explores ‘Sin’ In New Exhibition – Interview Dr Joost Joustra Curator
- Betty Spackman: Posthumanism Debates
- Christopher Clack: Connecting The Material And Immaterial
- Peter Howson Artlyst Interview
- Marleen Hengelaar-Rookmaaker On The Legacy Of ArtWay
- Alastair Gordon A Testament To His Faith
- Katrina Moss Chaiya Art Awards Interview: Where is God in our 21st century world?
- Apocalypse Now: Michael Takeo Magruder Interviewed
- Jonathan Anderson: Religious Inspirations Behind Modernism
- Caravan – An Interview With Rev Paul Gordon Chandler On Arts Peacebuilding
- Art Awakening Humanity Alexander de Cadenet Interviewed
- Michael Pendry New Installation Lights Up St Martin In The Fields
- Mark Dean Projects Stations of the Cross Videos On Henry Moore Altar
- The Art Diary May 2024
- The Art Diary April 2024
- The Art Diary March 2024
- The Art Diary February 2024
- The Art Diary January 2024
- The Art Diary December 2023
- The Art Diary November 2023
- The Art Diary October 2023
- The Art Diary September 2023
- Jeremy Deller In Rennes And Brittany Post-Impressionism – August Diary
- The Art Diary July 2023
- The Art Diary June 2023
- The Art Diary May 2023
- The Art Diary April 2023
- The Art Diary March 2023
- The Art Diary February 2023
- Surveying New Exhibitions With A Spiritual Twist January 2023 Art Diary
- Christmas: The Art Of Faith December 2022 Diary
- Soulages And Strange Clay November 2022 Art Diary
- Alexander de Cadenet And Michael Forbes October 2022 Diary
- Spiritual Joseph Beuys Plus More: September Diary
- Holiday Snaps – End Of Summer Art Diary
- Art Search: August 2022 Diary
- Re-imagining Essex July 2022 Diary
- Art Illuminating spirituality June 2022 Diary
- Venice To London May 2022 Diary
- Jacob Epstein, Louis Carreon, Titus Kaphar, Betty Spackman – April 2022 Diary
- Audrey Flack Carlo Crivelli And Robert Indiana – March Diary
- My Art Diary And Other Thoughts February 2022
- And On An Art Note: End Of Year Diary 2021
- International Autumn Art Exhibition Reviews
- And On An Art Note: End Of Year Diary 2021
- Tate Expressionists Exhibition Reveals Spirituality and Past Gender Disparity
- The Last Caravaggio National Gallery
- Issam Kourbaj Kettle’s Yard And Heong Gallery Cambridge
- Li Yuan-chia And Friends Kettles Yard Cambridge
- Antony Gormley Explores Self Awareness White Cube Bermondsey
- Holbein: Politics Religion And Draughtsmanship – The Queen’s Gallery
- R B Kitaj And Philip Guston: Figurative Painting Celebrated
- Paula Rego And Lord Harries Respond To Art And Religion
- A World In Common: Contemporary African Photography Tate Modern
- Chris Ofili Exploring Sin At Victoria Miro
- Ai Weiwei - The Artist of Resistance - The Design Museum
- Saint Francis of Assisi A Timely Exhibition - National Gallery
- Why Critics Have A Problem With The Pre-Raphaelites?
- Religion and Spirituality in Post Impressionism National Gallery
- Black Artists From The American South Royal Academy
- Donatello: The Divine Fused With The Human V&A
- Lucian Freud And His Circle Surveyed In Two London Exhibitions
- A Question Of Clay: Strange Clay – Hayward Gallery
- William Kentridge: Merging Politics With Aesthetics – RA
- Winslow Homer: Beyond The Sea – National Gallery
- Hidden Depths: The Woman in the Window – Dulwich Picture Gallery
- Heavenly Visions: Churches As Spaces For Contemporary Art
- In The Black Fantastic London’s Best Summer Exhibition
- Hew Locke And The Christian Roots Of Carnival – Tate BritainLes Lalanne, Schütte And Gursky London Spring Exhibition Highlights
- Sensuous Sickert and Philpot Two Major UK Solo Exhibitions
- Raphael The Human And Divine – National Gallery
- Damien Hirst The Visceral Reality Of Death
- Ali Cherri: Artist in Residence National Gallery
- Surrealism Outside The Usual Story – Tate Modern
- Marcus Lyon Creates Fields of Vision At St Martin-in-the-Fields London
- Van Gogh Self Portraits The Infinite And The Ordinary
- Marvellous Icons: The London Jesuit Centre
- Albrecht Dürer Travels Of A Renaissance Artist – National Gallery London
- Diasporan Identities: Life Between Islands Caribbean British Art – Tate Britain
- Isamu Noguchi: Socially Engaged Art – Barbican Centre
- Pablo Bronstein: A This-World Vision Of Hell
- Bosco Sodi: In The Beginning Of Wisdom
- George Condo Lockdown Works Hauser & Wirth
- Theaster Gates Clay As A Profound Metaphor
- Mark Rothko: Mesmerising And Intimate Works On Paper
- Roger Cecil: A Once In A Generation Welsh Painter
- Tino Sehgal: Location, Nature And Pandemic – Blenheim Palace
- Michael Armitage And The Power Of Art – Royal Academy
- Marie Raymond And Post-War Avant Garde Painting In Paris
- Rachel Kneebone: A Complex Tableau Of Organic And Geometric Forms
- Rodin: Suffering And Conflict – Tate Modern
- Barbara Hepworth: Symbols Of Art & Life – Hepworth Wakefield
- 20th Century Women Artists Challenging Conventions In Britain
- Chaiya Art Awards 2021 Gallery OXO
- Marc Chagall’s Exquisite Stained Glass Window Commissions
- George Gittoes Equal parts artist and warrior
- Keith Haring: Personal Spiritual Imagery
- Sean Scully: Philosophical Poetic Pastoral The 12 / Dark Windows
- Arthur Jafa: The Art Of Cutting And Pasting
- Blackpentecostal Breath: Spirit-Led Movement Jumps From Music To Visual Art
- Made in USA Ed Ruscha An American Perspective
- Robert Smithson: The Archetypal Nature Of Things
- If Jesus Is A Man Of Colour Why Did We Make Him Aryan?
- Cosmic Patches And Quilts Five Exhibitions
- Everyday Heroes: Southbank Exhibition Celebrates Low-paid Key Workers
- Entwining Spiritualism And Art – Three Shows
- Of Church And The Visual Arts
- Has The Word Master Reached Its Sell-By Date?
- The People Behind Community Is Kindness Billboard Campaign
- André Daughtry: Art, Rebellion And Racial Justice
- Salisbury Cathedral 800 Years Of Art And Spirit
- Home Alone Together Twenty Five Artists
- Botanical Mind Online: Art, Mysticism and the Cosmic Tree
- Salvador Dalí The Enigma of Faith
- Art And Faith A Time For Seeing
- Andy Warhol: Catholicism His Work, Faith And Legacy
- Kiki Smith: Embodied Art
- Art and Christianity Awards A Positive New Millennium Legacy
- Arnulf Rainer: 90th Birthday Exhibition Celebrated At Albertina Museum
- A Belonging Project And Exiles Loss and Displacement
- Robert Polidori: Fra Angelico Opus Operantis
- Art, Faith, Church Patronage and Modernity
- Contemplating the Spiritual in Contemporary Art
- Mat Collishaw Challenges Faith Perspectives With Ushaw Installation
- Waterloo Festival Launches At St. John’s Waterloo
- John Bellany Alan Davie Spiritual Joy and Magic
- RIFT Unites 17 Art and Science MA Graduates At Central St Martins
- Visionary Cities: Michael Takeo Magruder – British Library
- Van Gogh’s Religious Journey Around London
- William Congdon Holy Sites And The Kettle’s Yard Connection
- Mark Dean Premieres Pastiche Mass At Banqueting Hall Chelsea College of Arts
- John Kirby: The Torment
- Underlying The Civilised Facade
- Curating Spiritual Sensibilities In Changing Times
- Homeless Highlighted: New Beau Exhibition At St Martin-in-the-Fields
- Ken Currie: Protest Defeat And Victory
- Bosco Sodi: A Moment Of Genesis
- Bill Viola And The Art Of Contemplation
- Art In Churches 2018: Spiritual Combinations Explored
- Sister Wendy Beckett – A Reminiscence
- Guido Guidi: Per Strada Flowers Gallery London
- Peter Howson: The play is over – Flowers Gallery
- Camille Henrot: Scientific History And Creation Story Mash Up
- Nicola Green Explores Recent And Contemporary Religious Leaders – St Martin-in-the-Fields
- Art And The Consequences Of War Explored In Two Exhibitions
- Helaine Blumenfeld Translating Her Vision
- Sam Ivin: Physically Scratched Portraits Of Asylum Seekers Exhibited
- Sacred Noise: Explores Religion, Faith And Divinity
- Bill Viola: Quiet Contemplative Video Installation St Cuthbert’s Church Edinburgh
- The ground-breaking work of Sister Corita Kent
- Picasso To Souza: The Crucifixion Imagery Rarely Exhibited
- Michael Takeo Magruder: De / coding the Apocalypse – Panacea Museum
- Giorgio Griffa: The Golden Ratio And Inexplicable Knowledge
- Arabella Dorman Unveils New Installation At St James Church Piccadilly
- Can Art Transform Society?
- Art Awakening Humanity Conference Report
- Central St Martins in the Fields Design Then And Now
- The Sacramental And Liturgical Nature Of Conceptual Art
- Polish Art In Britain: Centenary Marked At London’s Ben Uri Gallery
- Refugee Artists: Learning from The Lives Of Others
- The Religious Impulses Of Robert Rauschenberg
- The Christian Science Connection Within The British Modern Art Movement
- Artists Rebranding The Christmas Tree Tradition
- Art Impacted - A Radical Response To Radicalisation
- The Art of St Martin-in-the-Fields
- Was Caravaggio A Good Christian?
Friday, 12 April 2024
Church Times Art review: Soulscapes at Dulwich Picture Gallery, London SE21
'There is a positive vibe throughout this show through curatorial decisions that proactively chose works revealing the “universal possibilities of healing, reflection and belonging” found in nature.'
Check out my reviews of other exhibitions exploring themes found in the work of contemporary artists of global-majority heritage - In The Black Fantastic, Rites of Passage, and A World in Common.
Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here, those for Seen & Unseen are here, and those for Art+Christianity are here.
Thursday, 29 June 2023
Radion Project, Basildon
Radion is a collaborative project that explores Basildon’s past and present with a focus on nature and heritage within the borough. Basildon Borough History, Basildon Borough Heritage, its volunteers and local people have been suggesting pieces of built heritage to be celebrated and remembered within the Borough. These images have been used to create a panorama depicting an alternative skyline of Basildon from a chronological perspective.
Students from ten local primary schools including Ryedene, Lee Chapel, Millhouse, Fairhouse, Pionner, Janet Duke, Noak Bridge, Great Berry, Northlands and Ghyllgrove School have all been exploring the importance of local nature through leaf rubbings and identification. The nature panorama depicts key green spaces around the borough with each leaf inserted (over 2,000) having been made by a different child.
Accompanying the lenticular screen is a series of QR codes which intend to animate the screen, from an audio history tour spoken by local people, a nature map showing where each schools leaves can be found and more.
Richard Feldwick, Churchwarden for St Catherine's Wickford, was interviewed for the project and St Catherine's features in the panorama.
Other recent projects with a heritage focus include The BasildON Creative People & Places programme which is built on multiple projects that aim to engage across all of our communities. These were inspired by a range of unique cultural activities that were developed and assessed before putting in the application for funding to Arts Council England. Alongside this, extensive community discussions were undertaken to ensure the activity is what local people want to see!‘Young Pioneers’ is a series of youth-led creative activities, developed through our creative skills development programme for 16-25 year olds, funded and supported by ReGeneration:2013, a Creative Estuary project. Supported by industry experts, the young pioneers have developed their own project that uses creativity to drive change in their local areas. Halls Corner Film: Made in collaboration with local filmmaker Maz Murray, Halls Corner Film explores Wickford’s past and present through intergenerational storytelling between Young Pioneer Em and her family. Watch the film here!
Field Artists is a creative exploration project set in the Basildon Borough. Artists embed themselves within a community within 5 areas of the borough, and co-create work in response to the connection they create. The Field Artists residencies support artists investigating what is happening within 5 areas of Basildon Borough - Wickford, Laindon, Billericay, Pitsea and Vange, and Basildon itself. This artist led process will enable better understanding of communities and residents, and aims to produce a series of public art pieces across the Borough alongside a digitally held archive of the residencies.
Syd Moore is an acclaimed novelist and short-story writer whose work focusses on the historic witch hunts in Essex. Her first book, The Drowning Pool (HarperCollins, 2011) looked at the legend of Sarah Moore, a notorious sea witch, in Moore’s home town of Leigh-on-Sea. The bestselling Witch Hunt (HarperCollins, 2012) investigated the hysteria of 1645–47 inflamed by the notorious Witchfinder General. Moore continues to explore the witch hunts of Essex in her current series The Essex Witch Museum Mysteries (Strange Magic, Strange Sight, Strange Fascination, Strange Tombs) published by OneWorld. The Strange Days of Christmas (OneWorld, 2019) is her first short-story collection. Prior to writing, Moore was a lecturer, worked extensively in the publishing industry and presented Channel 4’s book programme, Pulp. She was the founding editor of Level 4, an arts and culture magazine, and co-creator of Superstrumps, the game that reclaims female stereotypes. Moore was also the Assistant Curator of ABBA: Super Troupers The Exhibition that launched at the O2 in December 2019 and co-curated This is What an Essex Girl Looks Like at the Beecroft Gallery, as part of her work with the Essex Girls Liberation Front. Having founded the ‘Front’ she spearheaded the campaign to have the definition of ‘Essex Girl’ removed from the Oxford Learners’ Dictionary. And was successful.
For the Field Artists project, she has contributed an essay about Wickford which includes mention of St Mary's Runwell and the Running Well. In the piece, she concludes: "Wickford has its issues and, like other places, could do with some investment in the community to become whole again. But its soul is expansive, unique, eclectic, ancient and generous too. And of course, a town’s soul is its people. Wickfordians should feel very proud." Also on the site is a short film capturing Madame Curiosité’s Pub Quiz Caper live at The Railway Club in Wickford, an interactive performance piece scripted and performed by Moore.
For more on St Mary's Church and the Running Well, see my poem 'Runwell' by clicking here.
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Sunday, 30 April 2023
Artlyst: Sean Scully - A Humility Towards Nature
'Becoming more deeply connected to nature has only enhanced the sense of humility that is to be found in the title of his Houghton Hall exhibition – ‘Smaller Than The Sky’ – as “nature makes you humble and happy because you’re part of something bigger.” The key to a more paradisal relationship with nature is to remove the transactional or profit-based element, whether financial or salvific. The key, as with his friendship with Kelly Grovier and the writings of Donald Kuspit, is that we don’t act or create in order to get something back.'
See here for my article on Sean Scully's 'The 12 / Dark Windows'.
My other pieces for Artlyst are:
Interviews -
- Winslow Homer: American Passage An Interview With Biographer Bill Cross
- Grayson Perry Tapestries On Show At Salisbury Cathedral
- Sidney Nolan’s Africa: Interview With Andrew Turley
- Ilona Bossanyi: Tate’s Ervin Bossanyi Stained Glass Window Mothballed After 2011 Redevelopment
- Louis Carreon: Sampling Art History
- Modus Operandi - What Makes Successful Public Art: Vivien Lovell InterviewedGenesis Tramaine: A Queer Devotional Painter
- Lakwena Maciver: Review-Interview Hastings Contemporary
- Nicola Ravenscroft - Sculpture With A Peaceful Stillness
- Artist Hannah Rose Thomas – Tears of Gold – Interview
- Marcus Lyon: Human Atlas Explorations
- Elizabeth Kwant Interview
- Helaine Blumenfeld: Undulating Structures
- National Gallery Explores ‘Sin’ In New Exhibition – Interview Dr Joost Joustra Curator
- Betty Spackman: Posthumanism Debates
- Christopher Clack: Connecting The Material And Immaterial
- Peter Howson Artlyst Interview
- Marleen Hengelaar-Rookmaaker On The Legacy Of ArtWay
- Alastair Gordon A Testament To His Faith
- Katrina Moss Chaiya Art Awards Interview: Where is God in our 21st century world?
- Apocalypse Now: Michael Takeo Magruder Interviewed
- Jonathan Anderson: Religious Inspirations Behind Modernism
- Caravan – An Interview With Rev Paul Gordon Chandler On Arts Peacebuilding
- Art Awakening Humanity Alexander de Cadenet Interviewed
- Michael Pendry New Installation Lights Up St Martin In The Fields
- Mark Dean Projects Stations of the Cross Videos On Henry Moore Altar
- The Art Diary April 2023
- The Art Diary March 2023
- The Art Diary February 2023
- Surveying New Exhibitions With A Spiritual Twist January 2023 Art Diary
- Christmas: The Art Of Faith December 2022 Diary
- Soulages And Strange Clay November 2022 Art Diary
- Alexander de Cadenet And Michael Forbes October 2022 Diary
- Spiritual Joseph Beuys Plus More: September Diary
- Holiday Snaps – End Of Summer Art Diary
- Art Search: August 2022 Diary
- Re-imagining Essex July 2022 Diary
- Art Illuminating spirituality June 2022 Diary
- Venice To London May 2022 Diary
- Jacob Epstein, Louis Carreon, Titus Kaphar, Betty Spackman – April 2022 Diary
- Audrey Flack Carlo Crivelli And Robert Indiana – March Diary
- My Art Diary And Other Thoughts February 2022
- And On An Art Note: End Of Year Diary 2021
- International Autumn Art Exhibition Reviews
- And On An Art Note: End Of Year Diary 2021
- Why Critics Have A Problem With The Pre-Raphaelites?
- Religion and Spirituality in Post Impressionism National Gallery
- Black Artists From The American South Royal Academy
- Donatello: The Divine Fused With The Human V&A
- Lucian Freud And His Circle Surveyed In Two London Exhibitions
- A Question Of Clay: Strange Clay – Hayward Gallery
- William Kentridge: Merging Politics With Aesthetics – RA
- Winslow Homer: Beyond The Sea – National Gallery
- Hidden Depths: The Woman in the Window – Dulwich Picture Gallery
- Heavenly Visions: Churches As Spaces For Contemporary Art
- In The Black Fantastic London’s Best Summer Exhibition
- Hew Locke And The Christian Roots Of Carnival – Tate BritainLes Lalanne, Schütte And Gursky London Spring Exhibition Highlights
- Sensuous Sickert and Philpot Two Major UK Solo Exhibitions
- Raphael The Human And Divine – National Gallery
- Damien Hirst The Visceral Reality Of Death
- Ali Cherri: Artist in Residence National Gallery
- Surrealism Outside The Usual Story – Tate Modern
- Marcus Lyon Creates Fields of Vision At St Martin-in-the-Fields London
- Van Gogh Self Portraits The Infinite And The Ordinary
- Marvellous Icons: The London Jesuit Centre
- Albrecht Dürer Travels Of A Renaissance Artist – National Gallery London
- Diasporan Identities: Life Between Islands Caribbean British Art – Tate Britain
- Isamu Noguchi: Socially Engaged Art – Barbican Centre
- Pablo Bronstein: A This-World Vision Of Hell
- Bosco Sodi: In The Beginning Of Wisdom
- George Condo Lockdown Works Hauser & Wirth
- Theaster Gates Clay As A Profound Metaphor
- Mark Rothko: Mesmerising And Intimate Works On Paper
- Roger Cecil: A Once In A Generation Welsh Painter
- Tino Sehgal: Location, Nature And Pandemic – Blenheim Palace
- Michael Armitage And The Power Of Art – Royal Academy
- Marie Raymond And Post-War Avant Garde Painting In Paris
- Rachel Kneebone: A Complex Tableau Of Organic And Geometric Forms
- Rodin: Suffering And Conflict – Tate Modern
- Barbara Hepworth: Symbols Of Art & Life – Hepworth Wakefield
- 20th Century Women Artists Challenging Conventions In Britain
- Chaiya Art Awards 2021 Gallery OXO
- Marc Chagall’s Exquisite Stained Glass Window Commissions
- George Gittoes Equal parts artist and warrior
- Keith Haring: Personal Spiritual Imagery
- Sean Scully: Philosophical Poetic Pastoral The 12 / Dark Windows
- Arthur Jafa: The Art Of Cutting And Pasting
- Blackpentecostal Breath: Spirit-Led Movement Jumps From Music To Visual Art
- Made in USA Ed Ruscha An American Perspective
- Robert Smithson: The Archetypal Nature Of Things
- If Jesus Is A Man Of Colour Why Did We Make Him Aryan?
- Cosmic Patches And Quilts Five Exhibitions
- Everyday Heroes: Southbank Exhibition Celebrates Low-paid Key Workers
- Entwining Spiritualism And Art – Three Shows
- Of Church And The Visual Arts
- Has The Word Master Reached Its Sell-By Date?
- The People Behind Community Is Kindness Billboard Campaign
- André Daughtry: Art, Rebellion And Racial Justice
- Salisbury Cathedral 800 Years Of Art And Spirit
- Home Alone Together Twenty Five Artists
- Botanical Mind Online: Art, Mysticism and the Cosmic Tree
- Salvador Dalí The Enigma of Faith
- Art And Faith A Time For Seeing
- Andy Warhol: Catholicism His Work, Faith And Legacy
- Kiki Smith: Embodied Art
- Art and Christianity Awards A Positive New Millennium Legacy
- Arnulf Rainer: 90th Birthday Exhibition Celebrated At Albertina Museum
- A Belonging Project And Exiles Loss and Displacement
- Robert Polidori: Fra Angelico Opus Operantis
- Art, Faith, Church Patronage and Modernity
- Contemplating the Spiritual in Contemporary Art
- Mat Collishaw Challenges Faith Perspectives With Ushaw Installation
- Waterloo Festival Launches At St. John’s Waterloo
- John Bellany Alan Davie Spiritual Joy and Magic
- RIFT Unites 17 Art and Science MA Graduates At Central St Martins
- Visionary Cities: Michael Takeo Magruder – British Library
- Van Gogh’s Religious Journey Around London
- William Congdon Holy Sites And The Kettle’s Yard Connection
- Mark Dean Premieres Pastiche Mass At Banqueting Hall Chelsea College of Arts
- John Kirby: The Torment
- Underlying The Civilised Facade
- Curating Spiritual Sensibilities In Changing Times
- Homeless Highlighted: New Beau Exhibition At St Martin-in-the-Fields
- Ken Currie: Protest Defeat And Victory
- Bosco Sodi: A Moment Of Genesis
- Bill Viola And The Art Of Contemplation
- Art In Churches 2018: Spiritual Combinations Explored
- Sister Wendy Beckett – A Reminiscence
- Guido Guidi: Per Strada Flowers Gallery London
- Peter Howson: The play is over – Flowers Gallery
- Camille Henrot: Scientific History And Creation Story Mash Up
- Nicola Green Explores Recent And Contemporary Religious Leaders – St Martin-in-the-Fields
- Art And The Consequences Of War Explored In Two Exhibitions
- Helaine Blumenfeld Translating Her Vision
- Sam Ivin: Physically Scratched Portraits Of Asylum Seekers Exhibited
- Sacred Noise: Explores Religion, Faith And Divinity
- Bill Viola: Quiet Contemplative Video Installation St Cuthbert’s Church Edinburgh
- The ground-breaking work of Sister Corita Kent
- Picasso To Souza: The Crucifixion Imagery Rarely Exhibited
- Michael Takeo Magruder: De / coding the Apocalypse – Panacea Museum
- Giorgio Griffa: The Golden Ratio And Inexplicable Knowledge
- Arabella Dorman Unveils New Installation At St James Church Piccadilly
- Can Art Transform Society?
- Art Awakening Humanity Conference Report
- Central St Martins in the Fields Design Then And Now
- The Sacramental And Liturgical Nature Of Conceptual Art
- Polish Art In Britain: Centenary Marked At London’s Ben Uri Gallery
- Refugee Artists: Learning from The Lives Of Others
- The Religious Impulses Of Robert Rauschenberg
- The Christian Science Connection Within The British Modern Art Movement
- Artists Rebranding The Christmas Tree Tradition
- Art Impacted - A Radical Response To Radicalisation
- The Art of St Martin-in-the-Fields
- Was Caravaggio A Good Christian?