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Showing posts with label nature. Show all posts
Showing posts with label nature. Show all posts

Monday, 28 April 2025

Antoni Gaudí: The Venerable mystic master of Catalan Modernism





The Vatican recently announced that the mystic master of Catalan Modernism, Antoni Gaudí, long known as “God’s architect,” has officially been declared Venerable by the late Pope Francis, the first formal recognition of his “heroic virtues” by the Catholic Church. This decree nudges the visionary designer of Barcelona’s Sagrada Família closer to sainthood—a campaign in the making for over two decades.

Following a visit to Barcelona to see many of Gaudí's buildings, I wrote two pieces for ArtWay about him. See here and here:

"Gaudí is the great sculptor who utilises natural form in his work both for utilitarian and aesthetic reasons. He described nature as ‘the Great Book, always open, that we should force ourselves to read’ and, as [Robert] Hughes recognised, thought that ‘everything structural or ornamental that an architect might imagine was already prefigured in natural form, in limestone grottoes or dry bones, in a beetle's shining wing case or the thrust of an ancient olive trunk.’

As a result first and overall impressions of his work are ones of exuberance and abundance characterised by the sinuous, sensuous curves and colours of his works. Whether we are encountering the shifting sea-like blues of the Casa Batlló, the abstract collage of the wave-like trencadis bench at Park Güell or the whirlpool-like undulations on the ceiling at Casa Milà, Gaudí's work possesses an ecstatic sense of natural beauty."

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The Oh Hello's - Soldier, Poet, King.

Saturday, 22 March 2025

International Times - Bill Fay: not your typical rock star

My latest article to be published by International Times is a profile of Bill Fay:

'Taylor has accurately summed up Fay’s work as “beautiful music that makes sense of life” noting that: “In an age of endless noise, his whispered attention grabs were a godsend that enraptured a legion of folks hungering for something calmer”. Through his creative engagement with the ideas of Teilhard, it may be that Fay’s greatest achievement was to take a form of music that has sometimes been characterised, by both supporters and opponents alike, as ‘the Devil’s music’ and convincingly and calmly enable it to sing of God.'

For more on Bill Fay see here and here. See also my co-authored book 'The Secret Chord' which has been described as an impassioned study of the role of music in cultural life written through the prism of Christian belief. For more of my writings on music click here.

My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, plus reviews of: 'Breaking Lines' at the Estorick Collection of Modern Italian Artalbums by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album - 'Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired & profound album this year. ‘Pissabed Prophet’ will thrill, intrigue, amuse & inspire' - and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, beginning with The ABC of creativity, which covers attention, beginning and creation, Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

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Bill Fay - Omega Day.

Sunday, 23 February 2025

Realising the worth that God sees in us

Here's the sermon I shared this evening at St Catherine’s Wickford:

“Ever since God created the world his invisible qualities, both his eternal power and his divine nature, have been clearly seen, they are perceived in the things God has made.” (Romans 1. 20) That is the claim which St Paul makes in the first chapter of Romans and that understanding forms the basis of the teaching about worry that Jesus gives us in the Sermon on the Mount (Matthew 6. 25 - 34).

The teaching Jesus gives us is based on lessons drawn from his understanding of nature and creation. Firstly, he looks at the cycle of existence – the circle of life - which enables all creatures to live and flourish in their way and time. 

Birds provide his specific example, possibly because they would have been prolific and yet are not reliant on human beings for their survival. The birds don’t do any of the things that human beings do to provide food for themselves – they “do not sow seeds, gather a harvest and put it in barns” – yet, in the circle of life there is a sufficiency of the food that they need in order to survive. 

In this way, Jesus says, we see that God the Father is taking care of them. For Jesus, God’s provision for the birds is a sign of the worth that he sees in his creation as a whole and in each specific part. Just as the creation as a whole is “good,” so are the birds which are found within it. If that is true of birds, then is it not also true of human beings? “Aren’t you worth much more than birds?” Jesus asks. 

In Eucharistic Prayer G we read that in the fullness of time God made us in his image, the crown of all creation. That gives us incredible worth and value, in and of ourselves and regardless of how we feel about ourselves. Jesus is saying that the power we have over creation and our unique position in creation - being conscious creators – speaks clearly to us of this incredible privilege of having been made in the image of God.

To what extent do we appreciate this reality? Often, we can be so caught up in the busyness of daily life that we do not stop to reflect on the wonder of existence and our existence. Stop for a moment to think about the incredible complexity of our physical bodies and of our conscious existence. 

Stop for a moment and think about the incredible achievements of the human race – the great art we have created, amazing technological developments and inventions, the cities we have built, the scientific and medical advancements we have seen, the depths of compassion and sacrifice which have been plumbed by the great saints in our history. While we are also well aware of the darker forces at work in human beings, our positive abilities and achievements reveal the reality of our creation as beings that resemble God in his creative power and energy. We can and should celebrate this reality – realising the worth that God sees in us – at the same time as giving thanks to our God for creating us in this way.                

Isn’t life worth more than food and isn’t the body worth more than clothes, Jesus asks us. Often, we can be so caught up in the busyness of daily life that we do not realise the wonder of our existence and do not realise all that we could achieve if we were to use our abilities and creativity more fully in his service. “We were meant to live for so much more” is how the rock band Switchfoot put it. Jesus challenges us to be concerned with more than the worries of daily life, to be “concerned above everything else with the Kingdom of God and with what he [God] requires of you.”

Stop for a moment and think of the unique way in which you have been created by God – the unique combination of personality and talents with which you have been blessed – and ask yourself how these things could more fully be used for the building up of the Kingdom of God on earth, as in heaven.

Stop for a moment and think about the Kingdom of God as described in the Beatitudes with which Jesus began the Sermon on the Mount. The Kingdom of God is a place of happiness for those who know they are spiritually poor, a place of comfort for those who mourn, a place of receptivity for those who are humble, a place of satisfaction for those whose greatest desire is to do what God requires, a place of mercy for those who are merciful, a place in which God is seen by the pure in heart, a place in which those who work for peace are called God’s children, and a place which belongs to those who are persecuted because they do what God requires. What might God be calling us to do for him to bring the Kingdom of God to others?

Jesus argues that the goodness and worth of all created things can be seen in the way that creation provides all that is needed for creatures and plants to live and thrive. Our worth is greater still because we are made in the very image of God having power over creation and innate creative abilities ourselves. It is incumbent on us then to use the power we possess for the good of others and for the good of creation itself. We are, as God says, in Genesis to cultivate, tend and guard creation. Bringing happiness, satisfaction and belonging by giving comfort, practicing humility, sharing mercy and working for peace are all powerful ways of tending and guarding creation and building the Kingdom of God on earth, as in heaven.

Stop for a moment to recognise the something more for which we are meant to live. Dedicate your life to be concerned above everything else with the Kingdom of God and with what God requires of you.    

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Wednesday, 29 January 2025

The Beautiful World of Holiness: Explorations of Creation and Nature Through New Sacred Music

 



Choral Evensong followed by: 'The Beautiful World of Holiness: Explorations of Creation and Nature Through New Sacred Music'

Wednesday, 12 February 2025, 6:15 pm
Holy Sepulchre Church, London

This unique interactive event uses live musical performances as a springboard for discussion about Creation and our varying responses to what composer June Boyce-Tilman calls “the beautiful world of holiness.”

Featuring solo psalm settings by June Boyce-Tilman MBE, Alexandra T. Bryant, and Delvyn Case. Performed by Robert Rice, baritone, and Delvyn Case, piano.

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June Boyce-Tillman - We Shall Go Out.

Saturday, 26 October 2024

International Times: From Auschwitz to Africa

My latest book review to be published by International Times is entitled 'From Auschwitz to Africa' and is about 'Nolan's Africa' by Andrew Turley:

'Turley, by rejecting the easy shorthand with which many write about Nolan, has succeeded in bringing the African Journey images out of the shadows and into the light. Through his extensive research, Turley succeeds in shining new light on Nolan’s examination of nature, human nature and the nature of modern civilisation. He revives Nolan’s warning to society by urging his readers to consider the effect that the Holocaust, animal extinctions, colonial disenfranchisement and human conflict has had not just on the artist but also on society.'

For more of my writings on Sidney Nolan see my Artlyst interview with Andrew Turley and my review of Sidney Nolan: Colour of the Sky – Auschwitz Paintings.

My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, plus reviews of: Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's Together exhibition, What Is and Might Be and then Otherwise by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album - 'Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired & profound album this year. ‘Pissabed Prophet’ will thrill, intrigue, amuse & inspire' - and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published a poem, The ABC of creativity, which covers attention, beginning and creation, and 'Broomfield', which is part of a series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios'.

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The Alarm - Protect And Survive.

Saturday, 3 August 2024

Louis Carreon: Dear Aspen


Louis Carreon has been showing paintings in Aspen Colorado. 'Dear Aspen' is an exhibition of works that highlight our primal instinct to connect with nature and our best friends, the animals. These images pay homage to mother nature and the infinite universe and God as creator. 

As well as exhibiting, Carreon also had a fireside artist dialogue at the Mollie Aspen. He says that, for him, "as an artist it’s important for people to hear my story and connect with me as a human share stories with language and color". He has been looking forward to showing this body of work that fits aesthetically and culturally in his introduction to Aspen and its people. 

I was pleased to be able to write an introduction to the exhibition, which continues at M.S. Rau in Aspen.

Click here to read my Artlyst interview with Louis Carreon.

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Rafael Krux - Angelic Choir.

Thursday, 6 June 2024

Love your Burial Ground and Churches Count on Nature week




Do join us during ‘Love your Burial Ground and Churches Count on Nature’ week (Saturday 8th to Sunday 16th June) when we will be teaming up with Wickford Wildlife to complete wildlife surveys in our churchyards and have several different events including:
  • Saturday 8th - Messy Church Goes Wild, 2pm at St Mary’s Hall - Surveying starts
  • Sunday 9th - Pet Blessing Service, 3pm St Mary’s North Churchyard
  • Monday - Friday - schools being encouraged to visit - surveying continues
  • Saturday 15th - Scavenger Hunt, 3pm St Catherine’s Churchyard - Surveying ends
You can find out more about the week and our partners here:

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 Bruce Cockburn - O Sun By Day O Moon By Night.

Monday, 3 June 2024

Artlyst - The Art Diary June 2024

My June Art Diary for Artlyst includes exhibitions by Judy Chicago, Belinda De Bruyckere, Isa Genzken, Nan Goldin, Dora Maar, Susie Hamilton, Samuel Walsh, Richard Kenton Webb, Caspar David Friedrich, Michael Takeo Magruder, as well as exhibitions exploring the influences of the Peggy Guggenheim Collection, An Túr Gloine, art and faith, art and nature, art and space:

'Richard Kenton Webb has, for several years, been in a visual dialogue with a later poet, John Milton. He has said that “Milton has been a companion like Virgil to Dante guiding me through the narrative of my own life”. In 2021, he completed a 10-year project dedicated to ‘A Conversation with Milton’s Paradise Lost’ – 128 drawings, 40 paintings and 12 relief prints. This led to a commission of 12 drawings in response to Milton’s pastoral elegy, ‘Lycidas’, for the Milton Society of America, and a chapter in ‘Milton Across Borders and Media’, published by Oxford University Press. Now, his exhibition ‘A Conversation with Paradise Regain’d and Samson Agonistes’ will be displayed throughout the historic rooms of Milton’s Cottage in Chalfont St Giles, the only surviving home of the visionary poet and parliamentarian. The exhibition commemorates the 350th anniversary of Milton’s death, which is being celebrated this year..'

Interviews -
Monthly diary articles -
Articles/Reviews -
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Nick Cave and the Bad Seeds - Wild God.

Friday, 12 April 2024

Church Times Art review: Soulscapes at Dulwich Picture Gallery, London SE21

My latest exhibition review for Church Times is on Soulscapes at Dulwich Picture Gallery:

'There is a positive vibe throughout this show through curatorial decisions that proactively chose works revealing the “universal possibilities of healing, reflection and belonging” found in nature.'

Check out my reviews of other exhibitions exploring themes found in the work of contemporary artists of global-majority heritage - In The Black FantasticRites of Passage, and A World in Common.

Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here, those for Seen & Unseen are here, and those for Art+Christianity are here.

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Thursday, 29 June 2023

Radion Project, Basildon












Radion is a collaborative project that explores Basildon’s past and present with a focus on nature and heritage within the borough. Basildon Borough History, Basildon Borough Heritage, its volunteers and local people have been suggesting pieces of built heritage to be celebrated and remembered within the Borough. These images have been used to create a panorama depicting an alternative skyline of Basildon from a chronological perspective.

This lenticular screen, which was launched today, allows two contrasting images to appear to change and move as you walk past the screen, creating an optical illusion. The lenticular screen is located at the back entrance of the cinema in Basildon, which acts as second entrance for visitors arriving by car or foot. This area is currently the car park off Great Oaks, near The Basildon Post Office Depot.

Students from ten local primary schools including Ryedene, Lee Chapel, Millhouse, Fairhouse, Pionner, Janet Duke, Noak Bridge, Great Berry, Northlands and Ghyllgrove School have all been exploring the importance of local nature through leaf rubbings and identification. The nature panorama depicts key green spaces around the borough with each leaf inserted (over 2,000) having been made by a different child.

Accompanying the lenticular screen is a series of QR codes which intend to animate the screen, from an audio history tour spoken by local people, a nature map showing where each schools leaves can be found and more. 

Richard Feldwick, Churchwarden for St Catherine's Wickford, was interviewed for the project and St Catherine's features in the panorama.

Other recent projects with a heritage focus include The BasildON Creative People & Places programme which is built on multiple projects that aim to engage across all of our communities. These were inspired by a range of unique cultural activities that were developed and assessed before putting in the application for funding to Arts Council England. Alongside this, extensive community discussions were undertaken to ensure the activity is what local people want to see!

‘Young Pioneers’ is a series of youth-led creative activities, developed through our creative skills development programme for 16-25 year olds, funded and supported by ReGeneration:2013, a Creative Estuary project. Supported by industry experts, the young pioneers have developed their own project that uses creativity to drive change in their local areas. Halls Corner Film: Made in collaboration with local filmmaker Maz Murray, Halls Corner Film explores Wickford’s past and present through intergenerational storytelling between Young Pioneer Em and her family. Watch the film here!

Field Artists is a creative exploration project set in the Basildon Borough. Artists embed themselves within a community within 5 areas of the borough, and co-create work in response to the connection they create. The Field Artists residencies support artists investigating what is happening within 5 areas of Basildon Borough - Wickford, Laindon, Billericay, Pitsea and Vange, and Basildon itself. This artist led process will enable better understanding of communities and residents, and aims to produce a series of public art pieces across the Borough alongside a digitally held archive of the residencies.

Syd Moore is an acclaimed novelist and short-story writer whose work focusses on the historic witch hunts in Essex. Her first book, The Drowning Pool (HarperCollins, 2011) looked at the legend of Sarah Moore, a notorious sea witch, in Moore’s home town of Leigh-on-Sea. The bestselling Witch Hunt (HarperCollins, 2012) investigated the hysteria of 1645–47 inflamed by the notorious Witchfinder General. Moore continues to explore the witch hunts of Essex in her current series The Essex Witch Museum Mysteries (Strange Magic, Strange Sight, Strange Fascination, Strange Tombs) published by OneWorld. The Strange Days of Christmas (OneWorld, 2019) is her first short-story collection. Prior to writing, Moore was a lecturer, worked extensively in the publishing industry and presented Channel 4’s book programme, Pulp. She was the founding editor of Level 4, an arts and culture magazine, and co-creator of Superstrumps, the game that reclaims female stereotypes. Moore was also the Assistant Curator of ABBA: Super Troupers The Exhibition that launched at the O2 in December 2019 and co-curated This is What an Essex Girl Looks Like at the Beecroft Gallery, as part of her work with the Essex Girls Liberation Front. Having founded the ‘Front’ she spearheaded the campaign to have the definition of ‘Essex Girl’ removed from the Oxford Learners’ Dictionary. And was successful.

For the Field Artists project, she has contributed an essay about Wickford which includes mention of St Mary's Runwell and the Running Well. In the piece, she concludes: "Wickford has its issues and, like other places, could do with some investment in the community to become whole again. But its soul is expansive, unique, eclectic, ancient and generous too. And of course, a town’s soul is its people. Wickfordians should feel very proud." Also on the site is a short film capturing Madame Curiosité’s Pub Quiz Caper live at The Railway Club in Wickford, an interactive performance piece scripted and performed by Moore.

For more on St Mary's Church and the Running Well, see my poem 'Runwell' by clicking here.

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Sunday, 30 April 2023

Artlyst: Sean Scully - A Humility Towards Nature

My latest interview for Artlyst is with Sean Scully and includes mention of his current exhibition at Houghton Hall:

'Becoming more deeply connected to nature has only enhanced the sense of humility that is to be found in the title of his Houghton Hall exhibition – ‘Smaller Than The Sky’ – as “nature makes you humble and happy because you’re part of something bigger.” The key to a more paradisal relationship with nature is to remove the transactional or profit-based element, whether financial or salvific. The key, as with his friendship with Kelly Grovier and the writings of Donald Kuspit, is that we don’t act or create in order to get something back.'

See here for my article on Sean Scully's 'The 12 / Dark Windows'.

My other pieces for Artlyst are:

Interviews -
Monthly diary articles -
Articles/Reviews -
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To Kill A King - World Of Joy (A List Of Things To Do).