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Showing posts with label choral. Show all posts
Showing posts with label choral. Show all posts

Monday, 19 June 2023

A walk through the Park and Music for a Summer Evening








There are two great events coming up at St Andrew's Wickford this week:

A walk through the Park: A talk by Kim Oakes & Janet Dunn of Friends of Wickford Memorial Park
Friday 23 June, 7.00 pm
St Andrew’s Church, 11 London Road, Wickford SS12 0AN

Part of ‘Unveiled’, the fortnightly Friday night arts and performance event at St Andrew’s Church

SATURDAY, JUNE 24, 2023 AT 7:30 PM
Allegro Choir: Music for a Summer Evening
St Andrew's Church

The aim of Allegro is to have fun rehearsing a wide repertoire of music and to present high quality concerts which raise funds for charities. Tickets (£10 adults, free for children) are now on sale at the Allegro Box Office (01268 751303) or can be purchased at St Andrew's. Tickets can also be purchased on the door. The Programme will include a selection from My Fair Lady and South Pacific shows as well as some wonderful solos, duets and traditional and new choral arrangements with Allegro’s usual mix of music from traditional choral arrangements to popular modern composers and hit musicals.

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Audrey Hepburn - I Could Have Danced All Night.

Friday, 17 March 2023

Pearls of Polyphony









In their programme of radiant choral polyphony, St Martin's Voices took us on a musical tour of sixteenth century Europe. This selection of sacred works by the leading composers of the age demonstrates the expressive beauty and dexterity of the polphonic style, bridging the gap from the Late Renaissance to the Early Baroque.

Polyphony is defined as a musical texture with two or more melodic lines and, when applied to vocal writing, means that the text is performed independently by each voice apart, according to the rhythm and phrasing of their individual melodic line. Stylistically, this results in waves of sound with soaring peaks, ever-shifting harmonies, and powerful moments of unity when the voices come together.

The programme tonight at St Andrew's Wickford included Orlande de Lassus, Peter Phillips, Francisco Guerrero, Richard Dering, Jan Pieterszoon Sweenlinck, Heinrich Schutz and Giovanni Pierluigi da Palestrina. The texts explored in their programme spanned the liturgical year, from All Saints to Ascension, in settings by composers from across Europe.

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St Martin's Voices - Love Divine.

Sunday, 17 July 2022

The Choir of St Martin-in-the-Fields in concert







The Choir of St Martin-in-the-Fields is an outstanding liturgical voluntary choir rooted in Sunday worship at St Martin’s. In addition, they sing for the worship services at all the major church festivals, including Advent, Christmas, Holy Week and Easter. The Choir is well known for its broadcasts on BBC Radio and Television, concerts and tours. They strive to be amongst the leading voluntary church choirs in the UK, performing a wide range of sacred choral repertoire on a regular basis to a very high standard. 

At St Andrew's Wickford they performed a diverse programme of choral music to an appreciative and full church. The programme began with 'Totus Tuus' by Górecki and then progressed chronologically from the Renaissance - 'Sicut Cervus' by Palestrina, 'Sing Joyfully' by Byrd and 'Quam Gloriosum' by Victoria - then Romanticism - 'Abendlied' by Rheinberger and 'Nunc Dimitis' by Holst - into the twentieth century with pieces from Parry, Finzi, Stetsenko (a Ukrainian composer) and Daley, before ending with two pieces from South Africa - 'Hamba Nathi' and 'Baba Yetu', the latter being a Swahili version of the Lord's Prayer.

Among comments made about the concert was the following: "Thank you to all involved in bringing the Choir of St Martin-in-the-Fields to St Andrew’s church in Wickford. To have a concert of such a standard in our town is absolutely fantastic. The choir were simply superb and the music was glorious."

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Monday, 27 June 2022

The Choir of St Martin-in-the-Fields in concert


The Choir of St Martin-in-the-Fields in concert

Sunday 17 July, 3.30 pm

St Andrew's Wickford, 11 London Road, Wickford, Essex SS12 0AN


The Choir of St Martin-in-the-Fields strives to be amongst the leading voluntary church choirs in the UK, performing a wide range of sacred choral repertoire on a regular basis to a high standard.

Come for 45 minutes of beautiful music by Palestrina, Victoria, Holst and Todd.

A retiring collection will be taken.

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The Choir of St Martin-in-the-Fields - Parish Eucharist, Second Sunday after Trinity

Sunday, 19 April 2020

Airbrushed from Art History: An update

This weekend ArtWay have republished an article exploring Andy Warhol's engagement with Catholicism and the impact on his art and legacy. Similarly, Artlyst have published an article exploring the enigma of Salvador's Dali's engagement with faith, while I have posted a piece on this blog about the Catholic wellsprings and work of Dali's friend, the Viennese Visionary Realism Ernst Fuchs. Each of these adds to the argument I have been making over several years that the level and extent of the engagement between the Christianity and the Arts has been more significant than is generally acknowledged.

In particular my ‘Airbrushed from art history’ series on this blog surveyed the Christian contribution to the Visual Arts which is broad and significant but is far from having been comprehensively documented. See below for the Index, links and other related writings for this series.

To explore the contribution made by Christianity to the Arts is important because the story of modern and contemporary Arts is often told primarily as a secular story. To redress this imbalance has significance in: encouraging support for those who explore aspects of Christianity in and through the Arts; providing role models for emerging artists who are Christians; and enabling appreciation of the nourishment and haunting which can be had by acknowledging the contribution which Christianity has made to the Arts.

My co-authored book The Secret Chord explored aspects of a similar interplay between faith and music (and the Arts, more broadly). Posts related to the themes of The Secret Chord can be found here. I have also posted an outline summary of the Christian contribution to rock and pop music. Pieces on contemporary choral and classical music are here and here.

Tracing the connections between artists that were either part of the Church and were engaged by the Church in the 20th century is an important element in the argument that the level and extent of the engagement between the Church and the Arts has been more significant than is generally acknowledged. Some of my posts tracing these connections include:
My key literature posts are:
The index to my 'Airbrushed from Art History' series of posts is as follows:
Additions to the series and related posts are as follows:
Additional posts are at https://joninbetween.blogspot.com/search/label/airbrushed%20from%20art%20history

On my sabbatical in 2014 I enjoyed the opportunity to visit churches in Belgium, England, France and Switzerland to see works of modern and contemporary art. I documented these visits at http://joninbetween.blogspot.com/search/label/sabbatical and they resulted in a series of Church of the Month reports for ArtWay: Aylesford PrioryCanterbury CathedralChapel of St. Thérèse of the Child Jesus and the Holy Face, HemChelmsford CathedralChurches in Little WalsinghamCoventry CathedralÉglise de Saint-Paul à Grange-CanalEton College ChapelLumenMetz CathedralNotre Dame du LémanNotre-Dame de Toute Grâce, Plateau d’Assy,RomontSint Martinuskerk LatemSt Aidan of LindisfarneSt Alban RomfordSt. Andrew Bobola Polish RC ChurchSt. Margaret’s Church, Ditchling, and Ditchling Museum of Art + CraftSt Mary the Virgin, Downe, and St Paul Goodmayes, as well as earlier reports of visits to sites associated with Marian Bohusz-SzyszkoMarc ChagallJean CocteauAntoni Gaudi and Henri Matisse.


Interviews:
Articles:
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Bill Fay - Be Not So Fearful.

Sunday, 28 July 2019

Heavenly Harmonies: All Saints Hertford


HeartEdge members All Saints Hertford are excited to announce a new monthly concert series, exploring well-loved classics of the sacred choral repertoire though word and song. Refreshments from 11.00 with a 45-minute concert from 11.15 to 12.00 noon. Free Admission with Retiring Collection in aid of Church Funds.

Each of the monthly concerts will have an appropriate seasonal theme:
  • October 12th: Harvest
  • November 9th: Remembrance
  • December 7th: Advent
  • January 11th: The Wise Men
  • February 8th: Simeon & Anna
  • March 7th: Lent and Passiontide
  • May 9th: Eastertide
  • June 13th: Pentecost and Trinity
To launch the series, they are delighted to welcome St Martin's Voices and Andrew Earis on Saturday 24th August when they will take their audience through the entire year.

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St Martin's Voices -  I Stood On The River Of Jordan.

Monday, 23 October 2017

Discover & explore: Constantine





Discover & explore: Constantine at St Stephen Walbrook with the Choral Scholars of St Martin-in-the-Fields featured music sung by ‪the Choral Scholars of St Martin in the Fields including: O come ye servants of the Lord – Tye; Psalm 20; Be thou my vision – Chilcott and Most glorious Lord of Lyfe – Harris.

‪Next Mondays "Discover & Explore" at 1.10pm will explore Christianity in Roman London as the #Londinium series continues - https://ssw.churchsuite.co.uk/events/q20myjzs‬.

In my reflection I said:

Throughout its first three centuries, the church went through unimaginable persecution from the Roman Empire, though all the time growing and spreading. It began with a small group from the backwaters of the Roman Empire and after two to three centuries go by, that same group and its descendants have somehow taken over the Roman Empire and become the official religion, in fact the only tolerated religion, of the Roman Empire by the end of the 4th century. The key event, an extraordinary turn of events, was when the Roman Emperor himself became a Christian.

Constantine was a successful general, the son of a successful general (who had been a Christian). In 312, there were two claimants to the imperial throne. Maxentius held the capital city, Rome, and most of Italy, but Constantine held most of the Western empire, had the support of most of the army and had marched on Rome. In October 312, he was camped north of the city preparing for what would be the show-down with his rival, but worried because he did not have the resources to sustain a long siege.In this struggle, Constantine was convinced that he needed more powerful aid than his military forces could give him, so he sought the help of the God in whom his father had believed.

Constantine called on God with earnest prayer to reveal to him who he was, and stretch forth his right hand to help him in his present difficulties. And while he was thus praying with fervent entreaty, a most extraordinary sign appeared to him from heaven – about noon, when the day was already beginning to decline, he saw with his own eyes the sign of a cross of light in the heavens, above the sun, and bearing the inscription, “By this symbol you will conquer.” He was struck with amazement by the sight, and his whole army witnessed the miracle.

He said that he was unsure what this apparition could mean, but that while he continued to ponder, night suddenly came on. In his sleep, the Christ of God appeared to him with the same sign which he had seen in the heavens, and commanded him to make a likeness of that sign which he had seen in the heavens, and to use it as a safeguard in all engagements with his enemies. At the break of day he rose and told his friends about the marvel. Then he called together the workers in gold and precious stones, sat in the midst of them, and described to them the sign he had seen, telling them to represent it in gold and precious stones.

It was made in the following manner. A long spear overlaid with gold with a transverse bar laid over it formed the figure of the cross. A wreath of gold and precious stones was fixed to the top with the symbol of the Saviour’s name with in it – the first two [Greek] letters of Christ’s name, the rho being intersected by chi in its centre. [These two letters look like X and P.] Shortly after this, to everyone's surprise, Maxentius decided to risk a battle outside the city walls and Constantine's army won a decisive victory, forcing their opponents back across the Milvian Bridge into the city. Constantine took the city and became emperor, apparently convinced that the God of the Christians had given him victory. As emperor he constantly made use of this sign of salvation as a safeguard against every adverse and hostile power, and commanded that others similar to it should be carried at the head of all his armies. With this standard leading the way, he consolidated his power by conquering, eventually, not only the West, but also the Greek East where there were many more Christians. Within one person’s lifetime, the Empire went from the most savage of its several persecutions of Christians to embracing Christianity.

His new faith was reflected in his imperial policy; he outlawed infanticide, the abuse of slaves and peasants, and crucifixion and he made Sunday a day of rest. He rebuilt Jerusalem and helped the bishops of the Church to iron out a unitary policy of what a true Christian believes. In 314 three bishops from Britain – London, York and Lincoln – attended the first Council of Arles, one of several synods convened by Constantine. There was much that was positive, therefore, about Constantine’s vision and conversion, not least, the spread of Christianity across the Roman Empire. However, we must also recognise that his actions and understanding changed Christianity irrevocably. Christianity moved from being a marginalized, subversive, and persecuted movement secretly gathering in houses and catacombs to being the favoured religion in the empire. Christianity moved from being a dynamic, revolutionary, social, and spiritual movement to being a religious institution with its attendant structures, priesthood, and sacraments.

While there is much talk of victory in both the New Testament and the Early Church, the victory being spoken of is that of Christ, in his death and resurrection, over the hostile powers that hold humanity in subjection, those powers being variously understood as the devil, sin, the law, and death. This is a victory over spiritual powers which hold sway over all people. Christ died for all human beings, without exception, and taught that we should love our enemies and repay evil with good. Constantine’s vision, dream and standard are, therefore, a complete reversal of Christ’s teachings and actions.

Constantine began the establishment of Christendom by showering Christian ministers with every possible honour, treating them favourably as people who were consecrated to the service of his God, having them accompany him on his travels, believing that the God they served would help him as a result. Instead of renouncing wealth and power, Christian ministers were gaining it. Constantine also gave vast amounts of money from his own personal treasury to the churches of God, for the enlarging and heightening of their sacred buildings and for decorating the sanctuaries of the church. The Church was now able to have bibles copied at public expense. It was finally able to have public Christian architecture and big basilicas. So, a comfortable symbiotic relationship between the empire and the Church developed; a relationship which came to define the cultural powerhouse of Europe and the West. It came about, however, through a reversal of Christ’s teaching about power and wealth.

The dilemmas caused by these changes are captured well in Patti Smith’s song entitled ‘Constantine’s Dream’, of which we have heard an extract read. In the complete song we encounter St Francis and Columbus as well as Constantine and Piero della Francesca. Constantine’s Dream, the song suggests, led to the art of della Francesca and the discoveries of Columbus, but conflicted with the simplicity of Francis’ lifestyle that was close to that of Christ and the harmony of his relationship with the natural world around him. In the New World Columbus encountered the same kind of unspoilt beauty that St Francis enjoyed, yet his arrival led to the destruction of that unspoilt beauty in the name of Empire. The song ends with the 21st century advancing like the angel that had come to Constantine, and Columbus sees all of nature aflame in the apocalyptic night and the dream of the troubled king Constantine dissolved into light. In this way it poses the very valid question as whether the power and wealth that the Church gained because of Constantine’s dream was actually blessing or curse.

https://christianhistoryinstitute.org/study/module/constantine/

http://www.pbs.org/wgbh/pages/frontline/shows/religion/why/legitimization.html

http://veritas.community/veritas-community/2014/05/19/constantine-is-the-emperor-of-our-imagination-and-he-is-naked-missional-church-planting-in-the-midst-of-post-christendom

http://www.christianitytoday.com/ct/2011/aprilweb-only/christusvicarious.html

http://missionalchurchnetwork.com/wp-content/uploads/2010/04/christendom-murray.pdf

Prayers

Lord God, you rule over every principality and power, every human and every spirit, every tribe and every tongue. You have charged us to make disciples of all nations, baptising them in the name of the Father, Son and Holy Spirit and teaching them obey all your commands. Enable us, as your servants, to speak your word with great boldness. May the word of God spread. Rapidly increase the number of disciples here in the City of London. Teach us the ways of your kingdom. Teach us the ways of your Gospel that comes with the power of humility, love and self-sacrifice. Lord, in your mercy, hear our prayer.

Almighty God, you sent your Son Jesus Christ to reconcile the world to yourself: We praise and bless you for those whom you have sent in the power of the Spirit to preach the Gospel to all nations. We thank you that in all parts of the earth a community of love has been gathered together by their prayers and labours, and that in every place your servants call upon your Name; for the kingdom and the power and the glory are yours for ever. Lord, in your mercy, hear our prayer.

Lord Jesus Christ, you humbled yourself in taking the form of a servant, and in obedience died on the cross for our salvation: give us the courage to follow you and to proclaim you as Lord and King, by practising your love, humility and self-sacrifice and by rejecting the temptations of power, prestige, status and wealth. Draw your Church together, O God, into one great company of disciples, together following our Lord Jesus Christ into every walk of life, together serving him in his mission to the world, and together witnessing to his love on every continent and island. Lord, in your mercy, hear our prayer.

Blessing

May God, who gives patience and encouragement, give you a spirit of unity to live in harmony as you follow Jesus Christ, so that with one voice you may glorify the God and Father of our Lord Jesus Christ; and the blessing of God almighty, Father, Son and Holy Spirit, rest upon you and remain with you now and always. Amen.

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Patti Smith - Constantine's Dream.

Monday, 25 September 2017

Discover & explore: Rome, London & Christianity


Today we have the first service in the exciting new series of Discover & explore services at St Stephen Walbrook.

The autumn Discover & explore series is part of the ‘Londinium’ programme organised by the City of London and will explore Rome, London & Christianity through music, prayers, readings and reflections.

Highlights of this series, which features music from the Choral Scholars of St Martin-in-the-Fields includes: 'St Paul in Rome', 'Constantine' and 'The Temple of Mithras & St Stephen Walbrook':
  • 25th September - St Paul in Rome
  • 2 October - St Peter in Rome
  • 9 October - The Early Church in Rome
  • 16 October – St Alban
  • 23 October – Constantine
  • 30 October – Christianity in Roman London
  • 6 November – The Temple of Mithras & St Stephen Walbrook
  • 13 November – St Augustine
  • 20 November – St Mellitus
  • 27 November – St Erkenwald & St Ethelburga
Discover & explore has been described as "A really wonderful series of services; intelligent, thought provoking and hopeful - the perfect way to start your working week!"

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Felix Mendelssohn - How Lovely Are The Messengers.

Sunday, 4 June 2017

St Martin’s Voices in Concert - 19 June



St Martin’s Voices in Concert

Monday 19 June, 6.30pm

St Stephen’s Church, 39 Walbrook, London, EC2N 8BN

With music by contemporary choral composers including: Philip Glass • James MacMillan • Judith Weir

Directed by Andrew Earis

Free with a retiring collection

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St Martin's Voices - Gloria.

Saturday, 8 April 2017

Holy Week & Easter at St Martin-in-the-Fields







This Sunday at St Martin-in-the-Fields we mark the beginning of Holy Week with a Palm Sunday procession, led by a donkey, with the Chalk Farm Salvation Army Band and the Choir of St Martin-in-the-Fields. We meet at the steps behind Admiralty Arch near the British Council building where the procession begins at 9.45am. For those who are not joining the procession the service in church begins as usual at 10am, when we greet the arrival of the procession and together we experience a dramatised reading of the Passion Gospel led by members from the St Martin’s community.

Lent Oasis, Sunday 9 April, 2.00-4.00pm, George Richards and Austen Williams Rooms

Another ‘Oasis’ time of quiet scripture reflection, prayer and practical art. Art materials will be available for you to explore, play with colour and be creative through collage, painting, drawing or writing.

Download the full flyer for Holy Week and Easter at St Martin-in-the-Fields 2017

Sunday 9 April – Palm Sunday

8.00am: Holy Communion (BCP)

9.45am: Palm Sunday Procession

We meet at the corner of St James’s Park near Admiralty Arch. Join the Choir of St Martin-in-the-Fields and the Salvation Army Band for a procession with palms, led by a donkey, into church.

10.00am: Eucharist

With the reading of the Passion Gospel

1.00pm: Service in Mandarin

2.15pm: Service in Cantonese

5.00pm: From Creation to Salvation

A powerful service of readings and music as we enter into Holy Week, telling the story of salvation, with the Choir of St Martin-in-the-Fields.

7.00pm: Compline with Time to Heal

Monday 10 April – Holy Week

8.30am: Morning Prayer

1.15pm: Holy Communion (DSC)

4.30pm: Choral Evensong

7.00pm: Crosslight: A Passion Play
Presented by Riding Lights Theatre Company

This play draws us into the dramatic events of Christ’s Passion and into the experience of one disciple who failed, despite everything he believed so passionately. It’s “a fascinating psychological drama,” and is suitable for adults and young people aged 12 and older.

Tickets: £10 (£5 students)
Available here
Tuesday 11 April – Holy Week

8.30am: Morning Prayer

1.15pm: Holy Communion (DSC)

6.00pm: Holy Communion with homily (DSC)
Wednesday 12 April – Holy Week

8.30am: Morning Prayer

1.00pm: Choral Eucharist

6.30pm: Bread For the World in Holy Week
Thursday 13 April – Maundy Thursday

8.30am: Morning Prayer

1.00pm: Great Sacred Music

Join us to mark Maundy Thursday, as the clergy and St Martin’s Voices present an exploration of Duruflé’s Requiem.

6.30pm: Maundy Thursday Liturgy with foot washing. The silent vigil of the watch follows until 10.00pm. Preacher: Revd Richard Carter
Friday 14 April – Good Friday
8.30am: Morning Prayer

10.00am: Good Friday Service for All Ages

12noon-3.00pm: The Three Hours
Revd Professor Ben Quash, Professor of Christianity and the Arts, Kings College London, is the preacher in this service of reflections on the passion of Christ. With the Choir of St Martin-in-the-Fields.

12noon and 3.15pm: The Passion of Jesus – free open air play by cast from the Wintershall Estate in Trafalgar Square

7.30pm: Bach St John Passion by Candlelight

Come and see Bach’s dramatic and emotional St John Passion performed by St Martin’s Chorus and the Brandenburg Sinfonia led by conductor Andrew Earis.

Tickets: £26 £22 £18 £15 £9
Available here
Saturday 15 April – Holy Saturday

9.00am: Morning Prayer
Sunday 16 April – Easter Day

5.30am: The Easter Vigil, the lighting of the new fire and the First Eucharist of Easter

8.00am: Holy Communion (BCP)

10.00am: Easter Eucharist

Preacher: Revd Dr Sam Wells with the Choir of St Martin-in-the-Fields

1.00pm: Service in Mandarin

2.15pm: Service in Cantonese

5.00pm: Choral Evensong with the Choir of St Martin-in-the-Fields

6.30-7.30pm: Allegri Miserere by Candlelight

St Martin’s Voices perform a selection of poignant music for Passiontide, including the beautiful Allegri Miserere and Tallis’s Lamentations of Jeremiah, written especially for Tenebrae in the 16th century.

Tickets: £16 £12 £7
Available here

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Thomas Tallis - Lamentations Of Jeremiah.

Thursday, 2 February 2017

The Choir of St Martin-in-the-Fields: Concert of choral favourites


The Choir of St Martin-in-the-Fields performs a concert of choral favourites at St Stephen Walbrook, St Martin’s partner church in the city. Music will include Renaissance masterpieces including Clemens non Papa’s Ego flos campi and Tallis’s O nata lux, Anglican choral standards such as Wood’s Hail, gladdening light and modern anthems and arrangements by living composers, David Bednall, Eric Whitacre and Will Todd. The choir, regular contributors to BBC Radio, is sure to come alive in the fantastic acoustic of Wren’s dome at St Stephen’s.

Choir of St Martin-in-the-Fields
Tom Williams Conductor

Performers

The Choir of St Martin-in-the-Fields is a group of around 25 dedicated singers from all walks of life, with an excellent reputation for performance of a professional standard. The Choir is well known for its frequent broadcasts on BBC Radio and Television, and took part in Radio 4’s Christmas morning broadcast in December 2010, as well as Radio 2’s Sunday Half Hour 70th anniversary programme and a broadcast of Jazz Choral Evensong on BBC Radio 3.

The Choir has recorded three CDs, ‘Christmas at St Martin-in-the-Fields’ (2009), Evensong in Blue (2010) and a recording, ‘The Art of Worship’, in collaboration with the National Gallery. They toured the USA – Minneapolis, New York, Washington DC and Atlanta – in May 2011, and visited Berlin in summer 2013. In summer 2014, they made another tour to the USA visiting North and South Carolina, Virginia and Washington DC.

FREE with a retiring collection for the work of St Martin-in-the-Fields.

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Monday, 27 June 2016

Discover & explore - St Peter

Today's Discover & explore service at St Stephen Walbrook was the last in the current series. I reflected on the life and thought of St Peter using a poem by Malcolm Guite and a meditation by Alan Stewart. The service featured the Choral Scholars of St Martin-in-the-Fields singing:
  • Introit - Duruflé, Tu es Petrus
  • Anthem - Britten, A Hymn of St Peter
  • Anthem - Bairstow, The King of Love my Shepherd is
  • Closing - Palestrina, Agnus Dei (I & II) from Missa ‘Tu es Petrus’
In my reflection I said:

The Singing Detective is a TV drama serial by Dennis Potter that was first shown in the 1980s. The story is about Philip Marlow, a writer of detective novelettes in the style of Raymond Chandler including one called ‘The Singing Detective’. At the beginning of the series Marlow is confined to a hospital bed because of the psoriasis which has affected every part of his body.

Marlow’s situation is that his childhood beliefs and commitments to God and to his parents have been betrayed through key incidents such as his seeing his mother’s adultery and his allowing another schoolboy, Mark Binney, to be punished for something that Marlow himself had done. His inability to face these betrayals has led him into a lifestyle where he abused and betrayed those he loved and it is only as he is stripped by his illness that he can begin to face these memories, come to accept who he is and move beyond these abusive relationships and The Singing Detective shows us how this happens.

The story is about the way in which Marlow faces up to the key events in his past. He has to re-inhabit his past, almost re-live it, in order that he comes to feel sorrow for the way in which he betrayed Mark Binney. It is only at the point that he re-lives that experience and feels sorrow for what he did that he is able to get up from his bed and walk again.

I mention this, because what Marlow experiences in The Singing Detective is very similar to what Peter experiences in our Bible reading (John 21. 12 - 19). Peter betrayed Jesus by denying him three times. Since the crucifixion Peter would have been in agony in his conscience over the way in which he failed Jesus at Jesus’ moment of need. The agonies that Philip Marlow experiences in The Singing Detective help us to flesh out this story as it is told in the Bible and to understand a little more of what Peter would have felt at the time.

When Peter meets Jesus by Lake Tiberias, Jesus forces Peter to re-live that experience of betrayal. That is why Jesus asks Peter three times, ‘Do you love me?’ These three questions mirror Peter’s three denials and take him back into that experience. Like Marlow, Peter has to re-inhabit his past in order to move on from it. As Jesus questions Peter, his sense of remorse for what he had done would have been immense.

Peter denied Jesus three times and so Jesus asks Peter three times, ‘Do you love me?’ When they have finished re-living the experience of his denial, Peter finds that he has three affirmations that counter-balance his three denials. By taking him back into the experience of denial Jesus turns Peter’s denials into affirmations and he turns Peter’s memory of the denial from a negative memory into a positive one. The denial happened, Peter would never have forgotten that but then he was given the opportunity to turn it into a positive affirmation of his love for Jesus and that would have been the memory that he carried forward with him.

Like Peter and like Philip Marlow we can carry around with us the memory of bad events that have happened to us – things that we did to others or things that others did to us. If we are not careful the memory of these events from the past will twist and harm our life now, in the present. The way to be released from the harm and hurt of these memories is, with the help of others, to go back into those memories, to re-live them, feeling sorrow what the wrong that we did and finding positive ways in which we can show that sorrow and repair the hurt that we have done or which has been done to us.

If that is your situation then put yourself in Peter’s place now as you read a meditation written by Revd. Alan Stewart based on this passage:

I am the one who ran away when I said I never would
I didn’t believe you when you said
‘the sheep will scatter’

I am the one who sat in the shadows avoiding eyes
I never believed I’d disown you like this
Not once, but three times

I am the one who wasn’t there while you died that death
I couldn’t believe that this was how
The story ends

‘do you love me?’ he later asked
‘I love you’ I replied
‘feed my lambs’

I am the one who hid in an upstairs room
I wanted to run but there was no longer
anywhere to go

I am the one who could find no solace nowhere
I wanted to open my eyes and see him there
Laughing

I am the one who wept my heart raw with regret
I wanted to tell him ‘I’m sorry…
I do love you.’

‘do you love me?’ he asked again
‘I do love you’ I replied
‘take care of my sheep’

I am the one who woke to the sound of women’s voices
I longed to believe they’d seen you, but hope
Was still on its knees

I am the one who ran to where they lay your body down
I longed to destroy the rumours
Before they destroyed me

I am the one who saw you arrive like a ghost
I longed to reach out and touch you, but I couldn’t
even look at you

‘do you love me?’ he asked for a third time
looking into my eyes
and my heart tore within me

‘you know that I love you’ I replied
‘then feed my sheep’

(Revd. Alan Stewart)

The next series of Discover & explore services will explore themes of stewardship & finance:
  • Monday 3rd October: Time 
  • Monday 10th October: Talents 
  • Monday 17th October: Treasure/Gold 
  • Monday 24th October: Guidance 
  • Monday 31st October: Promises (All Souls Day) 
  • Monday 7th November: Safety 
  • Monday 14th November: Money 
  • Monday 21st November: Security


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Maurice Duruflé - Tu Est Petrus.