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Showing posts with label stations of the cross. Show all posts
Showing posts with label stations of the cross. Show all posts

Saturday, 10 May 2025

All Saints Goodmayes: Stations of the Cross



All Saints Goodmayes, which has a set of Stations of the Cross by the artist Henry Shelton, has prepared a booklet of images, reflections and prayers based on these Stations. The reflections and prayers used are those that I wrote for an earlier collaboration with Henry called 'The Passion'.

The Passion: Reflections and Prayers features minimal images with haiku-like poems and prayers that enable us to follow Jesus on his journey to the cross reflecting both on the significance and the pain of that journey as we do so. Henry and I aimed in these reflections to pare down the images and words to their emotional and theological core. The mark making and imagery is minimal but, we hope, in a way that makes maximum impact. Here is an example of one of the reflections and prayers: 

Jesus dies on the cross

The sun is eclipsed, early nightfall,
darkness covers the surface of the deep,
the Spirit grieves over the waters.
On the formless, empty earth, God is dead.

Through the death of all we hold most dear, may we find life. Amen.

The set of Stations now at All Saints Goodmayes have previously been exhibited at York Minister, St stephen Walbrook, and Chelmsford Cathedral. The booklet comes with a Foreword by The Most Revd and Rt Hon. Stephen Cottrell, Archbishop of York:

"At this most holy time, as we follow Jesus on His journey to the cross, Henry Shelton's contemporary images provide an evocative background against which we can place our deepest reflections as we contemplate the Passion of our Lord Jesus Christ, who by his death and resurrection delivered and saved the world." 

Henry Shelton was born and grew up in Stratford, East London. He joined West Ham church as a choir boy where he first became aware of the importance of Christian art.

After leaving school he joined a London studio as an apprentice draughtsman developing his drawing skills in lettering and fine art. After 15 years of service he set up his own studio receiving many commissions to design for such clients as the Science Museum, Borough Councils, private and corporate bodies.

During this time he continued painting Christian art and after meeting Bishop Trevor Huddleston he completed a series of portraits of him which were exhibited in St Dunstan's Church, Stepney, where he was also confirmed by the Bishop.

Henry worked designing in studios across the world, including Hong Kong and the USA. Together, we formed commission4mission, an artist's collective that generated church commissions, exhibitions, events and resources. Henry's commissions include a large oil painting of the Ascension installed as an altarpiece in the Church of the Saviour, Chell Heath; the Millennium clock tower in Goodmayes, memorial etched glass windows in All Saints Goodmayes and All Saint's Hutton, paintings for the Chapel at Queen's Hospital Romford, Stations of the Crown of Thorns at St Paul's Goodmayes, and the Trinity Window at All Saints Goodmayes.

An interview that I undertook with Henry can be read here and here.

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Extreme - Peacemaker Die.

Saturday, 12 April 2025

Palm Sunday, Holy Week and Easter


Messy Holy Week / Easter
Mess! Fun! Food! FREE Kids crafts, activities, games, stories, & songs! plus FREE tea for each child
2-4pm, Saturday 12th April 2025, St Andrews Church, Wickford
Email emmacdoe@googlemail.com or Sue.wise@sky.com

Sunday 13th April (Palm Sunday): 9.30 am Eucharist, St Mary’s; 10.00 am Eucharist - St Andrew’s; 11.00 am All Age Eucharist St Catherine's; 6.30 pm Reflective Evening Prayer, St Mary’s.

Holy Week & Easter Services

Holy Week (14-19 April)

Stations of the Cross and Night Prayer – 8.00 pm, St Andrew’s (Monday), St Catherine’s (Tuesday), St Mary’s (Wednesday)

Eucharist with footwashing – Maundy Thursday (17 April), 8.00 pm, St Catherine’s (followed by The Watch)

Good Friday Walk of Witness (18 April) – begins from Our Lady of Good Counsel at 10.00 am
At the Foot of the Cross – 2.00 pm, St Andrew’s with soloist Eva Romanakova

Easter Day (20 April)

Service of Light – 5.30 am St Mary’s, followed by breakfast
Eucharist – 9.30 am St Mary’s; Eucharist – 10.00 am St Andrew’s; Eucharist – 11.00 am St Catherine’s

Meditations for the Stations of the Cross will be drawn from Mark of the Cross and The Passion, collections of images, meditations and prayers by Henry Shelton and myself on The Stations of the Cross. They provide helpful reflections and resources for Lent and Holy Week. These collections can both be found as downloads from theworshipcloud.

Mark of the Cross is a book of 20 poetic meditations on Christ’s journey to the cross and reactions to his resurrection and ascension. The meditations are complemented by a set of semi-abstract watercolours of the Stations of the Cross and the Resurrection created by Henry Shelton.

The Passion: Reflections and Prayers features minimal images with haiku-like poems and prayers that enable us to follow Jesus on his journey to the cross reflecting both on the significance and the pain of that journey as we do so. Henry and I have aimed in these reflections to pare down the images and words to their emotional and theological core. The mark making and imagery is minimal but, we hope, in a way that makes maximum impact.

Jesus dies on the cross

The sun is eclipsed, early nightfall,
darkness covers the surface of the deep,
the Spirit grieves over the waters.
On the formless, empty earth, God is dead.

Through the death of all we hold most dear, may we find life. Amen.

At St Andrew's on Monday 14 April, we will pray the Stations of the Cross by Steve Whittle. Steve's exhibition entitled 'The Way' can be seen at St Andrew's until Good Friday.

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Julie Miller - How Could You Say No.

Friday, 28 February 2025

Resources for Lent and Holy Week






This year the Ministry Team in the Wickford and Runwell Team Ministry have once again written our own Lent Course, a five week course looking at journeys in the Bible.

The Bible is full of journeys made by people guided by God. Some are shorter and some are longer. All are transformational. Life is often thought of as a journey. There are high points and low points, paths where we travel swiftly and paths where we feel bogged down, there are some times when we feel like we have come to a dead end and some times when the future ahead looks far away. In this course we look at five particular biblical journeys and think about how the people involved might have felt, and what responses they evoke in us when we hear them. Do they remind us of our own journeys with God? Week 1: Abraham’s wanderings Week 2: The Exodus Week 3: Ruth and Naomi Week 4: Jesus journey to Jerusalem (based on St Luke’s gospel) Week 5: Paul’s missionary journeys (based on Acts) 

These sessions will be offered on Tuesday evening and Thursday afternoon and evening, depending on numbers, starting the week of 10th March. 

Mark of the Cross and The Passion are collections of images, meditations and prayers by Henry Shelton and myself on The Stations of the Cross. They provide helpful reflections and resources for Lent and Holy Week. These collections can both be found as downloads from theworshipcloud.

Mark of the Cross is a book of 20 poetic meditations on Christ’s journey to the cross and reactions to his resurrection and ascension. The meditations are complemented by a set of semi-abstract watercolours of the Stations of the Cross and the Resurrection created by Henry Shelton.

The Passion: Reflections and Prayers features minimal images with haiku-like poems and prayers that enable us to follow Jesus on his journey to the cross reflecting both on the significance and the pain of that journey as we do so. Henry and I have aimed in these reflections to pare down the images and words to their emotional and theological core. The mark making and imagery is minimal but, we hope, in a way that makes maximum impact.

Jesus dies on the cross

The sun is eclipsed, early nightfall,
darkness covers the surface of the deep,
the Spirit grieves over the waters.
On the formless, empty earth, God is dead.

Through the death of all we hold most dear, may we find life. Amen.

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Julie Miller - How Could You Say No.

 

Friday, 17 January 2025

'The Way': Exhibition viewing evening

 


















We had a very well-attended exhibition viewing evening tonight at St Andrew's Wickford for Steve Whittle's 'The Way' exhibition. Steve was interviewed and gave some fascinating insights into his career and work. We covered some of the same ground that we covered in our interview for ArtWay. The interview covers Steve's fascinating career and the range of work he undertakes, including his primary focus on collage.

'The Way', an exhibition by Steve Whittle at St Andrew's Wickford (11 London Road, Wickford, Essex SS12 0AN) from 11 January to 18 April 2025. This artist, based in Westcliff-on-Sea based, uses collage to create Stations of the Cross & a range of other scenes, both religious and landscape. St Andrew’s is usually open: Sat 9am-12.30pm; Sun 9.30am-12 noon; Mon 2-3.45pm; Tue 1-4.30pm; Wed 10am-12 noon; Fri 10am-1pm.

‘The main medium I use is collage and over many years I have developed the technique which can be seen in many of the pictures in this exhibition.’

The primary subject matter in Steve Whittle's work is colour, which has been the major theme. The work is often produced in series and is unified by the similar images and combinations of colours that are used. Each picture can therefore be viewed as a component of a group or seen as an individual piece.

The medium Whittle uses is collage and over many years he has developed the technique which can be seen in many of the pictures in this exhibition. Firstly, the paper, which is acid free, is prepared with several coats of acrylic paint in the appropriate colour and the torn paper collage is applied to this surface with acrylic glue in as many layers as necessary to get the correct colour combinations. When the picture is complete it is then coated with UVS varnish.

‘The Way’ includes a series of Stations of the Cross, plus other crucifixion and resurrection images.

The Spring 2025 programme for Unveiled, our fortnightly Friday night arts and performance event at St Andrew’s Church (7.00 – 9.00 pm, 11 London Road, Wickford, Essex SS12 0AN), began tonight:

Spring Programme 2025
  • 31 January (7.00 pm) – ‘Four Essex Trios’. An evening of poems and photographs with Jonathan Evens exploring thin places and sacred spaces in Essex, including Bradwell, Broomfield, Pleshey, and Runwell.
  • 14 February (7.00 pm) – An evening with the Ladygate Scribblers. Hear poetry and prose from a longestablished Wickford-based writers group.
  • 28 February (7.30 pm) – Open Mic Night. Everybody is welcome to come along & play, read, sing or just spectate. See you there for a great evening of live performance!
  • 14 March (7.00 pm) – Simon Law in concert. Simon has fronted the rock bands Fresh Claim, Sea Stone and Intransit, as well as being a founder of Plankton Records and becoming an Anglican Vicar. This will be his final concert for us before retirement.
  • 28 March (7.30 pm) – Dave Crawford & friends in concert. Popular local musician, Dave Crawford writes engaging/melodic songs in Americana/ Alt-Rock/IndieFolk. He has performed at the Leigh Folk Festival, Pin Drop Sessions, & Music for Mind together with Kev Butler. This will be Dave’s third concert at Unveiled. We have also enjoyed his powerful vocals & guitar at our Open Mic Nights.
  • 11 April (7.30 pm) – Tim Almond in concert. ‘Around the World in 60 Minutes’ featuring songs and stories from Kenya, Ethiopia, Malawi, Ecuador and Bangladesh.
See http://wickfordandrunwellparish.org.uk/whats-on.html and https://basildondeanery.co.uk/index.php/news/ for more information.

These events do not require tickets (just turn up on the night). There will be a retiring collection to cover artist and church costs.

Our churches are places to enjoy cultural programmes including concerts and exhibitions as well as being places to see art and architecture.

St Andrews Church in Wickford provides regular art, culture and heritage events and we are looking to develop this further. We think that to do so will benefit the Town by bringing more people to the Town Centre. As part of a Feasibility Study exploring what might be possible that is funded by UKFSP Feasibility Fund, we are asking people locally to share what art, culture and heritage activities they are interested in and what they are looking for.

We would be very grateful if you could complete the survey and tell others about it. The survey can be found at https://forms.gle/dmPH7uzAafuAqLzDA. We are keen that as many people in and around Wickford complete the survey as possible.

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Friday, 29 March 2024

ArtWay - Stations of the Cross in Hornsea: Jonathan Evens Interviews Artist Matthew Askey

My latest interview for ArtWay is with the artist-priest Matthew Askey:

"Painting is intrinsically spiritual and prayerful. It is an act of spiritual hope. I’ve been dressing up as saints for selfies (linking Biblical saints to specific super-heroes – e.g. St Thomas being Spider Man), and when I was artist-in-residence at Lincoln cathedral during 2019 I invited staff and visitors to identify with a biblical character, dress up as them and then I drew or painted their portrait."

The interview has a particular focus on the new Stations of the Cross that Matthew has created for St Nicholas Church, Hornsea:

"This is a site-specific commission of paintings that link each Station to a part of the town. At each location in the town itself there is a QR Code to link to information about each Station. His ‘Stations’ are egg-tempera on gesso panels and are traditionally made, just like Orthodox icons. The theological theme of these Stations (in addition to The Cross of course) is ‘water and blood’."

See also my interview with Matthew for HeartEdge exploring the theme of Imaging the Invisible.

My visual meditations for ArtWay include work by María Inés Aguirre, Giampaolo Babetto, Marian Bohusz-Szyszko, Alexander de Cadenet, Christopher Clack, Marlene Dumas, Terry Ffyffe, Jake Flood, Antoni Gaudi, Nicola Green, Maciej Hoffman, Gwen John, Lakwena Maciver, S. Billie Mandle, Giacomo Manzù, Sidney Nolan, Michael Pendry, Maurice Novarina, Regan O'Callaghan, Ana Maria Pacheco, John Piper, Nicola Ravenscroft, Albert Servaes, Henry Shelton, Anna Sikorska, Alan Stewart, Jan Toorop, Andrew Vessey, Edmund de Waal and Sane Wadu.

My Church of the Month reports include: All Saints Parish Church, Tudeley, Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Churches in Little Walsingham, Coventry Cathedral, Église de Saint-Paul à Grange-Canal, Eton College Chapel, Lumen, Metz Cathedral, Notre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church, St. Margaret’s Church, Ditchling, and Ditchling Museum of Art + Craft, St Mary the Virgin, Downe, St Michael and All Angels Berwick and St Paul Goodmayes, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

Blogs for ArtWay include: Congruity and controversy: exploring issues for contemporary commissions; Ervin Bossanyi: A vision for unity and harmony; Georges Rouault and André Girard: Crucifixion and Resurrection, Penitence and Life Anew; Photographing Religious Practice; Spirituality and/in Modern Art; and The Spirituality of the Artist-Clown.

Interviews for ArtWay include: Sophie Hacker, Peter Koenig, David Miller and Belinda Scarlett. I also interviewed ArtWay founder Marleen Hengelaar Rookmaaker for Artlyst.

I have reviewed: Art and the Church: A Fractious Embrace, Kempe: The Life, Art and Legacy of Charles Eamer Kempe and Jazz, Blues, and Spirituals.

Other of my writings for ArtWay can be found here. My pieces for Church Times can be found here. Those for Artlyst are here and those for Art+Christianity are here.

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Miles Davis & Sonny Stitt - Round Midnight.

Wednesday, 27 March 2024

The Mark of the Cross

Here's my reflection from today's Eucharist at St Andrew's Wickford:

In Luke’s Gospel we read that Jesus, when the days drew near for him to be taken up, set his face to go to Jerusalem (Luke 9.51-62). In Isaiah 50, we read of God’s servant setting his face like flint and not turning backwards although he gives his back to those who struck him, and his cheeks to those who pulled out the beard; so, he did not hide his face from insult and spitting (Isaiah 50.4-11). That is an accurate description of what Jesus did and endured in Jerusalem on the way to the cross:

Your face, set like flint,
set towards Jerusalem,
bears the mark of the cross.
You carry the cross
in the resolution
written on
your features.
Death is the choice,
the decision,
the destiny,
revealed
in the blood,
sweat and tears
secreted from
your face
in prayerful questions,
prophetic grief,
pain-full acceptance,
then
imprinted on
Veronica’s veil.

Jesus bore the mark of the cross on his face as he was so determined to go to Jerusalem and to the cross. In Luke’s Gospel we read that he entered a village of the Samaritans but they did not receive him, because his face was set towards Jerusalem. The flint-like determination on his face was such that the Samaritan villagers could see what he was determined to do.

What does this determination, this decision, say to us about Jesus and his death? In our Lent Course on the Stations of the Cross, we asked ourselves what was it that held Jesus to the cross? Was it the nails, or Pilate’s judgement and decree, or the presence of the soldiers, or the size of the crowd? If Jesus was God, then legions of angels could have freed him so, if that was the case, what actually held him there?

We then reflected on these two poems:

What holds you here?
The cruel nails
driven into wrists and feet?
Armed guards
ringing the base of your cross?
The crowd
mocking your purpose and pain?
The exhaustion
of a battered and beaten victim?
A willed commitment
to a loving, reconciling purpose?

***

Blow after hammer blow holds your body
to the cross. Yet, if you had willed so,
you could have walked away. You did not so will,
your will held you crucified and dying.

As God, Jesus had the power to walk away from the Cross or be rescued from it by legions of angels. He chose not to do so. Ultimately, it was not the nails or soldiers or the crowd, or those who condemned him that held him to the cross. He was there because he chose to be. It was his will and his determination and his love that held him there. We first see that will and determination in the flint-like setting of his face to go to Jerusalem. The steely determination that can be seen in his face is the mark of the cross on his face and a sign of his love for each one of us. This Holy Week may we see that love afresh as we look on his face that is set like flint.

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Adrian Snell - Golgotha.

Saturday, 9 March 2024

Artlyst - The Art Diary March 2024

My March Art Diary for Artlyst includes exhibitions at Kettle’s Yard, Gallery 1957, Dulwich Picture Gallery, National Portrait Gallery, Compton Verney, Stanley Spencer Gallery, Benjamin Rhodes Arts and covers artists such as Isaam Kourbaj, Nidhi Khurana, Woody De Othello, Polly Braden, Matthew Askey, Steve Whittle, Patrice Moor and Josh Tiessen:

"Steve Whittle’s retrospective at the Beecroft Gallery in Southend includes a series of Stations of the Cross and other crucifixion and resurrection images. Additionally, there are images of churches, including St Peter’s Chapel at Bradwell. M.L. Banting writes: “Asking what had drawn him to this ancient Chapel, Whittle says it’s almost impossible to put into words, he’d felt a primal and immediate connection on his first visit and had to return again and again. That powerful pull has resulted in a number of works, including charcoals, pastels, paintings and collages, all of which portray the extraordinary sense, or spirit, of place – remote, lonely, glorious and powerful – the austere silhouette of the Chapel monumental against the sea and sky.”"

Interviews -
Monthly diary articles -
Articles/Reviews -
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The Waterboys - Spirit.

Tuesday, 13 February 2024

Stations of the Cross

 





This year the Ministry Team in the Wickford and Runwell Team Ministry have once again written our own Lent Course, which looks more deeply into the Stations of the Cross which we use during Holy Week, including images, readings, reflection and prayer.

These sessions will be offered on Tuesday evening and Thursday afternoon and evening, depending on numbers, starting the week of 19th February. We also have the opportunity to share these sessions with Christ Church, giving additional days and times (Tuesday mornings and Wednesday evenings).

Mark of the Cross and The Passion are collections of images, meditations and prayers by Henry Shelton and myself on The Stations of the Cross. They provide helpful reflections and resources for Lent and Holy Week. These collections can both be found as downloads from theworshipcloud.

Mark of the Cross is a book of 20 poetic meditations on Christ’s journey to the cross and reactions to his resurrection and ascension. The meditations are complemented by a set of semi-abstract watercolours of the Stations of the Cross and the Resurrection created by Henry Shelton.

The Passion: Reflections and Prayers features minimal images with haiku-like poems and prayers that enable us to follow Jesus on his journey to the cross reflecting both on the significance and the pain of that journey as we do so. Henry and I have aimed in these reflections to pare down the images and words to their emotional and theological core. The mark making and imagery is minimal but, we hope, in a way that makes maximum impact.

Jesus dies on the cross

The sun is eclipsed, early nightfall,
darkness covers the surface of the deep,
the Spirit grieves over the waters.
On the formless, empty earth, God is dead.

Through the death of all we hold most dear, may we find life. Amen.

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Friday, 2 February 2024

Southend-on-Sea: Steve Whittle and John Paul Barrett



There is a marvellous opportunity currently in Southend to see traditional religious imagery in a new light.

Steve Whittle ‘Retrospective : 1973-2023’
Beecroft Art Gallery
Saturday, 13 January - Sunday, 31 March 2024

The primary subject matter in Steve Whittle's work is colour, which has been the major theme. The work is often produced in series and is unified by the similar images and combinations of colours that are used. Each picture can therefore be viewed as a component of a group or seen as an individual piece.

The medium Whittle uses is collage and over many years he has developed the technique which can be seen in many of the pictures in this retrospective. Firstly the paper, which is acid free, is prepared with several coats of acrylic paint in the appropriate colour and the torn paper collage is applied to this surface with acrylic glue in as many layers as necessary to get the correct colour combinations. When the picture is complete it is then coated with UVS varnish.

The retrospective includes a series of Stations of the Cross, plus other crucifixion and resurrection images. Additionally, there are images of churches including St Peter's Chapel at Bradwell. M.L. Banting writes:

"Asking what had drawn him to this ancient Chapel, Whittle says it’s almost impossible to put into words, he’d felt a primal and immediate connection on his first visit and had to return again and again. That powerful pull has resulted in a number of works, including charcoals, pastels, paintings and collages, all of which portray the extraordinary sense, or spirit, of place – remote, lonely; glorious and powerful – the austere silhouette of the Chapel monumental against the sea and sky."


Trials and Tribulations: Modern Impressions of Iconography
Friday 2 - Thursday 29 February 2024

This is a new exhibition by local artist John Paul Barrett at the Forum. This collection is inspired by Eastern European iconography. Visitors will experience traditional religious imagery in a new light, and (re)connect with the spiritual aspect and values symbolised by pivotal Biblical events.

You can meet the artist at the following times:
  • Friday 2 February, 5-6.30pm
  • Saturday 3 February, 3-4.30pm
  • Saturday 10 February, 11am-2pm
  • Saturday 17 February, 3-5pm
  • Saturday 24 February, 11am-2pm
Also worth checking out is: 

on the Focal Point Gallery website, which features St Peter-on-the-Wall:

Richard Baxter is interested in how traces from previous lives of places describe time passing. When visiting a site, he collects photographic evidence and takes squeezes: sheets of porcelain pressed onto surfaces, peeled away to reveal exact negatives of specific details. He is currently exploring the site of St Peter-on-the-Wall at Bradwell in Essex. Built by Cedd in 654 it is England’s oldest church, but it uses far older materials from the Roman fort Othona that stood there for over 400 years. The stones came from Kent and the red bricks from the clay found under the fields. Many centuries have left their marks, making a complex story of building and rebuilding. It is a place of utmost simplicity requiring a simple response. The prints are enhanced with a cobalt wash, a blue associated with porcelain. This is a different kind of printmaking, and goes hand in hand with making cyanotypes, which use similar blue dye tones and give a timeless feel. This film is a collage of inputs and outcomes so far. Next steps will see Baxter combine the photographic images onto squeezes for the first time. The images will sit on top of their own texture.

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