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Showing posts with label passion play. Show all posts
Showing posts with label passion play. Show all posts

Sunday, 19 October 2025

Persist in prayer

Here's the sermon I shared this morning at St Gabriel's Pitsea:

In his teaching Jesus sometimes uses the formula; if someone who is bad can do X then how much more should you or how much more will God do X. He uses it, for example, when he talks about God giving the Holy Spirit: if father’s who are bad know how to give good gifts to their children, how much more will God give the Holy Spirit to those who ask him.

When he is at the home of a Pharisee, he uses the example of a person who takes the place of honour at a feast but is moved to the lowest place when someone more important comes to challenge us to be the one of takes the lowest place first. In the Parable of the Dishonest Steward, he challenges us about the importance of relationships by telling the story of a dishonest manager who learns the benefits of relationships through self-interest after losing his job. In today’s Gospel reading he challenges us to go further towards self-sacrifice by saying in the Parable of the Persistent Widow that, if hard-hearted people, like the Judge in that story, can do kind things for selfish reasons, should we not go further and do what is kind anyway, regardless of return.

The widow in the story provides us with an important example of persistence in prayer, while the parable also assures us that God is responsive in a way that the unjust Judge is not initially.

You may have heard stories of those who persisted in prayer or may have had that experience yourself. I like the story of Monica, the mother of St Augustine, who had to persist with her prayer that Augustine would come to faith. Augustine writes in his ‘Confessions’ that God did not grant what she desired at the moment that she first prayed, but, true to his higher purpose, God met the deeper wish of her heart. Monica had to learn to persevere in prayer in the face of what seemed to be a lack of response from God to her prayer. When Jesus told parables about prayer, the stories he told were of those who did what Monica did and kept on praying no matter what. When Monica’s prayer was finally answered it was the deepest wish of her heart that was realised as her son becomes one of the most influential figures in the history of Christianity.

This story gives us one answer to a question that we might well have about the importance of persisting in prayer. We might well ask why, if God is responsive to our prayers, we need to persist with our prayer. One answer is that flagged by Augustine in relation to his mother i.e. that the time is not right yet for our prayer to be answered and therefore we need to wait while continuing to pray. The time may not be right in terms of circumstances. That was the case in Augustine’s life. But it could be that change is needed in our life in order to be the answer to our prayer.

In 'Letters to a Young Poet' the poet Rainer Maria Rilke calls for the unknown to be embraced, and not necessarily puzzled out. Rilke writes: “…have patience with everything unresolved in your heart, and try to love the questions themselves, as if they were locked rooms or books written in a very foreign language. Don’t search for the answers, which could not be given to you now, because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing, live your way into the answer….” Rilke suggests that we may need to change in order live our way to become the answer to our prayer.

Another reason why we might not recognise God’s response to our prayer is that he may give us what we need, rather than what we want.

There is an old joke about a man caught in floods who believed that the Lord would rescue him. He turns away a neighbour in a dinghy, a lifeboat and a helicopter before the waters rise over his home, all because he believed that the Lord would rescue him. He arrived in heaven in a state of shock. “Lord,” he complained, “why didn’t you protect and rescue me?” “I sent you two boats and a helicopter, “ said the Lord wearily, “what more did you want.”

Sam Wells, Vicar of St Martin-in-the-Fields, has written about this phenomenon in terms of the cornerstone, the stone that the builders rejected. He notes that: “The stone that the builders rejected didn’t find a place in the wall somewhere by being thoughtfully included like a last-minute addition to a family photo. The rejected stone became the cornerstone, the keystone – the stone that held up all the others, the crucial link, the vital connection. The rejected stone was Jesus, as our Gospel reading makes clear. In his crucifixion he was rejected by the builders – yet in his resurrection he became the cornerstone of forgiveness and eternal life.”

He goes on to argue that that’s “what ministry and mission are all about – not condescendingly making welcome alienated strangers, but seeking out the rejected precisely because they are the energy and the life-force that will transform us all. Every minister, every missionary, every evangelist, every disciple should have these words over their desk, their windscreen, on their screensaver, in the photo section of their wallet, wherever they see it all the time – the stone the builders rejected has become the cornerstone.”

This is important, he says, because, if we’re “looking for where the future church is coming from, we need to look at who or what the church and society has so blithely rejected. The life of the church is about constantly recognising the sin of how much we have rejected, and celebrating the grace that God gives us back what we once rejected to become the cornerstone of our lives. That’s what prophetic ministry means.”

As a result, like the drowning man in the joke, we may not recognise the people who can be the answer to our prayers, and may even reject those people, because they are not the people we expected to come along to help. As church and society, there are many people that we reject and exclude, so, as Sam says, we need to look at who or what the church and society has so blithely rejected, to constantly recognise the sin of how much we have rejected, and celebrate the grace that God gives us back what we once rejected to become the cornerstone of our lives.

I saw this happen in practice one year at St Martin-in-the-Fields when Jesus and the disciples in our Palm Sunday Passion Drama were members of the weekly 45-strong asylum-seekers group that meets at St Martin’s every Sunday afternoon, many of them experiencing homelessness and destitution in London – including a Kurdish Iranian, a Ugandan, a Dominican Republican, a Bangladeshi, a Kenyan, a Zimbabwean and a South African. One, a Ghanaian, spent two years travelling to the UK, crossing the Mediterranean from North Africa in a boat and waiting for many weeks in the Calais Jungle. In our Passion Play, at the last supper they gathered around Jesus – played by Sam, a young Afghani refugee - waiting on his every word, knowing from their own lives what it means to hope and pray for salvation.

Sam Wells described what happened to those of us watching this Passion Drama:

“The British public sees asylum-seekers as a threat or at best an administrative burden. The churches tend to see them as objects of pity and mercy. On Palm Sunday they were none of these things. They were prophets, preachers, provocative witnesses to the gospel, challenging us at St Martin’s, used to thinking of ourselves as edgy and politically engaged, with the question of where we each stood in the passion story. This was the first time our International Group has led us into worship. In the past, members of the group have joined our fellowship by acting as wicket-keeper or demon opening bowler in our cricket team, or as waiter for our hospitality events. But on Palm Sunday they were swept up into the passion narrative itself. And they changed the whole way we thought about the story we thought we knew.

Sam from Afghanistan sums up St Martin’s because he is the asylum-seeker who played Jesus in the drama and was water boarded for our salvation. He sums up St Martin’s because we aren’t about condescendingly making welcome alienated strangers, but instead about seeking out the rejected precisely because they are the energy and the life-force that will transform us all. Sam sums up our community not because he gratefully received our pity but because he boldly showed us the heart of God.”

In this way, these people who experience rejection in our society became the answer to our prayer.

Is there a prayer that you have prayed for many years and to which you think God has not provided the answer? I want to encourage you to persist in your prayer but also to look out for unexpected people who might be the answer to your prayer and to consider the times and circumstances of your life which may also bring the answer that you need. For others of us, there may be a prayer that we need to begin praying knowing it will not be an easy prayer to see answered but knowing, too, that it is when we begin to pray that God can act in our lives and the lives of others too. May it be so for each one of us. Amen.

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Aretha Franklin - Are You Sure?

Sunday, 8 October 2023

God gives back what we rejected to become the cornerstone of our lives





Here's the sermon I shared at St Nicholas Laindon this morning:

The Parable of the Wicked Tenants (Matthew 21:33-46) is in essence the story of Jesus’ ministry, arrest and death. He is the son that is killed by the tenants to whom the landowner entrusted his property and he is the cornerstone that, although rejected, becomes the stone which holds all the others up; the keystone, the crucial link, the vital connection.

However, while this is the story of Jesus, it is also the story of the Israel of his day; a chosen people who were not fulfilling their purpose despite multiple messengers, most recently John the Baptist, having come to warn them of their need for change.

When Abraham was called by God he was told that he would become a great and mighty nation and that all the nations of the earth would be blessed in him. The nation founded through his obedience to God’s call was to be a blessing to all nations. The people of Israel were reminded periodically of this call, as in Isaiah 49:6 where we read:

“It is too light a thing that you should be my servant
to raise up the tribes of Jacob
and to restore the survivors of Israel;
I will give you as a light to the nations,
that my salvation may reach to the end of the earth.”

The prophecies collected together in Isaiah also show the kind of place that Jerusalem was intended to become; a place to which all nations could come to hear from God:

“Many nations will come streaming to it, and their people will say,
‘Let us go to up the hill of the Lord, to the Temple of Israel’s God.
He will teach us what he wants us to do;
we will walk in the paths he has chosen.
For the Lord’s teaching comes from Jerusalem;
from Zion he speaks to his people.” (Isaiah 2. 2b & 3a)

Instead of that vision coming to pass, by the time of Jesus, the Temple had become a symbol of Jewish identity with all sorts of people excluded from worship unless they conformed to the detailed requirements of the Mosaic Law. The Temple and the worship in it prevented the free access to God that God wished to see for people of all nations.

In Jesus’ ministry, crucifixion and post-resurrection commission to his disciples, we see him tearing down barriers that prevented sight of God and raising up those whose position in society excluded them from worship. In his ministry Jesus expressly went to those who were excluded from Temple worship, including them both by accepting them (and teaching that they will enter the kingdom of God ahead of the religious leaders) and by healing them so they could actively return to the Temple worship. When he died the curtain separating people from the most holy place in the Temple was torn in two, showing that access to God was now open to all. Jesus also prophesied that the Temple itself would be destroyed and that when this happened his disciples should take his message of love to all nations.

As an Iona Community liturgy puts it, Jesus was ‘Lover of the unlovable, toucher of the untouchable, forgiver of the unforgivable, bone of our bone, flesh of our flesh, writing heaven’s pardon over earth’s mistakes. The Word became flesh. He lived among us, He was one of us.’ As Christ’s followers today, we inherit the task of putting into practice what Jesus has achieved through his life, death and resurrection. We are the people today who are called to work towards that Isaianic vision of nations streaming to learn what Israel’s God wants them to do, settling disputes among the great nations, hammering swords into ploughshares and spears into pruning hooks, and never again preparing to go to war.

Sam Wells, Vicar of St Martin-in-the-Fields, notes that: “The stone that the builders rejected didn’t find a place in the wall somewhere by being thoughtfully included like a last-minute addition to a family photo. The rejected stone became the cornerstone, the keystone – the stone that held up all the others, the crucial link, the vital connection. The rejected stone was Jesus, as our Gospel reading makes clear. In his crucifixion he was rejected by the builders – yet in his resurrection he became the cornerstone of forgiveness and eternal life.

That’s what ministry and mission are all about – not condescendingly making welcome alienated strangers, but seeking out the rejected precisely because they are the energy and the life-force that will transform us all. Every minister, every missionary, every evangelist, every disciple should have these words over their desk, their windscreen, on their screensaver, in the photo section of their wallet, wherever they see it all the time – the stone the builders rejected has become the cornerstone.”

He says this is important because, if we’re “looking for where the future church is coming from, we need to look at who or what the church and society has so blithely rejected. The life of the church is about constantly recognising the sin of how much we have rejected, and celebrating the grace that God gives us back what we once rejected to become the cornerstone of our lives. That’s what prophetic ministry means.”

With these words, Sam Wells turns the story on ourselves, just as Jesus did with the chief priests and the Pharisees of his own day, who heard his parables and realized that he was speaking about them. In the eternal relevance of Jesus’ parables, Jesus tells this story to us in order that we realise he is speaking about us. As church and society, there are many people that we reject and exclude, so, as Sam says, we need to look at who or what the church and society has so blithely rejected, to constantly recognise the sin of how much we have rejected, and celebrate the grace that God gives us back what we once rejected to become the cornerstone of our lives.

I saw this happen in practice one year at St Martin-in-the-Fields when Jesus and the disciples in our Palm Sunday Passion Drama were members of the weekly 45-strong asylum-seekers group that meets at St Martin’s every Sunday afternoon, many of them experiencing homelessness and destitution in London – including a Kurdish Iranian, a Ugandan, a Dominican Republican, a Bangladeshi, a Kenyan, a Zimbabwean and a South African. One, a Ghanaian, spent two years travelling to the UK, crossing the Mediterranean from North Africa in a boat and waiting for many weeks in the Calais Jungle. In our Passion Play, at the last supper they gathered around Jesus – played by Sam, a young Afghani refugee - waiting on his every word, knowing from their own lives what it means to hope and pray for salvation.

Sam Wells described what happened to those of us watching this Passion Drama:

“The British public sees asylum-seekers as a threat or at best an administrative burden. The churches tend to see them as objects of pity and mercy. On Palm Sunday they were none of these things. They were prophets, preachers, provocative witnesses to the gospel, challenging us at St Martin’s, used to thinking of ourselves as edgy and politically engaged, with the question of where we each stood in the passion story. This was the first time our International Group has led us into worship. In the past, members of the group have joined our fellowship by acting as wicket-keeper or demon opening bowler in our cricket team, or as waiter for our hospitality events. But on Palm Sunday they were swept up into the passion narrative itself. And they changed the whole way we thought about the story we thought we knew.

Sam from Afghanistan sums up St Martin’s because he is the asylum-seeker who played Jesus in the drama and was water boarded for our salvation. He sums up St Martin’s because we aren’t about condescendingly making welcome alienated strangers, but instead about seeking out the rejected precisely because they are the energy and the life-force that will transform us all. Sam sums up our community not because he gratefully received our pity but because he boldly showed us the heart of God.”

The choice that Jesus puts to us in this parable is either one of standing with those who persistently reject the cornerstone or becoming those who seek out the rejected precisely because they are the energy and the life-force that will transform us all and, thereby, becoming a light to the nations. Which do we want to be and which will we choose to be?

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Ed Kowalczyk - Cornerstone.

Sunday, 2 April 2017

Passion Plays for Lent

Image result for crosslight riding lights

Crosslight: A Passion Play presented by Riding Lights Theatre Company is “A fascinating psychological drama… The show asks questions about what we learn through failure, the importance of forgiveness and the power of redemption… Tremendous.” (York Press)

The disciple chosen to lead, is in pieces.

Caught in the crosslight of the flickering candles at the last supper, the torches of Gethsemane, the firelight in the courtyard, by the searching gaze of his Lord, Simon ‘the rock’ is shattered.

As he hangs from the cross, Jesus is surrounded by a jeering crowd, laughing at his claim to be the Son of God. A small group of family and friends stands by until the agony ends. But the great friend who, more than any other, has stood by Jesus throughout the story is conspicuous by his absence.

One man is missing – one who knows the truth.

Crosslight draws us into the dramatic events of Christ’s Passion and into the experience of one disciple who failed, despite everything he believed so passionately…


The Gospel of Matthew by Candlelight is touring churches in the South East of England. Experience a stunning, virtuoso delivery of the greatest story ever told... as Jesus's followers first heard it... in a darkness illuminated purely by candlelight and the Word!!

Acclaimed by critics and audiences in theatres and churches throughout the UK, award-winning actor George Dillon presents an unforgettable vision of Jesus in his highly intense, very human and occasionally humorous solo staging of the first Gospel.

Short-listed for The Stage's 'Best Actor' Award in Edinburgh, Dillon’s epic, impassioned performance of his own translation portrays Jesus not as a meek and mild lamb to the slaughter but as a contemporary raging fighter for God.

Image result for justin butcher the devil's passion
 
The Devil's Passion or Easter in Hell is a divine comedy written & performed by award-winning playwright Justin Butcher. Butcher, author of the world-famous “Scaramouche Jones”, starring Pete Postlethwaite & directed by Rupert Goold, the hit anti-war satire “The Madness Of George Dubya” and the controversially acclaimed “Go To Gaza, Drink The Sea”, turns his pen to the greatest story of all. By turns comic, gripping, poetic, and heart-stirring, The Devil’s Passion offers a radically fresh perspective on the timeless narrative, an audacious hell’s-eye-view of the Passion of Christ from a master storyteller.

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Adrian Snell - Gethsemene.

Sunday, 22 February 2015

First Light: A Passion Play for Hertford

"First light. Here it comes. Tomorrow."

Yesh has come to the city to complete his mission of the last three years. But the authorities have him in their sights and one of his friends has different plans for him. There's just time for a last takeaway curry before Yesh must face what he has come to do.

First Light is a new Passion Play by Hertford playwright Kate Miller, a fresh re-imagining of the events of Easter from a modern perspective. Directed by National Theatre actor Trevor Michael Georges, it brings together a 2000-year-old story with the dreams, fears and struggles of 21st-Century Britain.

With a cast of professional actors and Hertford people, and featuring original music created by Hertford musicians, First Light offers an engaging, and at times surprising, look at the last days of Jesus' life.

First Light will be performed at St Andrew's Church during Holy Week. Performances will be on:
Good Friday (3 April) 7.30pm and Holy Saturday (4 April) 2.30pm & 7.30pm. Tickets on sale soon.

'First Light': A Passion Play for Hertford by Kate Miller. Directed by Trevor Michael Georges. Music by Harold Chaplin, Katie Seaton and Maria Henriksson-Bell. Suitable for people of all faiths or none. Age 8+.

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Peter Gabriel - The Feeling Begins.

Thursday, 18 December 2014

Sabbatical art pilgrimage: ArtServe article



The latest article based on my sabbatical art pilgrimage can be found in the Winter edition of ArtServe's magazine. The article, which is entitled 'A Tale of Two Churches', uses the story of commissions at Notre-Dame des Alpes in Le Fayet and Notre-Dame de Toute Grâce on the Plateau d'Assy to explore issues raised by the twentieth century revival in sacred art. Both churches are in the French Alps, they had the same architect, are built in a similar style and are only kilometres apart yet they represent different stages of the twentieth century’s revival of sacred art.

ArtServe promotes and supports the use of creative arts in Christian worship, including music, dance and drama, visual arts, and creative writing. ArtServe magazine is published three times a year. The latest edition also features:
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Martin Smith - Emmanuel.