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Showing posts with label salvation army. Show all posts
Showing posts with label salvation army. Show all posts

Thursday, 18 May 2023

Art Trail with exhibitions & poetry reading







Saturday 20 May: 9.30 am – 4.00 pm, Wickford and Runwell Art Trail

See artworks by Val Anthony, William Butterfield, Enid Chadwick, Antony Corbin, Christine Daniels, David Folley, David Garrard and Julia Glover at St Andrew’s, St Catherine’s and St Mary’s churches, plus the photographic exhibition at the Salvation Army, Jackie Burns’ Space Art at St Andrew’s, Tim Harrold’s assemblages at St Catherine’s and paintings by Pam Jones at St Mary’s.

Art talks/tours at St Andrew’s (10.00 am), St Catherine’s (11.30 am), and St Mary’s (2.00 pm). The artworks in these churches feature in a case study for the Gods' Collections project. Jackie Burns will paint live at St Andrew's Church throughout the day and Mike Fogg will give a talk on Composition in Photography at The Salvation Army at 11.00 am.

Jackie E. Burns is a Fellow of the International Association of Astronomical Artists and seeks to foster the inquisitive joy of art and astronomy while inspiring people to the awe and beauty of space and astronomy. Her One Beautiful World exhibition of space art by Jackie E. Burns is at St Andrew's until 23 July 2023.

Friday 19 and Saturday 20 May, 10.00 am to 4.00 pm: One Beautiful World photographic exhibition by Compass Photography at The Salvation Army, Jersey Gardens, Wickford SS11 7AE.

Photographs by Mike Fogg and Terry Joyce of the Essex based Compass Photography Group whose approach is summed up in a quote attributed to Matt Hardy, a Dorset based photographer: “Beauty can be seen in all things, seeing and composing beauty is what separates a snapshot from a photograph.”

Mike Fogg will give a free talk (50mins) at 11am in The Salvation Army on the Saturday, as follows:

Composition in Photography – Mike Fogg FCIPS: When you “take a photograph” you are really creating a work of art! Many of the same principles that apply to artists apply to photographers. In this session, Mike will use examples of his own “good” and “bad” photographs to highlight a number of easy to grasp techniques which will allow participants to improve their own photographs. In both 2019 and 2021 Mike won an international photography competitions with his images.

Saturday 20 May: 4.00 pm, St Catherine’s Church: One Beautiful World poetry reading with Tim Harrold and Jonathan Evens

Tim Harrold is a poet who creates images of profound challenge and change, of pause and process, of chrysalis and catalyst. His most recent publication is ‘Verses versus Viruses’. Jonathan Evens is a creative writer whose poems and stories have been published by Amethyst Review, International Times and Stride Magazine.

What to see at St Mary's, St Catherine's and St Andrew's:

St Mary's Runwell is a magnificent mediaeval building which boasts an interesting and mixed history. The church is often described by both visitors and regular worshippers as a powerful sacred space to which they have been drawn. This powerful impact comes in part from the art and architecture in the space.

The colouring of the screen at St Mary's and the murals the one pillar in the south aisle dates from the 1930s-1950s and was undertaken, by his sons, under the guidance of then Rector, Revd John Edward Bazille-Corbin to 'reproduce as closely as possible' the decoration of the medieval church. The painting of St Peter and the crucifix below it were by Anthony Corbin and are 'restorations of medieval work which had been well and truly scraped out, but the traces of which could, at that date, still be faintly seen.' The large painting of 'The Baptism of Our Lord' by Enid Chadwick of Walsingham was gifted to the church by Fr David John Silk Lloyd. Local woodworker David Garrard has crafted Stations of the Cross using the motif of the Runwell Cross which have been placed around the church. Garrard also built an altar for the side chapel together with an inscribed cross on the side chapel wall.

The building of St Catherine’s Wickford is beautiful and peaceful and is like a beacon on the hill. There has been a church on the site for hundreds of years but the present building dates back to 1876 and is Grade II listed; however, there are records showing a church has been in existence since 1154. Throughout most of its existence, the story of St Catherine's has been one of a small country church serving a village community. From the late 20th Century, this role has changed dramatically and today it ministers to a large bustling town. Although much of the village has been lost under bricks and tarmac, the church and churchyard still seem to retain an atmosphere of the rural heritage of Wickford's past.

The reredos at St Catherine's was given to the church by Vicar and Churchwardens of All Saints' Margaret Street. It is by William Butterfield, the architect of All Saints, and is said to be one of the finest of its kind. Additionally, on the West wall of the church is a small part of a wall painting, believed to have been salvaged from the previous building. The church also has a range of stained-glass, each with their own dedication, which range from the Madonna and Child to the Crucifixion and on to depictions of saints.

St Andrew’s Wickford was rebuilt in the 1960s: the church’s simple, spacious interior has been enhanced over the years by the skill of church members who have designed and made banners, window paintings, altar frontals and kneelers. St Andrew's has stained-glass by local artists Val Anthony and Christine Daniels and banners by Julia Glover, plus a hidden painting by internationally exhibited artist David Folley. Folley's large 'Descent from the Cross' is a major work by an artist who has exhibited widely across the UK and Europe, including at the Royal Society of Portrait Painters, in London, in Sweden and Germany, and at important contemporary international art fairs in Edinburgh and Dublin.

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Saturday, 4 February 2023

St Gilbert, Wickford SOS and Wick Green




It was great to celebrate St Gilbert's Day on Wick Green today with Wickford SOS, Revd Sue Wise and the Mayor of Basildon. Congratulations to Wickford SOS for securing Wick Green's future as green space.

Here's the brief reflection I shared before leading prayers:

It is a pleasure to be with you today celebrating the life of St Gilbert and celebrating Wick Green being placed under the protection of The Fields In Trust, for which many congratulations to all involved with Wickford SOS.

From small beginnings, St Gilbert built a chain of 26 convents, monasteries and missions. He was unique in his time being the only person in Medieval England to found a conventual order and to include women, as well as men, in his order. The Gilbertines became known for "the plate of the Lord Jesus", whereby the best portions of the dinner were put on a special plate and shared with those who were poor. This reflected Gilbert’s lifelong concern for people less fortunate than himself. As he inherited his father’s wealth, Gilbert could have lived a life of luxury, as many of his fellow priests did at the time, but, instead, he chose to share his wealth with those who were poor.

Wickford SOS will, likewise, have had a small beginning and yet became a movement sufficient to achieve the aim of having Wick Green placed under the protection of The Fields In Trust in order to protect local green space, wildlife and residents quality of life. Just as St Gilbert’s life and witness are an inspiration, so is the work of Wickford SOS.

The churches in Wickford and Runwell, like the Gilbertines, are seeking to support those most in need in our community through The Gateway Project, the Foodbank for Wickford and Runwell which is hosted by The Salvation Army. We remain grateful for all the ways in which people from the wider community support that initiative and, thereby, provide help to those less fortunate than ourselves. Then, like Wickford SOS, we are seeking to raise awareness of environmental issues and support for a planet that is threatened by human activity. Together, the churches are planning an Arts Festival from 13 – 26 May that will be called ‘One Beautiful World’ and that, through the Arts, will seek to celebrate our one beautiful world and draw attention to environmental issues and concerns.

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Joni Mitchell - Big Yellow Taxi.

Monday, 17 February 2020

CtiW Newsletter - Modern Slavery and Human Trafficking



The latest Newsletter from Churches Together in Westminster - No. 18 (Winter 2019/2020) - is now available at Newsletter 18

This edition of the newsletter includes:
  • Report of CTiW General Meeeting
  • Report from London Prisons Mission
  • Talks on “Modern Slavery and Human Trafficking” given at the 2020 AGM
  • CTiW Executive Members for 2020
  • CTiW Review 
The AGM report includes talks from Kevin Hyland OBE, former UK Independent Antislavery Commissioner, who spoke on Modern Slavery and Human Trafficking, Major Heather Grinstead, Deputy Director for The Salvation Army's Modern Slavery Unit, and Abigail Lennox, Local Programme Coordinator - Modern Slavery Post-NRM Survivors Support Service also contributed. The Salvation Army provides a specialist support for all adult victims of modern slavery in England & Wales. In addition, Caroline Virgo from The Clewer Initiative, Dr Julia Tomas, Anti Slavery Coordinator at The Passage, and the campaigner Elizabeth Matthews provided additional information about Modern Slavery.

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Wednesday, 8 January 2020

CTiW AGM: Modern Slavery & Human Trafficking


Hear Kevin Hyland OBE, former UK Independent Anti-slavery Commissioner speak on Modern Slavery & Human Trafficking at the AGM of Churches Together in Westminster.

This event will be held on 20 January 2020 at 6pm for 6.30pm at Hinde Street Methodist Church, Hinde Street, London W1U 3QJ.

Major Heather Grinsted, Deputy Director for The Salvation Army's Modern Slavery Unit and Abigail Lennox Local Programme Coordinator - Modern Slavery Post-NRM Survivors Support Service will also contribute.

Other related information will also be available including The Clewer Initiative.

The Salvation Army provides a specialist support for all adult victims of modern slavery in England & Wales. Their confidential referral helpline 0300 303 8151 is available 24/7.

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Michael Kiwanaku - You Ain't The Problem.

Friday, 12 April 2019

Holy Week and Easter at St Martin-in-the-Fields

This Sunday marks the beginning of Holy Week with, at St Martin-in-the-Fields, a Palm Sunday procession, led by a donkey, with the Regent Hall Salvation Army Band and the Choir of St Martin-in-the-Fields, and our Eucharist includes the dramatization of the Passion Gospel, led by members of the St Martin’s community.The procession begins as we gather behind Admiralty Arch at 9.45am. For those not joining the procession the service in church begins as usual at 10.00am.

At 5.00pm on Palm Sunday, ‘From Creation to Salvation’ is a powerful service of readings and music as we enter into Holy Week, telling the story of salvation, with the Choir of St Martin-in-the-Fields.

We welcome you to all of our services for Holy Week and Easter. Join with us as we follow the way of Christ through death to resurrection. Meditations on the Stations of the Cross feature on Monday and there will be a Eucharist on Tuesday. Both are in the Dick Sheppard Chapel. Alternative Stations of the Cross, 6.00pm on 15 April will include pictures, poems and prayers that enable us to follow Jesus on his journey to the cross reflecting both on the significance and the pain of that journey as we do so. The poems are by Jonathan Evens and the pictures by Henry Shelton.

Bread for the World on Wednesday evening concludes the Confessions of Augustine with Sam Wells preaching and presiding. Maundy Thursday Foot Washing and Institution of the Eucharist starts at 6.30pm with Vigil until 10pm. Good Friday includes an All Age Service at 10am and The Three Hours, with reflections by Guli Francis-Dehqani, Bishop of Loughborough at 12-3pm, followed by hot cross buns and coffee in St Martin's Hall.



The Rt Revd Guli Francis-Dehqani is the preacher in our Good Friday Three Hours service of reflections on the passion of Christ. Her theme is ‘A Cry from the Cross for a Lost Homeland.’ With music from the Choir of St Martin-in-the-Fields. Bishop Francis-Dehqani comes originally from Iran. Since 2017 she has served the Church of England as the Bishop of Loughborough and has a particular interest in work related to diverse cultures and ethnic minority communities within the Diocese.

Easter Sunday begins with the Vigil and First Eucharist of Easter, with the lighting of the new fire on the Portico at 5.30am. It will be followed by Easter Breakfast, Parish Eucharist at 10.00am. 

Find out more about services during Holy Week and Easter here.

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Will Todd - Sabat Mater.

Sunday, 20 May 2018

The most marvellous Pentecost Sunday

Today has been, I think, the most marvellous Pentecost Sunday I can remember experiencing and enjoying.

Feel the Spirit - A Celebration for Pentecost was broadcast live from St Martin-in-the-Fields on BBC1. The preacher was the new bishop of London, the Rt Rev Sarah Mullally, and the Mass setting, Will Todd's wonderful Jazz Missa Brevis, was sung by the combined choirs of St Martin's and directed by Andrew Earis. Hymns include the 'Every Time I Feel the Spirit', 'God is Love', 'Let Heaven Adore Him' and 'Come Down, O Love Divine'. The service also included a moving Pentecost drama with members of our congregation as the disciples speaking in their mother tongues, as well as a specially written Affirmation of Faith and intercessions. This was a tremendous celebration of the gift of the Spirit to the church through the wonderful diversity of the St Martin’s community.


Then I went to Regent Hall Salvation Army for the Churches Together in Westminster Pentecost Service with a great variety provided by the Regent Hall Band, Songsters, Worship Group and young people's band and choir. The service was led by Major Richard Mingay and the preacher was Fr Dominic Robinson SJ. We also viewed the video above of Presiding Bishop Michael Curry exploring what we mean when we pray 'Thy Kingdom Come'. I was interviewed about my upbringing, calling to ordained ministry, partnership development role at St Martin's, and my co-authored book 'The Secret Chord'. 

I talked about the Spirit's leading in my call through the thought that I had built up a set of skills and experiences through my work in the Civil Service and lay ministry that would be of use in ordained ministry. As I explored ordination I came to see that it could bring together my interests in partnership work, social action, spirituality and the Arts. I spoke of 'The Secret Chord' as an impassioned study of the role of music in cultural life, written through the prism of Christian belief. By exploring artistic dilemmas from a range of different perspectives the book draws its readers into an appreciation of harmony in performance as revealing the Secret Chord. 

HeartEdge is a growing ecumenical and international network of churches and other organisations initiated by St Martin’s, and focused around the model of mission with which St Martin’s works – congregation, commerce, culture and compassion. HeartEdge aims to catalyse kingdom communities by building association, learning, development and resource. The Spirit has been active in calling, creativity and the emerging HeartEdge community. I said that ecumenical partnerships and relationships are important because they place us at the heart of Jesus' prayer for unity among his disciples and provide the fullest expression of the Body of Christ.

Finally, the Choir of St Martin-in-the-Fields gave us the most magnificent Choral Evensong to end  Pentecost Sunday. The service included: Purcell's 'I was glad' as the Introit; Responses by Rose, Canticles from the Evening Service in B flat by Stanford; and Parry's 'Blest pair of sirens' as the anthem.

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Regent Hall Band - Expressions.

Wednesday, 16 May 2018

Pentecost Services

This year at St Martin-in-the-Fields, we are delighted to host the live BBC One worship broadcast for Pentecost on Sunday 20 May. All are warmly invited to this service as we celebrate the gift of the Spirit to the church through the wonderful diversity of the St Martin’s community. Our preacher will be the Rt Revd Sarah Mullally, the new Bishop of London. The service is led by Revd Dr Sam Wells, with the combined choirs of St Martin’s and the Will Todd Ensemble, directed by Andrew Earis. Please be seated in church by 9.30am.


The 2018 Churches Together in Westminster Pentecost Service will be held at 3.00pm on Sunday, 20 May, and will kindly be hosted by The Salvation Army, Regent Hall, 275 Oxford St, Mayfair, London W1C 2DJ. Again, all are welcome! The service will be led by Major Richard Mingay, the preacher will be Fr Dominic Robinson SJ and I will be interviewed about my ministry and my partnership development role at St Martin-in-the-Fields.

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Tuesday, 23 January 2018

Creation Care at CTiW AGM



The Churches Together in Westminster 2018 AGM with speakers and displays on the theme of “Creation Care” took place last night at Salvation Army, Regent Hall.

The AGM included displays and talks by organisations involved with conservation and environmental awareness – including Ealing Animal Charities Fair, Christian Aid, Eco Church, Anglican Society for the Welfare of Animals, and Green Christian. There was also the opportunity to visit displays and speak to representatives from the organisations both before and after the meeting.

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Joni Mitchell - Big Yellow Taxi.

Saturday, 8 April 2017

Holy Week & Easter at St Martin-in-the-Fields







This Sunday at St Martin-in-the-Fields we mark the beginning of Holy Week with a Palm Sunday procession, led by a donkey, with the Chalk Farm Salvation Army Band and the Choir of St Martin-in-the-Fields. We meet at the steps behind Admiralty Arch near the British Council building where the procession begins at 9.45am. For those who are not joining the procession the service in church begins as usual at 10am, when we greet the arrival of the procession and together we experience a dramatised reading of the Passion Gospel led by members from the St Martin’s community.

Lent Oasis, Sunday 9 April, 2.00-4.00pm, George Richards and Austen Williams Rooms

Another ‘Oasis’ time of quiet scripture reflection, prayer and practical art. Art materials will be available for you to explore, play with colour and be creative through collage, painting, drawing or writing.

Download the full flyer for Holy Week and Easter at St Martin-in-the-Fields 2017

Sunday 9 April – Palm Sunday

8.00am: Holy Communion (BCP)

9.45am: Palm Sunday Procession

We meet at the corner of St James’s Park near Admiralty Arch. Join the Choir of St Martin-in-the-Fields and the Salvation Army Band for a procession with palms, led by a donkey, into church.

10.00am: Eucharist

With the reading of the Passion Gospel

1.00pm: Service in Mandarin

2.15pm: Service in Cantonese

5.00pm: From Creation to Salvation

A powerful service of readings and music as we enter into Holy Week, telling the story of salvation, with the Choir of St Martin-in-the-Fields.

7.00pm: Compline with Time to Heal

Monday 10 April – Holy Week

8.30am: Morning Prayer

1.15pm: Holy Communion (DSC)

4.30pm: Choral Evensong

7.00pm: Crosslight: A Passion Play
Presented by Riding Lights Theatre Company

This play draws us into the dramatic events of Christ’s Passion and into the experience of one disciple who failed, despite everything he believed so passionately. It’s “a fascinating psychological drama,” and is suitable for adults and young people aged 12 and older.

Tickets: £10 (£5 students)
Available here
Tuesday 11 April – Holy Week

8.30am: Morning Prayer

1.15pm: Holy Communion (DSC)

6.00pm: Holy Communion with homily (DSC)
Wednesday 12 April – Holy Week

8.30am: Morning Prayer

1.00pm: Choral Eucharist

6.30pm: Bread For the World in Holy Week
Thursday 13 April – Maundy Thursday

8.30am: Morning Prayer

1.00pm: Great Sacred Music

Join us to mark Maundy Thursday, as the clergy and St Martin’s Voices present an exploration of Duruflé’s Requiem.

6.30pm: Maundy Thursday Liturgy with foot washing. The silent vigil of the watch follows until 10.00pm. Preacher: Revd Richard Carter
Friday 14 April – Good Friday
8.30am: Morning Prayer

10.00am: Good Friday Service for All Ages

12noon-3.00pm: The Three Hours
Revd Professor Ben Quash, Professor of Christianity and the Arts, Kings College London, is the preacher in this service of reflections on the passion of Christ. With the Choir of St Martin-in-the-Fields.

12noon and 3.15pm: The Passion of Jesus – free open air play by cast from the Wintershall Estate in Trafalgar Square

7.30pm: Bach St John Passion by Candlelight

Come and see Bach’s dramatic and emotional St John Passion performed by St Martin’s Chorus and the Brandenburg Sinfonia led by conductor Andrew Earis.

Tickets: £26 £22 £18 £15 £9
Available here
Saturday 15 April – Holy Saturday

9.00am: Morning Prayer
Sunday 16 April – Easter Day

5.30am: The Easter Vigil, the lighting of the new fire and the First Eucharist of Easter

8.00am: Holy Communion (BCP)

10.00am: Easter Eucharist

Preacher: Revd Dr Sam Wells with the Choir of St Martin-in-the-Fields

1.00pm: Service in Mandarin

2.15pm: Service in Cantonese

5.00pm: Choral Evensong with the Choir of St Martin-in-the-Fields

6.30-7.30pm: Allegri Miserere by Candlelight

St Martin’s Voices perform a selection of poignant music for Passiontide, including the beautiful Allegri Miserere and Tallis’s Lamentations of Jeremiah, written especially for Tenebrae in the 16th century.

Tickets: £16 £12 £7
Available here

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Thomas Tallis - Lamentations Of Jeremiah.

Friday, 25 March 2016

Mini Pilgrimage: Bishop of London & Archbishop of Westminster
















Great photographs from the Catholic Church of England and Wales of the St Stephen Walbrook leg of the mini-pilgrimage undertaken by the Bishop of London and Archbishop of Westminster to three stations in the Stations of the Cross 2016 exhibition. Click here to see photographs from their visits to Salvation Army International Headquarters and St Giles Cripplegate.

At St Stephen Walbrook the Cardinal and Bishop viewed 'Lamentation for the Forsaken' by Michael Takeo Magruder speaking with the artist and praying the following prayer: Lord Jesus, enwrapped in death, upon the cloth that bound you was impressed your face, the face of the Son of the living God. Grant us the courage to seek your kingdom amidst the forsaken. Give us the grace to behold your suffering face upon those killed in conflict. May they rise to everlasting life with you who lives and reigns for ever and ever. Amen. Click here to see videos of the visit to St Stephen and the other Stations.

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Thomas Dorsey - Take My Hand, Precious Lord.

Wednesday, 23 March 2016

Mini-Pilgrimage: Bishop of London & Cardinal Nichols

Stations of the Cross 2016 organisers Terry Duffy and Aaron Rosen 
with Cardinal Vincent Nichols outside St Stephen Walbrook

The Bishop of London and Cardinal Vincent Nichols undertook a mini-pilgrimage together today based on the Stations of the Cross 2016 exhibition, going from Salvation Army International Head Quarters to St Stephen Walbrook to St Giles Cripplegate.

At St Stephen Walbrook the Cardinal and Bishop viewed 'Lamentation for the Forsaken' by Michael Takeo Magruder speaking with the artist and praying the following prayer: 

Lord Jesus, enwrapped in death, upon the cloth that bound you was impressed your face, the face of the Son of the living God. Grant us the courage to seek your kingdom amidst the forsaken. Give us the grace to behold your suffering face upon those killed in conflict. May they rise to everlasting life with you who lives and reigns for ever and ever. Amen.

Cardinal Nichols spoke about seeing with the eyes of faith while Bishop Richard highlighted the importance of slowing down to reflect, something which this installation is achieving for busy City workers.

'Lamentation for the Forsaken' can be seen until Good Friday at St Stephen Walbrook (weekdays, 10am – 4pm, except on Wednesdays, 11.00am - 3.00pm), as part of ‘Stations of the Cross 2016’ an exhibition across 14 iconic locations in London during Lent. In his installation, Takeo offers a lamentation not only for the forsaken Christ, but others who have felt his acute pain of abandonment. 

Click here to view Arriving at Station XIII, a short series of videos exploring the development of this newly commissioned artwork for the Stations of the Cross project. The videos follow Takeo's progress as he conceives, develops and finally presents his installation at St. Stephen.

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Paradise - One Mind, Two Hearts.


Friday, 26 February 2016

Stations of the Cross: Refugees in Art & Religion


Stations of the Cross 2016 are providing an opportunity to view ‘Sea of Colour’ followed by an interview with the artist Güler Ates by Dr Aaron Rosen and a Scriptural Reasoning workshop on Thursday 10 March at 5.00pm at the Salvation Army International Headquarters, 101 Queen Victoria, London EC4V 4EH.

To book a place go to: refugeesartandreligion.eventbrite.co.uk.

Work by Güler Ates can also be seen currently in Unexpected: Continuing Narratives of Identity and Migration at the Ben Uri Gallery.

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Stations of the Cross 2016 - The Journey.

Saturday, 9 January 2016

Past Life - Present Mission (5)

Chapter 3: Christian life and mission in the light of Celtic Christianity (continued)

Spirituality: a target for growth in UPA Churches

Celtic Spirituality is filled with a great sense of spiritual presence, of Christ being present in all things, of an awareness of His immanence, of a spirituality rooted in a poor world where oppression, illness and danger were linked to fear and a poverty of spirit. In Christ the reality could be faced and the natural world was affirmed. There was a command to redeem the whole world. Joy and celebration in the Holy Spirit abounded, together with means through prayer for protection. This was the substance of the Celtic Spirituality provided through the ‘Woven Cord’ programme and the backcloth to the ‘Woven Cord’ programme supported that overall spiritual content.

The evaluation of key themes that resonated or did not resonate showed that Category 1 participants had absorbed the Celtic sense of spirituality. Such spirituality involves both body and soul, but is of a nature that links to all the realities, problems and joys of the real world of people, including that of Tyseley as an UPA.

Mission in UPAs: the Celtic Christian background

Patrick and Columba’s ministry was characterised by mission to established Christians and missionary evangelism to others, leading to conversion and Christian commitment. Their approach became a model for the wider work of Celtic Saints and countless monks who, within the practice of peregrinatio, integrated mission and evangelism. Hillgarth established that evangelisation in Ireland was carried on after Patrick’s death by ‘holy men’ who lived a life alternating between living as hermits or wandering preachers, teaching and evangelising. Patrick’s approach also involved a willingness to engage in open debate and opposition to Druidism. Thus, the Celtic Saints practised both mission and evangelism.

Nora Chadwick discusses this within the 4th-6th century context. She refers to the fact that Celtic monks, as part of their commitment to Peregrinatio, engaged either in missionary work or mission. Columba illustrates the difference between the two concepts. When Columba visited King Brude of the Picts, or when his monks subsequently worked among them, this was regarded as missionary work. It involved, in Chadwick’s view, a primary evangelistic introduction to them of the Christian faith. Whereas when Columba and fellow monks ministered to the Scotti, i.e. the Irish invaders who were colonising what is now Argyll in Scotland, they were engaging in mission. In Chadwick’s view the Scotti were already within the embrace of Christianity. Peregrinatio was the ascetic discipline behind such mission and missionary evangelism. In practice any distinction between Celtic mission and evangelistic mission as meaning missionary work is really quite tenuous.

In the context of this study, I have used an applied definition of mission and evangelism. The definition is closely based on Nora Chadwick’s explanation about Celtic mission and missionary evangelism during the 4th-7th centuries AD. The setting of this applied definition was strictly within Tyseley as a ‘deprived’ neighbourhood, defined nationally as an ‘Urban Priority Area:
  • Mission: Contemporary Christian work amongst established believers to encourage them in the growth of spirituality as expressed in daily Christian living within their UPA. This I regarded as a pre-requisite for the second aim to occur. 
  • Evangelism: To prepare and send out Christians into their neighbourhood and among those they ‘rub shoulders with day by day’, sharing the good news about the Gospel of Jesus. 
A contemporary definition of mission by Andrew Kirk is, “Christian believers being sent out into the world to witness in word and deed to Jesus Christ.” In many ways Nora Chadwick’s discussion of Celtic mission and missionary evangelistic activity in contrast, seemed more relevant to Tyseley and its people. The definition and approach to ‘mission’ in this study linked input to established Christians with the hope it would eventually lead to evangelistic/missionary outreach into the local area.

Mission and pre-Evangelism

While the ‘Woven Cord’ programme did not, within its time scale, prove to be a major pre-requisite for evangelism in Tyseley two new actions that involved direct outreach into the local neighbourhood were achieved.

The first involved undertaking a community survey to find out how local people saw the neighbourhood’s main ‘needs’. Members of the congregation took out a questionnaire to be completed at three key places within the streets of Tyseley: outside the Primary School; outside Tyseley Post Office; and outside St. Edmund’s Church. Members of the congregation who shared in this task in small groups, came back thrilled at the interest and response. The survey meant Church people were actively consulting Tyseley residents and publicising the work and future hopes about Stedicare and its wide ranging Christian outreach into the parish. This was a clear example of a move into pre-evangelism.

The second related to ‘The Tyseley Prayer Vigil’. This linked regular group prayer with direct outreach into the locality. During the ‘Woven Cord’ programme the Vigil group started praying specifically for each street in Tyseley, and any known situation that needed prayer and for its residents. This pattern continued and subsequently led to ‘Prayer Walks’ in a few streets.

Mission and Evangelism in UPAs

The Church of England, due to its commitment to a parish system, has always had direct involvement in disadvantaged urban areas. At times, some of its approaches have been particularly successful, as with the Anglo-Catholic ‘Slum Ministry’ early last century. Other Christian denominations at times have successfully maintained active ministry in UPAs’ such as the Salvation Army, built upon the challenge of General Booth’s 1899 book In Darkest England and the Way Out. The 1985 Faith in the City report compares with Booth’s book but updated to urban realities in the mid 1980’s. Following that report I surveyed UPA clergy in Birmingham and published a book illustrating the multi-facetted ways that front-line clergy in Birmingham were using creative ideas and initiatives to effectively minister in UPA parishes. Yet, it also brought to light that there was much despair and absence of hope in many UPA parishes. This piece of action research provides one example of a programme that addresses absence of hope in UPA parishes.

Whilst the Fieldwork Programme at St. Edmund’s was not epoch making, it did result in building up in the faith a small group of the Lord’s people who live in a UPA, with its marginalisation from affluent society around. Christian believers from the lower social classes were thereby helped to reflect and be strengthened in the living out of their faith using the Celtic Christian model of spirituality. Their perception and awareness of the possibilities of Christian living as something distinctive, in which they were no longer pushed into the mould of the world around them, was strengthened. It is my view, that for such programmes within this type of urban context, “small is beautiful”.

The Tyseley study as a starter programme needs to be further assessed, built upon and remoulded into the type of mission programme that would resonate with other UPA Christians. I feel confident that there is a place in deprived urban areas for such small, intimate, mission programmes built around blueprints of spirituality, of which the Celtic is an excellent example. There may be others worth identifying and considering. Whatever is chosen would need to be grounded upon prayer, in association with a group of committed believers ready to commit eighteen months or so of their lives to such a programme and to such a UPA area.

A significant but unheralded happening at the end of the ‘Woven Cord’ programme that related to the transfer of Celtic Christian principles to the practice of Christian living at St. Edmund’s was the ending of a concentration, within the fellowship’s worshipping life, on ‘thing’s Celtic’! The Celtic resource material and the ways in which individuals had been strengthened through an in-depth sharing of the Celtic Biblical themes had been effectively applied into the context of the participants’ own urban world. The individuals who had gained through the mission programme and the Church’s own growth in spirituality had been transposed into being a spirituality for believers living in Tyseley. It was now part of their shared experience, and in a holistic manner they owned ‘it’. We no longer referred to these matters as ‘Celtic’.

Conclusion

Wynton Marsalis, an American musician made a moving statement that I will use as an ending to this study, with the hope it may encourage others ministering in UPAs:

“I say to the kids in the schools, make sure you play a solo, all of you, and whatever you play, do it like it’s the last thing you’re ever going to play. Even if its sad, play it. But just don’t play too long! That’s my belief and the music is a reflection of that. Being in the process, that’s what counts. You might not be there at the end of what’s being worked out. Look at the cats who built those big cathedrals, put down the first stones. They weren’t going to see the thing finished, but they were putting those stones down with a certain vibration.”

Perhaps this study could become a tune for some sad and lonely UPA Church to re-discover ‘hope’ in Christ, and become established like a Celtic island ‘Inis’, an island base of Christian warmth, belonging and service to others, created within the hope of a new beginning. A place where believers could be sent out to re-establish a people for the forgotten God from among the dusty, noisy, stressful streets.

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Wynton Marsalis, Taj Mahal & Eric Clapton - Just A Closer Walk With Thee.

Saturday, 19 December 2015

For at least a short while, all will seem a great deal better in the world

The Rt Revd David Walker, the Bishop of Manchester, writes in the Church Times:

"It is that time of year when church doors are flung wide to welcome both familiar faces, and those who are, shall we say, less frequent in crossing our thresholds. Special acts of worship, from carol services to Christingles, pack our pews.

But who are these people joining us in Advent, whom we don’t see through the rest of year? They might be “cultural Christians”, devoid of faith, drawn by a mixture of nostalgia and aesthetics; but there might be something deeper stirring within them ...

This Christmas, as at every Christmas, we will be opening our doors to the slightly familiar faces of those who occasionally come to church. My plea is that we try to understand them better, and thus be a little more informed and hospitable to their needs. Who knows? They may come back again."

Similar questions have been preoccupying other writers in the mainstream press as well. Quentin Letts writes in the Evening Standard that:

"Church regulars should capitalise on this once-a-year influx and simultaneously learn from the invasion; equally, the visitors should make the most of their rare visit to church. Millions of nominal agnostics will have a chance to reconnect fleetingly with a faith from which they have drifted. The evocative lighting, the sturdy New Testament lessons and the familiar harmonies of those carols can work a strange form of alchemy, if that is the word.

If the service is done well — and that is quite a big “if”, for too many of today’s clergy are clunking amateurs when it comes to liturgical theatrics — these new congregants may leave church altered. They may find that for an hour or so they feel less stressed, more secure, not quite so hemmed in by the hassles of 21st-century life. They may even, heavens above, smile at their neighbours and stuff a tenner or more in the collection. For at least a short while, all will seem a great deal better in the world. Church can do that for you."

David Fay, in his piece on carols in The Big Issue, quotes anthropologist Daniel Miller as saying that Christmas "works best as a unifying festival, connecting people with their own traditions of celebration and with past generations. Simultaneously, it connects the domestic family, the region and nation through to an ideal of global humanity, celebrating the same festival at the same time."

Building on this theme, he also quotes Andrew Blyth, a bandmaster and assistant musical director in the Salvation Army, as saying that "The familiar tunes bind people together, young and old."

Angus Farquhar, again in The Big Issue, writes about the power of music in sacred space:

"I went to a service for All Souls after losing my Mum earlier this year; you light a candle, a full choir was singing. I took enormous comfort from that sound of the pure voice focused on ritual intent. The deeper qualities of pure and focused though have an impact, that sense of creating a heightened atmosphere in a building that is either is or was a church, mosque or synagogue. Something has often been imbued into the walls ...

I don't subscribe to the dogma of Christianity or Islam but they got the ritual right. Music in a dedicated ritual space, it's very powerful. There's nothing like it."

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Sunday, 7 July 2013

Our Community Festival


















While Andy Murray was making history at Wimbledon (note our sacrifice), I, and others from local churches, were contributing to the Our Community Festival ensuring that the churches were part of this significant community event. We had three main inputs: first, an information stall about the local churches; second, commission4mission's exhibition at St Paul's Goodmayes which has been very well attended throughout the week and especially today; and third, music from a Salvation Army band including a session of community hymn singing to bring the Festival to a close. In addition to these inputs, Grace Church also had a marquee with a range of activities for people of all ages. So, the churches really were a very visible presence demonstrating once again our real commitment to the local community.

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Chelmsford Songsters - Lord Of The Dance.