Saturday, 4 October 2008
'Visual Dialogue 2' - the opening night reception
Thursday, 2 October 2008
Bishop David exhibits in Visual Dialogue 2

Visual Dialogue 2 - The initial hang
John Tavener - Eternal Sunrise.
Visual Dialogue 2: A preview
'Do this in remembrance of me' - Henry Shelton
'Windows on the divine' - Jonathan Evens
Redbridge Advent Art Installation
Visual Dialogue 2, an art exhibition for the Patronal Festival of St John's Seven Kings, begins tomorrow evening with an opening night reception from 7.30pm. All are welcome to an evening that includes viewing paintings, conversations with artists, and refreshments.
Visual Dialogue 2 can be seen from Friday 3rd to Sunday 5th October 2008. The exhibition includes established artists Henry Shelton, Alan Stewart and Rodney Bailey together with local artists Paul Beharry, Jonathan Evens, Doreen Gullett, Peggy Hull, Bob, Dennis & Liz Keenan, Brian Richards and Audrey Shorer. Also exhibited will be the Redbridge Advent Art installation, an abstract tryptich on mirrored perspex which will be displayed in six Redbridge churches during Advent.
Henry Shelton has had a successful career as a designer and fine artist. He has received design commissions for clients such as the Science Museum, Borough Councils, private and corporate bodies and has works in Churches such as the Church of the Saviour, Chell Heath, St Andrew Holborn and All Saints Goodmayes. Henry will exhibit several of his most recent semi-abstract works and a Stations of the Cross that was exhibited in 2007 at York Minster. He says that his most recent paintings have all come to him in prayer as he has been meditating on particular Bible passages. Most of his work now comes through a meditational process.
Alan Stewart is a Church of England minister and a fine artist. He has exhibited previously at London Bible College, London Institute of Contemporary Christianity, and Intermission at St Saviours. In 2005 his painting Early one morning was dedicated by the Bishop of Barking for the Youth Chapel of St Margaret's Barking. His most recent project, Hertford stns: A stations of the cross for Hertford, was the subject of a feature article in the Church Times. Alan will be exhibiting four charcoal Stations from a Stations of the Cross which is a work in progress. Each Station within this series will feature a cruciform design.
Rodney Bailey studied Design and Public Art at Chelsea College. His work is concerned with identity, communication, and having a visual dialogue with nature. He uses a variety of styles to execute his work and draws on his family background and childhood memories for ideas as well as his Buddhist practice for inspiration and guidance. Last year Rodney exhibited in Eye Play at the Bankside Gallery and the inaugural Visual Dialogue exhibition at St John's Seven Kings. Rodneyt is exhibiting two images inspired by British Museum's First Emperor exhibition and two photographs from a set which formed his very first exhibition held in the Commonwealth Institute.
Darkness and light both feature in the Redbridge Advent Art Installation which may recall works by Mark Rothko in its sombre colours and rectangular voids. In this installation abstract colour has been applied to mirrored perspex, clouding our ability to see clearly in the mirrored panels of the installation. Yet in the darkness of the abstract design, we can still see reflected the candles, lit within the space where the artwork stands, and picked out on the panels, forming a star, are also lines of clear reflection.
During the opening night reception on Friday 3rd October, Henry Shelton and Rodney Bailey will speak publicly about their work in conversation with Jonathan Evens.
As part of preparations for the Advent Art Installation, an art workshop (providing an opportunity to spend some time thinking about abstract art and developing your creative side as much of the day will be spent in creating your own piece of art on a religious theme) will be held during the exhibition on Saturday 4th October, 11.00am - 3.00pm. The cost is £10 (including artistic materials for you to explore this God-given side to humanity) and people can come along on the day to take part. All are welcome.
-----------------------------------------------------------------------------------
James Macmillan - Kiss On Wood.
Friday, 26 September 2008
Abstractions on Bach's Preludes & Fugues
Works included in 'Abstractions on the 48 Preludes & Fugues by J.S. Bach'
Work included in ‘Abstractions on the 48 Preludes & Fugues by J.S. Bach’
Work included in ‘Abstractions on the 48 Preludes & Fugues by J.S. Bach’
Rodney Bailey at the ‘Abstractions on the 48 Preludes & Fugues by J.S. Bach’ exhibition
I had an enjoyable day off today visiting the V&A and meeting up with Rodney Bailey. Rodney, who will be exhibiting at Visual Dialogue 2, has a current exhibition at the Orsini Restaurant and is preparing for an exhibition of his graffiti art which will open in November.
His current exhibition is Abstractions on the 48 Preludes & Fugues by J.S. Bach. Rodney began studying the 48 Preludes & Fugues when he was 24 and has had endless joy listening to and learning to play them on the piano. His fascination with them first began in Barcelona where he was living for just under a year in 1992. This collection of work began in 1997 and is a continuous theme in his work.
He has made personal commissions for his friends and family to some of his favourite pieces from the Preludes & Fugues. In his opinion, “Sound and colour are like mother and child in art and to have the good fortune to be able to play the music of J.S. Bach and to make beautiful pieces of art based on his inspirational work is a true honour.”
---------------------------------------------------------------------------------
J.S. Bach - Prelude & Fugue in F minor
Thursday, 11 September 2008
Art interview - Henry Shelton (1)

HS: It was the same thing that attracted me to the great Dutch masters; the art spoke to me. I used to look at the altar and see images that were just so powerful. The images seemed to bring the past into the present and to form a profound link with the lineage of the past.
JE: You originally trained as a draughtsman. What impact do you think that has had on your art?
HS: The impact has been tremendous. I studied as a lettering artist which taught me drawing skills and discipline, and led me to study great artists, like the typographer and artist, Eric Gill.
JE: In what ways have you been influenced by the work of other artists and how has that influence been felt in your work?
HS: When I first saw the great Rembrandt’s in the Rijksmuseum in Amsterdam, the power of his images seemed to transcend time. I see myself as an artist trying in my small way to continue that lineage and my passion as a Christian artist is to keep that lineage alive in my generation as a witness.
JE: Over the years, and through your commercial and Christian Art, you have worked in a variety of styles with a high degree of felicity. How do you choose an appropriate style for the image you have in mind?
HS: As I’ve got older I’ve come to see the picture in my mind before I start working on it. For example, the windows that I designed for All Saints Goodmayes needed to be modern but representational and so I had to develop a specific simple visual style for the images before I could begin work.
JE: Your most recent Christian Art works, which are to be included in the 'Visual Dialogue' exhibition at St Johns Seven Kings from 3rd-5th October, seem to have a 'less is more' approach as you are painting in a semi-abstract style with pared down imagery. What has led you to this approach?
HS: The real answer is prayer. My most recent pictures have all come to me in prayer as I have been meditating on particular Bible passages. Most of my work now comes through a meditational process.
Someone recently asked me what my current painting is and it’s an abstract painting of the gates of heaven. That’s an amusing image in its own right; putting up a ladder to paint the gates of heaven! As an abstract work people won’t immediately know what it represents. It’s an image designed to draw people in; for them to engage with it and discuss it.
JE: You make use of minimal flowing lines to create the human figures in your 'Stations of the Cross' (also to be exhibited at St John's) and your etched windows at All Saints Goodmayes and yet the minimalism of these works seems deeply expressive. How do you see the emotion seep into the work through the combination of line and colour alone?
HS: It is the pathos of suffering. As I’ve got older I’ve learnt that ‘less is more’ and through the development of my work I’ve learnt to express emotion in a semi-abstract form. That’s really why I paint; it all goes back to feeling.
--------------------------------------------------------------------------------
Thursday, 4 September 2008
Art project plans
On Wednesday John Brown and I met with Mark Lewis of the Faith & Image group to discuss ways of working together to deliver an ongoing programme of arts events that can be a part of the Barking Programme. We discussed ideas for exhibitions, study sessions on 'Public Art & Churches' and 'Seeing Salvation', the creation of a Church-based art trail in the Barking Episcopal Area and performances blending words, images and music.
As a taster of what may be to come, we have Visual Dialogue 2 and the Barking Art Project on the weekend of 3rd-5th October:
Visual Dialogue 2 is a group art exhibition arranged for the Patronal Festival of St John's Seven Kings from Friday 3rd to Sunday 5th October 2008. The exhibition will include established and local artists including Henry Shelton, Alan Stewart, Rodney Bailey, Bob, Dennis & Liz Keenan, Jonathan Evens, Doreen Gullett, Peggy Hull and others.
Henry Shelton has had a successful career as a designer and fine artist. He has received design commissions for clients such as the Science Museum, Borough Councils, private and corporate bodies and has works in Churches such as the Church of the Saviour, Chell Heath, St Andrew Holborn and All Saints Goodmayes. Henry will exhibit several of his most recent works and a Stations of the Cross that was exhibited in 2007 at York Minster.
Alan Stewart is a Church of England minister and a fine artist. He has exhibited previously at London Bible College, London Institute of Contemporary Christianity, and Intermission at St Saviours. In 2005 his painting Early one morning was dedicated by the Bishop of Barking for the Youth Chapel of St Margaret's Barking. His most recent project, Hertford stns: A stations of the cross for Hertford, was the subject of a feature article in the Church Times.
Rodney Bailey studied Design and Public Art at Chelsea College. His work is concerned with identity, communication, and having a visual dialogue with nature. He uses a variety of styles to execute his work and draws on his family background and childhood memories for ideas as well as his Buddhist practice for inspiration and guidance. Last year Rodney exhibited in Eye Play at the Bankside Gallery and the inaugural Visual Dialogue exhibition at St John's Seven Kings.
As part of Visual Dialogue 2 we also plan to be able to exhibit for the first time the art installation that will tour Redbridge churches during Advent 2008 and which was featured in the previous edition of the newsletter.
Visual Dialogue 2 begins with an opening night reception from 7.30pm on Friday 3rd October to which all are welcome. In addition to viewing the exhibition and refreshments, the evening with feature a public conversation between myself and several of the exhibiting artists. The exhibition will continue on Saturday 4th and Sunday 5th October from 10.00am to 4.00pm.
The Barking Art Project is an art workshop providing a great opportunity to spend some time thinking about abstract art and developing your creative side as much of the day will be spent in creating your own piece of art on a religious theme. We will provide artistic materials for you to come and explore this God given side to humanity. There will also be the opportunity to see the Visual Dialogue 2 art exhibition and the Advent Art installation. All are welcome.
The Art Project workshop will be held on Saturday 4th October from 11.00 am – 3.00 pm at St John’s Seven Kings. Full costs for the day are £10.00. Bookings can be made through Revd John Brown, The Barking Programme, St. Luke’s Vicarage, 1A Baxter Road, Ilford, Essex IG1 2HN. Tel: 0208 553-7606. Email: livingfaith@stluke-ilford.org.uk.
--------------------------------------------------------------------------------
Runrig - Edge Of The World.
Friday, 8 August 2008
Visual Dialogue 2

Wednesday, 6 August 2008
Henry Shelton interview

Friday, 30 November 2007
Public Art and Churches: ideas for involvement
RE:Generation
The Cabinet of Sin and Salvation
In the four years that I have been ordained I have had the opportunity to be involved in four church-based public arts projects that in different ways have involved the local and church community in the art. This article, which has just been published in the Veritasse Artisan's newsletter, briefly describes these projects in the hope that they will stimulate ideas for other ways of doing public art through and in churches.
Love & Light
Visual Jockeys, SDNA, filmed people from the congregation and community and then digitally enhanced these images before projecting the images onto the windows, roof and tower of the church. This project, which SDNA called Abbey Happy, turned St Margaret’s Barking into a temporary artwork that was a blaze of light and colour with moving images showing the diversity of the church’s congregation. The project was part of an evenings’ art trail, called Love & Light in the Town Centre which highlighted, through projections, significant heritage buildings in Barking. The project was organised by the local council through their Arts Services department and funded by the Arts Council.
RE:Generation
Michael Cousin was commissioned by the local council to produce a film and photographic exhibition in collaboration with the community. When he thought about where to go to find groups of local people, he realised that local churches were one of the best places to go. Michael interviewed several people from St Margaret’s about their experience of living in Barking. From these, and other interviews, he created a film called RE:Generation which is a recording of personal anecdotes, memories and views on change, past and present with a view to reflecting on all our futures in a borough currently undergoing large scale redevelopment and change. This film was shown in St Margaret’s as part of an exhibition by Michael Cousin called Memento which featured places and personal events, from days past, as recorded by our community in their personal photo albums, alongside images of how those places and people are now.
Graffiti mural
Under the banner of SOULINTHECITY St Margaret’s Barking has been involving young people in the Arts through workshops in Fashion Design and Graffiti Art. These workshops culminated in the creation of a graffiti mural on the blank wall of a local park. This project involved many local youngsters, teaching them can-control and design skills while also learning about the history of hip hop culture. The names of all those taking part in the workshop and enhancing their own local environment were recorded in the mural. Graffiti Artist AKS who led the workshop that produced the mural stressed that the work carried a Christian message as the words included in it - "one, heart, soul, unity, community and together" - reflected the essence of SOULINTHECITY and showed that there is "no conflict between hip hop values and Christian values."
The Cabinet of Sin and Salvation
The most recent project came after I had moved to St John’s Seven Kings. There I customised and decorated a four drawer cabinet as a public arts project carried out over the course of one week in the lounge of the Parish Centre. The resulting conceptual sculpture, The Cabinet of Sin and Salvation, included constructions, paintings and photomontages and was exhibited as part of the Visual Dialogue art exhibition that was held in the church over our Patronal Festival weekend. As I worked on the project I invited users of the centre to comment on the work as it developed. I also documented the project photographically and posted daily blogs about the project here. The project generated considerable interest and comment locally and was featured in the Church Times and the local press.
Public Art projects – benefits
The projects I have been involved in have encouraged our congregations because they have been able to contribute to the project and see their contribution in the finished artwork. They have raised the profile of the two churches locally because the projects have each made very visual stories that the local press wanted to feature. Finally, the projects have either brought people into church to see the project/exhibition or they have taken the church out into the community, as with the Graffiti mural, and left something of benefit to the community created through the church and community working together.
Public Art projects - tips
Here are a few suggestions of things to do that might result in a public arts project:
- Find out if your local council has an Arts Services department or a local Arts Council. Get to know them and support the projects they commission.
- Talk to local artists to see if they have ideas for ways of involving local people in arts projects.
- Offer your church building as a venue for projects, workshops or exhibitions.
- Apply for funding to commission artists or run arts workshops.
- Get together with other local churches to organise art activities that benefit the local community.
-------------------------------------------------------------------
U2 & Daniel Lanois - Falling At Your Feet.
Thursday, 11 October 2007
Visual Dialogue - Ilford Recorder article 2
Saturday, 6 October 2007
'Visual Dialogue' - exhibition

- Stunning ideas.
- Well done!!
- Great!!
- Very interesting - different.
- Seeing work has helped me to see another side of you, Rodney!
- Powerful images, very thought provoking.
- Glad to see such a different event at St John's. Excellent. Thank you.
- More! More! More!
- Amazing and evocative.
- Excellent display.
- Brilliant.
- Excellent work.
--------------------------------------------------------------------------------
Check out John Prine and Iris DeMent singing In Spite of Ourselves.
Friday, 5 October 2007
Hanging 'Visual Dialogue'
Rodney Bailey working on the hang
Rodney Bailey and I hung two sections of the Visual Dialogue exhibition tonight. We have divided the exhibition into three sections: 'Landscapes'; 'Spiritual Landscapes'; and 'Faith Journeys.' In each section our work will be hung alongside each other to emphasise the dialogue between our works and beliefs.
------------------------------------------------------------------------------------
Check out Pierce Pettis' State of Grace.
Thursday, 4 October 2007
'Visual Dialogue' invitation


You are invited to the opening night reception for Visual Dialogue; a joint exhibition by Rodney Lloyd Bailey and Jonathan Evens.The reception will be from 7.30pm on Friday 5th October 2007 at St John the Evangelist, St John's Road, Seven Kings, Ilford IG2 7BB.
Also featuring in the reception will be:
- a piece of conceptual sculpture created by Jonathan Evens in the week prior to the exhibition as a public art event;
- photographs of Jonathan's public art event; and
- meditations and images from Jonathan's collaboration with artist and writer Alan Stewart.
Rodney Bailey trained in Visual Arts and Design and Public Art at Chelsea College. His work is concerned with identity, communication and the difficulties we face in communicating our identity and nature to each other in a respectful and sincere way. In his work he hopes to give the audience an aspect of himself that is normally hidden from view. Rodney works in a variety of media and styles. His work can be viewed on his website and he recently exhibited at the Bankside Gallery as part of the Eye Play exhibition.
I am Vicar of St John's Seven Kings and a creative artist and writer. I paint in a symbolic expressionist style and writes poetry, meditations, stories and sketches. As curate at St Margaret's Barking I helped create opportunities for local people to contribute to a public art event, a series of arts workshops, the creation of a graffiti mural and a film/photographic project and exhibition. I have written on the arts for Art & Christianity, the Church Times, New Start, AM, Strait and The Month.
Rodney is a District Leader with the Buddhist organisation Soka Gakkai International (which means 'Value Creating Society'). He practices the Buddhism of Nichiren Daishonin and seeks through SGI to build bridges through dialogue and cultural exchange. An interesting aspect of the collaboration between Jonathan and Rodney will be the dialogue between their two sets of beliefs. Rodney's link with St John's is that he is the son of one of the Churchwardens and came to services as a child.
Visual Dialogue will be open on: Friday 5th October, 6.30 – 10.00pm (including reception and performances); Saturday 6th October, 9.30am – 5.00pm; and Sunday 7th October, 12 noon – 5.00pm.
Other Patronal Festival events at St John's include:
- Saturday 6th October - Coffee morning with stalls and refreshments in the Parish Centre from 10.00am – 12 noon;
- Saturday 6th October - Quiz Night from 7.00pm (for a 7.30pm start). Tickets for the Quiz Night are £7.00 for adults and £5.00 for those under 16 and are available from the Parish Office. They include a fish/chicken and chips supper. Teams will be eight per table;
- Sunday 7th October - Revd. Rosemary Enever (Redbridge Area Dean) will preach and preside at 10.00am for the Patronal Festival Holy Communion Service;
- Sunday 7th October - Choral Evensong at 6.30pm featuring the combined choirs of St John’s and St Peter’s Aldborough Hatch with the preacher being Revd. Clare Nicholson, Vicar of St Peter’s.
----------------------------------------------------------------------------------
Check out Lone Justice's Ways To Be Wicked.
Saturday, 29 September 2007
Public Art & 'Visual Dialogue'

From 1st to 5th October, I will be undertaking a public art project in the Parish Centre of St John's (St John's Road, Seven Kings IG2 7BB). I will publicly customise and decorate a four drawer cabinet to create a piece of conceptual sculpture that will be exhibited at St John's over our Patronal Festival weekend (5th - 7th October). This unusual public art project will involve photomontages, constructions, and paintings.
This project is a precursor to Visual Dialogue, which will be open on: Friday 5th October, 6.30 – 10.00pm; Saturday 6th October, 9.30am – 5.00pm; and Sunday 7th October, 12 noon – 5.00pm. An opening night reception will be held from 7.30pm on Friday 5th October 2007 featuring: my newly created conceptual sculpture; photographs by Rodney of the public art event; and meditations and images from my earlier collaboration with fellow artist, writer and priest, Alan Stewart. All are welcome to the reception.
More information about the exhibition can be found by clicking here.
Messages of support for Visual Dialogue:
- "Your exhibition looks fantastic, thank you very much for the information. What a wonderful project to be taking part in. I'll be keenly following your progress on your blog." Lisa Bryan, Gallery Manager, The Meller Gallery
- "Brilliant - you genius. Fabulous idea, go well. I like it and it teases my imagination. All the best." Rosemary Crumlin
- "Hope this goes really well - it looks great." Meryl Doney, Wallspace
- "Great, Jonathan, all the more disappointed I'm not with you on the 7th." Revd. Peter Challen
- "This sounds fantastic, and I am sorry that I shall be in Sheffield and unable to come. Hope all goes well and you get a good response." Revd. Linda Hillier
- "Hope all goes well! Very best wishes." Revd. David Driscoll
- "Thank you for this - sounds very fascinating - it is in the diary for Friday 5th." Revd. Jennifer Potter
- "Great to hear from you. You organise some fantastic events!" Revd. Alan Perry
- "Many thanks for the invitation. It sounds really interesting and hope it goes well!" Revd. Chris Warren
- "Thank you very much for this invitation to what sounds like a fascinating and creative event. I did not know - I should have done - that you had this major dimension to your life and ministry. I do hope that it goes very well, as I am sure it will." Canon Guy Wilkinson
- "Good luck with the show." Michael Cousin, Artist
-------------------------------------------------------------------------------
Check out Lou Reed's Caroline Says II.
Friday, 21 September 2007
'Visual Dialogue' invitation
You are invited to the opening night reception for Visual Dialogue; a joint exhibition by Rodney Lloyd Bailey and Jonathan Evens.
The reception will be from 7.30pm on Friday 5th October 2007 at St John the Evangelist, St John's Road, Seven Kings, Ilford IG2 7BB. Also featuring in the reception will be:
- a piece of conceptual sculpture created by Jonathan Evens in the week prior to the exhibition as a public art event;
- photographs by Rodney Lloyd Bailey of Jonathan's public art event; and
- meditations and images from Jonathan's collaboration with artist and writer Alan Stewart.
Rodney Bailey trained in Visual Arts and Design and Public Art at Chelsea College. His work is concerned with identity, communication and the difficulties we face in communicating our identity and nature to each other in a respectful and sincere way. In his work he hopes to give the audience an aspect of himself that is normally hidden from view. Rodney works in a variety of media and styles. His work can be viewed on his website and he recently exhibited at the Bankside Gallery as part of the Eye Play exhibition.
I am Vicar of St John's Seven Kings and a creative artist and writer. I paint in a symbolic expressionist style and writes poetry, meditations, stories and sketches. As curate at St Margaret's Barking I helped create opportunities for local people to contribute to a public art event, a series of arts workshops, the creation of a graffiti mural and a film/photographic project and exhibition. I have written on the arts for Art & Christianity, the Church Times, New Start, AM, Strait and The Month.
Rodney is a District Leader with the Buddhist organisation Soka Gakkai International (which means 'Value Creating Society'). He practices the Buddhism of Nichiren Daishonin and seeks through SGI to build bridges through dialogue and cultural exchange. An interesting aspect of the collaboration between Jonathan and Rodney will be the dialogue between their two sets of beliefs. Rodney's link with St John's is that he is the son of one of the Churchwardens and came to services as a child.
Visual Dialogue will be open on: Friday 5th October, 6.30 – 10.00pm (including reception and performances); Saturday 6th October, 9.30am – 5.00pm; and Sunday 7th October, 12 noon – 5.00pm.
As a precursor to the Patronal Festival, from 1st to 5th October, I will publicly customise and decorate a four drawer cabinet in the Parish Centre. This unusual public art project will involve photomontages, constructions, and paintings to create a piece of conceptual sculpture that will be exhibited at St John's throughout our Patronal Festival weekend.
I will work publicly on the piece during the mornings of 1st - 5th (9.30am – 12 noon) and on the evenings of 1st and 4th (6.30 – 8.30pm). There is an open invitation to view the development of the piece and leave comments about the work and the project. Please come along and tell me what you think or follow the project on this blog. The project will be documented photographically by Rodney Lloyd Bailey.
Other Patronal Festival events at St John's include:
- Saturday 6th October - Coffee morning with stalls and refreshments in the Parish Centre from 10.00am – 12 noon;
- Saturday 6th October - Quiz Night from 7.00pm (for a 7.30pm start). Tickets for the Quiz Night are £7.00 for adults and £5.00 for those under 16 and are available from the Parish Office. They include a fish/chicken and chips supper. Teams will be eight per table;
- Sunday 7th October - Revd. Rosemary Enever (Redbridge Area Dean) will preach and preside at 10.00am for the Patronal Festival Holy Communion Service;
- Sunday 7th October - Choral Evensong at 6.30pm featuring the combined choirs of St John’s and St Peter’s Aldborough Hatch with the preacher being Revd. Clare Nicholson, Vicar of St Peter’s.
-----------------------------------------------------------------------------------
Check out Switchfoot's Meant To Live.
Thursday, 20 September 2007
How (Not) To Speak Of God
Several of Rollins' arguments are synergous with ideas expressed by Nicholas Mosley and Walter Brueggemann and the theological conversation that Rollins is engaging in can only be enhanced by the ideas that Mosley and Brueggemann bring to the discussion.
Rollins writes of the way in which our approach to speaking of God:
"must be a powerless one which employs words as a way of saying that we have been left utterly breathless by a beauty that surpasses all words. This does not mean that we remain silent - far from it. The desire to get beyond language forces us to stretch language to its very limits. As Samuel Beckett once commented, we use words in order to tear through them and glimpse at what lies beneath. The desire to say nothing, to create sacred space, opens up the most beautiful type of language available - the language of parables, prose and poetry."
Similarly, Mosley writes about the need to "hear for ourselves what might be going on just behind our words, off-stage" and to:
"evolve a language which will try to deal not just with facts, with units of data, together with the patterns, connections, that such data, together with the minds that observe them, make - in particular a language that can deal at the same time both with the data and with the language that is traditionally used to describe them. By this, apparent contradictions might be held. This language would be elusive, allusive; not didactic. Some such language has been that of poetry, of art; also of love ..."
Rollins goes on to argue that the emerging conversation:
"is demonstrating an ability to stand up and engage in a powerless, space-creating dis-course that opens up thinking and offers hints rather than orders. In short, the emerging community must endeavour to be a question rather than an answer and an aroma rather than food. It must seek to offer an approach that enables the people of God to become the parable, aroma and salt of God in the world, helping to form a space where God can give of God."
Similarly, Brueggemann has argued that "the task of the Christian minister is not to construct a full alternative world but to fund - provide the pieces, materials and resources - out of which a new world can be imagined." Our responsibility, he says, "is not a grand scheme or a coherent system, but the voicing of lots of little pieces out of which people can put life together in frsh configurations":
"Over time, these pieces are stitched together into a sensible collage, stitched together, all of us in concert, but each of us idiosyncratically, stitched together in a new whole - all things new."
One of the Ikon services described in Rollins' book speaks about our experience as Christians being the experience of Holy Saturday; "that 24 hour period nestled between Good Friday and Easter Saturday, between crucifixion and resurrection." A reflection from this service by Ikon says that Holy Saturday "speaks of the absence of God and is as much a part of the Christian experience as the day before and the day after." It asks: "Who among us does not find ourselves dwelling, from time to time, or perhaps at all times, in the space of Holy Saturday?"
Brueggemann also writes of this perception of Holy Thursday citing George Steiner as writing:
“There is one particular day in Western history about which neither historical record nor myth nor scripture make report. It is a Saturday. And it has become the longest of days. We know of that Good Friday which Christianity holds to have been that of the Cross. But the non-Christian, the atheist, knows of it as well. That is to say he knows of the injustice, of the interminable suffering, of the waste, of the brute enigma of ending … We know also about Sunday. To the Christian, that day signifies an intimation, both assured and precarious, both evident and beyond comprehension, of resurrection, of a justice and a love that have conquered death. If we are non-Christians or non-believers, we know of that Sunday in precisely analogous terms … The lineaments of the Sunday carry the name of hope (there is no word less deconstructible). But ours is the long day’s journey of the Saturday. Between suffering, aloneness, unutterable waste on the one hand and the dream of liberation of rebirth on the other.”
In my In Between collaboration with Alan Stewart, from our time together at NTMTC, we used the three days of Easter as a paradigm for our own experience as Christians arguing that, in our Christian journey we experience: rebirth (an Easter Sunday experience); suffering (a Good Friday experience); and tension, from the now and the not yet of the Kingdom (an Easter Saturday experience). We structured our material non-chronologically because we wanted to leave people in the tension of the now and not yet which is where we thought we spend most of our time as Christians and illustrated this with the quote from Steiner.
Several of the meditations that we wrote for this collection also express ideas that have synergy with those developed by Rollins in How (Not) To Speak Of God:
in between
Between the action and its consequence
Between knowledge and its understanding
Between the invitation and the party
Between the longest day and the last day
The stone not rolled away
The tomb still guarded
The friends still scattered
The promise known
but not understood
The body still still
The still time
The still waiting time
The time between times
The last times
In between
Between suffering, aloneness, unutterable waste
and the dream of liberation and rebirth, ours is the long days journey of the Saturday.
are/are not
We hear you
and
do not.
We are with you
and
are not.
Through whom,
with whom
and in whom,
we are – what?
We are one
with what
we are
not.
No voice is audible,
yet we hear.
No hand touches ours,
yet we feel.
No eye has seen the glory,
yet we kneel.
What you are,
who you are
is and
is not
clear.
Knowing
and
not knowing.
In
and out
of touch.
Out of mind
yet
mindful.
Out of sight
yet
insight.
We are
in relation
to much
that is excess -
beyond
comprehension
and expectation –
being
night
and light.
These are among the In Between meditations that I will be reading at the opening night reception for Visual Dialogue on Friday 5th October.
Rollins' book comes out of and develops an emerging conversation about ways to speak of, with, and to hear from, God. Mosley, Brueggemann and In Between are part of that conversation of which there is much more still to be said. Some further thoughts on the significance of Mosley, Brueggemann and others can be found by clicking here.
A final thought is that Jim White is the bard of this emerging conversation. To see what I mean, check out the lyrics to Static On The Radio and 10 Miles To Go On A 9 Mile Road or try this video.
Monday, 17 September 2007
'Visual Dialogue' Myspace page
-----------------------------------------------------------------------------------
Check out Lavine Hudson's Intervention.
Thursday, 13 September 2007
'Visual Dialogue' invitation

The reception will be from 7.30pm on Friday 5th October 2007 at St John the Evangelist, St John's Road, Seven Kings, Ilford IG2 7BB. Also featuring in the reception will be:
- a piece of conceptual sculpture that I will create in the week prior to the exhibition as a public art event;
- photographs by Rodney Lloyd Bailey of this public art event; and
- meditations and images from my collaboration with artist and writer Alan Stewart.
Rodney Bailey trained in Visual Arts and Design and Public Art at Chelsea College. His work is concerned with identity, communication and the difficulties we face in communicating our identity and nature to each other in a respectful and sincere way. In his work he hopes to give the audience an aspect of himself that is normally hidden from view. Rodney works in a variety of media and styles. His work can be viewed on his website and he recently exhibiting at the Bankside Gallery as part of the Eye Play exhibition.
I am Vicar of St John's Seven Kings and a creative artist and writer. I paint in a symbolic expressionist style and writes poetry, meditations, stories and sketches. As curate at St Margaret's Barking I helped create opportunities for local people to contribute to a public art event, a series of arts workshops, the creation of a graffiti mural and a film/photographic project and exhibition. I have written on the arts for Art & Christianity, the Church Times, New Start, AM, Strait and The Month.
Rodney is a District Leader with the Buddhist organisation Soka Gakkai International (which means 'Value Creating Society'). He practices the Buddhism of Nichiren Daishonin and seeks through SGI to build bridges through dialogue and cultural exchange. An interesting aspect of the collaboration between Rodney and myself will be the dialogue between our two sets of beliefs. Rodney's link with St John's is that he is the son of one of the Churchwardens and came to services as a child.
Visual Dialogue will be open on: Friday 5th October, 6.30 – 10.00pm (including reception and performances); Saturday 6th October, 9.30am – 5.00pm; and Sunday 7th October, 12 noon – 5.00pm.
As a precursor to the Patronal Festival, from 1st to 5th October, I will publicly customise and decorate a four drawer cabinet in the Parish Centre. This unusual public art project will involve photomontages, constructions, and paintings to create a piece of conceptual sculpture that will be exhibited at St John's throughout their Patronal Festival weekend.
I will work publicly on the piece during the mornings of 1st - 5th (9.30am – 12 noon) and on the evenings of 1st and 4th (6.30 – 8.30pm). There is an open invitation to view the development of the piece and leave comments about the work and the project. Please come along and tell him what you think or follow the project on this blog. The project will be documented photographically by Rodney.
Other Patronal Festival events at St John's include:
- Saturday 6th October - Coffee morning with stalls and refreshments in the Parish Centre from 10.00am – 12 noon;
- Saturday 6th October - Quiz Night from 7.00pm (for a 7.30pm start). Tickets for the Quiz Night are £7.00 for adults and £5.00 for those under 16 and are available from the Parish Office. They include a fish/chicken and chips supper. Teams will be eight per table;
- Sunday 7th October - Revd. Rosemary Enever (Redbridge Area Dean) will preach and preside at 10.00am for the Patronal Festival Holy Communion Service;
- Sunday 7th October - Choral Evensong at 6.30pm featuring the combined choirs of St John’s and St Peter’s Aldborough Hatch with the preacher being Revd. Clare Nicholson, Vicar of St Peter’s.
-------------------------------------------------------------------------------
Check out Over The Rhine's I Want You To Be My Love.
Tuesday, 11 September 2007
Patronal Festival

As a precursor to the Patronal Festival, from 1st to 5th October, I will publicly customise and decorate a four drawer cabinet in the Parish Centre. This unusual public art project will involve photomontages, constructions, and paintings to create a piece of conceptual sculpture that will be exhibited at St John's throughout the Festival weekend. I will work publicly on the piece during the mornings (9.30am – 12 noon) and on Monday and Thursday evenings (6.30 – 8.30pm).
Rodney and I will jointly exhibit paintings over the Patronal Festival weekend (5th-7th October) in an exhibition called Visual Dialogue. This exhibition will also feature the newly created piece of conceptual sculpture.
Other events on Saturday 6th include a Coffee morning with stalls and refreshments in the Parish Centre from 10.00am – 12 noon and a Quiz Night from 7.00pm (for a 7.30pm start). Tickets for the Quiz Night are £7.00 for adults and £5.00 for those under 16 and are available from the Parish Office. They include a fish/chicken and chips supper. Teams will be eight per table.
Then on Sunday 6th we will welcome back Revd. Rosemary Enever (Redbridge Area Dean) to preach and preside at 10.00am for our Patronal Festival Holy Communion Service. In the evening there will be a Choral Evensong featuring the combined choirs of St John’s and St Peter’s Aldborough Hatch with the preacher being Revd. Clare Nicholson, Vicar of St Peter’s.
Many people at St John's are taking part in our Bring Me Sunshine fundraising campaign to raise money to repair our church roof using solar panels. Those who have accepted the £5 challenge and are busy turning a profit on their £5 seed fund will bring their donation to the Patronal Festival and tell us what they did to make a profit.