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Showing posts with label earth. Show all posts
Showing posts with label earth. Show all posts

Sunday, 22 September 2024

Whoever welcomes a child in my name welcomes me

 




Here's the sermon I recorded as this Sunday's weekly sermon for the Diocese of Chelmsford (Mark 9:30-37):

The disciples had been arguing among themselves – nothing changes there, then, we might be tempted to think! They had been arguing about which of them was the greatest and thinking of what they could get out of the movement that Jesus began. What they wanted was prestige and power by being elevated over all the other disciples to what they thought of as the position of influence at the right hand of Christ. Jesus turned their thinking about what is important and about prestige and power on its head. In the kingdom of God, service; thinking of and care for others is what counts, not personal advancement, position or power. What can I do for you, not what can I do for me!

At a training weekend for new curates the then Bishop of Barking, David Hawkins, performed a handstand to demonstrate the way in which Jesus, through his teaching in the beatitudes, turns our understanding of life upside down. He was thinking of the way in which Jesus startles us as paradox, irony and surprise permeate his teachings flipping our expectations upside down: the least are the greatest; adults become like children; the religious miss the heavenly banquet; the immoral receive forgiveness and blessing. Bishop David's action turned our expectations, as curates, of Bishops and their behaviour upside-down at the same time that it perfectly illustrated his point.

Years before Jesus was born, the prophet Isaiah had promised a child born for us who would establish endless peace upheld with justice and righteousness. Isaiah described a time when the wolf shall live with the lamb, the leopard would lie down with the kid, the calf and the lion and the fatling together, with a little child leading them (Isaiah 11.1-9).

Isaiah's vision of the peaceable kingdom was centred on a child born to be the Prince of Peace. When that promised child came among us at Jesus, he said: ‘Let the little children come to me, and do not stop them; for it is to such as these that the kingdom of God belongs’; ‘Unless you change and become like children, you will never enter the kingdom of heaven’; ‘Whoever becomes humble like this child is the greatest in the kingdom of heaven’ and ‘Whoever welcomes one such child in my name welcomes me.’ The child born for us calls us to welcome children and become like children. The most radical reversal in a culture where elders were revered is that “the greatest among you must become like the youngest.”

In 2022, several of Nicola Ravenscroft’s EarthAngel sculptures were exhibited at St Andrew’s in Wickford. These bronze sculptures are of children, simply dressed in soft silk tulle, who hesitate in time, leaning forward, hopeful, poised to dive into life, eyes closed, dreaming into their future, anticipating things unseen. Nicola says that her EarthAngels are youngling messengers of peace and healing, guardians of our future.

One reason why the promised child calls us to become like children is that children see the peaceable kingdom, until adults teach them otherwise. Children don’t argue amongst themselves for prestige and position until adults have taught them to do so. That is why the children are our future and can lead the way into a better future. We need, as Thomas Traherne wrote, to unlearn the dirty devices of this world in order to become, as it were, a little child again that we may enter into the Kingdom of God.

By telling his disciples that “Whoever wants to be first must be last of all and servant of all”, Jesus turns the meaning of greatness and leadership upside down. No longer are they to be understood in terms of garnering wealth and power for oneself. Now they are understood to be about service; giving your life that others might live. Jesus, as the servant King, says to us, ‘I, your Lord and Teacher, have just washed your feet. You, then, should wash one another’s feet. I have set an example for you, so that you will do just what I have done for you.’

Michael Curry, the Presiding Bishop of the Episcopal Church, in his statement on the coronavirus outbreak reminded us that: ‘Jesus came among us in the first place, to show us … how to live not simply as collections of individual self-interest, but how to live as the human family of God. That’s why he said love the Lord your God, love your neighbor as yourself. Because in that is hope for all of us to be the human family of God.’

Through her EarthAngels, Nicola Ravenscroft extends this call and example to include our care for the earth and the creatures it supports. Her sculptures are “earth’s messenger-angels: silently calling us all to live in peace with nature”: “Earth’s children are life’s heartbeat: they are her hope, her future ... they are breath of Earth herself. Creative, inquisitive and trusting, children are Earth’s possibility thinkers. They seek out, and flourish in fellowship, in ‘oneness’, and being naturally open-hearted, and wide-eyed hungry for mystery, delight and wonder, they embrace diversity with the dignity of difference.”

These are the children we are called to welcome, the children we are to become, the children to whom the peaceable kingdom belongs. Nicola’s EarthAngels stand together, peacefully, as friends, vulnerable and strong, silently singing out their call to change. These little children lead with trusting feet, plump and bare. The Prince of Peace is with them and calls us to let them lead the way. Will you be among those who follow?

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Raphael Ravenscroft - "... and a little child shall lead ..." Isaiah 11:6

Sunday, 18 September 2022

St Andrew's Wickford: Autumn art and heritage displays










 


Our autumn exhibition at St Andrew's Wickford focuses on children and nature. An archive display from Basildon Heritage has photographs of Wickford's children through the ages. Paintings by members of the Runwell Art Club feature animals, children and nature, while Nicola Ravenscroft’s mudcub sculptures are of children intimately connected to the earth – reminding us of our duty of care to life, to love, to planet Earth.

mudcubs… touching earth, bringing peace
5 September – 31 December 2022
St Andrew’s Church, 11 London Road, Wickford, Essex SS12 0AN


Nicola Ravenscroft’s mudcubs are children intimately connected to the earth – reminding us of our duty of care to life, to love, to planet Earth.

This exhibition is complemented by a heritage display on Wickford’s children from Basildon Heritage (Web: http://www.basildonheritage.org.uk/) from 18 September – 22 October (followed by a display on Wickford’s shops) and an exhibition by members of Runwell Art Club (https://community.saa.co.uk/art-clubs/runwell-art-club/) featuring animals, children and nature. All their works are for sale.

St Andrew’s Church is usually open: Saturdays from 8.30 am to 12.30 pm; Sundays from 9.30 am to 12.00 noon; Mondays from 1.30 to 3.45 pm; Tuesdays from 1.00 to 4.30 pm; Wednesdays from 10.00 am to 12.00 noon; and Fridays from 10.00 am to 1.30 pm.

See http://wickfordandrunwellparish.org.uk/whats-on.html for fuller information.

Nicola Ravenscroft’s mudcubs are children intimately connected to the earth – reminding us of our duty of care to life, to love, to planet Earth.

Children pay attention to the world finding wonder in it. A child’s journey from the front of the house to the back will ‘be full of pauses, circling, touching and picking up in order to smell, shake, taste, rub, and scrape’, ‘every object along the path will be a new discovery’ because ‘the child treats the situation with the open curiosity and attention that it deserves’ (Sister Corita Kent). That is why the children are our future and can lead the way into a better future. This is also why Jesus said a child is greatest in the kingdom of heaven.

. . mudcubs . . are Earth’s messenger-angels: they silently call us to live in PEACE .. with nature and with each other.

Previously exhibited at St Martin-in-the-Fields, St John’s Cambridge, HSBC global headquarters Canary Wharf, Churchill College Cambridge, Cambridge University Faculty of Education and coming to us from the Talos Art Gallery’s ‘Natural Elements’ exhibition where they spent three months outdoors standing guard at the base of an old tree, these are sculptures to touch and feel and cherish. Nicola says: “Earth’s children are life’s heartbeat: they are her hope, her future ... they are breath of Earth herself. Creative, inquisitive and trusting, children are Earth’s possibility thinkers. They seek out, and flourish in fellowship, in ‘oneness’, and being naturally open-hearted, and wide-eyed hungry for mystery, delight and wonder, they embrace diversity with the dignity of difference.”

Nicola Ravenscroft is a British sculptor and songwriter whose sculpture has a lifegiving presence and a peaceful stillness. A graduate of Camberwell School of Art, London, UK she has owned and run a sculpture gallery and, as an art teacher, has nurtured many young people into celebrating their inherent creativity and thinking beyond the walls. Her sculpture installation With the Heart of a Child was part of a project exploring what the arts in transdisciplinary learning spaces can contribute to primary education. Nicola has been commissioned to create the Westminster National bronze memorial, honouring the sacrifice of NHS and careworkers on the covid front line.

Web: https://nicolaravenscroft.com / https://nicolaravenscroft.com/mudcubs/.

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Wednesday, 1 June 2022

ArtWay: Interview with Belinda Scarlett

My latest artist interview for ArtWay is with Belinda Scarlett, theatre costume and set designer and ecclesiastical textile artist :

'I have just completed an altar cloth for St Philip and St James Leckhampton, Cheltenham. This was worked on four sides and included a set of vestments in the four liturgical colours. Awareness of climate change was the basis for this work. The intense vibrant band of turquoise light that encircles Planet Earth as seen from space fills me with awe. As climate change is affecting every corner of this planet it seemed appropriate to set each of the four panels within the infinite dark of space and to evoke the four elements: Water, Air, Fire, Earth. Water shows the currents of the oceans. Air the dawn of a new day, jetstream, a feather. Fire, refining fire that both destroys and brings new life. Earth is framed by a rainbow. The focus is in the central image of the adult’s hand holding soil in which a seedling has sprouted. This is offered to a little child whose hands are eager to receive it. May the beauty and the wonder of creation of this precious world we inhabit be here for generations to come.'

My visual meditations include work by María Inés Aguirre, Giampaolo Babetto, Marian Bohusz-Szyszko, Alexander de Cadenet, Christopher Clack, Marlene Dumas, Terry Ffyffe, Jake Flood, Antoni Gaudi, Nicola Green, Maciej Hoffman, Lakwena Maciver, S. Billie Mandle, Giacomo Manzù, Sidney NolanMichael Pendry, Maurice Novarina, Regan O'Callaghan, Ana Maria Pacheco, John Piper, Nicola Ravenscroft, Albert Servaes, Henry Shelton, Anna Sikorska, Jan Toorop, Edmund de Waal and Sane Wadu.

My Church of the Month reports include: All Saints Parish Church, Tudeley, Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Churches in Little Walsingham, Coventry Cathedral, Église de Saint-Paul à Grange-Canal, Eton College Chapel, Lumen, Metz Cathedral, Notre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church, St. Margaret’s Church, Ditchling, and Ditchling Museum of Art + Craft, St Mary the Virgin, Downe, St Michael and All Angels Berwick and St Paul Goodmayes, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

Blogs for ArtWay include: Congruity and controversy: exploring issues for contemporary commissions;
Photographing Religious Practice; Spirituality and/in Modern Art; and The Spirituality of the Artist-Clown.

Interviews for ArtWay include: Sophie Hacker and Peter Koenig. I also interviewed ArtWay founder Marleen Hengelaar Rookmaaker for Artlyst.

I have reviewed: Art and the Church: A Fractious Embrace, Kempe: The Life, Art and Legacy of Charles Eamer Kempe and Jazz, Blues, and Spirituals.

Other of my writings for ArtWay can be found here. My pieces for Church Times can be found here. Those for Artlyst are here and those for Art+Christianity are here. See also Modern religious art: airbrushed from art history?

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Arvo Pärt - De Profundis.

Thursday, 4 November 2021

Artlyst - Bosco Sodi: In The Beginning Of Wisdom

My latest review for Artlyst is of Bosco Sodi: Totality at König London:

'Sodi has used the touch, tangibility and materiality of earth to evoke and contemplate the vast expanses of immaterial space. He uses the dust of the earth to recreate the dust that forms planets. He uses the particular to evoke the universal. He looks down for his materials and in his making, so we might look up in awe at the night sky and the galaxies.

We gather in contemplative space to view both the details of clay colours and cracks and the expanse of his installation and canvases. At one and the same time, his surfaces form planetary landscapes viewed from above – mountains, valleys, rivers – with the whites and golds of his paints evoking light on the cracks and crevices of these ravines and ranges while simultaneously also evoking celestial star systems.' 

An earlier review of a Sodi exhibition for Artlyst can be found at https://www.artlyst.com/features/bosco-sodi-moment-genesis-revd-jonathan-evens/

My other pieces for Artlyst are:

Interviews -
Articles -

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The Beatles - Across the Universe.

Tuesday, 1 December 2020

‘With the Heart of a Child’: A sculpture installation and exhibition by Nicola Ravenscroft

 










‘With the Heart of a Child’: A sculpture installation and exhibition 
 
St Martin-in-the-Fields from Thursday 3 December 2020 

‘With the Heart of a Child’ sees seven life-size bronze children, one from every continent on Earth, simply dressed in soft silk tulle, hesitate in time, leaning forward, hopeful, poised to dive, eyes closed, dreaming into their future, anticipating things unseen.

Nicola Ravenscroft writes that, ‘As an artist, I am visionary, sculptor, mother to many, and grandmother to even more’, she breathes life into life taking ‘clay, dirt and stardust, shaped and twisted torn smoothed and broken lost, found and moulded wax and singing molten bronze through white-hot crucible-refining fire, Earth’s own core breathing life into revealing-truth, a giving-birth to energy.’

The result is this installation of eco-earthling-warrior-mudcubs – children intimately connected to the earth - reminding us of our duty of care to life, to love, to planet Earth.

Nicola has recently been commissioned to create a memorial to honour the bravery of front-line NHS and care workers in the fight against Covid. The project has the backing of Health and Social Care Secretary Matt Hancock and members of the public are currently being asked to propose a fitting name for the memorial. Her work has consistently inspired musicians, including her husband saxophonist Raphael Ravenscroft (‘and a little child shall lead’) and, most recently, Tim Watts, assistant director of music at St. John’s College Cambridge, who is composing a piece in response to bas sculpture reliefs on paper titled ‘Among the Words of Trees’. Examples of work from each of these projects are included in this exhibition in addition to ‘With the Heart of a Child’.

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Raphael Ravenscroft - and a little child shall lead.

Sunday, 23 March 2014

The connection between earth and heaven

John’s Gospel is very different from the other three Gospels in the Bible. One of the reasons why, is that there are no parables or stories told in John’s Gospel and, instead of Jesus’ teaching being done through stories, in John’s Gospel his teaching is done through conversations. In this way, John’s Gospel suggests that God wants to enter into conversation with us. God wants to talk with us, to be in dialogue with us, in part because that dialogue can be one which transforms us; just as happened for the Samaritan woman in this story (John 4. 5 - 42).

This conversation takes place by Jacob’s well. Jacob had a vision of a ladder between earth and heaven with angels ascending and descending on the ladder. In conversation with Nathanael (John 1. 51), Jesus has already described himself as the ladder, the connection between earth and heaven and that is what we see happening in practice in the conversation Jesus has with this Samaritan woman.

In this conversation Jesus continually connects every aspect of division between him and the woman and within her own life. For this woman, he brings heaven and earth together. What divisions do I mean? Firstly, there was division between Jews and Samaritans. A history of division going back to the split between the northern and southern kingdoms of Israel and involving the Samaritans building a rival Temple to that in Jerusalem and the Jews tearing down the Samaritan Temple. With that kind of history we can understand why Jews would not use the same cups and bowls as Samaritans.

Then there were divisions of gender. “The rabbis taught that a man should not talk to a woman in the street. Some even refused to acknowledge their wives in public, while certain Pharisees sported bruises from bumping into things when their eyes were shut to avoid looking at a woman!” (R. Burridge, ‘John’, BRF 1998).

Finally, there were divisions of purity. The woman has come to the well during the hottest part of the day, which can only be to avoid others, implying that she was immoral. Later we find out that she has had five husbands, when Jews at that time only permitted marriage to three husbands, and the man with whom she is now living is not her husband.

So this conversation is “a real meeting of opposites – of Jew with Samaritan, a man with a woman, a rabbi with a sinner, the one ‘from above’ confronting the lowest of the low. It sums up all the bitterness of human separation by race, creed, class, sex, profession, status yet Jesus, alone, without even his disciples to protect him, asks her for a drink … this is what it means for him to be the ladder at Jacob’s well, bridging not only the gulf between God and the world, but also all the barriers human beings put between themselves. It was for this reason that God sent his Son into the world, and for this reason there is hope for us all, from modern Samaria on the West Bank to our daily petty differences.”

“As the conversation unfolds … Jesus gently leads her through levels of misunderstanding from the earthly and literal to the heavenly and spiritual.” Jesus begins with the actual situation (being beside a well), an everyday action (drawing water), and with what the woman can give to him (a drink of water). From the everyday, the earthly, the ordinary, he makes connections with the heavenly, the spiritual, by offering life-giving water that will never run out. He is not saying that the two are separate, distinct and different. Instead, he is acting as the connection between the two, bringing them together so that what is heavenly can be seen in what is earthly and vice versa.

There is a contrast throughout this conversation between the old and the new. Jesus is saying that if you drink from Jacob’s well, in other words, if you drink of Jacob’s religion, you will be satisfied temporarily but will thirst again. But whoever drinks of the water Jesus gives will not thirst for all eternity. Jesus’ words, “they will not thirst” literally mean ‘into the new age.’ Jesus brings a new age into the world, in him heaven/eternity are breaking through time and entering into our present moment now. In Jesus heaven and eternity are here now and begin in our lives now as we receive his love, forgiveness, and acceptance into our lives now. “The water which Jesus offers to give is the raw material of himself. It is his human body and mind and spirit; but it is alive with the Spirit of God. What flows out of him for this Samaritan woman, if she has faith, and asks for it, will be water alive with Spirit, and this will activate a similar spring of water and Spirit within herself.” (Verney, ‘Waterinto Wine’, Fount, 1985)

Once she has become captivated by Jesus’ offer, then there is a moment of personal challenge. In speaking about her personal relationships, Jesus “confronts her with herself so that her impurities can be cleaned out and the living waters flow freely.” (Burridge) But we need to understand with love and acceptance with which this challenge comes. Stephen Verney describes it in this way:

Jesus says to her, “You have answered beautifully ‘I have no husband’. For you have had five husbands, and the man you have now is not your husband. In this you have spoken truthfully.” Some years ago I was reading these words with a woman whose marriage had broken up, and she said, “Look! Jesus is complimenting the Samaritan woman.” I had never seen it until that moment. Jesus says to her “You have answered beautifully … you have spoken truthfully.” Your sexual life is chaotic and you have one man after another – that is the reality of how you are in the flesh. But because you have brought this out into the light and recognised it, the reality of god can now enter into the reality of you. , the reality of god can now enter into the reality of you. Our flesh can come alive with Spirit. You are just the very person who is able to receive the living water. The self-righteous cannot receive it, because they do not know that they need it.”

The question the woman then asks about the place to worship God may have been a distraction, a sign that this conversation was getting too close to home for the woman, or it may have been a sincere question about where she should go with her sinful life in order to find God. Jesus says that the place is not important. God’s heavenly future is breaking into our earthly realm now and those who know this, worship in his Spirit and in truth. Jesus then reveals himself as God, the one who connects heaven and earth, the living water, when he uses the Old Testament name of God – I AM who I AM – in saying I AM he, who is talking with you.

The woman has changed through talking with God. “She came to the well in the hottest, quietest part of the day to avoid people – but now she goes to find them and tell them what has happened to her. Now the fact that Jesus knows all she has done is not something to be avoided with a theological hot potato –but the hottest news to be shared – ‘can this really be the Christ?’

The fields are white for harvest Jesus then says to his disciples and this is proved by the many in Sychar who came to believe in Jesus. The fields around us are also white for harvest and people will hear and respond if we are able to learn from the way in which Jesus connects faith with everyday life. He sits with ordinary people, listens and talks with them. He starts with ordinary life, with the things that others have to give and then reveals how the spiritual and heavenly can be seen in the everyday. He is not afraid of challenge, but his challenges come couched in encouragement, understanding and acceptance instead of condemnation. The challenge is to move on, to grow beyond the point that we have reached. This challenge is profoundly life affirming.

We plan for mission because, as Jesus said, the fields are white for harvest. Let us be in conversation with Jesus ourselves through prayer and bible reading. Let us learn from Jesus’ conversations and make connections for others between earth and heaven. Let us begin to reap a harvest.

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The Byrds - I Am A Pilgrim. 

Monday, 10 March 2014

Earthairwaterfire exhibition
















I've spent today assisting Bishop David with his marvellous Earthairwaterfire exhibition at St Peter's Harold Wood. We have had tremendous support and help in hanging the show from folk at St Peter's which has enabled Bishop David to show both his largest expansive landscapes together with smaller more intimate work.

Bishop David is fascinated by the organic structure of landscape and its transitory appearance as weather and light pass over it. Like landscape, many of these pieces are layered whether composed using stripes of colour or collage. The concept for the exhibition comes from the Prayer of Anthony the Great; 'Keep us alive with the earth of humility, with the air of contemplation, with the water of remorse and the fire of love.'

The opening times for the exhibition are: Weekdays 9.00am - 5.00pm. Saturday 15th March 9.00am - 12.30pm. Evenings Wednesdays and Fridays 6.00pm - 9.30pm. The exhibition is open until Friday 21st March.

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Lifehouse - Aftermath.