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Showing posts with label epiphany. Show all posts
Showing posts with label epiphany. Show all posts

Saturday, 5 July 2025

International Times: Dark Intense Music


My latest review to be published by International Times is of 'Down River: In Search of David Ackles' by Mark Brend:

'In Down River Mark Brend tells the story of David Ackles more fully than it has ever been told before. In the book, he identifies why that story and Ackles’ four albums remain worthy of such focused attention. As Bernie Taupin once said, ‘It’s not just that his music was different; he was different’. Through his search for David Ackles, Brend identifies the ways in he and his music were different from all around him and makes a strong argument for a greater appreciation of the value of difference.'

'Ackles’ storytelling songs demonstrate an incarnational ‘being with’ approach to his characters (‘We are all flawed; we have all fallen’), while the cumulative picture painted is of the bleakness of a world which has, as with the stunning ‘His Name is Andrew’, lost its connection with God.'

For more on David Ackles see here and here.

My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of: 'Headwater' by Rev Simpkins'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album; and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:

These poems have been published by Amethyst Review and International Times.

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David Ackles - Waiting For The Moving Van.

Sunday, 5 January 2025

We shall not cease from exploration

Here's the sermon that I shared at St Catherine's Wickford this morning:

The Magi searched for a sign, then searched for the one to whom the sign pointed, and then gave gifts when they found the one for whom they were looking for (Matthew 2.1-12). We think of them as being wise for doing all this. When we think about their story in these terms, it can give us a framework or a pattern for thinking about our own lives; perhaps then we will also find or know wisdom!

The Magi searched the stars looking for signs of divine communication; messages from the gods that could guide individuals and nations in the present. In other words, they were seeking answers, by the best means they knew how, to the big questions in life:
  • Who are we or, in other words, what is the nature, task and significance of human beings?
  • Where are we or, in other words, what is the origin and nature of the reality in which human beings find themselves?
  • What's wrong or, in other words, how can we account for all that seems wrong or broken in the world?
  • What's the remedy or, in other words, how can we alleviate this brokenness, if at all?
These are questions that each of us, consciously or unconsciously, find answers to by the way that we live our lives but it is only when we consciously ask them and actively search for answers that we begin to leave behind our natural inclination to live life for our pleasure and convenience.

The sign which the Magi found through their searching was the star in the east which they thought was a sign that the king of the Jews had been born as a baby. This sign uprooted them from where they were. If they were to see and to worship the baby King then they had to leave where they were and travel not knowing for sure where their journey would take them. Their journey was probably inconvenient and uncomfortable for them but was the only way for them to find what they were seeking. It is similar for us as we consciously ask ourselves the big questions in life and seek answers; asking questions and seeking answers is uncomfortable and often means making changes to the way that we are currently living which are inconvenient and disruptive, yet necessary, if we are to find any sort of answers at all.

T. S. Eliot writes, in his poem called ‘Little Gidding’, “We shall not cease from exploration,” and that is right because if we stop searching, if we stop questioning, then we get stuck and stagnate. We only have to look at nature to see the way in which all growth involves change; the caterpillar and butterfly being one of the most dramatic examples. Our own bodies are constantly changing throughout our lives with many of our cells being replaced as we progress through life. Growth involves constant change and if we apply this same principle to our thought life, our emotional life and our spiritual life then, as Eliot wrote, we must not cease from exploration.

The Magi’s journey found its immediate conclusion when they knelt before the Christ-child and worshipped him. They had no independent verification that this child was the King that they were seeking; they simply had to trust that this was so because they had arrived at the place to which the star had led them. Once again, T. S. Eliot’s ‘Little Gidding’ describes this well:

“If you came this way,
Taking any route, starting from anywhere,
At any time or at any season,
It would always be the same: you would have to put off
Sense and notion. You are not here to verify,
Instruct yourself, or inform curiosity
Or carry report. You are here to kneel …”

The answer to our questions is a person, not a fact, and the person who is the answer to our questions turns out to be God himself. Because God is infinite, he cannot be fully known or understood by human beings. With God, there is always more for us to know and understand. Knowing God is like diving into the ocean and always being able to dive down deeper therefore are ultimately only three responses we can make to the wonder and majesty of God. The first is, as we have been saying, to keep exploring and the second is this, to express our sense of awe and wonder by kneeling in worship.

The third is to give gifts. The Magi gave gold, frankincense and myrrh; each being costly gifts expressing aspects of Christ’s nature and purpose. Christina Rossetti expressed the significance of the Magi’s gift-giving beautifully in her carol, ‘In the bleak midwinter’:

“What can I give Him, poor as I am?
If I were a shepherd, I would bring a lamb;
If I were a Wise Man, I would do my part;
Yet what I can I give Him: give my heart.”

She understood that the costliest gift we can give is our life and that our life is given to Jesus when we express through our lives and actions something of who Jesus is.

Kneeling in worship was the end of the journey that the Magi took when following the star but it was also the beginning of the new journey that they were now to make; the journey home. Eliot used the phase, ‘In my end is my beginning,’ at the end of his poem called ‘East Coker’ and, in ‘Little Gidding,’ he writes:

“We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.”

The Magi journeyed home, but their home was no longer what it once was because they had been changed by their journey. Eliot’s poem ‘The Journey of the Magi’ ends with these lines:

“were we led all that way for
Birth or Death? There was a Birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.”

The Magi are no longer at ease with their old way of life because they have been changed through their searching and journeying. Now they see life differently because of what they have seen and heard; the answers they give to life’s big questions are no longer the same as before – their worldview has changed.

Are we asking the big questions? Are we constantly questioning and exploring yet also kneeling in awe and wonder to worship? And are both our answers to life’s big questions and to the way we live our lives changing as a result? If we wish to be wise like the Magi then our answer to all those questions will be, “Yes.”

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Saturday, 7 October 2023

Epiphany: Telling an Alternative History of Modern Art

My latest article is for Epiphany, the magazine of Epiphanyart, an ecumenical society of Christian artists in Britain formed over 70 years ago and affiliated to the international movement Société Internationale des Artistes Chrétiens (SIAC) which supports national Christian arts events in many countries.

Epiphanyart aims: 1.To bring the work of Christian artists to the notice of churches and the public; 2. To provide opportunities for mutual support and encouragement to its members; 3. To provide a resource for exhibition organisers and others to contact and commission artists via its website; and 4. To serve as a focus for all forms of creativity.

This edition of Epiphany features: a review and reflections on the 'Disparate Threads' exhibition; Helen Armstrong on commissions at St Peter's Hove; poetry by Janet Wilkes; Vision for a National Christian Arts Festival; John Armstrong on Joy; and an obituary for Rosemary Roberts.

In my article I give an overview of the history of modern art flagging up the religious influences in order to counter the traditional narrative of modern art as a secular enterprise:

"... this story is not yet consistently or thoroughly told in the standard art histories of modern art, and that matters. From an art historical point of view, it matters because significant strands within the
story of modern art are absent from it and the story, as a whole, is diminished and incomplete.

From the perspective of emerging artists, it matters because, for those wishing to explore spirituality, their range of reference and role models is lessened. For practising artists, it has mattered because, for those wishing to explore spirituality, opportunities to exhibit and sell work have been constrained. For the Church and other faith communities, it matters because the traditional telling of the story, which excludes spirituality, privileges and promotes secularism.

The telling of stories matters because stories are what we live by or within. To see a change maintained in the way this story is told, we all need to be involved in its telling and to be those who tell the story in as great a breadth and depth as we each can manage."

In my first article for Epiphany, I gave an account of two war-time artists who made their way to Britain and ended up making an important contribution to the cultural life of the country through their art.

Join Epiphanyart to receive Epiphany magazine regularly.

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Ed Kowalczyk - Angels On A Razor.

Monday, 13 June 2022

Never Again: Artistic Peace Projects

My latest article is for Epiphany, the magazine of Epiphanyart, an ecumenical society of Christian artists in Britain formed over 70 years ago and affiliated to the international movement Société Internationale des Artistes Chrétiens (SIAC) which supports national Christian arts events in many countries.

Epiphanyart aims: 1.To bring the work of Christian artists to the notice of churches and the public; 2. To provide opportunities for mutual support and encouragement to its members; 3. To provide a resource for exhibition organisers and others to contact and commission artists via its website; and 4. To serve as a focus for all forms of creativity.

This edition of Epiphany features: Kreg Yingst, an American print maker; Helen Armstrong on commissions at St George's Hove; poetry by Janet Wilkes; and Peter Osbourne on Lincoln Cathedral. 

Among the many artists forced to flee Nazi Germany were the sculptor Ernst Müller-Blensdorf and Ervin Bossányi. In my article, I give an account of two war-time artists who made their way to Britain and ended up making an important contribution to the cultural life of the country through their art:

"The focus on peace promotion that we find in the work of Blensdorf and Bossányi was characteristic of other émigré artists in this period, a concern shared more widely still within society at the time. ‘Never again’ was a common expression after 1945, symbolizing a universal desire to avoid another world war, a desire that was clearly expressed in 1945 through the establishment of the United Nations. The stories and works of these two demonstrate that artists can make a significant contribution to the cause of peace. In these days of increased conflict within Europe, we would do well to revive our awareness of such artists and find inspiration in their search for peace."

For more on Blensdorf click here and on Bossányi here.

Join Epiphanyart to receive the Epiphany magazine.

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Henryk Gorecki - Symphony No.3.

Saturday, 5 March 2022

Deus Ex Musica: Four Pop Songs for Lent

My latest post for Deus Ex Musica is on four pop songs for Lent. For over 50 years, pop musicians in all genres have explored the meaning and significance of Jesus in their music. The result is a rich collection of songs that consider important spiritual questions like faith, doubt, and prayer in unique and often provocative ways.

Deus Ex Musica’s Delvyn Case and I have recently been in conversation in a short series for HeartEdge to try to mine this rich resource to share rock and pop music for Lent, Easter and Christmas. We both have a deep interest in the ways faith is expressed in and through pop music in all its many guises. So, in this series we attempted to tap our differing interests and knowledge by choosing four songs for each festival we discussed. In this post I share the four songs we chose for Lent.

My earlier pieces for Deus Ex Musica on music for the Epiphany and the New Year can be found here and here. Recordings of the HeartEdge series with Delvyn Case can be found on the HeartEdge Facebook page here.

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 Rapsody - Jesus Coming.

Sunday, 6 February 2022

Van Morrison, Bob Dylan, and the Brand New Day

The New Year brings new opportunities, in this case new opportunities to write. I've recently started writing on faith and music for Deus Ex Musica, with my first piece being a reflection on Taylor Swift's hymnlike lockdown song 'Epiphany'.

In my second piece, which has just been published, I share two songs that explore spiritual and redemptive themes by being songs of immense joy and hope. For Van Morrison in ‘Brand New Day’, joy and hope are found in the transition from living under dark clouds while feeling ‘lost and double crossed’ to the sun beginning to shine so that freedom can be seen, and life is lit with love. In ‘New Morning’, Bob Dylan is to be found fully in that moment where life and love bring happiness.

If you are looking for encouragement, inspiration, joy, and hope now that 2021 has transitioned into 2022, you can’t do better than these two songs with their shared hopeful themes and vibe. To pray that in 2022 the dark clouds roll away, the sun begins to shine, and, in its light, we might be happy just to be alive seems to me to be a great New Year prayer and one that many of us – whether in or out of church - might be willing to pray.

For more on faith and music, see the Rock of Ages website where Delvyn Case of Deus Ex Musica shares his research into Jesus and Popular songs. Additionally, I am co-author of ‘The Secret Chord’, which has been described as an impassioned study of the role of music in cultural life written through the prism of Christian belief.

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Bob Dylan - New Morning.

Thursday, 6 January 2022

On Taylor Swift's hymnlike lockdown song ‘Epiphany’

The New Year brings new opportunities, in this case new opportunities to write. I've just started writing on faith and music for deus ex musica, with my first piece being a reflection on Taylor Swift's hymnlike lockdown song 'Epiphany':

"In ‘Epiphany’ Swift shows us examples of being with others that are Christ-like in their nature. Whether soldier or medic, both sing ‘With you, I serve / With you, I fall down’. That is the essence of incarnate mission, of being with. The epiphany that soldier and medic seek is, on the one hand, ‘Just one single glimpse of relief’ and, on the other, ‘To make some sense of what you've seen’."

I have a second piece for deus ex musica appearing later this month reflecting on New Year through songs by Bob Dylan and Van Morrison. You'll note that these are posts exploring music and faith through the Church calendar.

I'm currently also sharing music for the Church calendar through HeartEdge together with Delvyn Case of deus ex musica. For over 50 years, pop musicians in all genres have explored the meaning and significance of Jesus in their music. The result is a rich collection of songs that consider important spiritual questions like faith, doubt, and prayer in unique and often provocative ways.

Delvyn and I are, in conversation, mining this rich resource to share rock and pop music for Lent (4 January), Easter (10 January) and Christmas (18 January). Click here to register for these sessions. 

Delvyn Case is a composer, conductor, scholar, performer, concert producer, and educator based in the Boston area who has set up Rock of Ages (https://www.delvyncase.com/jesus), a website where he shares his research into Jesus and Popular songs.

More of my reflection on faith and music can be found in ‘The Secret Chord’ (https://shop.smitf.org/collections/books/products/the-secret-chord), an impassioned study of the role of music in cultural life written through the prism of Christian belief.

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Taylor Swift - Epiphany.

Epiphany: Exploration, kneeling and gift-giving

Here's the reflection I shared last night at Bread for the World at St Martin-in-the-Fields:

The Magi searched for a sign, then searched for the one to whom the sign pointed, and then gave gifts when they found the one for whom they were looking for. We think of them as being wise for doing all this. When we think about their story in these terms, it can give us a framework or a pattern for thinking about our own lives; perhaps then we will also find or know wisdom!

The Magi searched the stars looking for signs of divine communication; messages from the gods that could guide individuals and nations in the present. In other words they were seeking answers, by the best means they knew how, to the big questions in life:
  • Who are we or, in other words, what is the nature, task and significance of human beings?
  • Where are we or, in other words, what is the origin and nature of the reality in which human beings find themselves?
  • What's wrong or, in other words, how can we account for all that seems wrong or broken in the world?
  • What's the remedy or, in other words, how can we alleviate this brokenness, if at all?
These are questions that each of us, consciously or unconsciously, find answers to by the way that we live our lives but it is only when we consciously ask them and actively search for answers that we begin to leave behind our natural inclination to live life for our pleasure and convenience.

The sign which the Magi found through their searching was the star in the east which they thought was a sign that the king of the Jews had been born as a baby. This sign uprooted them from where they were. If they were to see and to worship the baby King then they had to leave where they were and travel not knowing for sure where their journey would take them. Their journey was probably inconvenient and uncomfortable for them but was the only way for them to find what they were seeking. It is similar for us as we consciously ask ourselves the big questions in life and seek answers; asking questions and seeking answers is uncomfortable and often means making changes to the way that we are currently living which are inconvenient and disruptive, yet necessary, if we are to find any sort of answers at all.

T. S. Eliot writes, in his poem called ‘Little Gidding,’ “We shall not cease from exploration,” and that is right because if we stop searching, if we stop questioning, then we get stuck and stagnate. We only have to look at nature to see the way in which all growth involves change; the caterpillar and butterfly being one of the most dramatic examples. Our own bodies are constantly changing throughout our lives with many of our cells being replaced as we progress through life. Growth involves constant change and if we apply this same principle to our thought life, our emotional life and our spiritual life then, as Eliot wrote, we must not cease from exploration.

The Magi’s journey found its immediate conclusion when they knelt before the Christ-child and worshipped him. They had no independent verification that this child was the King that they were seeking; they simply had to trust that this was so because they had arrived at the place to which the star had led them. Once again, T. S. Eliot’s ‘Little Gidding’ describes this well:

“If you came this way,
Taking any route, starting from anywhere,
At any time or at any season,
It would always be the same: you would have to put off
Sense and notion. You are not here to verify,
Instruct yourself, or inform curiosity
Or carry report. You are here to kneel …”

The answer to our questions is a person, not a fact, and the person who is the answer to our questions turns out to be God himself. Because God is infinite, he cannot be fully known or understood by human beings. With God, there is always more for us to know and understand. Knowing God is like diving into the ocean and always being able to dive down deeper therefore are ultimately only three responses we can make to the wonder and majesty of God. The first is, as we have been saying, to keep exploring and the second is this, to express our sense of awe and wonder by kneeling in worship.

The third is to give gifts. The Magi gave gold, frankincense and myrrh; each being costly gifts expressing aspects of Christ’s nature and purpose. Christina Rossetti expressed the significance of the Magi’s gift-giving beautifully in her carol, ‘In the bleak midwinter’:

“What can I give Him, poor as I am?
If I were a shepherd, I would bring a lamb;
If I were a Wise Man, I would do my part;
Yet what I can I give Him: give my heart.”

She understood that the costliest gift we can give is our life and that our life is given to Jesus when we express through our lives and actions something of who Jesus is.

Kneeling in worship was the end of the journey that the Magi took when following the star but it was also the beginning of the new journey that they were now to make; the journey home. Eliot used the phase, ‘In my end is my beginning,’ at the end of his poem called ‘East Coker’ and, in ‘Little Gidding,’ he writes:

“We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.”

The Magi journeyed home, but their home was no longer what it once was because they had been changed by their journey. Eliot’s poem ‘The Journey of the Magi’ ends with these lines:

“were we led all that way for
Birth or Death? There was a Birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.”

The Magi are no longer at ease with their old way of life because they have been changed through their searching and journeying. Now they see life differently because of what they have seen and heard; the answers they give to life’s big questions are no longer the same as before – their worldview has changed.

Are we asking the big questions? Are we constantly questioning and exploring yet also kneeling in awe and wonder to worship? And are both our answers to life’s big questions and to the way we live our lives changing as a result? If we wish to be wise like the Magi then our answer to all those questions will be, “Yes.”

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T. S. Eliot - Little Gidding.

Sunday, 2 January 2022

Have the lights come on?

Here's the sermon I preached at St Martin-in-the-Fields this morning:

Light-bulb moments are those occasions when the penny drops, everything clicks into place and understanding comes. It might be in relation to something which is puzzling us; a piece of work about which we were unsure, a puzzle or conundrum to be resolved. In relationships it could be when one person appreciates something about another for the first time or when a disagreement is resolved.

These light-bulb moments have a name. They are called epiphanies and they tend to creep up on us unexpectedly. We may have been puzzling over something for hours, then the answer hits us. We may wake up in the middle of the night because something in a dream has clicked or else something someone says triggers a chain of thoughts in our mind that results in a moment of revelation. It all makes sense. We can’t choose the moment this happens, but we can perhaps create the right environment to encourage it to happen.

Epiphanies are less likely to happen when we’re stressed, when we’re tormented by trying to find the answer to something, when we can’t focus on anything else. Sometimes that means we need to find peace and quiet, maybe by going for a walk or reading a book. Some people find there’s nothing better than having a shower or a relaxing bath. At other times it’s better to fill our minds with something totally different from the issue, maybe doing a Sudoku puzzle or watching a favourite TV programme. Then, out of nowhere, revelation comes.

One of those approaches I’ve described might work for you, too, but there may be others. It might simply be a case of going on to the next question in a test and going back later to what’s been puzzling you. It could be that music works its magic or merely closing your eyes and blanking your mind in meditation for a minute or two.

The 6 January is celebrated in the Christian church as the feast of Epiphany. As the word ‘epiphany’ means a light-bulb moment, the feast of the Epiphany is an opportunity for revelation about who Jesus was and is. Having appreciated the Christmas story of God sending Jesus to be born as a human being, the feast of the Epiphany is the day to see the implications of all that God has done in that act. Using the story of the Magi – the wise men who came to see Jesus – we remind ourselves of the symbolism attached to who they were and the gifts they brought, gold, frankincense and myrrh.

These visitors from the East came looking for Jesus in a palace but found him in a manger. The Magi looked for him at the heart of privileges won through personal power but actually found him in a place of poverty and dispossession. They went to a palace, to the seat of wealth and power but he was not to be found there. Instead, he was found in obscurity, in the home of working people, in a place from which no good was known to come. The visitors from the East looked for a King according to their understanding of kingship but only found Jesus when they left that understanding of political power and rule behind to encounter a King whose every breath is service of his subjects. The Empire then struck back as, in a bid to protect his power-base, Herod sent his death squads to massacre all male children under two in Bethlehem forcing Mary, Joseph and Jesus to become refugees, settling in Egypt until Herod himself was dead.

Jesus was vulnerable in this way because he was on the edge, at the margins of society. The poet-priest Malcolm Guite put it like this:

‘Christmas sets the centre on the edge;
The edge of town, the outhouse of the inn,
The fringe of empire, far from privilege
And power, on the edge and outer spin
Of turning worlds, a margin of small stars
That edge, a galaxy itself, light years
From some unguessed at cosmic origin.’

The edge is the place where those who have been excluded or rejected or ignored by society or the Church are to be found. That Jesus is found there – is born there - speaks of the conviction that God’s heart is on the edge of human society. Not only so, but, also, that God is most evidently encountered among those in the margins and on the edge. Those on the edge are Christ to us; Jesus is seen in those who have been excluded or rejected or ignored by society or the Church. The edge is where we can receive all the gifts God is giving us, especially the ones that Church and society have for so long despised or patronised. Those who have been rejected are the energy and the life-force that will transform us all. The life of those with power within church and society is, as Sam Wells has said, ‘about constantly recognising the sin of how much we have rejected, and celebrating the grace that God gives us back what we once rejected to become the cornerstone of our lives.’

The Magi have often represented as rulers of each of the major parts of the world known at the time, Europe, Asia and Africa, emphasising the global reach of the Christian religion. The Magi’s visit is often called the Gentile Christmas; the overriding message being that learned, wise foreigners - the ultimate ‘outsiders’ for Matthew’s Jewish-Christian audience - came to pay homage to a new-born ruler, Jesus the Christ, whose spiritual power and wisdom surpassed their own. Isaiah tells of nations coming to the light of the one that we know as the Christ-child, and through his imagery we can picture all people of all nations drawn to a Christ who knew oppression on all levels. As we have reflected, Christ was born under the oppression of Roman rule, escaped genocide by becoming a refugee and lived, as a migrant, in another country.

Both the incarnation and the ‘Gentile Christmas’ reveal that God’s heart is on the edge of human society, with those who have been excluded or rejected or ignored; that God is most evidently encountered among those in the margins and on the edge. Those who have been rejected are seen to be the energy and the life-force that will transform us all. The life of the church is therefore, as we have noted, to be one of constantly recognising the sin of how much we have rejected, and celebrating the grace that God gives us back what we once rejected to become the cornerstone of our lives.

In Jesus all things are re-aligned. Through his birth, life, death, and resurrection all that we once thought marginal to human life – all that we have rejected - has been shown to be essential: the way of compassion rather than the way of domination; the way of self-sacrifice rather than the way of self; the way of powerlessness rather than the way of power; the way of serving rather than the way of grasping. That’s the big picture revelation of the Epiphany. Considering the gifts that the Magi brought then gives us a close-up revelation about the nature of the Christ-child.

Gold, the most precious metal, was a present for an important person, so gold signifies that Jesus comes as a person of power, a king, a ruler. But we can also think that Jesus comes to give something precious to others – himself, his own life. So, gold was a gift that said: ‘Jesus is a King who will bring love!’

Frankincense and myrrh were both very expensive perfumes made from the resin of trees. People burned frankincense in religious ceremonies. They believed the fragrance carried their prayers to heaven. By its use in worship frankincense shows that Jesus comes as a holy person, someone who is totally pure, who has no wrong side to him. So, frankincense was a gift that said: ‘Jesus will draw us close to God and bring joy.’

Myrrh was used in ointments to heal sore skin and wounds. It was even used in this way to reduce wrinkles on dead bodies. Jesus would later be offered wine mingled with myrrh as a pain killer at the crucifixion. Myrrh indicates that Jesus will one day die a significant death and that he heals. So, myrrh was a gift that said: ‘Jesus will heal divisions through his death and bring peace.’

Historically, the Magi may have been envoys from the Nabatean King Aretas IV to King Herod, sent after the wise men of Aretas’ court announced that they had discerned from the stars that a new King of the Jews was to be born and bringing with them gifts that were not only rich and regal, but also representative of the wealth and power of Aretas’ Nabatean kingdom. If that were so, what they found when they arrived in Jerusalem was a surprise and an epiphany to them. The new king was not Herod’s son and was not in Jerusalem. As they travelled on to Bethlehem, a place on the edge of power, wealth, prestige and significance, their gifts, which had been designed to confirm those very things, took on new significance and became symbolic of a king who would renounce power, wealth, prestige and embrace poverty, obscurity, and death.

This is how epiphanies always come. By its nature, revelation is always outside our current frame of reference, being something that we don’t already know. So, epiphanies are always unexpected and surprising. However, there are ways in which we can prepare our hearts and minds to receive them. We see that in the story too, because, if the Magi had not set out on their journey and been prepared to travel beyond Jerusalem to the place on the edge, their epiphany would not have come.

It is because they were willing to travel that, for us, the Feast of the Epiphany reveals Jesus as the hope of the world by his ‘epiphany’ or ‘showing forth’ to the Magi from distant lands. The Magi travelled to find a king. The king they found was born into poverty rather than riches, was not a powermonger but a dependent child, would not accumulate power, wealth, or position for himself but instead be the servant of all, and would not save his life rather would die to save others.

In the words of Dietrich Bonhoeffer, the Christ child in the manger ‘pushes back the high and mighty; he overturns the thrones of the powerful; he humbles the haughty; his arm exercises power over all the high and mighty; he lifts what is lowly, and makes it great and glorious in his mercy.’ Because God is in the manger, ‘God is near to lowliness’ and ‘loves the lost, the neglected, the unseemly, the excluded, the weak and broken.’ That is the unrecognized mystery of this world: Jesus Christ as God with us. It is a redemptive mystery ‘because God became poor, low, lowly, and weak out of love for humankind, because God became a human being like us, so that we would become divine, and because he came to us so that we would come to him’.

At Epiphany, we have the opportunity to re-experience that original epiphany, to try to understand again all that Jesus is and all he does for us. We are offered the opportunity to make sure the penny has dropped, the light has come on, that faith has clicked into place, and relationship with Jesus begun. Epiphany is a time to connect or re-connect with Jesus on the basis of that original revelation. So, I ask, have the lights come on for you?

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Thursday, 23 December 2021

Christmas Greetings from HeartEdge

Dietrich Bonhoeffer was a Lutheran pastor who directed an underground seminary in Germany, an intentional Christian community that practised a new form of monasticism. Bonhoeffer’s book ‘Life Together’ gives the details for anyone interested in finding out more.

The seminary was closed down in 1937 by the Gestapo and more than two dozen of its students were arrested. Bonhoeffer, too, was arrested in 1943 and executed in 1945, just weeks before the end of World War II. Earlier, while still at liberty, he wrote circular letters to his students encouraging them to pursue and maintain fellowship with one another in any and every way possible; just as we also need to do in the challenges of the pandemic.

In his circular letter sent at Christmas in 1939, he wrote:

‘No priest, no theologian stood at the cradle in Bethlehem. And yet all Christian theology has its origin in the wonder of all wonders, that God became [hu]man … Theologia sacra arises from those on bended knees who do homage to the mystery of the divine child in the stall. Israel had no theology. She did not know God in the flesh. Without the holy night there is no theology. God revealed in the flesh, the God-[hu]man Jesus Christ, is the holy mystery which theology is appointed to guard.’

The Christmas story is one of God sending Jesus to be born as a human being, a person like us, God with us. The incarnation shows us that what is at the heart of the Christian faith is God's commitment to be with us. Being with is the holy mystery which theology is appointed to guard. In ‘A Nazareth Manifesto’, ‘Incarnational Mission’ and ‘Incarnational Ministry’ Sam Wells describes the theology and praxis of being with:

‘Being with involves paying attention to whether the person before us is called, troubled, hurt, afflicted, challenged, dying or lapsed, seeking, of no faith, of another faith, hostile; it is asking ‘what do you seek?’ and ‘what do you bring?’; and focuses on presence, attention, acknowledging mystery, openness to delight, enjoyment, and glory, and working in partnership.’

In thinking about what this looks like in practice, I’ve been drawn to ‘Epiphany’, a hymnlike lockdown song by the American singer-songwriter Taylor Swift which was released in July 2020 on her album Folklore. The song honours those who serve others, such as soldiers and medics, by telling their untold stories of being with others. In the song she imagines a nurse or doctor on a 20 minute break between shifts yearning for an epiphany that will provide relief from the unrelenting agony experienced on each shift.

In ‘Epiphany’ Swift shows us examples of being with others that are Christ-like in their nature. Whether soldier or medic, both sing ‘With you, I serve / With you, I fall down’. That is the essence of incarnate mission, of being with. The epiphany that soldier and medic seek is, on the one hand, ‘Just one single glimpse of relief’ and, on the other, ‘To make some sense of what you've seen’. To see that their being with is an echo of Christ’s being with and an anticipation of heaven, where there is nothing but being with, is an epiphany that truly makes sense of what they have seen.

The first lockdown generated slogans that included ‘Community like never before’ and ‘Let’s make this love normal’. Such sentiments have seemed in shorter supply since. Swift’s ‘Epiphany’ returns us to the place of those slogans and introduces us to the real meaning of epiphany and of Christmas; the incarnate practice of being with.

All of us in the HeartEdge team wish you a very happy Christmas.

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Taylor Swift - Epiphany.

Friday, 14 May 2021

Chaiya Art Awards: ‘God is . . .’ at Gallery@OXO

My latest review for Church Times is of Chaiya Art Awards 2021 winners exhibition at Gallery@OXO:

'The Chaiya Art Awards, with roots in Christianity but open to people of all faiths and none, is asking who or what God is, and continuing an age-old conversation in a modern setting with contemporary eyes. It is asking big questions while looking for inspiration from the wealth of the UK’s creatives. What have they found?

Glimpses of unvarnished reality which become moments of revelation are the pearls of great price or treasures buried to which artists attend; and that alertness to epiphany can clearly be discerned in much of the work included here.'

“God is . . .” runs at Gallery@OXO, Bargehouse Street, London SE1 9PH from 14 to 23 May 2021, 11 a.m.-6 p.m. every day (till 4 p.m. on last day). It can also be viewed online at chaiyaartawards.co.uk. The 2021 Award winners can be found by clicking here.

My Artlyst interview of Chaiya Art Awards founder Katrina Moss can be read here and my ArtWay visual meditation on the winning entry in the 2018 Awards is here

Other of my pieces for Church Times can be found here.

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Emmylou Harris - Sweet Old World.

Tuesday, 5 January 2021

Artlyst: The black Magus and black Jesus

My latest piece for Artlyst explores themes from the National Gallery's 'Sensing the Unseen' experience and Heart and Soul's 'Black Jesus' programme:

'Before Christmas, on the BBC World Service in a programme entitled ‘Black Jesus’, Beckford explored the impact Black Theology has had in raising awareness of these rejections, the implications for the church and whether seeing Jesus as black is having a revival due to the influence of black lives matter. In the programme, this realisation came home most forcefully when Chine McDonald says, ‘When I pray I see a white man – that’s problematic’. It’s problematic because, as Beckford notes, ‘Jesus is a man of colour from the ancient near east’; an olive-skinned Palestinian, not a blonde European.

If Jesus was a darker-skinned Palestinian rather than a blonde European, we need to ask, as Beckford does, if ‘Jesus is a man of colour from the ancient near east’, how then ‘did we make him an Aryan and use that image to oppress other people?’ ‘Faith doesn’t stand outside politics,’ Beckford notes, ‘In fact, it is a political move to separate the two.’ The problematic nature of this can be seen in the reality that, even today, a black woman like Chine McDonald still pictures a white man when she prays, even though this is a reverse of the image of God found in Jesus.'

See also my sermons, 'A journey to the edge' and '90th Anniversary Celebration Service - Cathedral of St Mary the Virgin Johannesburg'.

My other Artlyst pieces are:

Interviews:

Nicola Ravenscroft - Sculpture With A Peaceful Stillness
Artist Hannah Rose Thomas – Tears of Gold – Interview
Marcus Lyon: Human Atlas Explorations
Elizabeth Kwant Interview
Helaine Blumenfeld: Undulating Structures
National Gallery Explores ‘Sin’ In New Exhibition – Interview Dr Joost Joustra Curator
Betty Spackman: Posthumanism Debates
Christopher Clack: Connecting The Material And Immaterial
Peter Howson Artlyst Interview
Marleen Hengelaar-Rookmaaker On The Legacy Of ArtWay
Alastair Gordon A Testament To His Faith
Katrina Moss Chaiya Art Awards Interview: Where is God in our 21st century world?
Apocalypse Now: Michael Takeo Magruder Interviewed
Jonathan Anderson: Religious Inspirations Behind Modernism
Caravan – An Interview With Rev Paul Gordon Chandler On Arts Peacebuilding
Art Awakening Humanity Alexander de Cadenet Interviewed
Michael Pendry New Installation Lights Up St Martin In The Fields
Mark Dean Projects Stations of the Cross Videos On Henry Moore Altar

Articles:

Cosmic Patches And Quilts Five Exhibitions
Everyday Heroes: Southbank Exhibition Celebrates Low-paid Key Workers
Entwining Spiritualism And Art – Three Shows
Of Church And The Visual Arts
Has The Word Master Reached Its Sell-By Date?
The People Behind Community Is Kindness Billboard Campaign
André Daughtry: Art, Rebellion And Racial Justice
Salisbury Cathedral 800 Years Of Art And Spirit
Home Alone Together Twenty Five Artists
Botanical Mind Online: Art, Mysticism and the Cosmic Tree
Salvador Dalí The Enigma of Faith
Art And Faith A Time For Seeing
Andy Warhol: Catholicism His Work, Faith And Legacy
Kiki Smith: Embodied Art
Art and Christianity Awards A Positive New Millennium Legacy
Arnulf Rainer: 90th Birthday Exhibition Celebrated At Albertina Museum
A Belonging Project And Exiles Loss and Displacement
Robert Polidori: Fra Angelico Opus Operantis
Art, Faith, Church Patronage and Modernity
Contemplating the Spiritual in Contemporary Art
Mat Collishaw Challenges Faith Perspectives With Ushaw Installation
Waterloo Festival Launches At St. John’s Waterloo
John Bellany Alan Davie Spiritual Joy and Magic
RIFT Unites 17 Art and Science MA Graduates At Central St Martins
Visionary Cities: Michael Takeo Magruder – British Library
Van Gogh’s Religious Journey Around London
William Congdon Holy Sites And The Kettle’s Yard Connection
Mark Dean Premieres Pastiche Mass At Banqueting Hall Chelsea College of Arts
John Kirby: The Torment
Underlying The Civilised Facade
Curating Spiritual Sensibilities In Changing Times
Homeless Highlighted: New Beau Exhibition At St Martin-in-the-Fields
Ken Currie: Protest Defeat And Victory
Bosco Sodi: A Moment Of Genesis
Bill Viola And The Art Of Contemplation
Art In Churches 2018: Spiritual Combinations Explored
Sister Wendy Beckett – A Reminiscence
Guido Guidi: Per Strada Flowers Gallery London
Peter Howson: The play is over – Flowers Gallery
Camille Henrot: Scientific History And Creation Story Mash Up
Nicola Green Explores Recent And Contemporary Religious Leaders – St Martin-in-the-Fields
Art And The Consequences Of War Explored In Two Exhibitions
Helaine Blumenfeld Translating Her Vision
Sam Ivin: Physically Scratched Portraits Of Asylum Seekers Exhibited
Sacred Noise: Explores Religion, Faith And Divinity
Bill Viola: Quiet Contemplative Video Installation St Cuthbert’s Church Edinburgh
The ground-breaking work of Sister Corita Kent
Picasso To Souza: The Crucifixion Imagery Rarely Exhibited
Michael Takeo Magruder: De / coding the Apocalypse – Panacea Museum
Giorgio Griffa: The Golden Ratio And Inexplicable Knowledge
Arabella Dorman Unveils New Installation At St James Church Piccadilly
Can Art Transform Society?
Art Awakening Humanity Conference Report
Central St Martins in the Fields Design Then And Now
The Sacramental And Liturgical Nature Of Conceptual Art
Polish Art In Britain Centenary Marked At London’s Ben Uri Gallery
Refugee Artists Learning from The Lives Of Others
The Religious Impulses Of Robert Rauschenberg
The Christian Science Connection Within The British Modern Art Movement
Artists Rebranding The Christmas Tree Tradition
Art Impacted - A Radical Response To Radicalisation
The Art of St Martin-in-the-Fields
Was Caravaggio A Good Christian?

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Blessid Union of Souls - I Still Believe In Love.

Sunday, 5 January 2020

Epiphany Carols: The end of all our exploring

1

Journeys feature heavily in the Christmas story. There are the physical, geographical journeys of Mary and Joseph from Nazareth to Bethlehem to register in the census, the rather shorter journey of the Shepherds from the hills surrounding Bethlehem to the manger itself, the lengthy journey of the Magi following the star via Herod’s palace to the home of Jesus, and the journey of Mary, Joseph and Jesus to Egypt following the Magi’s visit.

Then there are the emotional and life journeys that the characters in the story make. For Mary the journey of pregnancy and birth following her submission to God’s will at the Annunciation; the journey of carrying God himself in her womb for nine months while enduring the disapproval of her community. For Joseph, there is the journey from what was considered right in the community of his day – a quiet divorce – to the realisation that to do God’s will meant standing by Mary despite the local disgrace and scandal.

Tonight our focus is on the journey made by the Magi (Matthew 2. 1-12). What can we learn from their journeys that will help us in our own life journeys? The Magi searched for a sign, then searched for the one to whom the sign pointed, and then gave gifts when they found the one for whom they were looking for. They were seeking answers, by the best means they knew how, to the big questions in life: Who are we? Where are we? What's wrong? What's the remedy? We think of them as being wise for doing this. When we think about their story in these terms, it can give us a framework or a pattern for thinking about our own lives; perhaps then we will also find or know wisdom!

The sign which the Magi found through their searching was the star in the east which they understood to be a sign that the king of the Jews had been born. This sign uprooted them from where they were. If they were to see and to worship the baby King then they had to leave where they were and travel not knowing for sure where their journey would take them. They, no doubt, had a lengthy and uncomfortable journey not knowing exactly where they were going and nearly being seduced by Herod into contributing to the death of the child they sought. Their journey was probably inconvenient and uncomfortable for them but was the only way for them to find what they were seeking.

It is similar for us as we consciously ask ourselves the big questions in life and seek answers; doing so is uncomfortable and often means making changes to the way that we are currently living which are inconvenient and disruptive, yet necessary, if we are to find any sort of answers at all. T.S. Eliot wrote, in his poem called ‘Little Gidding,’ “We shall not cease from exploration,” and that is right because if we stop searching and questioning, then we get stuck and stagnate. Growth involves constant change and if we apply this principle to our thought life, our emotional life and our spiritual life then, as Eliot wrote, we must not cease from exploration. This is also true because, with God, there is always more for us to know and understand. Knowing God is like diving into the ocean and always being able to dive down deeper. If we are to know God better, deeper, more fully, we must not cease from exploration.

2

The Magi searched the stars looking for signs of divine communication; messages from the gods that could guide individuals and nations in the present. The first sign they might have seen was in the year 7 BC. Three times that year the planets Jupiter and Saturn passed close to each other in the constellation of Pisces. To ancient star-gazers this was significant. Jupiter was the king of the planets, Saturn stood for the Messiah, and Pisces was the constellation of the Jews. The Magi could have seen this as a sign that the Messiah, the King of the Jews, was coming. Two years later, in 5 BC, Chinese records tell of a bright comet that was visible in the sky for seventy days. That may have been the Christmas star that led the Magi to set out on their quest.

The comet may have prompted the beginning their search but their destination would initially have seemed obvious to them; Jerusalem, the capital city of the Jews. They arrived in Jerusalem asking ‘Where is the baby who was born to be the king of the Jews?’ The answer they were given came from scripture, Micah 5.2: ‘But you, Bethlehem Ephrathah, are one of the smallest towns in Judah. But from you will come one who will rule Israel for me. He comes from very old times, from days long ago.’ The Magi then set out on the last few miles to Bethlehem. We are then told that the star ‘stopped over the place where the child was.’ In ancient writings, words like ‘stood over’ usually refer to comets, so this may have meant that by the time they got to Bethlehem the comet’s tail was vertical in the night sky. This could have been the final confirmation that they had found the right place and a few simple enquiries in the village would have led them to Mary, Joseph and baby Jesus.

Their journey brought them to the birth of Jesus; the birth of the new thing that God was doing in the life of our world and the new thing that he was doing in their lives too. Epiphany means a revealing of the presence of God and that is what the Magi experienced when they found their way to the place where Jesus was. It was because they were looking for signs of God’s presence in their world that they followed those signs until they found the new thing that God was doing in the world through Jesus’ birth. Similarly, God is continually doing new things in our world and we are called, as Christians, to look out for these epiphanies; these revealings of the presence of God.

The Magi’s journey found its immediate conclusion when they knelt before the Christ-child and worshiped him. They had no independent verification that this child was the King that they were seeking; they simply had to trust that this was so because they had arrived at the place to which the star had led them. Once again, ‘Little Gidding’ describes this well: “If you came this way, / Taking any route, starting from anywhere, / At any time or at any season, / It would always be the same: you would have to put off /Sense and notion. You are not here to verify, / Instruct yourself, or inform curiosity / Or carry report. You are here to kneel …”

The answer to our questions is a person, not a fact or a proposition. Facts and propositions are either one thing or another and can be known as such, but a person always has hidden depths which can only be known through relationship. Then the person who is the answer to our questions turns out to be God himself and, because God is infinite, God cannot be fully known or understood by human beings. There are always greater depths into which we dive.

So, there are ultimately only three responses we can make to the wonder and majesty of God. The first is to keep exploring, the second is to express our sense of awe and wonder by kneeling in worship, and the third is to give gifts. The Magi gave gold, frankincense and myrrh; each being costly gifts expressing aspects of Christ’s nature and purpose. Christina Rossetti expressed the significance of the Magi’s gift-giving beautifully in her carol, ‘In the bleak midwinter’: “Yet what I can I give Him: give my heart.” She understood that the costliest gift we can give is our life and that our life is given to Jesus when we express through our lives something of who Jesus is.

3

Kneeling in worship was the end of the journey that the Magi took when following the star but it was also the beginning of the new journey that they were then to make; the journey home. Eliot used the phase, ‘In my end is my beginning,’ at the end of his poem called ‘East Coker’ and, in ‘Little Gidding,’ he wrote: “We shall not cease from exploration / And the end of all our exploring / Will be to arrive where we started / And know the place for the first time.”

The Magi journeyed home but their home was no longer what it once was because they had been changed by their journey. Eliot’s poem ‘The Journey of the Magi’ ends with these lines: “We returned to our places, these Kingdoms, / But no longer at ease here, in the old dispensation, / With an alien people clutching their gods. / I should be glad of another death.” The Magi were no longer at ease with their old way of life because they had been changed through their searching and journeying. Now they saw life differently because of what they had seen and heard; the answers they gave to life’s big questions were no longer the same as before – their worldview had changed and so their home was no longer an end in itself. For the Magi to see the new thing that God was doing they had had to leave where they were and travel not knowing where their journey would take them. Beginning their journey was important but it didn’t tell them how to find their way and when they did finally arrive, their arrival actually meant the beginning of a new journey.

All of which suggests that how we travel may be as important as why or where we travel. In Matthew 6.34 we read of Jesus saying: ‘Give your entire attention to what God is doing right now, and don’t get worked up about what may or may not happen tomorrow. God will help you deal with whatever hard things come up when the time comes.’ When we are preoccupied with what might happen in the future or what has happened in the past, we are not living fully in the present and may well misunderstand or misinterpret what is actually happening in the here and now. Jesus encourages us to live fully in the present because, that is where we encounter God and find epiphanies.

The poet and sociologist Minnie Louise Haskins echoed this in her poem called ‘God Knows’: The stretch of years / Which wind ahead, so dim / To our imperfect vision, / Are clear to God. Our fears / Are premature; In Him, / All time hath full provision.’ The poem begins: ‘And I said to the man who stood at the gate of the year: / “Give me a light that I may tread safely into the unknown.” / And he replied: “Go out into the darkness and put your hand into the Hand of God. / That shall be to you better than light and safer than a known way.”

The answer to our questions is a person, not a fact or a proposition, and the person who is the answer to our questions is God himself. God becomes past, present and future to us. God becomes all in all and is in us and with us in all our exploration and journeying. God is with us through the Spirit which is in us and in our world. God is also with us in understanding our explorations and experiences because, by being born as a baby in Bethlehem, in Jesus, God experiences and understands our life journeys. It is for these reasons that the one who stands at the gate of the year says we can go out into the darkness, living fully in the present and tread safely into the unknown by putting our hand into the hand of God.

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Herbert Howells - Here Is The Little Door.

Saturday, 28 December 2019

Epiphany at St Martin's


Sally Hitchiner will be preaching and I will be presiding at 10.00am on Sunday 5 January for the Parish Eucharist at St Martin-in-the-Fields on the Feast of the Epiphany.

Then at 5.00pm, I will be sharing reflections during Epiphany Carols, which will also include Epiphany readings and poems. The Choir of St Martin-in-the-Fields will sing at both services. 

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As With Gladness.

Saturday, 1 September 2018

Knots, Dust & Epiphany

Exhibitions of multiple drawings are relatively rare, but, like the stereotypical buses, two have come along together at Birmingham’s Ikon Gallery.

Francis Alÿs has created an installation of hundreds of drawings, which are suspended in enclosed space at the centre of the exhibition. The drawings are the stills required to produce three minutes and fourteen seconds of an animation showing a woman repeatedly tying a simple knot in her long hair that then undoes itself. The massive number of drawings required to form this short animation demonstrate the huge disproportion, on which Alÿs regularly reflects, in much human activity between effort and result, work and labour.

Much of that involved and repetitive activity centres on knotty problems – Catch 22 situations or paradoxes – that cannot simply be unravelled and straightened out. In this work, Alÿs activates a game of opposites - joining and unravelling, arranging and disrupting, doing and undoing, drawing and erasing – while also emphasising the human nature of what it is that we are doing, as knots require the work of our hands and untangling knots is one thing a machine is unable to do.

In Big Series (1983-85), Vladimír Kokolia is showing a large number of fragile figurative ink drawings produced during the final years of the Iron Curtain – when the Communist Party reinforced its censorship of the politically subversive arts as part of a programme of ‘Normalisation’. This programme of censorship included a ban on ‘politically subversive’ exhibitions, films, publications and concerts. Kokolia’s drawings are on display for the first time after more than thirty years in storage; synergies, perhaps, with the ‘Unpainted Paintings’ of Emil Nolde.

Kokolia has described the atmosphere of suppression in which these drawing were produced as being ‘a horrible time’ because ‘your enemy was everywhere and nowhere’ meaning that you ‘could never meet him.’ As a result, these early works acquired a sense of political commentary in the depiction of grotesque stories of cruelty and weakness. They show the wretchedness of human endeavour in which human figures struggle for a glimpse of meaning in absurd circumstances. As such, they hold their own against similar series such Goya’s Disasters of War or Rouault’s Miserere.

This first room of Kokolia’s exhibition, with its deliberately subdued lighting, has significant synergy with the notion of turbulence found in Alÿs’ exhibition. In addition to the surreal horrors of the Big Series, we also find Storm Centre (2001) which draws us, helter-skelter, into a deep blue spiralling vortex. Similarly, we enter the Alÿs exhibition through Tornado (2000-2010), a video projection which records Alÿs’ chasing of “dust devils” in attempts to enter their eye with a camera in hand. He then films their windless core, a monochrome of dust that literally abstracts him from the outside world.

The lianas, mazes, or winding footpaths of Kokolia’s paintings – generally depicting the trucks, branches or leaf canopies of trees around Veverské Nnínice, the small Moravian village where he lives – also resemble the knots which form a central image in Alÿs’ exhibition. In Kokolia’s work, his tangled coils of shifting patterns and colours are skeins through which we glimpse the light beyond. In Alÿs’ work they enmesh us in the repetitive and demanding round of human activity from which we cannot emerge.

While there are many synergies between these two exhibitions, the heart of the difference between the two is found in Kokolia’s sense of wonderment with the natural world and Alÿs’ sense of constraint in the human world.

Both touch fleetingly on spiritual language in their work, demonstrating by this not any sense of personal proselytization, more the enduring strength of religious language and concepts even when secularized. Kokolia expresses his sense of wonderment in his exhibition title ‘Epiphany’; ‘a profound {and unexpected) revelation borne out of everyday experience.’ Alÿs entitles his new animation Exodus 3:14, in which God speaking from the burning bush names himself before Moses as, ‘I am who I am’. For Alÿs this is another knotty paradox that we cannot resolve. Even when we run into the eye of the storm, nothing is revealed. For Kokolia, however, there is light at the end of the tunnel.

Francis Alÿs: Knots’n Dust and Vladimír Kokolia: Epiphany are at Ikon Gallery until 9 September 2018

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Gungor - Vapour.

Sunday, 1 April 2018

Journeys, conversations & epiphanies


Here's my reflection for tonight's Choral Evensong at St Martin-in-the-Fields:

In the English language we have many words and phrases that use the metaphor of a journey for aspects of our lives. When babies are born we say that they have arrived. When we have a big decision in front of us, we say we’ll cross that bridge when we come to it. When we are unsure what to do next in our lives we say we are at a crossroads and don’t know which way to go or we might say that our life has no direction and we don’t know where we are heading. The words and phrases we use suggest that we think of life is being like a journey filled with lessons, hardships, heartaches, joys, celebrations and special moments that will ultimately lead us to our destination in life. The road will not always be smooth and throughout our travels we will be confronted with many situations, some joyful and others filled with heartache. How we react often determines what the rest of our journey through life will be like.

All of this means that thinking of our journey through life as a Pilgrimage can be a helpful reflection. Pilgrimages provide an opportunity to meet people, make friends, and reflect on the journey of our lives and on our journey homewards to God. The Emmaus story (Luke 24. 13-35) tells us that Jesus, through his Spirit, wants to join us on our pilgrimage or journey through life.

On the night before he died Jesus told his disciples, ‘A little while, and you will no longer see me, and again a little while, and you will see me’? Very truly, I tell you, you will weep and mourn, but the world will rejoice; you will have pain, but your pain will turn into joy.’ He explained that he had not said these things to you at the beginning, because he was then with them. Now, however, he was going to the Father who had sent him and because he was going away, the Advocate, the Holy Spirit would come to them. The Holy Spirit, whom the Father was going to send in Jesus’ name, would teach them everything, and remind them of all that Jesus had said to them.

All of that began to happen on the Emmaus Road. The disciples were in pain because of the events of Good Friday. They didn’t understand what had happened and couldn’t believe that Jesus was anything other than well and truly dead. Jesus joined their conversation and walked with them while they were going in the wrong direction. He listened to them before he spoke. His first question was one of open vulnerability to their agenda: "What are you discussing with each other while you walk along?" In response to their questions and accounts of what had happened he then broke open the scriptures, doing the work of the Spirit by teaching them the things written about him in the scriptures and reminding them of all that he had said to them. Once that happened their pain was turned to joy as they recognised Jesus in the breaking of the bread. Their hearts burned with excitement and their eyes were opened by the breaking open of the scriptures and by the breaking of the bread. They then returned to Jerusalem to tell others as they couldn’t wait to share the good news they had received.

Jesus’ promise to his disciples at the Last Supper was that all these things would also happen for us because, following his resurrection and ascension, he would send his Spirit to meet us and join us and walk with us on our life journey, just as he did for these two disciples on the Emmaus Road. Whatever the terrain of our life-journey, we can walk it in the company of the resurrected Jesus, through his Spirit.

Jesus is the Way to the Father, as he said to his disciples at the Last Supper. He is the Way - the style - in which we travel as we seek to live out his Way of Love. He is the Way - the direction - of our travel, the one who points us towards abundant eternal life and he is the Way - the road - on which we travel, just like the Prodigal Son we can return home to God the Father because Jesus laid down his life to make that homecoming possible. Because Jesus has walked the Way before us, so we can now follow in his footsteps.

Martin Wallace, the former Bishop of Selby, has suggested that: ‘Just as God walked with Adam in the garden of Eden, so he now walks with us in the streets of the city chatting about the events of the day and the images we see’ (City Prayers, The Canterbury Press, 1994). Therefore, he encourages us to ‘chat with God’, as the disciples did on the Emmaus Road, ‘bouncing ideas together with him, between the truths of the Bible and the truths of … life’ and then, as we walk down our street, wait for the lift, or fumble for change at the cash-till to use these thoughts and ideas in order to pray.

When we do so, we will begin to have the same experience as the two disciples had when Jesus broke bread. At the heart of their story and journey is a very simple and ordinary action; breaking bread. Although it is a simple and ordinary thing to do, it becomes a very important act when Jesus does it because it is the moment when Jesus’ two disciples realise who he is. They suddenly realise that this stranger who they have been walking with and talking to for hours is actually Jesus himself, risen from the dead. They are amazed and thrilled, shocked and surprised as something very simple and ordinary suddenly becomes full of meaning and significance. This simple, ordinary action opens their eyes so that they can suddenly see Jesus as he really is.

When our eyes are suddenly opened in this way to see meaning and significance in something that we had previously thought of as simple and ordinary, it is called an epiphany. An epiphany happens when an everyday reality becomes charged with spiritual significance. Epiphanies are those light-bulb moments when the penny drops, everything clicks into place and understanding comes.

That is what happened to the two disciples on the Emmaus Road, all that Jesus had said to them and done with them suddenly made sense and was useful to them because the Spirit had come and brought clarity and revelation in an epiphany. That is what Jesus had promised would happen. That is the work which the Holy Spirit comes to do in our lives. Jesus told his disciples that when the Spirit came he would lead them into all truth. In other words, it is when the Spirit comes that we experience that sense of clarity, of understanding, of coming together, of rightness, and things making sense of which we have been speaking.

That doesn’t mean that everything works out and life becomes easy – Jesus’ disciples (as a whole) were equipped by the Spirit to take the message of Jesus to the whole world and as a result they faced riots, shipwrecks, imprisonment, beatings, and martyrdom. A Spirit-filled Christian life is always a challenge but when the Spirit comes that’s when we experience a sense of meaning and purpose – of epiphany - that transforms the difficulties of the present because we know that the risen Jesus, through his Spirit, is with us in it all and is always with us on our journey through life.

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Herbert Howells - Te Deum.