Wikio - Top Blogs - Religion and belief
Showing posts with label galleries. Show all posts
Showing posts with label galleries. Show all posts

Thursday, 5 December 2024

Maurizio Galia - ARTONLOOP LONDON - ATHENS



My friend Maurizio Galia is taking part in ARTONLOOP LONDON - ATHENS, a digital exhibition organised by The Holy Art Gallery.

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Aquael - Fiate Immortale.


 

Tuesday, 22 October 2024

Artlyst: Ken Currie, Kehinde Wiley, Susie Hamilton - Three Exhibitions About Communities

My latest exhibitions review for Artlyst reflects on show by Ken Currie, Kehinde Wiley, and Susie Hamilton:

'The work of Ken Currie, Kehinde Wiley and Susie Hamilton can be seen currently in central London. Each knows the communities they paint intimately and create insightful figurative work as a result ...

Although differing considerably in application and style, these works have a common core in relation to the empathy and attention shown and paid to the communities depicted.'

Click the following links for more of my writing on Susie HamiltonKen Currie, and Kehinde Wiley.

Interviews -
Monthly diary articles -

Articles/Reviews -

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Big Star - Watch The Sunrise.

Saturday, 3 August 2024

Louis Carreon: Dear Aspen


Louis Carreon has been showing paintings in Aspen Colorado. 'Dear Aspen' is an exhibition of works that highlight our primal instinct to connect with nature and our best friends, the animals. These images pay homage to mother nature and the infinite universe and God as creator. 

As well as exhibiting, Carreon also had a fireside artist dialogue at the Mollie Aspen. He says that, for him, "as an artist it’s important for people to hear my story and connect with me as a human share stories with language and color". He has been looking forward to showing this body of work that fits aesthetically and culturally in his introduction to Aspen and its people. 

I was pleased to be able to write an introduction to the exhibition, which continues at M.S. Rau in Aspen.

Click here to read my Artlyst interview with Louis Carreon.

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Rafael Krux - Angelic Choir.

Saturday, 16 March 2024

International Times: Jago Cooper talks to Jonathan Evens - Living art and urgent questions

Here's my latest interview which has been published by International Times. This interview is with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts:
 
"Building on these radical foundations, Dr Jago Cooper, as Director of the Sainsbury Centre, and his team have been helping people find new ways to move, feel, think, and activate themselves within the museum and build new relationships with living work of arts in their own way. These approaches include: a pay what you can afford entry scheme; curated journeys through the collection; a Handbook for Meeting Living Art which suggests practical steps and techniques; and a new Living Art exhibition that allows visitors, who don’t want digital or text-based approaches, to feel what is meant when thinking about living art."

Earlier I reviewed the 'What is Truth?' season of exhibitions for International Times and wrote an article for Seen and Unseen - 'Life is more important than art' - which reviews the themes of recent art exhibitions, such as those at the Sainsbury Centre, which tackle life’s big questions and the roles creators take.

My earlier reviews for International Times were of: 'Giacometti in Paris' by Michael Peppiatt; the first Pissabed Prophet album - 'Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired & profound album this year. ‘Pissabed Prophet’ will thrill, intrigue, amuse & inspire' - and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford last Autumn. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'.

My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

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Michael Knott - Van Gogh.

Wednesday, 6 March 2024

'How the incomer's eye sees identity' at Ben Uri Online

My article 'How the incomer’s eye sees identity' for Seen and Unseen explaining how curating an exhibition for the Ben Uri Gallery & Museum gave me the chance to highlight synergies between ancient texts and current issues has now been shared by the Ben Uri Gallery. Click here to read the article:

'The combination of images and texts I selected from the Ben Uri Collection enabled a range of different reflections, relationships and disjunctions to be explored. These include the aesthetic, anthropological, devotional, historical, sociological and theological. The result is that significant synergies can be found between the ancient texts and current issues. In this way, stories and images which may, at first, appear to be describing or defining specific religious doctrines can be seen to take on a shared applicability by exploring or revealing the challenges and changes bound up in the age-old experience of migration. This was important in writing for an audience including people of all faiths and none, and in writing for an organisation which seeks to surpass ethnic, cultural and religious obstacles to engagement within the arts sector.'

To see 'Exodus & Exile: Migration Themes in Biblical Images' click here, to read my related essay 'Debt Owed to Jewish Refugee Art' click here, for my post about the exhibition and essay click here, and for more on the Ben Uri Gallery click here.

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Leonard Cohen - Tower Of Song.

Thursday, 13 July 2023

Artlyst: The Art Diary July 2023

My July Art Diary for Artlyst includes exhibitions at Whitechapel Gallery, Hayward Gallery, Salisbury Cathedral, Gloucester Cathedral, Firstsite, y Gaer Museum, Fry Gallery, Thaddaeus Ropac, Paris, Newport Street Gallery, The Arx. Read about work by Brian Clarke, Deborah Harrison, Neo-Romantics, EVEWRIGHT, David Jones, Sean Scully, and Ella Baudinet, among others.:

'‘Life Is More Important Than Art’ claims the title of the latest exhibition at Whitechapel Gallery. Taking inspiration from African-American writer and novelist James Baldwin, who proposed that life is more important than art which is why art is important, the exhibition explores the intersection of art and everyday life and the role of contemporary art institutions in a time of uncertainty and change. As Whitechapel Gallery Director Gilane Tawadros has explained, Baldwin “meant that we have the bare necessities of life —a roof over our head, food to eat and so on—but life should be more than the bare necessities” and that’s “where art comes in”. So, when the cost-of-living crisis is causing severe financial hardship and the after-effects of the pandemic are still being felt, the exhibition asks what importance we can attach to art alongside more pressing concerns.'

My Artlyst interview with Sean Scully can be found here, another Artlyst piece is here, and my review of Scully's 'Endangered Sky' is here. My writings about David Jones can be found herehere and here

My other pieces for Artlyst are:

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Monthly diary articles -

Articles/Reviews -
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Candi Staton - Revolution Of Change.

Sunday, 12 February 2023

Artlyst: The Art Diary February 2023

My February Diary for Artlyst has a focus on Essex with mention of Big Women at FirstsiteLaura Jean Healey at Big Screen Southend, Liz Magor at Focal Point GalleryBridget Smith: Field Recordings, Claire Cansick at Chappel Galleries, and the Well House Gallery:

'BIG WOMEN is bold, brash and brazen, as is needed to embrace the oversized and curvaceous nature of the crescent-shaped Firstsite building. Yet, the variety and diversity found within this exhibition means it is by no means only a one-trick pony, with sensuality and spirituality, as well as satire, also be found in the mix. The main galleries begin and end with fashion statements from Pam Hogg and Yoko Brown. Hogg’s Prophecy began with an altar cloth from an Italian church which, amid its many embellishments, asks the question, ‘Will there be a morning / Will there be a mourning’. Brown’s dress, by contrast, simply turns its wearer into a flower. Merilyn Humphries and Renata Adela create new and positive images of Eve and Lillith, while also exploring Eden and Christmas (Humphries) and death (Adala). Rachel Howard’s St Veronica Reads the News has been well described by Craig Burnett as “a veil applied and withdrawn from the world’s anxious brow”, anguish “transformed into a kind of beauty, or understanding, by becoming a picture.”'

My other pieces for Artlyst are:

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Emmylou Harris - Deeper Well.