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Showing posts with label thomas. Show all posts
Showing posts with label thomas. Show all posts

Thursday, 11 July 2024

ArtWay: Tears of Gold: “The invisible light that radiates from the other” – Jonathan Evens interviews Hannah Rose Thomas

My latest interview for ArtWay is with British artist Hannah Rose Thomas, who is also an author, human rights activist and a UNESCO PhD Scholar at the University of Glasgow:

"I have come to perceive portrait painting as a gift of attention, a way for the subjects to feel ‘seen’ and heard, that they may perhaps have never experienced before. ‘What is indispensable for this task,’ Weil asserts, ‘is a passionate interest in human beings, whoever they may be, and in their minds and souls; the ability to place oneself in their position and to recognize by signs thoughts which go unexpressed; a certain intuitive sense of history in process of being enacted; and the faculty of expressing in writing delicate shades of meaning and complex relationships.’ The time-consuming early Renaissance egg tempera and oil painting methods, and gilding that I use are how I seek to attend to, and honour the stories I have heard. The time taken with the women whom I have painted, listening to their stories and cultivating relationship through the art workshops, is extended through the time spent painting their portraits."

See also my Artlyst interview with Hannah here, a Church Times review here, a HeartEdge workshop involving Hannah here, and posts about Hannah's exhibition at St Stephen Walbrook here.

My visual meditations for ArtWay include work by María Inés Aguirre, Giampaolo Babetto, Marian Bohusz-Szyszko, Alexander de Cadenet, Christopher Clack, Marlene Dumas, Terry Ffyffe, Jake Flood, Antoni Gaudi, Nicola Green, Maciej Hoffman, Gwen John, Lakwena Maciver, S. Billie Mandle, Giacomo Manzù, Sidney Nolan, Michael Pendry, Maurice Novarina, Regan O'Callaghan, Ana Maria Pacheco, John Piper, Nicola Ravenscroft, Albert Servaes, Henry Shelton, Anna Sikorska, Alan Stewart, Jan Toorop, Andrew Vessey, Edmund de Waal and Sane Wadu.

My Church of the Month reports include: All Saints Parish Church, Tudeley, Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Churches in Little Walsingham, Coventry Cathedral, Église de Saint-Paul à Grange-Canal, Eton College Chapel, Lumen, Metz Cathedral, Notre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church, St. Margaret’s Church, Ditchling, and Ditchling Museum of Art + Craft, St Mary the Virgin, Downe, St Michael and All Angels Berwick and St Paul Goodmayes, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

Blogs for ArtWay include: Congruity and controversy: exploring issues for contemporary commissions; Ervin Bossanyi: A vision for unity and harmony; Georges Rouault and André Girard: Crucifixion and Resurrection, Penitence and Life Anew; Photographing Religious Practice; Spirituality and/in Modern Art; and The Spirituality of the Artist-Clown.

Interviews for ArtWay include: Matthew AskeySophie Hacker, Peter Koenig, David Miller and Belinda Scarlett. I also interviewed ArtWay founder Marleen Hengelaar Rookmaaker for Artlyst.

I have reviewed: Art and the Church: A Fractious Embrace, Kempe: The Life, Art and Legacy of Charles Eamer Kempe and Jazz, Blues, and Spirituals.

Other of my writings for ArtWay can be found here. My pieces for Church Times can be found here. Those for Artlyst are here and those for Art+Christianity are here.

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Tim Hughes - We Won't Stay Silent.

Monday, 8 July 2024

Interviews update

My latest interview for ArtWay with with Hannah Rose Thomas following her latest 'Tears of Gold' exhibition and my latest interview for Artlyst is with Michael Petry regarding his upcoming exhibition 'In League with Devils' As a result, I am updating this index of interviews. I have carried out a large number of other interviews for Artlyst, ArtWay, Church Times, International Times, and Seen and Unseen. They provide a wide range of fascinating insights into the approaches and practices of artists, arts professionals, clerics, curators, performers, poets and writers.

They can be found at:

Artlyst




Also see my interviews with artist Henry Shelton here and here and David Hawkins, former Bishop of Barking, here, here and here.

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Aretha Franklin - Wholy Holy.

Wednesday, 3 July 2024

From "I will not believe" to "My Lord and my God"

Here's the sermon that I shared at St Andrew's Wickford this morning:

Thomas’ statement to the other disciples that, “Unless I see the scars of the nails in his hands and put my fingers on those scars and my hand in his side, I will not believe” is essentially one which is repeated regularly by atheists around the world. Here is a typical comment made in the discussion section of Richard Dawkins’ website, “I have never witnessed a scrap of evidence pointing to god's existence, which leads me to a total lack of belief in it.” Dawkins himself has said, "Faith is the great cop-out, the great excuse to evade the need to think and evaluate evidence. Faith is the belief in spite of, even perhaps because of, the lack of evidence."

How can we, as Christians, answer such assertions; because it is not enough simply to say that we believe and leave it at that?

First, we need to be clear that those who say there is no evidence for the existence of God seek to disallow the very evidence which has helped convince us otherwise by saying that the only acceptable evidence is scientifically measurable evidence. This is the argument that science and its methods provide the only way of knowing that gives us true knowledge of the world around us.

Yet, if that were to be the case then, for example, weddings would make no real sense. Instead of being about the mutual celebration of love and affection which we see between the couple themselves and also between them, their families and friends, on the basis of measurable scientific knowledge what occurs at a wedding simply becomes about the survival of the fittest through the passing on of selfish genes in procreation. Our experiences of love and faith cannot be adequately captured through the language of scientific measurement. Instead, we need the languages of belief and imagination to give voice to what we truly experience of love and faith. As Richard Chartres once noted in a wedding sermon, "Faith and committed relationships offer a door into the mystery of spiritual life.”

Second, we need to understand that faith is fundamental to all true knowledge and that applies to scientific knowing as much as to any other form of knowing. Philip Sherrard has given forceful expression to this view:

“Every thought, every observation, every judgement, every description whether of the modern scientist or of anyone else is soaked in a priori preconceived built-in value-judgements, assumptions and dogmas at least as rigid, if not more rigid (because they are so often unconsciously embraced) than those of any explicitly religious system. The very nature of human thought is such that it cannot operate independently of value-judgements, assumptions and dogmas. Even the assertion that it can constitutes a value-judgement and implies a whole philosophy, whether we are aware of it or not.”

Scientists like Michael Polanyi have come to understand that faith is fundamental in the whole enterprise of understanding because all knowledge of reality rests upon faith commitments which cannot be demonstrated. As a result, scientists and philosophers of science are now rediscovering the vital role that the imagination has to play in their endeavours.

When there is an acceptance that other forms of knowing and other forms of evidence have validity, then two further arguments can be made. The first of these is that belief in God makes sense of our experiences of life and love in ways that give full weight to our experience of these things without contradicting the findings of science. On this basis, Christianity offers, as Lesslie Newbigin has argued, “the widest rationality, the greatest capacity to give meaning to the whole of experience.”

Second, the arguments for the resurrection made in the New Testament and also subsequently come into play. Many historians, lawyers and sceptics have testified to the convincing nature of this evidence when objectively considered. Many would, for example, agree with E. M. Blaiklock, Professor of Classics at Auckland University, who said, “the evidence for the life, the death, and the resurrection of Christ is better authenticated than most of the facts of ancient history . . .”

One of the earliest records of Christ's appearing after the resurrection is by Paul. The apostle appealed to his audience's knowledge of the fact that Christ had been seen by more than 500 people at one time. Paul reminded them that the majority of those people were still alive and could be questioned. Dr. Edwin M. Yamauchi, associate professor of history at Miami University in Oxford, Ohio, emphasizes: "What gives a special authority to the list (of witnesses) as historical evidence is the reference to most of the five hundred brethren being still alive. St. Paul says in effect, 'If you do not believe me, you can ask them.' Such a statement in an admittedly genuine letter written within thirty years of the event is almost as strong evidence as one could hope to get for something that happened nearly two thousand years ago." These New Testament accounts of the resurrection were being circulated within the lifetimes of men and women alive at the time of the resurrection; people who could certainly have confirmed or denied the accuracy of such accounts.

Another interesting example of evidence for the truth of Christianity and, in particular, the resurrection of Jesus, is the testimony of former skeptics, many of whom attempted to disprove Christian faith. Thomas is merely the first in a long line of such people which in more recent years have included Frank Morison, C. S. Lewis, Dr Gary Habermas, Alister McGrath, and Lee Strobel.

So, there is evidence for the existence of God and evidence for the resurrection of Jesus. Such evidence helps us in holding our faith and may, as was the case for those I have just listed, be helpful in bringing people to faith. However, we should never think that such evidences prove either the existence of God or the resurrection of Jesus. Ultimately, if we believe in both it is because of faith, not proof; just as atheists cannot disprove the existence of God and, therefore, also hold their beliefs on the basis of faith. Neither positions can be proved conclusively, so can only be held by faith.

That is what Jesus emphasizes to Thomas after confronting him with the physical and tangible evidence of the resurrection that he demanded. Jesus said, “Because you have seen me, you have believed; blessed are those who have not seen and yet have believed”:

Unless I see
the scars
of the nails
in his hands
and put my finger
on those scars
and my hand
in his side,
unless I can touch,
unless he is tangible,
unless I have proof,
I will not believe.

If you see
the scars
of the nails
in my hands
and put your finger
on those scars
and your hand
in my side,
if you can touch,
if I am tangible,
if you have proof,
you will not have belief.

Blessed are those
who cannot see
the scars
of the nails
in my hands
and put their fingers
on those scars
and their hands
in my side,
blessed are those who
cannot touch,
who are without
tangible proof,
for they truly believe.

-----------------------------------------------------------------------------------------------------

Good Charlotte - We Believe.

Saturday, 16 March 2024

Hannah Rose Thomas: Tears of Gold


Last night I was at Exhibition Launch for 'Tears of Gold' at Garden Court Chambers. This exhibition by the artist, author, and human rights activist Hannah Rose Thomas features portraits of Yazidi women who escaped ISIS captivity, Rohingya women who fled violence in Myanmar, and Nigerian women who survived Boko Haram and Fulani oppression. Hannah’s most recent portraits depict survivors of the re-education camps in Xinjiang, China, and of conflicts in Afghanistan, Ukraine and the Gaza Strip.

With these artworks, along with the associated publication Tears of Gold, Thomas bears witness—painting by painting, relationship by relationship—to the singular stories shared by each individual, and by extension the trauma and recovery experienced by their communities.

This body of work not only serves as a reminder to remain concerned about the ongoing persecution of people around the world based on their backgrounds and beliefs, but also reflects on the complexities and limits of empathy as we look to pursue justice more compassionately.

Hannah Rose Thomas demonstrates the potential of caring and creative practices that take time to listen, learn, and focus a prayer-like attention on the suffering of others and in the process reveal a sense of interrelatedness, common vulnerability, and shared humanity that allows for healing and hope.

Hannah Rose Thomas is a British artist and an UNESCO PhD Scholar at the University of Glasgow. She has previously organized art projects for Syrian refugees in Jordan; Yazidi women who escaped ISIS captivity in Iraqi Kurdistan; Rohingya refugees in Bangladeshi camps and Nigerian women survivors of Boko Haram. Her paintings of displaced women are a testament to their strength and dignity. These have been exhibited at prestigious places including the UK Houses of Parliament, European Parliament, Scottish Parliament, Buckingham Palace, Lambeth Palace, Westminster Abbey, the International Peace Institute in New York and The Saatchi Gallery.

Her exhibition Tears of Gold was featured in the virtual exhibition for the UN’s Official 75th Anniversary, “The Future is Unwritten: Artists for Tomorrow.” Hannah was selected for the Forbes 30 Under 30 2019 Art & Culture; shortlisted for the Women of the Future Award 2020 and selected for British Vogue Future Visionaries 2022. Hannah’s debut art book Tears of Gold: Portraits of Yazidi, Rohingya and Nigerian Women was published in 2024, with a foreword by HM King Charles III.

The book also presents Thomas' stunning portrait paintings of Yazidi women who escaped ISIS captivity, Rohingya women who fled violence in Myanmar, and Nigerian women who survived Boko Haram violence, alongside their own words, stories, and self-portraits. A final chapter features portraits and stories of Afghan, Ukrainian, Uyghur, and Palestinian women.

These portraits, depicting women from three continents and three religions, are a visual testimony not only of war and injustice but also of humanity and resilience. Many of the women have suffered sexual violence; all have been persecuted and forcibly displaced on account of their faith or ethnicity.

Hannah Rose Thomas met these women in Iraqi Kurdistan, Bangladeshi refugee camps, and Northern Nigeria while organizing art projects to teach women how to paint their self-portraits as a way to reclaim their personhood and self-worth. She gives women their own voice both by creating a safe space for them to share their stories and by using her impressive connections to make sure their stories are heard in places of influence in the Global North.

Thomas uses techniques of traditional sacred art – early Renaissance tempera and oil painting and gold leaf – to convey the sacred value of each of these women in spite of all that they have suffered. This symbolic restoration of dignity is especially important considering the stigma surrounding sexual violence. Hannah’s work attests to the power of the arts as a vehicle for healing, remembering, inclusion, and dialogue.

Long after the news cameras have moved on to the next conflict, this book shines a spotlight on the ongoing work of healing and restoration in some of the most vulnerable and marginalized communities around the world.

Hannah's essay from the book can be read here. My interview with Hannah for Artlyst can be read here. My Church Times review of her UN75 exhibition is here. Hannah exhibited at St Stephen Walbrook in 2017 and posts about that exhibition are here and here. Hannah also participated in a HeartEdge workshop on 'Art and Social Change' which can be viewed here.

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Tim Hughes - We Won't Stay Silent.

Thursday, 21 April 2022

Poem: The twin poles of Rouault and Girard

My two newest poems have been published by Amethyst Review and Stride respectively. 'The twin poles of Rouault and Girard' was published in Stride today. 'Maritain, Green, Beckett and Anderson in conversation down through the ages' appeared in Amethyst Review earlier in April. These are poems which muse on the nature of art exploring approaches to the making of art and to art criticism.

In 2020 two of my poems 'Are/Are Not' and 'Attend, attend' appeared in Amethyst Review. I also had three poems appear in Stride magazine that same year. All those poems concerned other poets beginning with the artist-poet David Jones, continuing with Dylan Thomas and ending with Jack Clemo. The third of these poems featured in a Stride series entitled 'Talking to the Dead'. These poems can be read at http://stridemagazine.blogspot.com/search?q=evens

Stride magazine was founded in 1982. Since then it has had various incarnations, most recently in an online edition since the late 20th century. You can visit its earlier incarnation at http://stridemagazine.co.uk.

I have read the poetry featured in Stride and, in particular, the work of its editor Rupert Loydell over many years and was very pleased that Rupert gave a poetry reading when I was at St Stephen Walbrook (an event that Sarah Law, editor of Amethyst, attended). As one or two of my early poems featured in Stride, I am particularly pleased to be published there once again.

Rupert Loydell is a poet, painter, editor and publisher, and senior lecturer in English with creative writing at Falmouth University. He is interested in the relationship of visual art and language, collaborative writing, sequences and series, as well as post-confessional narrative, experimental music and creative non-fiction.

He has edited Stride magazine for over 30 years, and was managing editor of Stride Books for 28 years. His poetry books include Wildlife and Ballads of the Alone (both published by Shearsman), and The Fantasy Kid (for children).

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Van Morrison - For Mr Thomas.

Friday, 19 February 2021

Review: 'Tears of Gold' by Hannah Rose Thomas

My latest review for Church Times is of Tears of Gold: An Exhibition an online exhibition by Hannah Rose Thomas for UN75 The Future Is Unwritten: Artists of Tomorrow:

'THE exhibition “Tears of Gold” presents three sets of portraits created by Hannah Rose Thomas which depict Yezidi women who escaped IS captivity, Rohingya women who fled violence in Myanmar, and Nigerian women who survived Boko Haram and Fulani violence. Many of the women depicted in Thomas’s paintings personally suffered sexual violence; others represent their wider community and the countless untold stories of horror.

Thomas met these women while they were respectively in a rehabilitation facility, in a refugee camp, and on a trauma-healing programme. While with them, Thomas taught them to paint their self-portraits. It was after doing so that they asked her to paint their portraits. Both sets of portraits feature in this exhibition, with the women’s self-portraits offered as a way in which to share their stories with the rest of the world.'

I interviewed Hannah recently about this exhibition, an interview that was published by Artlyst and which can be read here. Hannah also contributed to 'Art and Social Impact', a HeartEdge workshop which explored the question of art and social change through conversation with artists whose work has a social impact dimension. View 'Art and Social Impact' here.

Other of my pieces for Church Times can be found here.

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Martin Smith - You Have Shown Us.

Wednesday, 3 February 2021

Art and social impact workshop


'Art and social impact' was a HeartEdge workshop in the 'Living God's Future Now' programme that aimed to be a conversation with artists whose work has a social impact dimension in order to explore the question of art and social change. There was discussion of personal journeys in addressing issues of social concern, approaches used, and expectations in terms of impact. The session also explored ways in which churches can engage with such art and use it for awareness raising with congregations and wider.

The artists with whom I was in conversation were:
A recording of the workshop can be viewed at https://www.facebook.com/506026059544325/videos/1311775872513488.

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Thursday, 21 January 2021

Art and Social Impact

Art and social impact: Tuesday 26 January, 14:30 GMT.
Register for a zoom invite at https://www.eventbrite.co.uk/e/art-and-social-impact-tickets-134763030853.

This HeartEdge workshop will be a conversation with artists whose work has a social impact dimension in order to explore the question of art and social change. There will be discussion of personal journeys in addressing issues of social concern, approaches used, and expectations in terms of impact. The session will also explore ways in which churches can engage with such art and use it for awareness raising with congregations and wider.

In this workshop I will be in conversation with André Daughtry, Micah Purnell, Nicola Ravenscroft and Hannah Rose Thomas.

Here are links to websites and some recent projects by these artists:


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Amanda Gorman - The Hill We Climb.

Wednesday, 25 November 2020

Artlyst: Artist Hannah Rose Thomas – Tears of Gold

My latest interview for Artlyst is with Hannah Rose Thomas including 'Tears of Gold', her online exhibition for UN75:

'These paintings, like those of the Mater Dolorosa, seek to emotionally engage the viewer and inspire compassion, and are also meditations on the universal human experiences of suffering, grief and loss. In these portraits, we see a glimpse of the women’s unspeakable grief but it is also a reminder that we all face grief, sorrow and loss at different times in life. We are not so different; we are inextricably connected to one another.

As a portrait painter, I hope to communicate something of the beauty and worth of each individual in the eyes of God, regardless of race, religion, gender or social status. The use of gold leaf for my paintings of Yezidi and Nigerian women is to show the sacred value of these women, in spite of all that they have suffered. It is symbolic of the restoration of dignity, especially important considering the stigma surrounding sexual violence.'

My other Artlyst pieces are:

Interviews:
Articles:
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George Harrison - Bangla Desh.

Sunday, 1 December 2013

Anglican, nature and metaphysical poets

Mia Anderson, priest and winner of the Montreal International Poetry Prize, is interviewed in the current edition of the Church Times.

In the interview, she highlights the long tradition of poet-priests including John Donne, George Herbert, Thomas Traherne, Euros Bowen, R.S. Thomas, Rowan Williams and David Scott, among others. She locates herself with the nature poets of any country including Henry Vaughan, Don McKay, Tim Liburn, Jan Zwicky and Mark Tredinnick.

Poetry also features in an insightful interview by Michael Symmons Roberts with John Drury in which they discuss the relative merits of the poetry of John Donne and George Herbert.

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John Donne - At The Round Earth's Imagined Corners.

Sunday, 1 May 2011

Resurrection: evidence and belief

Thomas’ statement to the other disciples that, “Unless I see the scars of the nails in his hands and put my fingers on those scars and my hand in his side, I will not believe” is essentially one which is repeated regularly by atheists around the world. Here is a typical comment made in the discussion section of Richard Dawkins’ website, “I have never witnessed a scrap of evidence pointing to god's existence, which leads me to a total lack of belief in it.” Dawkins himself has said, "Faith is the great cop-out, the great excuse to evade the need to think and evaluate evidence. Faith is the belief in spite of, even perhaps because of, the lack of evidence."

How can we, as Christians, answer such assertions; because it is not enough simply to say that we believe and leave it at that?

First, we need to be clear that those who say there is no evidence for the existence of God seek to disallow the very evidence which has helped convince us otherwise by saying that the only acceptable evidence is scientifically measurable evidence. This is the argument that science and its methods provide the only way of knowing that gives us true knowledge of the world around us.

Yet, if that were to be the case then, for example, Friday’s Royal Wedding makes no real sense. Instead of being about the mutual celebrations of love and affection which we saw between the couple themselves and also between the people of this country and the royal family, on the basis of measurable scientific knowledge what occurred Friday simply becomes about the survival of the fittest through the passing on of selfish genes in procreation. Our experiences of love and faith cannot be adequately captured through the language of scientific measurement. Instead, we need the languages of belief and imagination to give voice to what we truly experience of love and faith. As the Bishop of London said in his sermon, "Faith and committed relationships offer a door into the mystery of spiritual life.”

Second, we need to understand that faith is fundamental to all true knowledge and that applies to scientific knowing as much as to any other form of knowing. Philip Sherrard has given forceful expression to this view:

“Every thought, every observation, every judgement, every description whether of the modern scientist or of anyone else is soaked in a priori preconceived built-in value-judgements, assumptions and dogmas at least as rigid, if not more rigid (because they are so often unconsciously embraced) than those of any explicitly religious system. The very nature of human thought is such that it cannot operate independently of value-judgements, assumptions and dogmas. Even the assertion that it can constitutes a value-judgement and implies a whole philosophy, whether we are aware of it or not.”

Scientists like Michael Polanyi have come to understand that faith is fundamental in the whole enterprise of understanding because all knowledge of reality rests upon faith commitments which cannot be demonstrated. As a result, scientists and philosophers of science are now rediscovering the vital role that the imagination has to play in their endeavours.

When there is an acceptance that other forms of knowing and other forms of evidence have validity, then two further arguments can be made. The first of these is that belief in God makes sense of our experiences of life and love in ways that give full weight to our experience of these things without contradicting the findings of science. On this basis, Christianity offers, as Lesslie Newbigin has argued, “the widest rationality, the greatest capacity to give meaning to the whole of experience.”

Second, the arguments for the resurrection made in the New Testament and also subsequently come into play. Many historians, lawyers and sceptics have testified to the convincing nature of this evidence when objectively considered. Many would, for example, agree with E. M. Blaiklock, Professor of Classics at Auckland University, who said, “the evidence for the life, the death, and the resurrection of Christ is better authenticated than most of the facts of ancient history . . .”

One of the earliest records of Christ's appearing after the resurrection is by Paul. The apostle appealed to his audience's knowledge of the fact that Christ had been seen by more than 500 people at one time. Paul reminded them that the majority of those people were still alive and could be questioned. Dr. Edwin M. Yamauchi, associate professor of history at Miami University in Oxford, Ohio, emphasizes: "What gives a special authority to the list (of witnesses) as historical evidence is the reference to most of the five hundred brethren being still alive. St. Paul says in effect, 'If you do not believe me, you can ask them.' Such a statement in an admittedly genuine letter written within thirty years of the event is almost as strong evidence as one could hope to get for something that happened nearly two thousand years ago." These New Testament accounts of the resurrection were being circulated within the lifetimes of men and women alive at the time of the resurrection; people who could certainly have confirmed or denied the accuracy of such accounts.

Another interesting example of evidence for the truth of Christianity and, in particular, the resurrection of Jesus, is the testimony of former skeptics, many of whom attempted to disprove Christian faith. Thomas is merely the first in a long line of such people which in more recent years have included Frank Morison, C. S. Lewis, Dr Gary Habermas, Alister McGrath, and Lee Strobel.

So, there is evidence for the existence of God and evidence for the resurrection of Jesus. Such evidence helps us in holding our faith and may, as was the case for those I have just listed, be helpful in bringing people to faith. However, we should never think that such evidences prove either the existence of God or the resurrection of Jesus. Ultimately, if we believe in both it is because of faith, not proof; just as atheists cannot disprove the existence of God and, therefore, also hold their beliefs on the basis of faith. Neither positions can be proved conclusively, so can only be held by faith.
That is what Jesus emphasizes to Thomas after confronting him with the physical and tangible evidence of the resurrection that he demanded. Jesus said, “Because you have seen me, you have believed; blessed are those who have not seen and yet have believed”:

Unless I see
the scars
of the nails
in his hands
and put my finger
on those scars
and my hand
in his side,
unless I can touch,
unless he is tangible,
unless I have proof,
I will not believe.

If you see
the scars
of the nails
in my hands
and put your finger
on those scars
and your hand
in my side,
if you can touch,
if I am tangible,
if you have proof,
you will not have belief.

Blessed are those
who cannot see
the scars
of the nails
in my hands
and put their fingers
on those scars
and their hands
in my side,
blessed are those who
cannot touch,
who are without
tangible proof,
for they truly believe.

-------------------------------------------------------------------------------------

The Script - Science And Faith.

Sunday, 12 September 2010

Remembering Nick


New plaque


Remembrance Garden


Yesterday we dedicated a new plaque in memory of my brother Nick in the Garden of Rembrance at Aston Parish Church. Nick's good friend Andi Thomas had fixed the plaque in place and the Vicar of Aston, Andy Jolley, led friends and family in prayer and thanksgiving for Nick's life. The new plaque replaced the original that had been in place since Nick's death.

'Faith in Action' was the original name of Rejuvenate Worldwide, now led by Andi Thomas, the charity that was formed following the expedition which Nick organised to climb Mount Elgon in Uganda with young people from the Aston Community Youth Project and which established links between young people in Birmingham and Salem in Uganda. Earlier this year Andi led the latest expedition in which a team of young people from Aston and inner city Birmingham spent 17 days in Uganda working on various projects with local people and visiting schools and community projects.  

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Delirious? - Find Me In The River.

Saturday, 4 September 2010

Celebration of Christian Poetry


A celebration of Christian poetry from John Donne and George Herbert to R.S. Thomas, Stewart Henderson, and beyond which will include poetry readings, information on featured poets, favourite poems introduced and read by local clergy, and choral recitals of well known poems. Friday 1st October 2010, 7.30pm, St John's Church, St John's Road, Seven Kings, Ilford, Essex IG2 7BB. Contact the Parish Office on 020 8598 1536 or info@stjohns7kings.org.uk for more details. This event is part of the London Borough of Redbridge's Word of Mouth Festival and the Patronal Festival of St John's Seven Kings.

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Stewart Henderson and Martyn Joseph - School Rules.

Monday, 22 June 2009

Rejuvenate Worldwide newsletter

Rejuvenate Worldwide Newsletter Date: July 09

Imagine an area with no prospects and little vision for their future! An area where there is no school and no access to education - leading to fewer children contributing to their community! Fewer adults being able to provide for their families through work, and a community affected by poverty and alcohol dependency.

Now…….Imagine a community with a school, where young people are raised with a vision and a hope for their future, where young people graduate and become the leading lights in their community, their community transformed by adults who are teachers, doctors, business owners and accountants.

This is NOT just an imaginary exercise….. What will you do to make a difference…..?

Andi Thomas - Rejuvenate Coordinator

NEW SCHOOL: Sironko Primary School

Working with community workers in Uganda together we have identified the need for a school to be built in a remote area on Mount Elgon – Kasabasi Village in the Masira sub-county. The villagers have little access to local towns and therefore no access to education without a school they can afford in their village. Without education Ugandans have limited options in their adult life. Land has been secured in order that Rejuvenate plan, build and supply resources and a teacher to the school.

SPONSOR A TEACHER

In England an average teacher’s salary is £25,000. In Uganda an experienced teacher’s wage is £1200. Are you a school that can sponsor a teacher for the new school? Can you do a non-uniform day each term? £3 buys chalk for a school for a WHOLE YEAR in Uganda, can you sponsor the resources a teacher will need? To read more and sponsor any of the projects in Uganda please visit Rejuvenate Worldwide.

RJW has been working in Uganda since 1998. On a recent trip to Uganda we were updated with the various struggles and challenges Ugandan's face daily and yet we take for granted.

YOUTH GROUP SCALE NEW HEIGHTS!

In May 20 young people from Reality Youth Group in Kingstanding Elim Church climbed Snowdon to raise money for the new school in Kasabasi village. A beautiful sunny day saw the team race to the top in record time with much fun had by all.

THANK YOU for all their hard work and amazing contribution!

We need your support, get involved!

Rejuvenate Worldwide is solely run by volunteers and we rely on the generosity of people like you to keep the charity running. You can support the charity as an individual or a group by praying or giving financially, getting involved in our events or organising one yourself. We would also love to come and share with you about our work by giving a presentation. For 2009/10 we are looking for people to get involved in:

1. Rejuvenate fundraiser evening Autumn 2009
2. Trek Italy 24 - 29 September 2009
3. Trek Tanzania (Kilimanjaro) 17 - 27 September 2009
4. Cycle Mexico 19- 29 November 2009
5. Giant abseil spring 2010

NEW FOR 2010 CYCLE EUROPE CHALLENGE

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Gillian Welch & David Rawlings - Red Clay Halo.

Saturday, 18 October 2008

Celebration concert

The Acocks Green Singers

The Acocks Green Singers with Three Men and a Lady

Jeremy Ballard

Andi Thomas

At the weekend I was at a concert held in memory of my Dad, Phil Evens, which raised money for Rejuvenate Worldwide, a charity that Dad was involved in founding. The concert was hosted by St Cyprian’s Hay Mills and the performers were Jeremy Ballard, the Acocks Green Singers and Three Men and a Lady.

Jeremy Ballard is a violinist and studied in London with Sasha Lasserson. He joined the City of Birmingham Symphony Orchestra as leader of the second violins and also in 1971 formed the Arioso Quartet. He played a charity concert following the death of my brother Nick and was impressed by the things my Dad said in accepting the cheque. As a result, he was very willing to again perform for charity in this concert.

At the end of the evening I said the following:


"It is, of course, entirely appropriate that this evening has been raising money for Rejuvenate Worldwide and we are particularly grateful to Andi Thomas for speaking about Dad and the work of Rejuvenate. Following Nick’s death, founding Rejuvenate (then known as Faith in Action) with Andi was one of the key ways in which Dad was able to continue the work that Nick had begun and the inspiration that he had provided to many. Dad had, of course, given Nick the opportunity to begin that work by setting up the Aston Community Youth Project along with all those who played a part in its work and development. Andi was one of those who benefited from the project and who has gone on to put into practice, through his youth work in Birmingham and through his leadership of Rejuvenate, the vision that Dad and Nick both shared.

Dad influenced many people throughout his life and it was wonderful for us as a family to hear and read many tributes to Dad from those whose lives he had influenced for good in some way around the time of his funeral. One element in coping with the loss of someone who was, for me, probably the biggest influence on my life and what I have made of it, has been the sense that there are people who continue to be influenced by Dad in the way that they live out their lives. Some of you will know that over that period I posted a number of pieces about Dad’s life on my blog and also wrote a series of poems about my response to his illness and death. I’d like to end by reading the last poem in that series. In it, I list in brief those who were influenced by Dad to serve others as church workers, social workers and youth workers. That is the legacy that he leaves behind. Some of us here tonight and others in other places around the country are that legacy. In and through the way we live our lives, his memory and inspiration live on.


Our world contracted

Our world has contracted
to a room,
a bed,
a man.
Yet the world continues to spin,
traffic flows,
people sleep, work and eat,
the world and ward continue
their nightly rounds
unaffected by his passing
on.
Progenitor of people
and projects,
inspirer
of church workers,
social workers,
youth workers.
As he lay
unconscious
and breathing
we have remembered
and celebrated
this man
that the world
does not know
but who loved,
cherished
and challenged
our lives
into being
and becoming.
He lies still,
his life gone.
His memory
and inspiration
live on."


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Mahler 2nd - Finale End - Simon Rattle/CBSO

Thursday, 22 May 2008

London to Paris Bike Ride

Andi Thomas is taking part in the London to Paris Bike Ride on 21/07/2008 to raise money for Rejuvenate Worldwide Limited and The Salvation Army and would really welcome your support.
He is raising funds equally to support the work of Rejuvenate Worldwide in the UK and Africa and also The Salvation Army working with 'at risk' young people and families in Birmingham and in particular in Aston.

It's really easy to sponsor him - you can donate online by credit or debit card at the following address: http://www.justgiving.com/andithomas. All donations are secure and sent electronically to Rejuvenate Worldwide Limited. If you are a UK taxpayer, Justgiving will automatically reclaim 28% Gift Aid on your behalf, so your donation is worth even more. Please join in supporting Rejuvenate Worldwide Limited and the Salvation Army, both fabulous causes.

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The Style Council - The Paris Match.

Tuesday, 12 February 2008

Biblical Art: An International A-Z - Part 3

Art histories rarely focus on modern sacred or religious art, giving the impression that the visual arts in the twentieth century were predominantly secular. This represents a Western view of art history which can itself be challenged and which completely overlooks the significant development of Biblical Art in Asia and Africa throughout this period and on into the contemporary scene. The following A-Z attempts to provide a brief sample of some of the artists and organisations that create and support Biblical Art in Asia and Africa:

He Qi (b. 1950): Qi’s vibrant biblical paintings blend together Chinese folk customs and traditional painting techniques with the western art of the Middle Ages and Modern period. He hopes to help change the "foreign image" of Christianity in China by using artistic language, and at the same time, to supplement Chinese art as Buddhist art did in ancient times.

Rorke's Drift Art School: played an important role in the development of art produced by black South Africans. Artists were trained in the use of linocut, etching and aquatint. Founded as the Evangelical Lutheran Church Arts and Craft Centre in 1962 by the Church of Sweden Mission, its pupils included Azaria Mbatha, Cyprian Shilakoe, Vuminkosi Zulu, and Gabi Nkosi.

Sacrum: A term coined by the Polish critic and art historian, Janusz Bogucki to describe the meeting of spiritual themes and Polish avant-garde artists. In the 1980s Bogucki organised a series of art exhibitions in Catholic Churches, the most famous being the 1983 exhibition, The Sign of the Cross, at the Church of God’s Mercy in Warsaw which brought together over fifty artists and photographers together with actors, musicians, art theorists, and filmmakers.

Alfred D. Thomas: an Anglican, from Uttar Pradesh in India, who depicted Christ’s life and ministry. His Christ had the ideal male body of classical Indian sculptures, with broad shoulders and narrow waist. An Indian art critic wrote that, “Thomas’s pictures of the Christ as child, man and divine-man are unique in their true oriental colouring and sentiment.”

Hatigammana Uttarananda (b. 1954): a Buddhist monk who has been influenced by Catholic theologian Aloysius Pieris. Through his interest in liberation theology, Uttarananda is aware of the way in which Jesus broke down barriers between people and consistently depicts this aspect of Christ ministry in paintings based on the Gospel narratives.

Hanna Cheriyan Varghese: a Malaysian artist who began painting on biblical themes after being inspired by works she saw in the ACAA’s Image magazine. Varghese dyes batik cloth pictures and paints in acrylics. She has said that, “Art is the expressive cry of the soul. All of us have that urge in one form or another. Discover it; nurture it.”

Sadao Watanabe (1913 - 1996): created paintings of biblical narratives in the paste-resist stencil dying technique of Japanese Folk Art called katazome. Reflecting both his folk and faith roots Watanabe said of his paintings, “I would most like to see them hanging where people ordinarily gather, because Jesus brought the gospel for the people.”

Ruben Xulu (1942 - 1985): taught to carve by sculptor Bernard Gwensa and encouraged by Father Kinch, of the Roman Catholic Mission of the Good Shepherd, Hlabisa in South Africa, Xulu and Gwensa produced many sculptures for this church and other mission churches in the area. Xulu’s Christ-Crucified is informed by his own silent resignation to God’s will after he lost his hearing as a child.

Yasantha Boange (b. 1945): Sri Lankan wood carver who has been greatly inspired by religious themes and, for whom, wood carving has deepened his understanding of religion.

Vuminkosi Zulu (1948 – 1996): a Rorke’s Drift graphic artist, his work was brought to international attention when a German Lutheran priest based in Switzerland began to collect Zulu’s works and use them to illustrate his sermons. Zulu’s work was exhibited in Germany, Sweden and the USA, as well as within South Africa.

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Flying Burrito Brothers - Sin City.