Peter S. Smith is currently showing work in RE Original Prints 2022 at the Bankside Gallery and also has a print called ‘Dalziel’s Apprentice’ in an interesting exhibition in the Print Room at the British Museum.
This intriguing new display, The woodpecking factory: Victorian illustrations by the Brothers Dalziel, highlights over 50 works engraved on wood by the Brothers Dalziel firm, illustrating literary and commercial work published throughout the Victorian period. Established in 1839, the Brothers Dalziel (one of whom was a sister – Margaret – a talented senior engraver) became the most successful wood-engraving company in Britain, employing dozens of engravers.
The Brothers Dalziel had enormous cultural power in Victorian Britain, shaping the way people visualised art, goods and ideas. Mostly the engravers made images after designs by draughtspeople, including major artists such as Frederic Leighton and John Everett Millais, and it's these artists who were widely credited and remembered. However, the process was collaborative and the skill of the craftspeople (affectionately known as 'woodpeckers') who engraved such illustrations was considerable.
‘Dalziel’s Apprentice’ is Peter's homage to those Victorian trade engravers and their apprentices who had to cut away all that white in order to make their prints emulate black pen and ink drawings!
Additionally, ‘The Big Picture’ magazine has a section about Hans Rookmaaker and asked Peter to write about him focusing on one specific aspect of his work. In his article Peter has focused on Rookmaaker's use of the term ‘Modern Art’ in the book Modern Art and the Death of a Culture. For more of Peter's reflections on the work of Rookmaaker see here and here.
In his article, Peter refers to Sixten Ringbom's The Sounding Cosmos. A Study in the Spiritualism of Kandinsky and the Genesis of Abstract Painting, a work on the mystical and theosophical themes in modern art. He argues that spiritual elements in modern art have been hidden in plain sight "because many of the institutional guardians of Modernism chose to overlook it" citing Waldemar Januszczak, who argued, in a 2021 article, "that the art historians and institutions of Modernism repeatedly ignored any idea that in Modernism there can be found religious or hermetic intentions" because of "a fear that it would sully the waters."
------------------------------------------------------------------------------------------------------------
Sarah Brown - I'm On My Way.
The Brothers Dalziel had enormous cultural power in Victorian Britain, shaping the way people visualised art, goods and ideas. Mostly the engravers made images after designs by draughtspeople, including major artists such as Frederic Leighton and John Everett Millais, and it's these artists who were widely credited and remembered. However, the process was collaborative and the skill of the craftspeople (affectionately known as 'woodpeckers') who engraved such illustrations was considerable.
‘Dalziel’s Apprentice’ is Peter's homage to those Victorian trade engravers and their apprentices who had to cut away all that white in order to make their prints emulate black pen and ink drawings!
Additionally, ‘The Big Picture’ magazine has a section about Hans Rookmaaker and asked Peter to write about him focusing on one specific aspect of his work. In his article Peter has focused on Rookmaaker's use of the term ‘Modern Art’ in the book Modern Art and the Death of a Culture. For more of Peter's reflections on the work of Rookmaaker see here and here.
In his article, Peter refers to Sixten Ringbom's The Sounding Cosmos. A Study in the Spiritualism of Kandinsky and the Genesis of Abstract Painting, a work on the mystical and theosophical themes in modern art. He argues that spiritual elements in modern art have been hidden in plain sight "because many of the institutional guardians of Modernism chose to overlook it" citing Waldemar Januszczak, who argued, in a 2021 article, "that the art historians and institutions of Modernism repeatedly ignored any idea that in Modernism there can be found religious or hermetic intentions" because of "a fear that it would sully the waters."
------------------------------------------------------------------------------------------------------------
Sarah Brown - I'm On My Way.
