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Showing posts with label emily jones. Show all posts
Showing posts with label emily jones. Show all posts

Sunday, 21 December 2025

Mary's fiat

Here's the sermon I shared at St Catherine’s Wickford and St Gabriel’s Pitsea this morning:

The Revd Matthew Askey has said of Mary: “Mary, the mother of Jesus, who is one of the most significant, but neglected, figures in our shared cultural story. Mary was remarkable for the time and she has many things to show us and inspire us with today. She was an unmarried teenage mother, on the run, a refugee really, and at the same time through both her vulnerability and her determined strength she embodies so many positive characteristics of motherhood and what it means to be a woman today. Mary ultimately said ‘yes!’ to life, and gave herself into the hands of God’s love, and this is something that resulted in the life of the most inspiring person who has ever lived, Jesus, and then the birth of the world-wide Church that followed. The Church has 2 billion members today world-wide, is still growing, and about 32% of the world’s population are involved in some way with its acts of charity and life-transforming message of forgiveness and love for all people. Mary is right at the root and start of this movement of love.”

Mary was engaged to Joseph when the annunciation occurred. As she was found to be with child before they lived together, Joseph planned to dismiss her quietly. He had his own meeting with Gabriel which changed that decision but, if the man to whom she was betrothed, could not believe her without angelic intervention, then it would be no surprise if disbelief and misunderstanding characterised the response to Mary wherever she went.

We can learn much from Mary’s faith, trust and persistence in the face of disbelief, misunderstanding and probable insult. Our experience in times of trouble and difficulty will be similar as, on the one hand, God asks us to trust and persevere while, on the other, he will provide us with moments of support and strengthening. So, let’s look at some of her experience in more detail.

‘Here am I, the servant of the Lord,’ said Mary, ‘let it be with me according to your word.’ Mary said ‘Yes’ to God. As we have already begun to reflect, there is much more to saying that simple one syllable word ‘yes’ than we might at first imagine.

The poet-priest Malcolm Guite describes the Annunciation as follows:

‘a young girl stopped to see
With open eyes and heart. She heard the voice;
The promise of His glory yet to be,
As time stood still for her to make a choice;
Gabriel knelt and not a feather stirred,
The Word himself was waiting on her word.’

Victoria Emily Jones has reflected that ‘When Gabriel came to Mary to tell her she would bear a son, she was at first troubled, afraid, guarded. How was it possible that she, being a virgin, could become pregnant? But with the angel’s words of reassurance and promise, she yielded to the divine plan …” This is known as Mary’s fiat (Latin for “let it be”)—her consent to become the mother of God—and it’s celebrated by the church as the moment at which God became flesh, setting salvation in motion.

Theologians have debated the nature of Mary’s fiat—whether she really had a choice in the matter. After all, Gabriel comes speaking in terms of what will happen, without mentioning any conditions. However, most believe in the criticality of Mary’s “yes,” of her willing bodily and spiritual surrender. Between the angel’s ‘Hail’ and Mary’s ‘Let it be’ was a moment of supreme tension, one that Luci Shaw explores in her poem ‘The Annunciatory Angel’:

‘… We worry that she might faint.
Weep. Turn away, perplexed and fearful
about opening herself. Refuse to let the wind
fill her, to buffet its nine-month seed into her earth.
She is so small and intact. Turmoil will wrench her.
She might say no.’’

Why might Mary have said ‘No’? In the same poem Luci Shaw suggests there was a ‘weight of apprehension’ at the Annunciation because what had to be announced would ‘not be entirely easy news.’ As a result, Alan Stewart, in an Annunciation monologue, has Mary say ‘I said yes to my God / And I have come to question those words / For I did not know where they would lead’:

It was a day like any other day
Kneading bread. Lost in my thoughts
And then from behind
This light
An amazing light that filled the room
I turned round, holding my hand to my eyes
Backing away from it
And from inside this light, the figure of a man
Standing there. Looking at me
I felt I should run
I wanted to run
But his gaze fixed me to the spot
Like some rabbit charmed by a fox
But actually
His eyes were kind
And I felt strangely safe
‘is this an angel?’ I suddenly thought
have I sinned?
Has he mistaken me for someone?
Someone of importance
And then he spoke
‘Mary’
he knew my name
‘Mary’, he said ’don’t be afraid’
‘I have news for you’
‘in 9 months you will have a child and you are to call him Jeshua; God saves’
before I knew it, I was speaking
‘but I’m not married yet, I don’t…’
‘the child will be fathered by the Holy Spirit and he will save his people
the lord God will give him the throne of his father David’
the Saviour?, the Messiah?
I knelt down
And whispered
Simply
‘may it be to me as you have said’
I said yes
I said yes to my God
And I have come to question those words
For I did not know where they would lead

Where they led was to an immediate future of gossip, rumours and insult from those who thought of Jesus as illegitimate and in the longer term to a life of gathering gloom, ultimately one of sorrowing and sighing before a stone-cold tomb after the experience of viewing her son’s torture and cruel death; which was like a sword piercing her heart.

And yet, although she did not know it and could not have articulated it, there is a sense that she accepted all this when she accepted the challenge that the angel Gabriel brought from God. It may also have been that for having Jesus as her son she was, like many parents, more than glad that she had said yes, accepting the trauma, the gossip, the exile, the insults that she might bear her child, the promised Saviour.

Mary could have said ‘No’ but her ‘Yes’ was a ‘Yes’ to new life, to growth, to new birth. As we have already noted, Matthew Askey says that: ‘Mary ultimately said ‘yes!’ to life, and gave herself into the hands of God’s love, and this was something that resulted in the life of the most inspiring person who has ever lived, Jesus, and then the birth of the world-wide Church that followed. The Incarnation was predicated on the willingness of the teenage Mary to respond to God’s call.’ Mary, he says, is right at the root and start of this movement of love. This means that every act of Mary is an act of love:

Love is saying yes to God without knowing what that choice entails.

Love is waiting for your man to realise that what you have said is true and to support you.

Love is enduring the arch looks and snide comments from those who know you are bearing a child conceived out of wedlock.

Love is support from your cousin, your child leaping in your womb, and your magnifying God.

Love is enduring the discomfort of travel to your husband’s hometown when you are close to full-term.

Love is accepting a stable when there is no room at the inn.

Love is laying your newborn child in a manger when there are no extended family around to support you.

Love is being welcoming when shepherds unexpectedly arrive in the night soon after you’ve given birth.

Love is treasuring all their words and pondering them in your heart.

Love is giving your child the name an angel requested.

Love is fleeing to another country knowing that the life of your newborn child is under threat.

Love is making a life to bring up your child separated from friends and family.

Love is saying yes to God without knowing what that choice would entail
and it is that choice which creates a cannonball of love that,
from that first Christmas ever onwards,
explodes love throughout the Universe and in us.

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Sunday, 30 November 2025

Advent Resources

 


This year, in addition to Advent resources with which I have been involved, I also want to share information about resources from HeartEdge.

Advent HeartEdge Group Online

In December HeartEdge will be running an on-line group using the HeartEdge Advent Resource.

You are invited into a journey of hope, abundance and incarnation. Rooted in the mystery of God becoming flesh we explore what it means to make space for Christ where life is fragile, hidden yet full of possibility.

Mondays December 1st, 8th, 15th and 22nd at 10.30am.

Register Here

After registering, you will receive a confirmation email containing information about joining the meeting. By registering you will be able to attend any or all of the meetings.

Advent Calendar Online

A version of the Advent Calendar that has been adapted by the Franciscans is now available on line.

Franciscan Advent Calendar

Making room for Christ through Advent

This Advent, HeartEdge invites individuals, families, and communities to pause, reflect, and make space. Heartbeat of the Incarnation brings together three distinct but deeply connected Advent resources designed to help us live into the mystery of God with us – Emmanuel – in ways that are hopeful, and rooted in everyday life.

Weekly Group Study THE ADVENT HEARTBEAT COURSE

The four-week Bible study series is written for small groups, churches, and HeartEdge communities. It can be used during Advent or in the weeks leading up to it. Each session explores a key theme of incarnation and belonging:
  • Saying ‘Yes’: Making Space in a World of Scarcity
  • The Womb as Holy Ground: Finding God in Hidden Places
  • The Cost of Love: Mary’s Labour, God’s Compassion
  • Birthing Christ Today: Church on the Edge
Daily Reflections 25 DAILY ADVENT WONDERINGS

The day-by-day journey through Advent draws inspiration from the mystery of pregnancy and the hidden development of Christ in the womb. Each day includes:
  • A reflection grounded in the developmental stages of pregnancy
  • A wondering
  • A reflective action – inviting heart, mind, and body to prepare room for Christ
This is more than a countdown to Christmas. It’s a call to transformation, to slow down and notice where Christ is already gestating in our midst – especially at the edges of our lives.

The books are available at £10 Please email heartedge@smitf.org to order with details of a postal address and HeartEdge will post and send an invoice with details of how to pay by BACS.

Come, Lord Jesus, Come 

'Come, Lord Jesus, Come' is an Advent devotional (booklet & slideshow) by Victoria Emily Jones based on an Advent meditation written by myself. Each line of the meditation focuses on one aspect of Christ’s coming. To promote deeper reflection on all these aspects, Victoria has selected twenty-four art images to lead the way in stoking our imaginations and to provide entry points into prayer. She has taken special care to present art from around the world and, where possible, by modern or contemporary artists so that we will be stretched beyond the familiar imagery of the season.

Victoria writes: 'Art is a great way to open yourself up to the mysteries of God, to sit in the pocket of them as you gaze and ponder. “Blessed are your eyes because they see,” Jesus said. Theologians in their own right, artists are committed to helping us see what was and what is and what could be. Here I’ve taken special care to select images by artists from around the world, not just the West, and ones that go beyond the familiar fare. You’ll see, for example, the Holy Spirit depositing the divine seed into Mary’s womb; Mary with a baby bump, and then with midwives; an outback birth with kangaroos, emus, and lizards in attendance; Jesus as a Filipino slum dweller; and Quaker history married to Isaiah’s vision of the Peaceable Kingdom.'

Through 'Come, Lord Jesus, Come' you are invited to consider what it meant for Jesus to be born of woman—coming as seed and fetus and birthed son; the poverty Jesus shared with children around the world; culturally specific bodies of Christ, like a dancing body and a yogic body; how we are called to bear God into the world today; and more.

Victoria writes: 'Advent takes us back and brings us forward. In preparing us to celebrate Christ’s first coming, it places us alongside the ancient prophets, who awaited with aching intensity the fulfilled promise of a messiah, and Joseph and Mary, whose pregnancy made the expectation all the more palpable; it also strengthens our longing for Christ’s second coming, when he will return to fully and finally establish his kingdom on earth ... May God bless you this Advent season as you ponder the amazing truth of the Incarnation.'

Love is ...

My 'Love is ...' meditation for Advent can be found by clicking here. This meditation ponders the love Mary demonstrated at various points along the way from the announcement of Jesus’s conception to her and her family’s resettlement in Egypt.

Alternative Nine Lessons 

Additionally, I have a series of poetic meditations which draw on the thinking of René Girard in interpreting the Bible readings traditionally used in services of Nine Lessons and Carols. This set of Alternative Nine Lessons and Carols meditations can be found by clicking here.

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Steve Bell - O Come, O Come Emmanuel (featuring Malcolm Guite).

Sunday, 26 January 2025

Mary, the mother of Jesus










Yesterday we had an excellent Parish Study Day at St Andrew's on 'Our churches and their Patron Saints'. Our churchwardens and members of the ministry team enabled us get to know our three churches, the buildings and the people. We found out more about their history and reflected on the lives of the saints that they are dedicated to.

This is what I had to say about Mary, the mother of Jesus:

The Revd Matthew Askey has said of Mary: “Mary, the mother of Jesus, who is one of the most significant, but neglected, figures in our shared cultural story. Mary was remarkable for the time and she has many things to show us and inspire us with today. She was an unmarried teenage mother, on the run, a refugee really, and at the same time through both her vulnerability and her determined strength she embodies so many positive characteristics of motherhood and what it means to be a woman today. Mary ultimately said ‘yes!’ to life, and gave herself into the hands of God’s love, and this is something that resulted in the life of the most inspiring person who has ever lived, Jesus, and then the birth of the world-wide Church that followed. The Church has 2 billion members today world-wide, is still growing, and about 32% of the world’s population are involved in some way with its acts of charity and life-transforming message of forgiveness and love for all people. Mary is right at the root and start of this movement of love.”

Mary was engaged to Joseph when the annunciation occurred. As she was found to be with child before they lived together, Joseph planned to dismiss her quietly. He had his own meeting with Gabriel which changed that decision but, if the man to whom she was betrothed, could not believe her without angelic intervention, then it would be no surprise if disbelief and misunderstanding characterised the response to Mary wherever she went.

We can learn much from Mary’s faith, trust and persistence in the face of disbelief, misunderstanding and probable insult. Our experience in times of trouble and difficulty will be similar as, on the one hand, God asks us to trust and persevere while, on the other, he will provide us with moments of support and strengthening. So, let’s look at some of her experience in more detail.

‘Here am I, the servant of the Lord,’ said Mary, ‘let it be with me according to your word.’ Mary said ‘Yes’ to God. As we have already begun to reflect, there is much more to saying that simple one syllable word ‘yes’ than we might at first imagine.

The poet-priest Malcolm Guite describes the Annunciation as follows:

‘a young girl stopped to see
With open eyes and heart. She heard the voice;
The promise of His glory yet to be,
As time stood still for her to make a choice;
Gabriel knelt and not a feather stirred,
The Word himself was waiting on her word.’

Victoria Emily Jones has reflected that ‘When Gabriel came to Mary to tell her she would bear a son, she was at first troubled, afraid, guarded. How was it possible that she, being a virgin, could become pregnant? But with the angel’s words of reassurance and promise, she yielded to the divine plan …” This is known as Mary’s fiat (Latin for “let it be”)—her consent to become the mother of God—and it’s celebrated by the church as the moment at which God became flesh, setting salvation in motion.

Theologians have debated the nature of Mary’s fiat—whether she really had a choice in the matter. After all, Gabriel comes speaking in terms of what will happen, without mentioning any conditions. However, most believe in the criticality of Mary’s “yes,” of her willing bodily and spiritual surrender. Between the angel’s ‘Hail’ and Mary’s ‘Let it be’ was a moment of supreme tension, one that Luci Shaw explores in her poem ‘The Annunciatory Angel’:

‘… We worry that she might faint.
Weep. Turn away, perplexed and fearful
about opening herself. Refuse to let the wind
fill her, to buffet its nine-month seed into her earth.
She is so small and intact. Turmoil will wrench her.
She might say no.’’

Why might Mary have said ‘No’? In the same poem Luci Shaw suggests there was a ‘weight of apprehension’ at the Annunciation because what had to be announced would ‘not be entirely easy news.’ As a result, Alan Stewart, in an Annunciation monologue, has Mary say ‘I said yes to my God / And I have come to question those words / For I did not know where they would lead’:

It was a day like any other day
Kneading bread. Lost in my thoughts
And then from behind
This light
An amazing light that filled the room
I turned round, holding my hand to my eyes
Backing away from it
And from inside this light, the figure of a man
Standing there. Looking at me
I felt I should run
I wanted to run
But his gaze fixed me to the spot
Like some rabbit charmed by a fox
But actually
His eyes were kind
And I felt strangely safe
‘is this an angel?’ I suddenly thought
have I sinned?
Has he mistaken me for someone?
Someone of importance
And then he spoke
‘Mary’
he knew my name
‘Mary’, he said ’don’t be afraid’
‘I have news for you’
‘in 9 months you will have a child and you are to call him Jeshua; God saves’
before I knew it, I was speaking
‘but I’m not married yet, I don’t…’
‘the child will be fathered by the Holy Spirit and he will save his people
the lord God will give him the throne of his father David’
the Saviour?, the Messiah?
I knelt down
And whispered
Simply
‘may it be to me as you have said’
I said yes
I said yes to my God
And I have come to question those words
For I did not know where they would lead

Where they led was to an immediate future of gossip, rumours and insult from those who thought of Jesus as illegitimate and in the longer term to a life of gathering gloom, ultimately one of sorrowing and sighing before a stone-cold tomb after the experience of viewing her son’s torture and cruel death; which was like a sword piercing her heart.

And yet, although she did not know it and could not have articulated it, there is a sense that she accepted all this when she accepted the challenge that the angel Gabriel brought from God. It may also have been that for having Jesus as her son she was, like many parents, more than glad that she had said yes, accepting the trauma, the gossip, the exile, the insults that she might bear her child, the promised Saviour.

Mary could have said ‘No’ but her ‘Yes’ was a ‘Yes’ to new life, to growth, to new birth. As we have already noted, Matthew Askey says that: ‘Mary ultimately said ‘yes!’ to life, and gave herself into the hands of God’s love, and this was something that resulted in the life of the most inspiring person who has ever lived, Jesus, and then the birth of the world-wide Church that followed. The Incarnation was predicated on the willingness of the teenage Mary to respond to God’s call.’ Mary, he says, is right at the root and start of this movement of love. This means that every act of Mary is an act of love:

Love is saying yes to God without knowing what that choice entails.

Love is waiting for your man to realise that what you have said is true and to support you.

Love is enduring the arch looks and snide comments from those who know you are bearing a child conceived out of wedlock.

Love is support from your cousin, your child leaping in your womb, and your magnifying God.

Love is enduring the discomfort of travel to your husband’s hometown when you are close to full-term.

Love is accepting a stable when there is no room at the inn.

Love is laying your newborn child in a manger when there are no extended family around to support you.

Love is being welcoming when shepherds unexpectedly arrive in the night soon after you’ve given birth.

Love is treasuring all their words and pondering them in your heart.

Love is giving your child the name an angel requested.

Love is fleeing to another country knowing that the life of your newborn child is under threat.

Love is making a life to bring up your child separated from friends and family.

Love is saying yes to God without knowing what that choice would entail
and it is that choice which creates a cannonball of love that,
from that first Christmas ever onwards,
explodes love throughout the Universe and in us.

Let’s finish with a brief story of Mary’s inspiration on a later ministry. John Bosco was a priest and Founder of the Salesians. He had a particular call to help young men and pioneered new educational methods, for example, in rejecting corporal punishment. His work with homeless youth received the admiration even of anticlerical politicians and his promotion of vocational training, including evening classes and industrial schools, became a pattern for others to follow. To extend the work, he founded in 1859 a religious community, the Pious Society of St Francis de Sales, usually known as the Salesians. It grew rapidly and was well-established in several countries by the time of his death on this day in 1888.

John Bosco’s certainty that, in the face of desperate circumstances, he would nonetheless build a thriving religious community for boys came from a vision received as a dream. In his dream he saw Our Lady directing him in the way he should go; a way that involved walking on thorns. Friends, lay and clergy, were alongside him but declined to also walk on thorns. Finally, a new group of followers arrived who were willing to walk with him. The Mother of God said to him: ‘The thorns on the ground represent the sensitive human affections, sympathies and antipathies that divert a teacher from his true goal, hurt him, hinder his mission and prevent him from forming and reaping wreathes for eternal life. Roses are the symbol of the ardent charity by which you and your associates must distinguish yourselves. The thorns symbolize the obstacles, sufferings and sorrows that await you. But do not lose heart. With charity and mortification you will overcome everything and will have roses without thorns!’

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Adrian Snell - How Can I Explain.

Sunday, 19 January 2025

Meditations

My reflection for the online Church of England service included a meditation I wrote on transformation. Over the years I have written a considerable number of meditations alongside my poetry. Some have been posted here; some in sermons and some in their own right. Others are available to download from other sites.

This post provides links to the majority of these meditations:

'Come, Lord Jesus, Come' is an Advent devotional (booklet & slideshow) by Victoria Emily Jones based on an Advent meditation written by myself.

Mark of the Cross and The Passion are collections of images, meditations and prayers by Henry Shelton and myself on The Stations of the Cross. They provide helpful reflections and resources for Lent and Holy Week. These collections can both be found as downloads from theworshipcloud.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times. IT have also published a poem, The ABC of creativity, which covers attention, beginning and creation.

Other of my poems have appeared in Amethyst Review. They are: 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride, click here, here, here, here, and here.

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Kelly Joe Phelps - Down To The Praying Ground.

Thursday, 5 December 2024

Seen and Unseen: Christmas countdown day 5: Christmas cards

My article for Seen and Unseen on Christmas Cards is a guide to the season’s art, past and present. Traditionally at this time of year “great art comes tumbling through your letterbox” so, in this article, I explore the historic and contemporary art of Christmas:

'Whether you are looking to continue the tradition of sending Christmas cards through the post or will be sending digital greetings to family and friends, looking for, creating or commissioning nativity images that depict Jesus coming in your culture and your time continues to offer a significant way of showing the wonder of the incarnation to others. And, if you do so, while being entirely contemporary, you will also be firmly rooted in art history and church tradition.'

Victoria Emily Jones, who is quoted in the article, has curated two collections of nativity art.: 2011 collection, and 2015 collection. She has also compiled an Advent Slideshow and Devotional for Art & Theology. For more on our collaboration, click here.

My first article for Seen and Unseen was 'Life is more important than art' which reviews the themes of recent art exhibitions that tackle life’s big questions and the roles creators take.

My second article 'Corinne Bailey Rae’s energised and anguished creative journey' explores inspirations in Detroit, Leeds and Ethiopia for Corinne Bailey Rae’s latest album, Black Rainbows, which is an atlas of capacious faith.

My third article was an interview with musician and priest Rev Simpkins in which we discussed how music is an expression of humanity and his faith.

My fourth article was a guide to the Christmas season’s art, past and present. Traditionally at this time of year “great art comes tumbling through your letterbox” so, in this article, I explore the historic and contemporary art of Christmas.

My fifth article was 'Finding the human amid the wreckage of migration'. In this article I interviewed Shezad Dawood about his multimedia Leviathan exhibition at Salisbury Cathedral where personal objects recovered from ocean depths tell a story of modern and ancient migrations.

My sixth article was 'The visionary artists finding heaven down here' in which I explored a tradition of visionary artists whose works shed light on the material and spiritual worlds.

My seventh article was 'How the incomer’s eye sees identity' in which I explain how curating an exhibition for Ben Uri Online gave me the chance to highlight synergies between ancient texts and current issues.

My eighth article was 'Infernal rebellion and the questions it asks' in which I interview the author Nicholas Papadopulos about his book The Infernal Word: Notes from a Rebel Angel.

My ninth article was 'A day, night and dawn with Nick Cave’s lyrics' in which I review Adam Steiner’s Darker With The Dawn — Nick Cave’s Songs Of Love And Death and explore whether Steiner's rappel into Cave’s art helps us understand its purpose.

My 10th article was 'Theresa Lola's poetical hope' about the death-haunted yet lyrical, joyful and moving poet for a new generation.

My 11th article was 'How to look at our world: Aaron Rosen interview', exploring themes from Rosen's book 'What Would Jesus See: Ways of Looking at a Disorienting World'.

My 12th article was 'Blake, imagination and the insight of God', exploring a new exhibition - 'William Blake's Universe at the Fitzwilliam Museum - which focuses on seekers of spiritual regeneration and national revival.

My 13th article 'Matthew Krishanu: painting childhood' was an interview with Matthew Krishanu on his exhibition 'The Bough Breaks' at Camden Art Centre.

My 14th article was entitled 'Art makes life worth living' and explored why society, and churches, need the Arts.

My 15th article was entitled 'The collective effervescence of sport's congregation' and explored some of the ways in which sport and religion have been intimately entwined throughout history

My 16th article was entitled 'Paradise cottage: Milton reimagin’d' and reviewed the ways in which artist Richard Kenton Webb is conversing with the blind poet in his former home (Milton's Cottage, Chalfont St Giles).

My 17th article was entitled 'Controversial art: how can the critic love their neighbour?'. It makes suggestions of what to do when confronted with contentious culture.

My 18th article was an interview entitled 'Art, AI and apocalypse: Michael Takeo Magruder addresses our fears and questions'. In the interview the digital artist talks about the possibilities and challenges of artificial intelligence.

My 19th article was entitled 'Dark, sweet and subtle: recovered music orientates us'. In the article I highlight alt-folk music seeking inspiration from forgotten hymns.

My 20th article was entitled 'Revisiting Amazing Grace inspires new songs'. In the article I highlight folk musicians capturing both the barbaric and the beautiful in the hymn Amazing Grace and Christianity's entanglement with the transatlantic slave trade more generally.

My 21st article was entitled 'James MacMillan’s music of tranquility and discord'. In the article I noted that the composer’s music contends both the secular and sacred.

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Tuesday, 22 October 2024

Resources for Advent

This year, in addition to Advent resources with which I have been involved, I also want to share information about ‘Wonder in the Waiting’ - an Advent Jazz Vespers which gives space to gather, stop and wait over the busy Christmas period. This candlelight and musical gathering is interspersed with carols, Advent-themed artwork and reflective readings.

NOW AVAILABLE TO DOWNLOAD:
  • Music demonstration tracks
  • Music backing tracks
  • Sheet music and lyric sheet
  • Script and supporting slideshow
  • Leader's notes
Major Richard Mingay has provided six Christmas arrangements; five are traditional carols and one is an original song written especially for this publication. All the arrangements are set in the jazz genre and are designed to have flexible instrumentation. The songs can work effectively with just piano accompaniment or with the addition of drum kit, bass, and instrumentalist. 

'Come, Lord Jesus, Come' is an Advent devotional (booklet & slideshow) by Victoria Emily Jones based on an Advent meditation written by myself. Each line of the meditation focuses on one aspect of Christ’s coming. To promote deeper reflection on all these aspects, Victoria has selected twenty-four art images to lead the way in stoking our imaginations and to provide entry points into prayer. She has taken special care to present art from around the world and, where possible, by modern or contemporary artists so that we will be stretched beyond the familiar imagery of the season.

Victoria writes: 'Art is a great way to open yourself up to the mysteries of God, to sit in the pocket of them as you gaze and ponder. “Blessed are your eyes because they see,” Jesus said. Theologians in their own right, artists are committed to helping us see what was and what is and what could be. Here I’ve taken special care to select images by artists from around the world, not just the West, and ones that go beyond the familiar fare. You’ll see, for example, the Holy Spirit depositing the divine seed into Mary’s womb; Mary with a baby bump, and then with midwives; an outback birth with kangaroos, emus, and lizards in attendance; Jesus as a Filipino slum dweller; and Quaker history married to Isaiah’s vision of the Peaceable Kingdom.'

Through 'Come, Lord Jesus, Come' you are invited to consider what it meant for Jesus to be born of woman—coming as seed and fetus and birthed son; the poverty Jesus shared with children around the world; culturally specific bodies of Christ, like a dancing body and a yogic body; how we are called to bear God into the world today; and more.

Victoria writes: 'Advent takes us back and brings us forward. In preparing us to celebrate Christ’s first coming, it places us alongside the ancient prophets, who awaited with aching intensity the fulfilled promise of a messiah, and Joseph and Mary, whose pregnancy made the expectation all the more palpable; it also strengthens our longing for Christ’s second coming, when he will return to fully and finally establish his kingdom on earth ... May God bless you this Advent season as you ponder the amazing truth of the Incarnation.'

My 'Love is ...' meditation for Advent can be found by clicking here. This meditation ponders the love Mary demonstrated at various points along the way from the announcement of Jesus’s conception to her and her family’s resettlement in Egypt.

Additionally, I have a series of poetic meditations which draw on the thinking of René Girard in interpreting the Bible readings traditionally used in services of Nine Lessons and Carols. This set of Alternative Nine Lessons and Carols meditations can be found by clicking here.

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Richard Mingay - In This Light.

Thursday, 7 December 2023

Seen&Unseen - Beyond Christmas cards: a guide to the season’s art, past and present

My latest article for Seen&Unseen is a guide to the season’s art, past and present. Traditionally at this time of year “great art comes tumbling through your letterbox” so, in this article, I explore the historic and contemporary art of Christmas:

'Whether you are looking to continue the tradition of sending Christmas cards through the post or will be sending digital greetings to family and friends, looking for, creating or commissioning nativity images that depict Jesus coming in your culture and your time continues to offer a significant way of showing the wonder of the incarnation to others. And, if you do so, while being entirely contemporary, you will also be firmly rooted in art history and church tradition.'

Victoria Emily Jones, who is quoted in the article, has curated two collections of nativity art.: 2011 collection, and 2015 collection. She has also compiled an Advent Slideshow and Devotional for Art & Theology. For more on our collaboration, click here.

My first article for Seen&Unseen was 'Life is more important than art' which reviews the themes of recent art exhibitions that tackle life’s big questions and the roles creators take.

My second article 'Corinne Bailey Rae’s energised and anguished creative journey' explores inspirations in Detroit, Leeds and Ethiopia for Corinne Bailey Rae’s latest album, Black Rainbows, which is an atlas of capacious faith.

My third article was an interview with musician and priest Rev Simpkins in which we discussed how music is an expression of humanity and his faith.

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Rev Simpkins - Big Sea.


Monday, 20 November 2023

Resources for Advent

'Come, Lord Jesus, Come' is an Advent devotional (booklet & slideshow) by Victoria Emily Jones based on an Advent meditation written by myself. Each line of the meditation focuses on one aspect of Christ’s coming. To promote deeper reflection on all these aspects, Victoria has selected twenty-four art images to lead the way in stoking our imaginations and to provide entry points into prayer. She has taken special care to present art from around the world and, where possible, by modern or contemporary artists so that we will be stretched beyond the familiar imagery of the season.

Victoria writes: 'Art is a great way to open yourself up to the mysteries of God, to sit in the pocket of them as you gaze and ponder. “Blessed are your eyes because they see,” Jesus said. Theologians in their own right, artists are committed to helping us see what was and what is and what could be. Here I’ve taken special care to select images by artists from around the world, not just the West, and ones that go beyond the familiar fare. You’ll see, for example, the Holy Spirit depositing the divine seed into Mary’s womb; Mary with a baby bump, and then with midwives; an outback birth with kangaroos, emus, and lizards in attendance; Jesus as a Filipino slum dweller; and Quaker history married to Isaiah’s vision of the Peaceable Kingdom.'

Through 'Come, Lord Jesus, Come' you are invited to consider what it meant for Jesus to be born of woman—coming as seed and fetus and birthed son; the poverty Jesus shared with children around the world; culturally specific bodies of Christ, like a dancing body and a yogic body; how we are called to bear God into the world today; and more.

Victoria writes: 'Advent takes us back and brings us forward. In preparing us to celebrate Christ’s first coming, it places us alongside the ancient prophets, who awaited with aching intensity the fulfilled promise of a messiah, and Joseph and Mary, whose pregnancy made the expectation all the more palpable; it also strengthens our longing for Christ’s second coming, when he will return to fully and finally establish his kingdom on earth ... May God bless you this Advent season as you ponder the amazing truth of the Incarnation.'

My 'Love is ...' meditation for Advent can be found by clicking here.

Additionally, I have a series of poetic meditations which draw on the thinking of René Girard in interpreting the Bible readings traditionally used in services of Nine Lessons and Carols. This set of Alternative Nine Lessons and Carols meditations can be found by clicking here.

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J. Lind - Generous.

Sunday, 5 November 2023

God's upside-down kingdom

Here's my sermon as shared at this morning's Eucharist in St Catherine's Wickford

At my first training weekend as a curate the then Bishop of Barking, David Hawkins, performed a handstand to demonstrate the way in which Jesus, through his teaching in the beatitudes, turns our understanding of life upside down. His action turned our expectations of Bishops and their behaviour upside-down at the same time as it perfectly illustrated his point.

Jesus is depicted upside-down in the painting Jesus Striped and Stripped created by Cedric Baxter for a set of Australian Stations of the Cross. Victoria Emily Jones has written that “Baxter's tenth station captures Jesus mid-tumble, naked and abused and down on his way to death, but what Christians know and glory in, especially during the Easter season, is that he's circling back. He's turning a cartwheel! The upside downness of Jesus in this image challenges us to look at Passion Week with the right perspective: as a journey that brings Christ low only to raise him up.”

G. K. Chesterton used a similar image in writing about St Francis of Assisi: “[Saint] Francis, at the time … when he disappeared into the prison or the dark cavern, underwent a reversal of a certain psychological kind … The man who went into the cave was not the man who came out again … He looked at the world as differently from other men as if he had come out of that dark hole walking on his hands … If a man saw the world hanging upside down, with all the trees and towers hanging head downwards as in a pool, one effect would be to emphasise the idea of dependence … It would make vivid the Scriptural text which says that God has hanged the world upon nothing.”

In what ways do these images and Jesus’ teaching in the beatitudes turn our understanding of life upside down? Jesus’ radical heartbeat can be sensed in every word of the Sermon on the Mount. The core of the sermon is a call for God’s people to be entirely different. One writer identifies the key text of the sermon to be Matthew 6: 8, “Do not be like them.” Like lights set on stands (Matthew 5:14), like flavourful salt (Matthew 5:13) or like saints, the children of God are not to take their cue from the people around them but from God, and to be known by their radical lifestyle.

Some of the greatest examples of the call to be different are found in the Beatitudes. The Beatitudes give us a sense of the radical kingdom lifestyle that Jesus calls us to. It is as if Jesus has crept into the window display of life and changed the price tags. It is all upside down. In a world where ‘success’ and ‘self-sufficiency’ are applauded, and ‘the beautiful people’ are ambitious, accomplished and wealthy, Jesus teaches: “Blessed are the poor in spirit.” Our culture encourages us to discard guilt and the sorrow that accompanies pangs of conscience. Happiness is everything, entertainment is king but Jesus teaches: “Blessed are those who mourn.” In our competitive world, self-help seminars teach assertiveness and power is to be sought and used but Jesus teaches “Blessed are the meek.”

Donald Kraybill writing in The Upside-Down Kingdom about this upside down kingdom says: “Jesus startles us … good guys turn out to be bad guys. Those we expect to receive the reward get a spanking instead. Those who think they are headed for heaven land in hell. Paradox, irony and surprise permeate the teachings of Jesus. They flip our expectations upside down. The least are the greatest. The immoral receive forgiveness and blessing. Adults become like children. The religious miss the heavenly banquet. The pious receive curses. Things aren’t like we think they should be. We’re baffled and perplexed. Amazed we step back. Should we laugh or should we cry? Again and again, turning our world upside down, the kingdom surprises us.” 

It is the humble poor who know their need of God and those who have nothing who know they need everything. So we should pray for those moments when we and others become poor in spirit, bereaved, meek, hungry, thirsty, as they are moments when we are more likely to turn our faces to God looking for salvation. We need to pray for the opening of doors in us and others that gain and comfort have locked tight.

The Gospel announcement, our salvation, is truly comprehensive, is truly for all, because it is offered to losers, by circumstance or choice. The poor have no means of becoming rich but the rich have within themselves the possibility of becoming poor. There is nothing that we don’t have that will bar our entry to this upside-down kingdom and so we can pray to be rid of what we do have that God’s kingdom may truly come to all.

In this way, as the Beatitudes state, our lives are turned upside down and we are blessed with poverty, with grief, with meekness, with hunger, with mercy, with purity, with peacemaking, and with persecution (Gerard Kelly, Humanifesto).

As opposed to the survival of the fittest or looking after No. 1, the kingdom of God, as it is described in the Beatitudes, is a place of happiness for those who know they are spiritually poor, a place of comfort for those who mourn, a place of receptivity for those who are humble, a place of satisfaction for those whose greatest desire is to do what God requires, a place of mercy for those who are merciful, a place in which God is seen by the pure in heart, a place in which those who work for peace are called God’s children, and a place which belongs to those who are persecuted because they do what God requires.

This is what those, like St Francis, that we call saints came to realise. It is what we must seek through prayer as we too respond to our calling to be saints.

May God forgive our attempts to be loved, our pride, our pleasure-seeking and our leisure-seeking and instead turn our lives upside down and bless us with poverty, with grief, with meekness, with hunger, with mercy, with purity, with peacemaking, with persecution and with his upside down kingdom. Amen.

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Delirious? - King of Fools.

Sunday, 4 December 2022

Advent and Christmas resources

'Come, Lord Jesus, Come' is an Advent devotional (booklet & slideshow) by Victoria Emily Jones based on an Advent meditation written by myself. Each line of the meditation focuses on one aspect of Christ’s coming. To promote deeper reflection on all these aspects, Victoria has selected twenty-four art images to lead the way in stoking our imaginations and to provide entry points into prayer. She has taken special care to present art from around the world and, where possible, by modern or contemporary artists so that we will be stretched beyond the familiar imagery of the season.

Victoria writes: 'Art is a great way to open yourself up to the mysteries of God, to sit in the pocket of them as you gaze and ponder. “Blessed are your eyes because they see,” Jesus said. Theologians in their own right, artists are committed to helping us see what was and what is and what could be. Here I’ve taken special care to select images by artists from around the world, not just the West, and ones that go beyond the familiar fare. You’ll see, for example, the Holy Spirit depositing the divine seed into Mary’s womb; Mary with a baby bump, and then with midwives; an outback birth with kangaroos, emus, and lizards in attendance; Jesus as a Filipino slum dweller; and Quaker history married to Isaiah’s vision of the Peaceable Kingdom.'

Through 'Come, Lord Jesus, Come' you are invited to consider what it meant for Jesus to be born of woman—coming as seed and fetus and birthed son; the poverty Jesus shared with children around the world; culturally specific bodies of Christ, like a dancing body and a yogic body; how we are called to bear God into the world today; and more.

Victoria writes: 'Advent takes us back and brings us forward. In preparing us to celebrate Christ’s first coming, it places us alongside the ancient prophets, who awaited with aching intensity the fulfilled promise of a messiah, and Joseph and Mary, whose pregnancy made the expectation all the more palpable; it also strengthens our longing for Christ’s second coming, when he will return to fully and finally establish his kingdom on earth ... May God bless you this Advent season as you ponder the amazing truth of the Incarnation.' 

The alternative Nine Lessons (see below) is a poetic meditation drawing on the thinking of René Girard in interpreting the Bible readings traditionally used in services of Nine Lessons and Carols:

Nine Lessons

Genesis 3: 8–19

Hard labour in birth and work, sweat on our brow,
dirt on our hands. Thorns and thistles to prick and sting,
like death from a serpent's tongue,
till we return to the ground,
ashes to dust and dust to ashes.

Genesis 22: 15–18

A sense of sacrifice required;
the death of children appeasing the divine.
An alternative is found - ram caught in thicket,
wool held by thorns. Animals become
the scapegoats for our sins.

Isaiah 9: 2; 6–7

Light in darkness promised
through the hard labour of the birth of a child.
A child bearing peace and goodwill,
bringing justice and righteousness
without end and without measure.

Isaiah 11: 1–3a; 4a; 6–9

A little child leading us to reconciliation.
From nature red in tooth and claw -
survival of the fittest - to peaceful co-existence.
Carnivores to herbivores, the drawing of the sting
from the serpent's tongue.

Luke 1: 26–35; 38

Highly favoured as the Spirit overshadows.
A virgin birth - subverting patriarchy -
of a son who will not marry or have blood offspring.
The saying of 'yes' to God opening
the way of the family of God to one and all.

Luke 2: 1; 3–7

No room for the Lord of life, Prince of peace.
Space shared with animals kept for sustenance;
the sacrifices of existence and forgiveness.
Born into poverty; the struggle for survival
that this child will one day redeem.

Luke 2: 8–16

Angelic announcement of peace and goodwill
come in the form of the child found
by night workers, swaddled and lying in a manger.
His mother ponders these things -
annunciation, nativity, incarnation - in her heart.

Matthew 2: 1–12

Star following Magi look for the Prince of Peace
in the heart of power and opulence
only to find him in obscurity and humility.
Gifts given prefigure his divinity and sacrifice, the servant King
who, in birth and death, gives his life for others.

John 1: 1–14

Creative word now created, enfleshed, incarnated.
Divine life flowing in and through this child.
Light in darkness, revealing our passion
for power, position and personal gain.
In poverty, a counterpoint is born - compassion.

Giles Fraser, in the wake of the death of Girard and the Paris attacks, recently summarised Girard's thinking:

'The anthropologist René Girard died earlier this month, at home in California. A Frenchman, he did not live to see the latest violence in his home country. But, in a sense, he had been working on it his entire professional life. For no modern thinker has done more to understand the self-repeating patterns through which violence flows. And there can be no more disturbing conclusion than his, especially now: that violence is a form of copying, that violence is contagious, and that, as he put it: “Violence is like a raging fire that feeds on the very objects intended to smother its flames.”'

'Girard’s answer to mimetic violence is that we must break the cycle by refusing to mirror our enemies. Indeed, his rejection of an eye for an eye and a tooth for a tooth is not hand-wringing pacifism – it is bloody-minded, hard-nosed defiance; a refusal to be defined by the violent other, a refusal to answer back in kind.'

'Girard goes on to argue that the most vociferous critic of religion turns out to be a Jewish prophet called Jesus of Nazareth. Girard understands the ministry of Jesus to be that of deliberately standing in the place of the innocent victim thus to reveal the profound wickedness of the whole scapegoat mechanism. And as he is strung up to die, the violence of religion is exposed in all its gruesome destructiveness. Forget Dawkins or Harris – according to Girard the greatest critic of religion was Jesus himself.'

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Low - If You Were Born Today.

Wednesday, 1 December 2021

Good Ground and Come, Lord Jesus, Come

A new Christian devotional app for smart phones called Good Ground has been launched in Canada and the US. 

It features rich Christian content with a focus on spiritual formation for people seeking to deepen their faith. Content is curated around weekly themes and features daily Bible readings, devotions, prayer, and suggestions on spiritual formation practices. The app also uses various multi-media sources such as music, poetry, art, audio readings, video interviews, etc. to provide a deep spiritual experience. You can learn more about the app at https://www.goodgroundapp.com.

My 'Come, Lord Jesus, come' meditation is among the material that has been scheduled to appear on the app during Advent. 

This week's Visual meditation for ArtWay also connects to this same meditation. It is written by Victoria Emily Jones and originally appeared in 2016 in the self-published Advent devotional booklet Come, Lord Jesus, Come, available for free download from ArtandTheology.org. The meditation focuses on 'Procession' by one of Ecuador’s most famous artists, Eduardo Kingman who was committed to exposing the poverty and toil of indigenous populations in his native country and abroad.

'Come, Lord Jesus, Come' is an Advent devotional (booklet & slideshow) by Victoria based on an Advent meditation written by myself. Each line of the meditation focuses on one aspect of Christ’s coming. To promote deeper reflection on all these aspects, Victoria has selected twenty-four art images to lead the way in stoking our imaginations and to provide entry points into prayer. She has taken special care to present art from around the world and, where possible, by modern or contemporary artists so that we will be stretched beyond the familiar imagery of the season.

Victoria writes: 'Art is a great way to open yourself up to the mysteries of God, to sit in the pocket of them as you gaze and ponder. “Blessed are your eyes because they see,” Jesus said. Theologians in their own right, artists are committed to helping us see what was and what is and what could be. Here I’ve taken special care to select images by artists from around the world, not just the West, and ones that go beyond the familiar fare. You’ll see, for example, the Holy Spirit depositing the divine seed into Mary’s womb; Mary with a baby bump, and then with midwives; an outback birth with kangaroos, emus, and lizards in attendance; Jesus as a Filipino slum dweller; and Quaker history married to Isaiah’s vision of the Peaceable Kingdom.'

Through 'Come, Lord Jesus, Come' you are invited to consider what it meant for Jesus to be born of woman—coming as seed and fetus and birthed son; the poverty Jesus shared with children around the world; culturally specific bodies of Christ, like a dancing body and a yogic body; how we are called to bear God into the world today; and more.

Victoria writes: 'Advent takes us back and brings us forward. In preparing us to celebrate Christ’s first coming, it places us alongside the ancient prophets, who awaited with aching intensity the fulfilled promise of a messiah, and Joseph and Mary, whose pregnancy made the expectation all the more palpable; it also strengthens our longing for Christ’s second coming, when he will return to fully and finally establish his kingdom on earth ... May God bless you this Advent season as you ponder the amazing truth of the Incarnation.'

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Malcolm Guite - Waiting On The Word.

Saturday, 27 November 2021

ArtWay: Come, Lord Jesus, Come Advent Devotional


This week's Visual meditation for ArtWay is written by Victoria Emily Jones and originally appeared in 2016 in the self-published Advent devotional booklet Come, Lord Jesus, Come, available for free download from ArtandTheology.org. The meditation focuses on 'Procession' by one of Ecuador’s most famous artists, Eduardo Kingman who was committed to exposing the poverty and toil of indigenous populations in his native country and abroad.

'Come, Lord Jesus, Come' is an Advent devotional (booklet & slideshow) by Victoria based on an Advent meditation written by myself. Each line of the meditation focuses on one aspect of Christ’s coming. To promote deeper reflection on all these aspects, Victoria has selected twenty-four art images to lead the way in stoking our imaginations and to provide entry points into prayer. She has taken special care to present art from around the world and, where possible, by modern or contemporary artists so that we will be stretched beyond the familiar imagery of the season.

Victoria writes: 'Art is a great way to open yourself up to the mysteries of God, to sit in the pocket of them as you gaze and ponder. “Blessed are your eyes because they see,” Jesus said. Theologians in their own right, artists are committed to helping us see what was and what is and what could be. Here I’ve taken special care to select images by artists from around the world, not just the West, and ones that go beyond the familiar fare. You’ll see, for example, the Holy Spirit depositing the divine seed into Mary’s womb; Mary with a baby bump, and then with midwives; an outback birth with kangaroos, emus, and lizards in attendance; Jesus as a Filipino slum dweller; and Quaker history married to Isaiah’s vision of the Peaceable Kingdom.'

Through 'Come, Lord Jesus, Come' you are invited to consider what it meant for Jesus to be born of woman—coming as seed and fetus and birthed son; the poverty Jesus shared with children around the world; culturally specific bodies of Christ, like a dancing body and a yogic body; how we are called to bear God into the world today; and more.

Victoria writes: 'Advent takes us back and brings us forward. In preparing us to celebrate Christ’s first coming, it places us alongside the ancient prophets, who awaited with aching intensity the fulfilled promise of a messiah, and Joseph and Mary, whose pregnancy made the expectation all the more palpable; it also strengthens our longing for Christ’s second coming, when he will return to fully and finally establish his kingdom on earth ... May God bless you this Advent season as you ponder the amazing truth of the Incarnation.'

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Malcolm Guite - O Emmanuel.