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Showing posts with label sexuality. Show all posts
Showing posts with label sexuality. Show all posts

Sunday, 1 June 2025

That the world may believe

Here's the sermon that I shared at St Catherine’s Wickford this morning:

“They love every one, but are persecuted by all … Their names are blackened and yet they are cleared. They are mocked and bless in return. They are treated outrageously and behave respectfully to others. When they do good, they are punished as evildoers; when punished, they rejoice as if being given new life.”

That is how Christians were described in the Letter to Diognetus which may have been written in the second century. Tertullian, one of the leaders in the early Church, in his 2nd century defense of Christians remarks how Christian love attracted pagan notice: "What marks us in the eyes of our enemies is our loving kindness. 'Only look' they say, 'look how they love one another'" (Apology 39).

This is what Jesus anticipated when he prayed that his disciples would be completely one in order that the world may know that he was sent by God the Father and they are loved by the Father just as Jesus is loved by the Father (John 17.18-23). As Lesslie Newbigin has written “this manifest unity in the one name will challenge the world to recognise that the name of Jesus is not the name of “one of the prophets” but the name of the one sent by the Father to whom all that belongs to the Father has been given.” The sign to the world that Jesus is who he claimed to be is to be, and has actually been at times in the past, the love and unity of the Church.

Therefore, the lack of unity, as expressed in the way discussions are conducted, that is currently found within the Church of England and within the Anglican Communion over issues of sexuality deeply grieves God and has a profound effect on the Church’s ability to witness to the truth of Jesus. It also reveals the extent to which we have not fully understood or received the love of the Father and the Son. It is not that difficult debates cannot go on - they absolutely should - but we need to have such discussions without impacting our unity.  

Jesus’ prayer is that the love which the Father has for the Son will also be in his disciples. It is as we know that love in our lives that we are able to love and be united with the wider Church. The Church is based not on our natural liking of each other instead the Church is based on our being caught up into the love relationship that exists between Father and Son and knowing both ourselves and each other to be loved in precisely the same way.

Richard Burridge has written that, “such unity is rooted in the life of God: ‘as you, Father, are in me and I am in you, may they also be in us.’ Jesus answered Philip’s desire to see the Father with ‘I am in the Father and the Father in me.’ This unity between the Father and the Son is to be shared through the indwelling of the Spirit with all who love him. Thus the command to ‘love one another’ is ‘new’, because it is no mere moral exhortation, but a sharing in the life of God, ‘as I have loved you’.

Stephen Verney has called this love relationship between the Father and the Son, the dance of love. He describes it like this:

“The Son can do nothing of himself”, [Jesus] says, “but only what he sees the Father doing” … He looks, and what he sees the Father doing, that he does; he listens, and what he hears the Father saying, that he says. The other side of the equation – of the choreography – is the generosity of the Father. “The Father loves the Son, and reveals to him everything which he is doing”, and furthermore, he gives him authority to do “out of himself” all that the Father does, and can never cease to do because it flows “out of himself”. In that dance of love between them, says Jesus, “I and the Father are one.” The Son cries “Abba! Father!” and the Father cries “my beloved Son”, and the love which leaps between them is Holy Spirit – the Spirit of God, God himself, for God is Spirit and God is Love.”

We become part of the love relationship when we become Christians as Burridge reminded us; to love one another is no mere moral exhortation but a sharing in the life of God. So that is the question for us tonight, and for the Church of England and the Anglican Communion at this moment in its life and history, to what extent are we actually sharing in the life of God? To what extent are we participating in the love that exists between God the Father and God the Son? If we are, then both our words and actions towards our fellow Christians will be words and actions of love leading to unity? If we are not, then the reverse will be true.

So, can we today regret our failure to participate more fully in the love that exists between the Father and the Son? Will we today ask to participate more fully in that love? Our answers are vital, not merely for ourselves, but for the witness of the Church to Christ. “Jesus brings together the unity he has with the Father and the love of the disciples for one another – but it is not just to generate warm feelings of togetherness. The purpose is for the continuing mission, ‘that the world may believe that you have sent me’. The world, Burridge writes, does not naturally ponder the internal relationships of the Holy Trinity, but when it sees Christians living this self-sacrificial love then it is challenged to think again. As were the writer of the Letter to Diognetus and those of whom Tertullian wrote:

“They love every one, but are persecuted by all … Their names are blackened and yet they are cleared. They are mocked and bless in return. They are treated outrageously and behave respectfully to others. When they do good, they are punished as evildoers; when punished, they rejoice as if being given new life.”

"What marks us in the eyes of our enemies is our loving kindness. 'Only look' they say, 'look how they love one another'".

May it be so for us. Amen.

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Wednesday, 18 May 2022

Artlyst: Sensuous Sickert and Philpot Two Major UK Solo Exhibitions

My latest piece for Artlyst compares and contrasts the Walter Sickert exhibition at Tate Britain and the Glyn Philpot exhibition at Pallant House Gallery:

"Both exhibitions provide comprehensive overviews of their subject’s works; Walter Sickert primarily uses a thematic structure to do so, while Glyn Philpot: Flesh and Spirit’s aim is to combine the thematic with the chronological. As an exhibition enhancing one with an established reputation – albeit one that has faced questions about the dynamics of power depicted as well as those exercised by the depicter – Walter Sickert can include works by the influencers of Sickert – Whistler and Degas – and those influenced, including Lucien Freud. By contrast, Glyn Philpot: Flesh and Spirit seeks to rehabilitate and re-establish a reputation on different grounds from those on which his reputation was originally gained. As such, the focus is on Philpot’s work with a sense that the edginess of his work was what undermined his original reputation without gaining, either at the time or subsequently, the recognition it deserves.

Between them, these exhibitions provide and open up the foci and tensions of British art in a period when the traditional and the modern were, within British art, effectively counterbalanced. That balance was lost with Sickert’s reputation rising and Philpot’s, despite his effective embrace of modernism, falling. Interestingly, it is Philpot’s engagement with racial and sexual power dynamics which is playing a part in rehabilitating his work, while raising questions about aspects of Sickert’s work and reputation."

My other pieces for Artlyst are:

Interviews -
Articles -
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Steve Taylor and Danielson Foil - Nonchalant.

Saturday, 7 May 2022

Disability and Church: Intersectionality


I'm looking forward to moderating this webinar on a vital topic with a wonderful panel. Do join us.

A Church Times/HeartEdge webinar

Intersectionality is a way of describing how social categories (e.g. disability, race, gender) combine to create overlapping systems of discrimination or disadvantage. In the latest HeartEdge Shut In, Shut Out, Shut Up series we are exploring intersectional experience of disability and neurodiversity, gender, mental health, sexuality, race and poverty.

This additional webinar, organised with the Church Times, asks, what are the key issues in the context of faith and what are our calls to the church?

Register here.

Panel
  • Lamar Hardwick (he/him) (DMin, Liberty Baptist Theological Seminary), also known as "the autism pastor," is the lead pastor at Tri-Cities Church in East Point, Georgia. He is the author of Epic Church, I Am Strong: The Life and Journey of an Autistic Pastor, and the award-winning book Disability and The Church: A Vision for Diversity and Inclusion (InterVarsity Press 2021).
  • Naomi Lawson Jacobs (they/them) is a researcher, disability advocate and trainer, who completed a PhD on the experiences of disabled Christians in 2019. Their book, At the Gates: Disability, Justice and the Churches, is out in June 2022, co-written by Emily Richardson. The book shares disabled people’s stories of marginalisation in churches, their cries for justice from the edge, and their transformative theologies for the whole church.
  • Fiona MacMillan (she/her) is a disabled and neuordivergent advocate, practitioner, speaker and writer. She chairs the Disability Advisory Group at St Martin in the Fields, is a trustee of Inclusive Church, leads the planning team for their annual disability conference and convenes the Shut In Shut Out Shut Up series for HeartEdge. Fiona is a member of the Nazareth Community and was recently elected to General Synod.
  • Rachel Mann (she/her) is an Anglican priest, writer, scholar and broadcaster. Author of 12 books, she has written theologically about her experience of hidden disability and chronic illness in the critically-acclaimed Dazzling Darkness (Wild Goose, 2012/2020) & Love’s Mysteries (Canterbury Press, 2020). She is a member of the Church of England’s Theological Advisory Board, The Faith & Order Commission.

Access information

BSL, automatic captions, livestreamed using Streamyard and available to watch live or recorded.

Shut In Shut Out Shut Up is a disabled-led space for challenging questions and honest conversations about theology, faith and church. Hymns A&M and HeartEdge recently announced an agreement to work together on future projects. This is the first in an occasional series of joint webinars.

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Martyn Joseph - He Never Said.

Monday, 1 January 2018

Artlyst article: Can art transform society?

My latest article for Artlyst explores whether art can transform society by considering two current exhibitions that seem to suggest that it can. The exhibitions are:
My article suggests that art can enable us to see the world differently, offering insights into personal experiences beyond our own but that this transformative power of art is fully unleashed when we understand the histories, stories and traditions (both recent and past) on which the artworks draw.

My other Artlyst articles are:
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Tom Morello & The Nightwatchman - Blind Willie McTell.

Saturday, 29 October 2016

The Revolutionists


THE REVOLUTIONISTS

A presentation of the research and development of a performance installation on Revolution, Democracy, Identity and Power. Inspired by the works of John Milton, Charles Dickens, Friedrich Schiller, Jean Genet and Albert Camus.

Wednesday 2nd November 7pm, The Broadway Theatre, Barking, London.

The Revolutionists is a cross-disciplinary collaboration between the award-winning visual artist Zi Ling, emerging theatre director & producer Eldarin Yeong, established lighting designer Justin Farndale, and emerging scenographer Tong Zhao. Inspired by the works of John Milton, Charles Dickens, Friedrich Schiller, Jean Genet and Albert Camus, they will create an immersive installation art, combining architecture, digital technology, visual arts, and performance, reflecting the themes of violence, democracy & sexuality.

After its critically acclaimed Told Look Younger and sold-out Bound Feet Blues, Eldarin Yeong Studio aims to produce another controversial work.

The project is generously supported by the Arts Council England and Broadway Theatre Barking.

Art Consultant Zi Ling
Designers Tong Zhao & Justin Farndale
Cast Joanne Gale | Amy Newton | Edward Saunders | Amy Tobias
Director Eldarin Yeong
Choreographer Maria Ghoumrassi
Designer Assistant & Stage Manager Jenn Shahid

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John Milton - Let Us With A Gladsome Mind.

Sunday, 17 July 2016

Church: unlikely people living, serving and leading in counter-cultural ways

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This morning I preached at St John the Divine in Richmond, an Early Gothic Revival church with a marvellous early twentieth century Arts & Crafts reordering.

In 1905, Arthur Grove extended the church by adding the sanctuary and Lady Chapel. Together with friends from the Arts and Crafts Movement (including Eric Gill and N.H.J. Westlake) he created an harmonious extension. In 1921, a large blue and gold cross, carved by a nun from one of the London convents, was hung and in the 1960s the Stations of the Cross were carved by Freda Skinner, a pupil of Henry Moore, based on the Stations by Eric Gill in Westminster Cathedral. Eric Gill’s own work in the church can be seen in the stone carving over the sacristy door and on the triptych. The triptych behind the altar was completed in 1908 by N.H.J. Westlake who also painted the sanctuary ceiling which illustrates passages from the Book of the Revelation, chapter 14.

The sermon I preached was as follows:

Maude Royden, Elsie Chamberlain, Isabella Gilmore, Betty Ridley, Una Kroll, Christian Howard, Monica Furlong, Joyce Bennett, Florence Li Tim-Oi, Constance Coltman, Margaret Webster.

I wonder how of these names you recognise? I originally found out about these women through the website of Women and the Church (or WATCH) who point out that, though they were all icons in the campaign to get women ordained, as with many women’s lives, they are in the ‘hidden gallery’ of history.

To give you a very brief flavour of some of their stories: Elsie Chamberlain was the first female full chaplain in the RAF; Una Kroll famously shouted, ‘We asked for bread and you gave us a stone’ (a reference to Matthew 7:7-11) when in 1978 the General Synod refused to allow women to be ordained, creating the momentum for the Movement for the Ordination of Women to be formed; and Florence Li Tim-Oi was the first female Anglican priest, ordained during the war to serve behind Japanese lines in China. Since beginning my ministry at St Martin-in-the-Fields, I have discovered more about the ministries of Joyce Bennett and Florence Li-Tim-Oi, in particular, because of their connections with that church.

WATCH argue that, although women have been a majority in the church, their ministries have mostly been hidden in the background, carrying out children’s work, making tea, cleaning, in the office, caring for neighbours, letting the vicar know when someone needs a visit. In other words, fulfilling the sort of role that Martha seems to have played in the Gospel reading (Luke 10. 38 – end) we have heard today.

Martha opened her home to Jesus and his disciples. Providing hospitality and welcome to strangers was of vital importance within Judaism and in Middle Eastern culture generally. The rabbis taught that Abraham left off a discussion with God and went to greet guests when they arrived at his camp in today’s reading from the Hebrew Scriptures (Genesis 18.1-10a). He ran to greet them during the hottest day on record and served them the best food he could put together. Based on this example, the rabbis say that taking care of guests is greater than receiving the divine presence.

When Jesus sent out his disciples to prepare the way for him to come to towns and villages on the way to Jerusalem, he told them to look out for and stay with those, like Martha, who would welcome them (Luke 10). So, Jesus’ words to Martha are not intended as a denigration of the role she is fulfilling, which has a vital place in Middle Eastern culture, but point instead to an alternative role which has eventually led to the point that we have reached relatively recently in the Church of England of ordaining women as priests and bishops.

Mary sat at Jesus’ feet listening to what he said. That was the usual posture of a disciple of any teacher in the ancient world. But disciples were usually male, so Mary would have been quietly breaking the rule that reserved study for males, not females. Martha was possibly not merely asking for help but demanding that Mary keep to the traditional way of behaving. Jesus, though, affirmed Mary in the place and role of a disciple: “Mary has chosen what is better, and it will not be taken away from her."

Jesus refused to be sidetracked by issues of gender when faced with women in any kind of need and consistently put people before dogma. Luke’s Gospel not only reports that Jesus had female disciples, but specifically names them in Luke 8. 1-3. Throughout his Gospel, Luke pays particular and positive attention to the role of women; presenting women, not only as witnesses to the events surrounding the birth and resurrection of Jesus, but also as active participants in God's Messianic purposes.

This counter-balance to the patriarchy of the time was necessary in order to signal the value of both women and men in God's plan of salvation and their equal importance in the new community that was the Church. The Epistle (Colossians 1. 15-28) also emphasizes this for us through its claim that all things in heaven and on earth were created through Jesus and for Jesus and that, as he is the head of the body, the church, in him all things hold together. All things means all of us; whatever our differences of gender, race, disability, sexuality or religion. Christ holds all together in his body, the Church; meaning that, while we all have a different parts to play, we are all equally valued and necessary if Christ’s body, the Church, is to function as he intends and reveal him as he really is.

The Church of England has made significant recent progress in this respect in relation to gender equality, with women now increasingly taking their place alongside men as bishops and at every level in the Church of England. Those women named on the WATCH website played key roles in the early stages of the journey that has led to this point. This was recently reinforced for me, as I had the opportunity to attend with others from the congregation at St Martin’s, the consecration at Canterbury Cathedral of Jo Bailey-Wells as Bishop of Dorking and then, that same evening, host at St Stephen Walbrook an ‘At Home’ for WATCH during which our curate, Sally Muggeridge, celebrated her first Eucharist while also becoming the first woman to celebrate the Eucharist in that church.

While the Church of England has made significant recent progress in relation to gender equality, there is much further to go in relation to other aspects of diversity as the conversations at General Synod this week regarding sexuality and disability indicate.

In a debate at Synod on Nurturing Senior Leaders in the Church of England, Revd Zoe Heming spoke about the Church as the bride of Christ. She spoke of Christ as “the one who rode into Jerusalem on a ridiculous, baby donkey, yet eclipsed the Roman horses and chariots and their victory parades.” By contrast, though, she expressed immense frustration that the Church, Christ’s Bride, continues to look so very different to her Groom, when it comes to nurturing the vocations of disabled people.

“The essential characteristic of our church,” she said, “must be of unlikely people living, serving and leading in counter-cultural ways, where the weakest are not tolerated, pitied or accommodated but prized, cherished & followed. This needs to be deliberate and visible for all to see - and maybe even mock, as some undoubtedly will have done, that day Jesus rode into Jerusalem on his donkey.”

Whether we use the metaphor of the Church as the bride of Christ or as the body of Christ, we are called to model our lives and actions on Christ. In our Gospel reading, we see Jesus holding together sisters who have become frustrated with each other’s choices. He affirms the different ministries which both have as, although his response to Martha can appear critical, he has already received and welcomed her ministry but wants to also affirm that of Mary as well. Similarly, we, like Martha, can practice and value the ministries of welcome, hospitality and service of all and, like Mary, can practice and value making Jesus the central focus of our lives and learning. While our focus today has been on the ministry of women, this is as inspiration to us all to work towards and work within the full equality of all within the body of Christ, the Church.

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Jonathan Dove - The Three Kings.

Friday, 1 January 2016

Beyond tribalism, patriarchy and scapegoating

The sermon that I recently preached at St Martin-in-the-Fields, entitled ‘The Revolutionary Magnificat’, suggested that the subversion of the patriarchal system achieved through the Virgin Birth and the removal of the necessity for procreation through the resurrection opens up space in which to re-imagine marriage, including the possibility of a greater diversity of relational and family structures in society characterised by faithfulness, permanence and fruitfulness.

Having been asked to say more about this suggestion and having read the recent interview with Jeremy Davies in which he said, ”I began to look again at the marriage service. And I thought the theology of marriage is not about a man and a woman,” I thought I would set out here some of the ideas that, in my view, support this suggestion.

The marriage vows, Davies says, are about mutual society, human relationships. “And why shouldn’t two men or two women, who love each other and want to commit their lives to each other for ever, say these things? When the bishops said that clergy who enter into same-sex marriages are not modelling the teaching of the church – yes we are. It is embodied in that vow.”’

The result for the church of our refusal to accept Davies’ perspective, as Jeffrey John has said in an interview with The Times, is that: “In the Church of England we readily bless the second, and even third marriages of couples who never darken our doors, yet we reject hundreds of our own faithful clergy and lay people who long to bring their love and commitment before God and ask his blessing ... Many ... people of goodwill who instinctively expect the Church to uphold justice and truth are scandalised when it so obviously does not."

In a memorable phrase Desmond Tutu spoke of post-apartheid South Africa as being “the rainbow people of God.” That phrase can and should be applied also to the Christian Church in the diversity of those who come together within it to form the Body of Christ.

For the Church to be seen as a rainbow people of God, the full range of its diversity of views and voices need to be heard. Specifically, in the current debate over the definition of marriage, it is essential that the Church, as well as hearing the views and voices of those opposed to same-sex marriage, also hear the views and voices of Christians in favour.

I am thinking of those who see a strong Biblical case for arguing that definitions of marriage are socially determined and not divinely ordained. Those who see Jesus as being the ultimate scapegoat signalling, by his death, the folly and fallacy of all scapegoating of those different from ourselves. Those who see a key aspect of Jesus’ ministry as being to include in the kingdom of God those excluded from the religious structures of his day, with inclusion and equality then being a central facet of Christianity. The voices and views of those who see the institution of marriage being broadened and strengthened by its expansion to include people who value the institution and wish to marry but are currently excluded from doing so.

The Biblical picture of God’s people is of difference and diversity united by our common commitment to Christ. We are not and will not be united by our particular theologies, traditions, or views on particular topics. In this current debate, as in all such debates, we need to hear and respect different perspectives while recognising that our particular views will only divide if they are prioritised. It is only when, acknowledging our differences, we recognise that, despite our differences, we are united by Christ that the Christian Church holds together as the rainbow people of God who, therefore, become the Body of Christ in the world today.

Steve Chalke is among those who have made a significant call for "a new Christian understanding of homosexual relationships" which, in his context, means a revision to Evangelical thinking on the issue. A recent Independent article highlighted Evangelicals who have moved from what has been the traditional position on the issue and Chalke is the most high profile member of this group.

He writes that he felt both compelled and afraid to write his recent article in Christianity: "Compelled because, in my understanding, the principles of justice, reconciliation and inclusion sit at the very heart of Jesus’ message. Afraid because I recognise the Bible is understood by many to teach that the practice of homosexuality, in any circumstance, is ‘a grotesque and sinful subversion’, an ‘objective disorder’ or, perhaps slightly more liberally, ‘less than God’s best’."

Chalke describes the Bible, as I would too, as "the account of an ancient and ongoing conversation where various, sometimes harmonious and sometimes discordant, voices contribute to the gradually growing picture of the character of Yahweh; fully revealed only in Jesus."

For more insight on this, he recommends reading Having Words with God: The Bible as Conversation by Karl Allan Kuhn, endorsed by Walter Brueggemann. Chalke describes Kuhn’s work as introducing "an approach that regards Scripture as a sacred dialogue between God and humanity. Together, he explains, the task of the Church is then to discern and express the character of God, God's will, and what it means to be God's people."

Having Words with God wasn't a book that I had come across previously at the time of Chalke’s article but having read it, it is a book that has significant synergy with my own thinking on the topic of the Bible as conversation as set out in a number of posts on this blog including:


Chalke, in my view, rightly concludes on the issue of Biblical interpretation that:

"The Bible does not always speak with one voice. It is a very diverse collection of books, written in many different times and cultures, containing an array of perspectives, not a few tensions, and even some apparent contradictions. Instead of pretending that this diversity does not exist, our task is to do justice to all these components as well as holding them together with a coherent theological approach ...

The process of understanding the character and will of Yahweh – as revealed through Jesus – is the continuing task for every generation. Therefore, biblical interpretation is not finished, but is the endless, open-ended project of all those who take its text seriously and authoritatively."

Kuhn explains, Chalke says, that Scripture is best understood "as a ‘sacred dialogue’ between God and humanity, as well as among humanity about God, his creation and our role as his image partners; an on-going conversation which God initiates, inspires and participates in among humanity, as his people struggle to discern and express the character of God, God’s will and what it means to be God’s people now and in the future."

As a result, he sees that the principles of justice, reconciliation and inclusion sit at the very heart of Jesus’ message and it is on this basis that he asks: "Rather than condemn and exclude, can we dare to create an environment for homosexual people where issues of self-esteem and wellbeing can be talked about; where the virtues of loyalty, respect, interdependence and faithfulness can be nurtured, and where exclusive and permanent same-sex relationships can be supported?"

Renato Lings' Love Lost in Translation: Homosexuality and the Bible also seems to me to be a substantial contribution to this issue, around which substantial debate could occur. Lings has posted a summary of the main findings of the book on his website but the detail and thoroughness of his Biblical analysis mean that this is a book that must be read and not simply read about:

'For decades, a painful controversy about same-sex relationships has rocked Christian churches, and no solution is in sight. Frequently the Bible is quoted. In response to this crisis, this exciting new book systematically examines the biblical stories and passages that are generally assumed to deal with, or comment on, homoerotic relationships: Noah and Ham, Sodom and Gomorrah, Leviticus 18:22 and 20:13, Deuteronomy 23:17–18, Judges 19, Romans 1:26–27, 1 Corinthians 6:9, 1 Timothy 1:10, and the letter of Jude.

Love Lost in Translation documents how mistranslations of these texts into Greek, Latin and other languages occurred early, and how serious errors are committed by translators today. Biased translations make biased theology. The book proposes a fresh approach to translating the Bible by means of linguistic and literary criteria. The method enables readers to discover the amazing literary sophistication, psychological insights and spiritual depth of the Bible. The final chapter of Love Lost in Translation provides a detailed discussion of biblical texts with life-affirming visions of same-sex love.'

The narratives in the Bible seem to me essentially to accept whatever model of marriage was common in society at the time as normative. So, when polygamy was normal and accepted in society, this was not critiqued by those writing what has since been understood as scripture and similarly when monogamy became the dominant model that was also accepted and not critiqued. On this basis, it seems to me, to be an entirely Biblical position to suggest that the definition of marriage is something which is socially determined and something which can and does change.

The history of approaches to marriage within Church history is similar as all marriages were civil contracts until part-way through the medieval period, only becoming predominantly church ceremonies at the Reformation. Affirmation of the nuclear family is much more recent phenomenon within the Church. The Church has, therefore, viewed a spectrum of relationships – some formal, some informal – as marriage across its history, with celibacy often being the primary stance recommended.

Genesis 2. 24, which is often cited as a divine warrant for the traditional definition of marriage in our culture and within the Church, does not define the nature of marriage at all and thereby leaves completely open the nature of the relationship between the man and the woman beyond the man leaving his parents and having sex with the woman. When this verse is cited as giving the divine warrant to marriage being only between a man and a woman (particularly because of procreation) that view is being read into the text by those who are assuming that that is what God thinks and wants. The text, as text, simply does not say that. In fact, the context for the passage, rather than emphasising procreation, is one of the man and woman as suitable helpers for one another. The reason for the relationship is mutuality of help and support.

We also claim, as Christians, to follow someone who poses some very significant challenges to our understanding of the place of family (Luke 9. 51 - 62). "The obligation to bury one’s father was regarded by many Jews of Jesus’ time as the most holy and binding duty of a son; but Jesus says that that is secondary to the call to follow him and announce God’s kingdom." This call cuts across family life and our traditional understandings of family. Here, even saying goodbye to your family before you leave seems to be criticised by Jesus!

In Matthew 12, when Jesus was told that his mother and brothers were nearby, we read that he said: "Who is my mother? Who are my brothers? … Whoever does what my Father in heaven wants is my brother, my sister, and my mother." Then in Matthew 10 we read of Jesus saying: "Do not think that I have come to bring peace to the world. No, I did not come to bring peace, but a sword. I came to set sons against their fathers, daughters against their mothers, daughters-in-law against their mothers-in-law; your worst enemies will be the members of your own family."

Tom Wright notes in his commentary on this passage that Jesus is quoting from the prophet Micah (Micah 7.6) who predicts the terrible divisions that will always occur when God does a new thing. "Jesus came to bring and establish the new way of being God’s people, and not surprisingly those who were quite happy with the old one, thank you very much, didn’t like it being disturbed." "He didn’t want to bring division within households for the sake of it," Wright says, but "he knew that, if people followed his way, division was bound to follow."

So what is this new way of being God’s people which challenges our more traditional understandings of family life? A recent book by Peter Rollins called The Idolatry of God is very helpful on this question:

"There are so many divisions in society, divisions between political parties, religious traditions and social groups. This is perfectly natural, of course. From birth, we experience a pre-existing matrix of beliefs and practices that differentiate us from others.

We discover early on that we have been given a mantle, that we are part of a tribe, one with a rich history, deep hopes and a variety of fears. The world is full of ‘us’ and ‘them’. Some of these divisions have deep histories that span multiple generations, while others are very new. Some are serious and others border on the ridiculous. But, at their most extreme, these divisions can result in local and global conflicts."

Rollins argues that to leave these divisions behind we need to transcend our given identities: "Whether we are Conservative or Labour, rich or poor, male or female, these various bearers of our identification do not fully contain or constrain us and all too often prevent us from truly experiencing our own humanity."

He suggests that that is what St Paul teaches when he writes to the Galatians saying, "there is no difference between Jews and Gentiles, between slaves and free people, between men and women; you are all one in union with Christ Jesus" (Galatians 3. 28). "Here Paul mentions six distinct tribal identities that were ubiquitous in his time; six identities that can be further subdivided into three, namely the religious (Jew and Gentile), the political (slave and free) and the biological (male and female).

It was not that these different groupings were totally isolated from each other, but the way that each of these groups related to the others was clearly defined and carefully regulated.

These distinctions were justified by the authorities either in terms of a natural law or a divine plan; thus the difference in roles and responsibilities were non-negotiable and were required to maintain social stability."

In Jesus’ ministry though "we find a multitude of references to one who challenged the divisions that were seen as sacred, divisions between Jew and Gentile, male and female, and slave and free. Jesus spoke to tax collectors, engaged with Samaritans and treated women as equals in a world where these were outrageous acts." Jesus, for example, refused to perpetuate the divisions between Jews and Samaritans when his own disciples want to see revenge enacted on a Samaritan village for rejecting them.

More than this, though, in the incarnation we are presented with a picture of God coming down to earth as Jesus and being progressively stripped of all his prior identity as God’s Son. In Philippians 2 we read that he "made himself nothing by taking the very nature of a servant, being made in human likeness. And being found in appearance as a man, he humbled himself by becoming obedient to death – even death on a cross!" (2.6-8).

Rollins writes that, "This is called kenosis and describes the act of self-emptying. This is most vividly expressed in the crucifixion, where we see Christ occupying the place of the complete outsider, embracing the life of one who is excluded from the political system, the religious community, and the cultural network."

To do this is to cut through the divisions which exist in society because of our different tribal identities. This is what Jesus means when he says he brings a sword into the world. He cuts into "the very heart of all tribal allegiances, bringing unity to what was previously divided":

"There is no change biologically (male or female), religiously (Jew or Greek) or politically (slave or free). Yet nothing remains the same, for these identities are now drained of their operative power and no longer hold us in the way that they once did. These identities no longer need to separate us from each other."

Our "concrete identity continues to exist, but it is now held differently and does not dictate the scope and limitations of one’s being. Paul expresses this powerfully when he writes:

What I mean, brothers and sisters, is that the time is short. From now on those who have wives should live as if they do not; those who mourn, as if they did not; those who are happy, as if they were not; those who buy something, as if it were not theirs to keep; those who use the things of the world, as if not engrossed in them. For this world in its present form is passing away. (1 Corinthians 7.29-31)

What we witness here are concrete references to three different categories: (1) relationships, (2) the things that happen to us, and (3) the things we own. For Paul, these continue to exist, but we are to hold them differently from the way we previously did. We are no longer to act as though we are defined by the things we own, the things that happen to us, or the relationships we have. While these continue to be important, we must hold them in a way that ensures they do not have an inescapable grasp upon us.

Paul understands this radical cut as emanating directly from one’s identity with Christ, for Paul understands participation in the life of Christ as involving the loss of power that our various tribal identities once held for us."

At the Eucharist we commemorate the act in which Jesus let go of every identity by which he was known, becoming nothing, in order that we might come into a new life within the family or kingdom of God where all are one and where there is no Jew or Greek, no slave or free, no male or female.

Our traditional understandings of marriage and the tribalism and identities it brings are also subverted by the Virgin Birth. The primary purpose of patriarchy is to assure the man of the legitimacy of his offspring. “Patriarchy's investment in systems that ensure proof of authorial possession results from the necessity of overcoming male anxiety over the ultimate uncertainty of biological paternity. Although the woman always knows she is the mother - through her physical connection with the developing foetus - the man never knows for sure that he is the father, and thus has a high stake in maintaining a system by which he can claim paternal ‘ownership’.” (Amelia Jones, quoted in Re-Enchantment)

But, as we know, in the Nativity story Joseph is not the father of Jesus and does not know whether Mary has slept with another man or not. A different role is asked of Joseph from that of the Patriarch; that of being the guardian and foster-father of Jesus. So, Jesus' birth occurs outside of or at a tangent to patriarchal systems or structures. Jesus, himself, is a man who doesn’t marry and who has no physical offspring - the furtherance of his 'seed' is of no interest to him. His emphasis is on his followers as his family, rather than his blood and adoptive relatives. His death is for the entire family of God - all people everywhere – and he teaches that after the resurrection people will neither marry or be given in marriage.

As a result, the philosopher Thierry De Duve has suggested that the: “great invention, the great coup of Christianity”, resulting from the Virgin Birth, “is to short-circuit” patriarchal ownership and a “production line that fabricates sons” (Re-Enchantment). Similarly, Robert Song has argued that the advent of Christ changes our understandings of sexuality because there is a “fundamental shift in horizons brought about the resurrection.” In the resurrection life there will be no marrying or giving in marriage, Jesus says, and behind his thinking is the idea that where there is no death, there will be no need for birth or marriage. Subverting the patriarchal system through the Virgin Birth and removing the necessity for procreation through the resurrection opens up space in which to re-imagine marriage, including the possibility of a greater diversity of relational and family structures in society characterised by faithfulness, permanence and fruitfulness. Robert Song calls these “faithful covenanted relationships”; committed relationships which are sexually active but non-procreative.

As Peter Rollins noted God's revelation in Jesus continues a subversion of the human story of violence that actually began in the Old Testament. René Girard suggests that the story of Cain and Abel reveals the way in which we consistently act as human beings. We desire something that is possessed by someone else and become disturbed through our longing for what we don’t have. We resolve our disturbance by creating a scapegoat of the person or people who appear to have or prevent us from having what it is we desire. When the scapegoat is killed we can gain what we desire and also release the sense of disturbance that we feel.

This pattern becomes expressed in religions involving human sacrifices as scapegoats to appease their gods. It is out of such religions that Abraham is called to form a people who do not sacrifice other human beings, but instead use animals as their scapegoats and sacrifices. Jesus is later born into this people who have subverted the existing practice of scapegoating and he further subverts this practice because, as he is crucified, God becomes the scapegoat that is killed.

The crucifixion is, therefore, the logical outcome of the incarnation. Sam Wells explores in Nazareth Manifesto that God is not simply 'for' victims. God is 'with' victims, because God is a victim. God is not simply 'for' the excluded. God is 'with' the excluded, because God is excluded. God is not simply 'for' those who are scapegoated. God is 'with' scapegoats, because God is a scapegoat. When God is scapegoated, there is no longer any god to appease and the necessity for scapegoating is superceded, subverted and eradicated.

This is the reality in which Christianity calls us to live. A world beyond scapegoating, beyond victimisation and beyond exclusion. A world in which the mechanisms for justifying and acting out our violent desires have been dismantled and rendered null and void. A world, as Barbara Brown Taylor has said, in which we ‘keep deciding not to hate the haters, … keep risking the fatal wound of love and teaching others to do the same — because that is how we prepare the ground around us to receive the seeds of heaven when they come.’

Within this new reality a greater diversity of relational and family structures in society characterised by faithfulness, permanence and fruitfulness, including same-sex marriages, is, I think, biblically warranted.  

Some of this is also expressed in more meditative and poetic form in my Alternative Nine Lessons and Carols post.

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U2 - Ordinary Love.

Tuesday, 10 December 2013

Arthur Boyd: the kindly man and the ferocious artist

I've recently read Darleen Bungey's excellent biography of Arthur Boyd, which has been well described by Patrick McCaughey:

'Painting was an exorcism. When he [Boyd] found his voice in the expressionist paintings of the war years, the figures, often lovers or cripples, became "an amalgam of the helpless, the foetal, new born, geriatric and corpse-like" in Bungey's good and awkward formulation.

Much later, Peter Porter, the poet and collaborator with Boyd, saw "the celebration of both the fertile and terrifying aspects of sexuality" as his central, recurring themes. The great series of Boyd's mid career - from the Love, Marriage and Death of a Half-Caste (the ‘Bride' paintings) and the Nude with Beast to the ‘Caged Artist' paintings of the early '70s, where the imprisoned painter excretes gold - are powered forth by thwarted and requited love, miscegenation and the beast in man.

Robert Hughes once observed (and is quoted approvingly by Bungey) that Boyd's images had "a strong air of reality ... one feels that Boyd believes in their magical efficacy as firmly as mediaeval Catholics believed in imps, succubi and familiars." Gentle and generous to a fault, many had trouble squaring the kindly man and the ferocious artist. The achievement of Darleen Bungey's biography is that we are shown both and taught to accept the paradox.'

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Moby - A Case For Shame.

Saturday, 13 July 2013

Boundary Breaker I

Part 1 of my latest six-part poem entitled 'Boundary Breaker':

Our enemy, my friend.
Titus, dressed in your lorica plumata,
paludamentum flaring round you in the breeze
and fastened at your shoulder,
the very image of the professional officer;
vine-stick as symbol of your authority
to order this one to "Go" and that one to "Come".
"Go," "Come," "Do this," "Do that,"
and your servant, your slave, simply acts.
Yet this man that you order so and so
is dear to you, very dear, sharing your bed,
your own pais, ailing and sick,
for whom you will intercede.
Our enemy, their friend,
my elders testify to me; you love our people,
your built our synagogue, your love
radical in action crosses boundaries of race,
religion, sexuality and class.
Your love is faith in action.
If faith without deeds is dead,
your faith is alive, more so than any in Israel.

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Paul Simon - Love And Hard Times.

Thursday, 4 August 2011

Exhibition reviews






Today I was fascinated to see, and a little underwhelmed by, Michelangelo Pistoletto's The Mirror of Judgement at the Serpentine Gallery.

Pistoletto is a leading figure in the development of both Arte Povera and conceptual art and this installation has had rave reviews, including the Guardian calling it "a beautiful and mind-expanding experience." As in much of his work, Pistoletti has here made use of religious concepts, imagery and phrases together with his repeated use of labyrinths and mirrors. He has written that "the mirror is the mediator between the visible and the invisible, carrying sight beyond it's normal possibilities" but has also stated  that the "image in the mirror is objective; there is no interpretation.”

Pistoletto argues that at "the beginning of our century, the avant-garde made art again autonomous." "Art ceased to be a symbol of religious and political power" and "actively takes possession of those structures such as religious which rule thought; not with a view to replacing them itself, but in order to substitute them with a different interpretative system, a system intended to enhance people’s capacity to exerting the functions of their own thought." This is where Pistoletto's labyrinth is intended to lead us. We move past symbols of four religions (a prayer mat, statue of Buddha, prayer stall, each before mirror, represent Islam, Buddhism and Christianity respectively, while a pair of large arched mirrors stand in for the Jewish Torah), to a central chamber containing a mirrored obelisk and the New Infinity sign (Pistoletto's symbol for the Third Paradise; a fusion between the first paradise in which terrestrial life is completely regulated by nature’s intelligence and the second Artificial Paradise which is developed by human intellect).

All this background information seems necessary in order to relate to Pistoletti's intent for this work; meaning that the work relies on a literary interpretation. The ambience at the Serpentine, at least as I experienced it, is not particularly contemplative as notices ban the touching of the work (due to its fragility), gallery attendants chat in corners, and there is no sense of the prayer objects inviting use. Visually, the concept is literal; mirrors judge us each time we use them and Pistoletto's installation doesn't alter that experience significantly without knowledge of the literary concepts that underpin the work.

Also at the Serpentine currently is this year's Gallery Pavilion designed by Peter Zumthor. Zumthor's pavilion as a "hortus conclusus", an enclosed garden, also relates to concepts of Eden or paradise. In Zumthor's essay about the pavilion, he begins by writing: "We come from nature and return to nature; we are conceived and born; we live and die; we rot or burn and vanish into the earth."

Out of Australia at the British Museum begins with the opposite; the wilderness inspired expressionism of the ‘Angry Penguins’ group of artists – Sidney Nolan, Arthur Boyd, Albert Tucker and Joy Hester. Arthur Boyd is a favourite artist and his prints do not disappoint formed, as they, through their fevered, passionate mark-making, echo the strength of the content. The exhibition includes an early work in Boyd's highly original Nebuchadnezzar series. Boyd and Tucker both address the passionate and predatory aspects of eroticism, something that also features in Eric Gill: public and private art, the other British Museum exhibition that I visited today. Gill combined sensuality and spirituality in images such Divine Lovers, which forms the centrepiece of this small review highlighting the wide range of his work. The effect that knowledge of the abusive element of Gill's sexual practice has on our response to the sensuality of his work is rightly noted but the primary focus is on his art and ideas.

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The Smiths - Cemetry Gates.

Thursday, 3 September 2009

Greenbelt diary (4)

Sunday morning I was offsite as we attended the main service at St Giles in Uley, the village where we were staying. Revd. Ian Gardener, from Dursley Parish Church, led the service and preached an excellent sermon on having the courage to ask the difficult questions - very appropriate for a Greenbelt weekend! Ian was also interested to hear something of our experiences of ministry when we talked after the service.

Some of those difficult questions were being asked when I did get back to the Festival later in the day. There was a large crowd to hear Gene Robinson speak on sexuality and spirituality. His was a very considered contribution which highlighted the earthy ever-present nature of sexuality in the Hebrew scriptures and the Jewish tradition generally, most notably in the Song of Songs. He spoke about each of us as sexual beings and emphasised that the incarnation means that Jesus too was a sexual being. Jesus understood the need we have for a soul mate (i.e. 'the disciple that Jesus loved') and was criticised for his radical respect of women. At the heart of both the incarnation and a wholesome, holistic sexuality is the making of ourselves vulnerable with another. Sex, at its best, is a learning laboratory for vulnerability and a means of becoming good steward's of another person's vulnerability.

Robinson needs to be heard, particularly by his opponents, as he, and what he has come to stand for in the Anglican Communion, is grounded in an understanding of scripture and the Christian tradition. His opponents often characterise him as playing fast and loose with scripture and present their interpretation of scripture as being God's word on the issue of homosexuality but the reality is that on both sides of the debate what we are grappling with are our interpretations of scripture which are not definitive. Hearing Robinson unpack his understanding of scripture is to hear a man with a real and live spirituality.

Alistair McIntosh in this photo appears to have a minimal audience but we had all retreated to the stands by this stage because of the cold. McIntosh presented a dystopic vision of the future by arguing that our response to climate change is too little too late and that it is probable that there is now insufficient time as well as insufficient political will to make the changes that are required. He cited Abbé Pierre's understanding of the atonement as explanation of where we are in relation to climate change; seeing ourselves as addicts who have imprisoned ourselves. He spoke movingly about premature death of his baby and linked this to our need as human beings to look death in the face in order to look through death into life. We need the spirit of Jeremiah, he suggested, as we face the consequences of our consumerist addiction and seek, through community with others, our world and with God, to recover what it means to be truly human.
Margaret Barker, although a Biblical scholar as opposed to an activist, is deeply concerned to highlight the environmental implication of understanding the Temple theology which she argues underpins both the teaching of the Old Testament, Jesus and the Early Church. In her session she gave a brief synopsis of Temple theology. In her view, the structure of the tabernacle and Temple are based on the six days of creation revealing the different relationships in creation itself. Barker's ideas suggest that eternity is an ever-present reality, the kingdom, into which Jesus understood himself to be bringing us, through his death on the cross which completes the New Creation. Having come through the veil into the Holy of Holies, we are now angels and saints, in Barker's view.
This is the second time that I have heard Barker speak (click here for a post about the first occasion) and I keep waiting for more radical consequences for the way in which Jesus understood himself and his teaching from this model than actually seems to arrive in what Barker says. Perhaps I need to go beyond her introduction to Temple Theology in order to find this.
I then finally heard Rob Bell, along what must have been the biggest crowd that any speaker drew over the weekend, when he was interviewed at the Jerusalem stage by, I think, Martin Wroe. I described Bell to someone who hadn't heard him as intelligent on the scriptures, post-modern in his presentation, and evangelical in his theology. That seemed a reasonable description of his contribution to this conversation. What stayed most in the memory was his commitment to living a 'normal' life despite the popularity of his book, church, and film ministries and his summary of Christianity in 10 words or less (which was roughly): whatever tiny signs of hope you find are real.

Chris Dingle's argument that music stops time seemed to be borne out with the contrasting concerts which ended Sunday. The Greenbelt Festival Orchestra played a selection of works by Sir John Tavener, by intercutting the seven sections of The Protecting Veil with a selection of his choral works drawn mainly from The Veil Of The Temple. This was blissfully beautiful music in which the sense of time passing was suspended. On a more intellectual level, however, I do question the appropriateness of sectioning up a work like The Protecting Veil which, although moving through seven sections to its completion, features an almost continuous cello line that was broken by the decision not to perform the work as a continuous whole.

Duke Special was the polar opposite of the Tavener; gothic theatrical vaudeville with a compassionate core, a dramatic high energy set that was never less than engaging. His MySpace page describes him as "the fucked up ringmaster of a broken down circus, the lead dancer in a forgotten ballroom of ghosts, the loudest singer in a midnight choir and the first on his knees in an old time revival tent" and all of those facets were on show in this performance. "Everybody wants a little something good," is what he sang and that's exactly what we got.

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Duke Special - No Cover Up.