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Showing posts with label j. john. Show all posts
Showing posts with label j. john. Show all posts

Wednesday, 30 March 2022

The Meaning in the Miracles: Seeing and Believing

Here's the reflection I shared tonight in Bread for the World at St Martin-in-the-Fields as part of our Lent Course on 'The Meaning in the Miracles' by Jeffrey John

At this service we shared a newly commissioned drawing called ‘Blind Jesus (no one belongs here more than you)’ - see below. The drawing has been commissioned by Celia Webster from the artist Alan Stewart with the aim of creating discussion in churches and the wider community including encouraging others to create their own Last Supper images. Both Celia and Alan joined us for the service. Celia is part of the Church of England disabilities steering committee, while Rev Alan Stewart is currently the vicar of two churches in Hertford. He studied Foundation Art at Belfast Art College, then graduated with a degree in Fashion and Textiles from Central St Martins in London and has exhibited in various churches and galleries. This image in charcoal of the Last Supper, to which I refer in the reflection, includes the central character of a visually impaired Jesus, surrounded by twelve people of differing ages, backgrounds and abilities. At the table, an empty chair invites the viewer to find themselves at the table. This Jesus challenges theological and Biblical imagery of blindness as sin or something to be cured. The image is offered as the beginning of a conversation. It asks questions like... What associations do we have with blindness? How does this Jesus ‘see’ me? Why has each figure been chosen? What are their stories? Who else should be at this meal? Is the empty chair for you?:

Tonight, we grapple with two of the more problematic elements of Jesus' miracles. As one whose teenage faith was renewed through the Charismatic movement, with its belief in supernatural healing, while also later becoming father to a daughter who not only has epilepsy but whose character and personality has been shaped through that experience, these are stories with which I grapple personally. In the book, Jeffrey John is crystal clear on one of the issues with which we grapple tonight. In the chapter on ‘The Withered Fig Tree’ he says that the way this story is told in Mark's Gospel 'exemplifies the way the early Church imported into the Gospel an anti-Semitic ideology which had no place in the original teaching of Jesus, and which has spawned a terrible legacy of atrocities perpetrated by Christians on Jews down the ages.’

John says that our response should be to ‘align ourselves consciously with Paul and against the evangelists, in particular, with Paul’s continuing love and respect for the tradition of Israel, his unbreakable conviction that God’s promises stand firm, and his yearning hope that in the end all Israel – the Old and the New – shall be one in God’s salvation.’ Jeffrey John doesn't go as far in regard to disability, but I want to suggest that we should essentially do the same.

The way in which disability is understood and treated within the Gospels and in Jesus' healing miracles is an issue with which we have grappled at St Martin's because of the work of our Disability Advisory Group led by Fiona MacMillan. Much of what I will say tonight is based on my understanding of their work and the issues they have raised, including use of several insightful phrases coined by Fiona.

The issue is highlighted by our title for tonight's session ‘Seeing and Believing’. If seeing is equated with believing then those who do not see, including those who are blind, are excluded from believing. The fact that Jesus heals blind people and speaks about such healing relating to faith seems to reinforce the problem. It is a problem that also applies to deaf people who are viewed in a similar way within these stories. A focus on prayer for supernatural healing also removes agency from disabled people and leads to accusations of a lack of belief on the part of those not healed.

The problem goes deeper still, however, because of an Old Testament belief that the difficulties we encounter in life derive from our sins or those of our ancestors. This is a belief that Jesus explicitly rejects, doing so in relation to the healing of a blind man. Nevertheless, it is an understanding that has found its way into the hymns and liturgy that we commonly use in church, and which alienates and excludes disabled people. As example, think about how you would feel singing these lines from ‘Amazing Grace’ and ‘Just As I Am’, were you to be a blind person yourself:

‘Amazing grace / How sweet the sound / That saved a wretch like me / I once was lost, but now I'm found / Was blind, but now I see’

‘Just as I am, poor, wretched, blind’

While we know that the language of blindness, sight and salvation is intended metaphorically and refers to a sinfulness in which we all share, nevertheless to hear a fundamental aspect of your identity as a blind person equated to wretchedness is deeply galling, disheartening and is ultimately exclusionary.

Jeffrey John is clear that the point of Jesus' miracles is not medical but theological and spiritual. This has the effect of making them about all of us, rather than solely about those who were healed. John also argues that we are all blind or deaf before God opens us to his presence. However, while this universalises the stories, it also reinforces the equation between blindness or deafness and sin.

A different understanding of healing can emerge from these stories if we begin, as Jeffrey John does, with the understanding that the purpose of Jesus' healing ministry was to restore those who had been excluded to worship and to community. That is why the healing miracles often end with those healed going to see the authorities of the day in order to be readmitted to society. John notes that the healing miracles cover most of the excluded groups from Jesus’ time.

Healings were the way – the only way at that time - to return those who had been excluded to worship and community. Today, however, the social model of disability is based on the understanding that society disadvantages disabled people; that society is not set up to support the needs of disabled people and, therefore, it is society, not disabled people, that need to change. If we remove the barriers in society that exclude disabled people we can achieve the end that Jesus intended, which is the Messianic banquet in which everyone is included. That banquet is symbolised for us by the Eucharist.

Believing is not primarily about seeing supernatural healings that prove the existence of God but instead about seeing a vision of communion and community in the Eucharist, a place where all can come and where all are valued, where people can get in and join in.

A key part of that inclusion is that everyone has insight and understanding. Everyone has perceptions of God to share. As a result, physical blindness is not a barrier to knowing God or to sharing aspects of that relationship with others. The writings and experience of John Hull, a theologian who was blind, clearly show this to be true. In his ‘Open Letter from a Blind Disciple to a Sighted Saviour,’ he notes that it is not necessary to the witness of faith, regarding the way our ignorance, sin and disobedience prevent us from responding to the love of God made known in Jesus Christ, that that witness ‘should be cast into the form of the metaphor of blindness.’ That it was is surely, he suggests, ‘a case where the metaphor kills but the spirit gives life.’ He argues that it is necessary that all those who are spoken to by the Bible, including blind people, ‘should have an opportunity to reply, and thus the conversation which is within the Bible can enter into conversation with us today, and through offering a voice and a hearing to everyone, we can create a community of genuine free speech.’ There should be ‘a proliferation of many meanings until everyone's meanings are gathered in.’ ‘This is the way that the Bible becomes truly ecumenical, truly catholic.’

Alan Stewart's marvellous drawing of the Last Supper gives us just such an ecumenical or catholic image through its depiction of a diverse group of disciples surrounding a blind Jesus at the Last Supper. This is an image of many who have experienced barriers to inclusion getting in and joining in with the recognition that experiences of exclusion are central to a faith that sees Jesus become the scapegoat for humanity in order to remove the barriers to encounter with God that we had previously erected. The Jesus who does that bears on his body the marks of his Passion, carrying those signs and experiences into an eternity of unity and communion. His experience of being scapegoated and excluded becomes revelatory and is the route by which all can return to community.

In the same way, the experience of disabled people must become central, as in this image, not through the eradication of disability by means of supernatural healing, but by the eradication of all barriers to communion so that the insights of all can be received for the benefit and building up of the whole people of God. When one is excluded, the body of Christ is not whole and currently many remain excluded. To reverse that situation, we need to see the vision of communion that Jesus institutes through the Eucharist, that he shares in parables of the Messianic banquet, and which will become our experience in eternity in order that we begin to live that future now.

That is the vision that we need to see in order to believe, because belief is not primarily intellectual or propositional, instead it is about practice and demonstration – living God’s future now. It is a vision in which those who are blind or deaf or otherwise disabled have a valued place as those who, like Jesus, have come through exclusion to join in at the table. That is the vision that Alan Stewart sets out so compellingly for us in his Last Supper image. See and believe.




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June Boyce-Tillman - We Shall Go Out.

Tuesday, 14 February 2017

Start:Stop - Every person is a special kind of artist


Bible reading

Then Moses said to the Israelites: See, the Lord has called by name Bezalel son of Uri son of Hur, of the tribe of Judah; he has filled him with divine spirit, with skill, intelligence, and knowledge in every kind of craft, to devise artistic designs, to work in gold, silver, and bronze, in cutting stones for setting, and in carving wood, in every kind of craft. And he has inspired him to teach, both him and Oholiab son of Ahisamach, of the tribe of Dan. He has filled them with skill to do every kind of work done by an artisan or by a designer or by an embroiderer in blue, purple, and crimson yarns, and in fine linen, or by a weaver—by any sort of artisan or skilled designer. (Exodus 35. 30 – 35)

Meditation

The first person in the Bible to be described as having been filled by the Holy Spirit was an artist - Bezalel, who worked on the Tabernacle. As the first Spirit-filled person mentioned in the Bible, Bezalel, was chosen by God to be skilled, knowledgeable and able to teach in all kinds of craftsmanship. So, to be biblically inspired is to make or create.

Creativity, this passage suggests, is a gift of God. Ultimately, creativity is a gift of God because God is creative and we are made in his image. He is the Creator, the one who said "Let there be" and life came to be; the One whose glory is proclaimed by the heavens and the work of whose hands is proclaimed by the skies. We are made in the image of the Creator God and therefore we too are creative. We are all creations of the Creator, created in His image, to be creative!

God is the ultimate creator, who created from nothing, and we are sub-creators, able to, as Dorothy L. Sayers put it, "rearrange the unalterable and indestructible units of matter in the universe and build them up into new forms." As J. John has said, 'Creativity has been built into every one of us: it is part of our design. Each of us lives less of the life God intended for us when we choose not to live out the creative gifts God gave us.'

It is easy to think that this only applies to certain chosen people who have the aptitude for creativity – to think that we should all strive to be 'artists' in the sense of being musicians, novelists, poets, painters etc - but that is not the witness of the Bible, taken as a whole. God's Spirit gives each person gifts, as Paul writes in 1 Corinthians 12, but the gifts that we are given differ from person to person. This means that we are all creative but in differing ways. Edith Schaeffer, in her useful book Hidden Art, says that this does not mean that we should all strive to be 'artists':

"But it does mean that we should consciously do something about it. There should be a practical result of the realization that we have been created in the image of the Creator of beauty ... the fact that you are a Christian should show in some practical area of a growing creativity and sensitivity to beauty, rather than in a gradual drying up of creativity."

She continues by writing that, "it may be helpful to consider some of the possibilities all of us have for living artistically, but which are often ignored." This is what she calls 'Hidden Art'; the development of our talents (whatever they are) and their use in a way which will enrich other people's lives. By doing so, we express the fact of being creative creatures made in the image of our Creator God.

God’s image in us means that all people are creative in some way. A creator God has created creative people! Therefore, whether we’re writing, cooking, painting, composing, acting or taking photographs we can all use our creativity to learn from God and express our worship to him. As the saying goes, ‘The artist is not a special kind of person, every person is a special kind of artist.’

Intercessions

Creator God, we remember and give thanks for those who pour their souls into music loud and soft, those who put pigment to surface, carve wood and stone and marble, who work base metals into beauty, those building upwards from the earth toward heaven, those who put thought to paper by computer and by pen; the poets who delve, the playwrights who analyze and proclaim, the dreamers-up of narrative, all those who work with the light and shadows of film, actors moved by Spirit and dancers moving through space. Lord, remember your artists. Have mercy upon them and remember with compassion all those that reflect the good, the ill, the strengths and the weaknesses of the human spirit.

Creative God, fill us with your Spirit that we might use your creativity in our lives and work.

Teach us, Lord, to use wisely the time which You have given us and to work well without wasting a second. Teach us to profit from our past mistakes without falling into a gnawing doubt. Teach us to anticipate our projects without worry and to imagine the work without despair if it should turn out differently. Teach us to unite haste and slowness, serenity and ardour, zeal and peace. Help us at the beginning of the work when we are weakest. Help us in the middle of the work when our attention must be sustained. In all the work of our hands, bestow Your Grace so that it can speak to others and our mistakes can speak to us alone. Keep us in the hope of perfection, without which we would lose heart, yet keep us from achieving perfection, for surely we would be lost in arrogance. Let me never forget that all knowledge is in vain unless there is work. And all work is empty unless there is love. And all love is hollow unless it binds us both to others and to You.

Creative God, fill us with your Spirit that we might use your creativity in our lives and work.

God, we are truly bearers of the light from above, within and around us. Help us to be bearers of that light to others who seek a vision of the goodness and beauty of Your Creation. We ask that you help us and our creative work to be witnesses to your love, your kindness, and your care for us. Continue to inspire us with the gift of your imagination.

Creative God, fill us with your Spirit that we might use your creativity in our lives and work.

The Blessing

Bless all who create in your image, O God of creation. Pour your Spirit upon them that their hearts may sing and their works be fulfilling, and the blessing of God almighty, the Father, the Son, and the Holy Spirit, be among you and remain with you always. Amen.

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Arcade Fire - Ready To Start.

Saturday, 30 August 2014

Thurrock Art Trail


Tim Harrold is lead facilitator of this year's Thurrock Art Trail (ThAT). He writes that he's involved because he is an artist and because he believes that 'art can be helpful in transforming a community and building community at a social level.' He quotes J. John: 'Creativity has been built into every one of us: it is part of our design. Each of us lives less of the life God intended for us when we choose not to live out the creative gifts God gave us.' Tim says, 'We are all creations of the Creator, created in His image, to be creative! Remember, the first person in the Bible to be described as having been filled by the Holy Spirit was an artist - Bezalel, who worked on the Tabernacle.'

ThAT takes place from 6 to 21 September 2014. Four local churches are involved:
Tim notes that there are a whole host of Christians involved, obviously in the aforementioned venues, but also in others. These include:
He says, that there are no doubt many others that he doesn't know about!.

At the Showcase event on the evening of Friday 19 September, among those performing are former worship leader at Grays Baptists, Gareth Marsh (aka Sensation Smith, band) and former Stanford Boiler Roomer Steve Lawton (contemporary spoke word). There is also a comedian and a local choir, Funky Voices, appearing. To book, go to https://www.eventbrite.co.uk/e/the-backstage-centre -autumn-showcase-tickets-12014582941

The eye in the ThAT logo represents observation, imagination and creation.

The full list of ThAT's venues, dates and times...

1. Well House Gallery

Saturday 6 to Sunday 21 Sept.
High Road
Horndon on the Hill
SS17 8LF
Monday to Friday 10am-4pm (closed 12-1pm)
Saturday 10am-5pm (closed 12-1pm)
Sunday 3-6pm
http://www.wellhousegallery.co.uk

2. Studio 19

Barry Andrews with Paul Harrison
Saturday 6 to Monday 8
Friday 12 & Saturday 13
Monday 15
Friday 19 to Sunday 21 Sept.
5 Ash Walk
South Ockendon
RM15 6TY
11am-4pm daily
http://www.barryandrews.co.uk/

3. Art & Photography Show

School Arts & photography by Rebecca Street
Saturday 6 to Friday 12 Sept.
Grays Methodist Church
Lodge Lane
Grays
RM17 5PU

4. Expressions of the Soul

The paintings of Christian Squibb, Itan Deterville & Rowena Wright
Saturday 6 to Friday 19 Sept. (except Sunday)
Thameside Complex foyer gallery
Orsett Road
Grays
RM17 5DX

5. Craft Candy Jewellery Show

Saturday 6 & Sunday 7
Tuesday 9 to Saturday 13 Sept.
148 London Road
Grays
RM17 5YD
Saturday 10am-5pm
Sunday 10am-4pm
then 10am-5pm daily
Yarn Bombing will be on display at High House Production Park, Purfleet, from the Monday 8 Sept.

6. Realist Urban Landscapes

Paul Harrison with Barry Andrews
Saturday 6 to Sunday 21 Sept.
19 Mayflower Close
South Ockendon
RM15 6HZ
10am to 6pm daily
Viewing by arrnagement - please see brochure
http://www.facebook.com/PSHFA

7. Swan Song

The Dacha Group at The Swan Gallery
Sunday 7 to Monday 22 Sept.
The Swan
High Road
Horndon on the Hill
SS17 8LD
Pub opening times

8. Art at St Mary’s

Saturday 13 Sept.
St Mary’s Church
High Road
North Stifford
RM16 5UE
10am-4pm

9. Mucking Marvels

Wildlife & Landscape paintings, Multimedia Timeline & Wildlife Photography
Saturday 13 to Sunday 21 Sept.
including Wildlife Photography workshop on 10am-1pm Saturday 20 September - Booking Essential (see brochure)
Essex Wildlife Trust
Thurrock Thameside Nature Park
Cory Environmental Trust Visitor Centre
Mucking Wharf Road
Mucking
Stanford-le-Hope
SS17 0RN
9am to 5pm daily

10. GPC Arts & Crafts

Thursday 18 & Saturday 20 Sept.
Gateway People's Centre
2 High Street
Stanford le Hope
SS17 OEY
10am -2pm both days

11. High House Artists

ENAS Open Studios
Friday 19 to Sunday 21 Sept.
High House Artists’ Studios
off Purfleet Bypass
Purfleet
RM19 1AS
Friday 10am-5pm
Pop-Up Gallery at Backstage Centre 6-7.30pm
+ Open Vision Showcase 7.30pm
Saturday 11am-4pm
Sunday 11am-4pm

12. Purfleet Local Art & Photography

Saturday 20 & Sunday 21 Sept.
St Stephen's Church
London Road
Purfleet
RM19 1QD
Saturday 10am-4pm
Sunday 1-4pm

13. Ron Contemporary Gallery Projects

Saturday 20 & Sunday 21 Sept.
95 Victoria Avenue
Grays
RM16 2RN
11am-6pm

See lots more information on all the above, groups and individual artists onhttp://www.thurrockarts.com.

Tim's collaborative piece with John Espin (see http://timharrold.tumblr.com) called The Doors of Perception, which has been commisioned by ENAS (Essex Network of Artists' Studios), will be on display at an exhibition called Traces at Hadleigh Old Fire Station art studios and gallery (on the A13 giratory section, postcode SS7 2PA) 1-14 September 2014. See also http://essexstudios.org.uk/events-list.

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Shovels & Rope - Gasoline.