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Showing posts with label broomfield artists. Show all posts
Showing posts with label broomfield artists. Show all posts

Monday, 14 July 2025

Rosemary Rutherford: East Window at St Peter's Nevendon






On Sunday I led my first service at St Peter's Nevendon, which has a significant - being her first - stained glass window by Rosemary Rutherford. My sermon from this service on the Good Samaritan can be read here.

The East Window at St Peter’s Nevendon is an important stained glass window by Rosemary Rutherford. It illustrates the Transfiguration with the central figure being Christ flanked by Moses on the left and Elijah on the right. St Peter kneels in the centre with St John to the left and his brother St James to the right.

Rutherford studied art in Chelmsford and at the Slade in London in the 1930s. She also trained in the art of true fresco. She was a VAD (Voluntary Aid Detachment) Red Cross nurse during the second world war and created a large portfolio of sketches and paintings of all she observed in hospitals, both at home and in Sri Lanka.

She learnt stained glass making and created 40 windows, including four in Broomfield church, where her father was Rector, to replace those shattered by bombing. She was deeply religious and her spirituality guided her artworks. Her fresco at Broomfield church shows ‘Christ Stilling the Storm’ and was surely intended to give people hope during the frightening turmoil of wartime.

Rutherford is perhaps most widely known for her stained glass windows, mostly in churches, throughout East Anglia and further afield from Yorkshire to Sussex and even in New Zealand. The exhibition features a montage of many of her windows showing her versatility of style and subject. Her love of bright, bold colours is evident both in the east window of Broomfield church, in her earlier figurative designs and in the more abstract compositions at Boxford and in windows made posthumously to her designs at Hinderclay in Suffolk.

Project Rutherford at St Mary with St Leonard Broomfield centres on the preservation and conservation of Rutherford’s special mural in the Norman round tower, St Mary’s unique 20th century fresco. Its protection within the tower and its promotion has involved replacement of the spire shingles, repair of the spire’s wooden framework, repointing of the round tower, conservation of the fresco itself and outreach to all church users and to the wider community in bringing the fresco, and Rosemary Rutherford, ‘out into the open’.

To bring the life and works of this remarkable but largely forgotten artist to the attention of the wider community, a permanent exhibition was opened in 2023. This exhibition summarises Rosemary’s life and extraordinary artistic achievements. Models reveal how fresco and stained glass are made. Some of her remarkable range of drawings and paintings are shown, including wartime artwork and flower paintings. Her spiritual, caring nature and brilliant artistry shine through.

This permanent exhibition can be viewed during church opening times, currently Tuesdays and Thursdays 10:30 to 12:30 and after Sunday services.

Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. My poem 'Broomfield', part of my 'Five Trios' series, reviews their stories, work, legacy and motivations.

For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see here, here, here, here and here.

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Benjamin Britten - A Boy Was Born.

Saturday, 8 February 2025

St Mary with St Leonard Broomfield: Thomas Huxley-Jones and Gwynneth Holt

Today, I gave a talk at Broomfield Parish Church about Thomas Bayliss Huxley-Jones and Gwynneth Holt, two of the Broomfield artists who, along with Rosemary Rutherford, created artworks for many churches in the area covered by the Diocese of Chelmsford in the twentieth century. 

Some of the works I included in the talk were the following:






















Given the amount of work by the Broomfield artists within the area covered by the Diocese of Chelmsford, I suggested that it might be possible to create an art trail around the Diocese as a way to highlight their contribution to the churches of the Diocese. Such a trail would begin at Broomfield Parish Church with the artworks the, the graves of Rutherford, Huxley-Jones and Holt in the churchyard, and the wonderful Rutherford exhibition, but would then take those following the trail around the Diocese to demonstrate the importance to the churches of the Diocese of these three Broomfield artists.  

Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. My poem 'Broomfield', part of my 'Five Trios' series, reviews their stories, work, legacy and motivations.

For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see here, here, here, here and here.

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Bono, The Edge & Friends - Invisible.

Friday, 7 February 2025

Broomfield artists talk: Thomas Bayliss Huxley-Jones and Gwynneth Holt

 

Tomorrow, I am speaking at Broomfield Parish Church about Thomas Bayliss Huxley-Jones and Gwynneth Holt, two of the Broomfield artists whose work features in many churches within the Diocese of Chelmsford. Both were significant artists whose work would benefit from rediscovery. Find out more at 2.00 pm tomorrow.

This talk is a Project Rutherford talk. Project Rutherford promotes the life and works of the artist Rosemary Rutherford through an exhibition, talks and trails.

https://stmarybroomfield.org/rutherford-project/

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John Taverner - Ikon Of Light.


Saturday, 11 January 2025

Five Trios

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
The poems have been published by Amethyst Review and International Times.

The series draws inspiration from T.S. Eliot's 'Four Quartets' and, in common, with the 'Thin Places and Sacred Spaces' anthology reflects on the experience of feeling the touch of eternity in art, nature, silence, or sacred architecture. The ‘thin place’ is a Celtic term, originally indicating a specific geographical location where the veil between heaven and earth seems exceptionally thin or lifted altogether. Barking, Bradwell, Broomfield, Pleshey and Runwell are all places in the Diocese of Chelmsford where I have had that experience and where heaven and earth, past, present and future seem to be intermingled.

'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. My other posts about St Margaret's Barking can be found here, here, here, and here. See also here and here.

'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. My previous posts about Bradwell and the Othona Community can be found here and here.

Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations. For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see herehereherehere and here.

'Pleshey' celebrates the Diocesan Retreat House at Pleshey in Essex and the legacy of Evelyn Underhill as a retreat director. My posts about Pleshey can be found here and my posts about Evelyn Underhill here. My poem can also be found on the Diocesan Retreat House website here.

'Runwell' takes the reader on a visit to St Mary's Runwell, while also reflecting on the spirituality of the space plus its history and legends. This poem has also been included in the Amethyst Press anthology, 'Thin Places and Sacred Spaces',

I am giving a reading of the five poems accompanied by photographs at St Andrew's Wickford on Friday 31 January at 7.00 pm and am also giving a talk at St Mary with St Leonard Broomfield about two of the Broomfield artists on Saturday 8 February at 2.00 pm.



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