Seen and Unseen: Critics and curators are missing this about contemporary artists

My latest article for Seen and Unseen which is with Jonathan A. Anderson about the themes of his latest book 'The Invisibility of Religion in Contemporary Art':

'I think this kind of dialogue has everything to do with cultivating mutual care and love of neighbour. The art world is a series of loosely connected communities full of people who are your and my neighbours. I happen to really care about these communities who make, exhibit, and talk about art, despite their problems. And the same might be said about various religious communities, who have their own problems and who often have more complicated interrelations with those art communities than is generally recognized. Wherever you’re coming from—the arts, the church, or otherwise—I’m interested in expanding dialogue oriented toward loving one’s neighbours, or even one’s enemies if that’s how it must be. At the most basic level, that means listening in a way that tries to discern others’ animating cares and concerns.'

For more on the Jonathan A. Anderson see here (my Artlyst interview with him) and here (my review of 'The Invisibility of Religion in Contemporary Art').

My first article for Seen and Unseen was 'Life is more important than art' which reviews the themes of recent art exhibitions that tackle life’s big questions and the roles creators take.

My second article 'Corinne Bailey Rae’s energised and anguished creative journey' explores inspirations in Detroit, Leeds and Ethiopia for Corinne Bailey Rae’s latest album, Black Rainbows, which is an atlas of capacious faith.

My third article was an interview with musician and priest Rev Simpkins in which we discussed how music is an expression of humanity and his faith.

My fourth article was a guide to the Christmas season’s art, past and present. Traditionally at this time of year “great art comes tumbling through your letterbox” so, in this article, I explore the historic and contemporary art of Christmas.

My fifth article was 'Finding the human amid the wreckage of migration'. In this article I interviewed Shezad Dawood about his multimedia Leviathan exhibition at Salisbury Cathedral where personal objects recovered from ocean depths tell a story of modern and ancient migrations.

My sixth article was 'The visionary artists finding heaven down here' in which I explored a tradition of visionary artists whose works shed light on the material and spiritual worlds.

My seventh article was 'How the incomer’s eye sees identity' in which I explain how curating an exhibition for Ben Uri Online gave me the chance to highlight synergies between ancient texts and current issues.

My eighth article was 'Infernal rebellion and the questions it asks' in which I interview the author Nicholas Papadopulos about his book The Infernal Word: Notes from a Rebel Angel.

My ninth article was 'A day, night and dawn with Nick Cave’s lyrics' in which I review Adam Steiner’s Darker With The Dawn — Nick Cave’s Songs Of Love And Death and explore whether Steiner's rappel into Cave’s art helps us understand its purpose.

My 10th article was 'Theresa Lola's poetical hope' about the death-haunted yet lyrical, joyful and moving poet for a new generation.

My 11th article was 'How to look at our world: Aaron Rosen interview', exploring themes from Rosen's book 'What Would Jesus See: Ways of Looking at a Disorienting World'.

My 12th article was 'Blake, imagination and the insight of God', exploring a new exhibition - 'William Blake's Universe at the Fitzwilliam Museum - which focuses on seekers of spiritual regeneration and national revival.

My 13th article 'Matthew Krishanu: painting childhood' was an interview with Matthew Krishanu on his exhibition 'The Bough Breaks' at Camden Art Centre.

My 14th article was entitled 'Art makes life worth living' and explored why society, and churches, need the Arts.

My 15th article was entitled 'The collective effervescence of sport's congregation' and explored some of the ways in which sport and religion have been intimately entwined throughout history

My 16th article was entitled 'Paradise cottage: Milton reimagin’d' and reviewed the ways in which artist Richard Kenton Webb is conversing with the blind poet in his former home (Milton's Cottage, Chalfont St Giles).

My 17th article was entitled 'Controversial art: how can the critic love their neighbour?'. It makes suggestions of what to do when confronted with contentious culture.

My 18th article was an interview entitled 'Art, AI and apocalypse: Michael Takeo Magruder addresses our fears and questions'. In the interview the digital artist talks about the possibilities and challenges of artificial intelligence.

My 19th article was entitled 'Dark, sweet and subtle: recovered music orientates us'. In the article I highlight alt-folk music seeking inspiration from forgotten hymns.

My 20th article was entitled 'Revisiting Amazing Grace inspires new songs'. In the article I highlight folk musicians capturing both the barbaric and the beautiful in the hymn Amazing Grace and Christianity's entanglement with the transatlantic slave trade more generally.

My 21st article was entitled 'James MacMillan’s music of tranquility and discord'. In the article I noted that the composer’s music contends both the secular and sacred.

My 22nd article was a book review on Nobody's Empire by Stuart Murdoch. 'Nobody's Empire: A Novel is the fictionalised account of how ... Murdoch, lead singer of indie band Belle and Sebastian, transfigured his experience of Myalgic encephalomyelitis/chronic fatigue syndrome (ME) through faith and music.'

My 23rd article was entitled 'Rock ‘n’ roll’s long dance with religion'. The article explores how popular music conjures sacred space.

My 24th article was an interview with Alastair Gordon on the artist’s attention which explores why the overlooked and everyday capture the creative gaze.

My 25th article was about Stanley Spencer’s seen and unseen world and the artist’s child-like sense of wonder as he saw heaven everywhere.

My 26th article was entitled 'The biblical undercurrent that the Bob Dylan biopics missed' and in it I argue that the best of Dylan’s work is a contemporary Pilgrim, Dante or Rimbaud on a compassionate journey.

My 27th article was entitled 'Heading Home: a pilgrimage that breaks out beauty along the way' and focuses on a film called 'Heading Home' which explores how we can learn a new language together as we travel.

My 28th article was entitled 'Annie Caldwell: “My family is my band”' and showcased a force of nature voice that comes from the soul.

My 29th article was entitled 'Why sculpt the face of Christ?' and explored how, in Nic Fiddian Green’s work, we feel pain, strength, fear and wisdom.

My 30th article was entitled 'How Mumford and friends explore life's instability' and explored how Mumford and Sons, together with similar bands, commune on fallibility, fear, grace, and love.

My 31st article was entitled 'The late Pope Francis was right – Antoni Gaudi truly was God’s architect' and explored how sanctity can indeed be found amongst scaffolding, as Gaudi’s Barcelona beauties amply demonstrate.

My 32nd article was entitled 'This gallery refresh adds drama to the story of art' and explored how rehanging the Sainsbury Wing at the National Gallery revives the emotion of great art

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The Ocean Blue - Therein Lies The Problem With My Life.

Start:Stop - Rising from the ruins of exile

Bible reading

These are the words of the letter that the prophet Jeremiah sent from Jerusalem to the remaining elders among the exiles, and to the priests, the prophets, and all the people, whom Nebuchadnezzar had taken into exile from Jerusalem to Babylon … It said: Thus says the Lord of hosts, the God of Israel, to all the exiles whom I have sent into exile from Jerusalem to Babylon: Build houses and live in them; plant gardens and eat what they produce. Take wives and have sons and daughters; take wives for your sons, and give your daughters in marriage, that they may bear sons and daughters; multiply there, and do not decrease. But seek the welfare of the city where I have sent you into exile, and pray to the Lord on its behalf, for in its welfare you will find your welfare. (Jeremiah 29. 1 – 7)

Meditation

The Israelite Exile had several phases. In 721 BC the Assyrians conquered the Northern Israelite kingdom. Assyrian policy was to stamp out national identities by mixing up populations. Therefore the 10 tribes of that Kingdom disappeared. The Southern kingdom, Judah, was not conquered until 597. By this time the dominant power was Babylon, whose policy was deportation. So, when Jerusalem was captured, the leading citizens were taken to Babylon. Then, in 587, Jerusalem and the temple were destroyed and all but the poorest were taken.

Walter Brueggemann writes that “Jerusalem was burned and its temple destroyed, the king was exiled, the leading citizens were deported and public life ended. For ancient Israel, it was the end of privilege, certitude, domination, viable public institutions and a sustaining social fabric. It was the end of life with God, which Israel had taken for granted. In that wrenching time, ancient Israel faced the temptation of denial—the pretence that there had been no loss—and it faced the temptation of despair—the inability to see any way out.” This was a crisis of faith, not simply defeat in war and separation from homeland, but the loss of every reference point that explained who they were as a people and the failure of their God to protect them. They had believed they were a people chosen out of all the nations to be in a special relationship with the one true God who created, sustained and controlled the cosmos. This testimony developed as God made covenants about their land, city, and kings. All were lost and this normative testimony was fundamentally threatened.

The Exile was a crisis to which the Israelites responded initially with grief and anger, but, as the Exile continued, they reacted, or were asked by God to react, in terms of reflection and reinterpretation. David Sceats has noted that “all the evidence points to the fact that the Old Testament came into existence in substantially its present form in and immediately after this period of defeat, exile and religious disintegration.” The purpose of both collating and organising older material, and of writing new material, was reflection. Those who put together the Old Testament in this way were reflecting on Israel’s past to “remind the nation of its identity, to help it understand its place in God’s purposes, and its responsibility as the covenant people, and, above all, to remember the universal claims of Yahweh, and his authority over all nations, including Babylon.” Sceats argues that the act of reflection undertaken by the Israelites was also about reinterpretation. God was, through the exile, revealing himself in a new way and therefore, in organising the religious literature of Israel, it was also necessary to reinterpret that literature “in such a way as to make religious sense of the crisis of faith it had gone through.”

As Western Christians in the twenty-first century, we have faced a crisis of exilic proportions. An increasing process of secularization has occurred within the West with Christianity being dethroned from the dominant position that it held at the end of the Medieval period. From the Reformation through the Enlightenment to Modernism, Christendom came under increasing threat and has now been gradually dismantled. Enlightenment thinking questioned the historical validity of central Christian doctrines, developed alternative ‘scientifically verifiable’ means of explaining the origins of species, positioned Government as the central means of meeting social/welfare needs, and created a consumer culture of aspiration and progress. The result is that for many in the West “God is dead”, “Man has come of age” and Christianity is dead in the water.

The theologians of the exile can help us in hearing and responding to the call of God in our day and time. Their pattern of reflection and re-interpretation based on the tradition gives a biblical means of reviving our roots and re-claiming our disputed lineage. We need to dream up what Church is and can be for future generations all over again. We should not expect to have all the answers to hand but should engage in a re-examination of our roots in order to imagine our future on a scale that is at least equal to that of the theologians of the exile. Our God is a God of new beginnings, of fresh starts. He is the resurrection God and, therefore, the one who gives hope that we can rise from the ruins.

Prayer

God of all times and all places, as we gather this day, we are mindful of the many who are in exile, living in temporary shelters as a result of war, poverty or extremes of weather. We pray for those who have been in exile for long years, those who are trying to make a life and care for their children, planting gardens and seeds of hope and survival in refugee camps with scarce resources. For all those without the comfort and safety of home, we pray rest and respite, courage and comfort. For all who are afraid and wonder if their exile will ever end, grant the peace that passes understanding. May we recount your promises, your provisions, your power and encourage hope in those longing for healing and home.

Thank you for seeing us, claiming us, healing us, making your home in us, so that no matter where we are, we are never alone. Thank you for the people on the journey with us, the ones who’ve opened their homes to us, those who have called us family, friends who have loved us, strangers who have cared for us, all who have been the hands and feet of Christ to us. Thank you for those who right this very moment are feeding the hungry, healing the sick, tending the dying, and in countless ways serving for the sake of others. May we recount your promises, your provisions, your power and encourage hope in those longing for healing and home.

(https://pres-outlook.org/2016/10/pastoral-prayer-storm-exile-hurricane-matthew/)

O God, the Creator and Preserver of all humankind: we humbly pray that it may please you to reveal your ways to all people and your saving power to all nations. In particular we pray for your church that it may be guided and governed by your Spirit in such a way that all who profess and call themselves Christians may be led into the way of truth and hold the faith in unity of spirit, in the bond of peace, and in righteousness of life. May we recount your promises, your provisions, your power and encourage hope in those longing for healing and home.

(http://www.churchsociety.org/publications/englishprayerbook/EPB_Prayers.asp)

The Blessing

May Christ, who makes saints of sinners, who has transformed those we remember today, raise and strengthen you that you may transform the world; and the blessing of God almighty, the Father, the Son, and the Holy Spirit, be among you and remain with you always. Amen.

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The Brilliance - Brother.