Wikio - Top Blogs - Religion and belief

Tuesday 28 November 2023

When Jesus Met Hippies


Many books have been written on the Jesus People movement in the US, but what about its impact in the UK? 'When Jesus Met Hippies' by Andrew Whitman explores how this counter-cultural movement of Christians found its own expression in the UK, reshaping the lives of individuals along with the life and mission of the new and existing churches across the nation.

By discovering the interaction between different characters and groups from across the Atlantic, experience an immersive retelling of the successes and failures that led to an enduring legacy. How did this new breed of Christians radically live out their faith and evangelise the youth of the UK in the 1960s and '70s? And how might it inspire fresh revival in the different yet equally chaotic era we live in today?

The book explores:

  • the context of revival in the USA from the 1967 “Summer of Love” onwards
  • the back-drop culture of the UK in the so-called “swinging sixties”/“permissive society”
  • my own story and how Jesus broke into my life in his grace and truth
  • prominent groups like the Jesus Family (“Lonesome Stone”), Jesus Army and Jesus Liberation Front
  • emergent Contemporary Christian Music (CCM) and its impact on us in the UK, especially early worship-leaders
  • the link between the Jesus People and the burgeoning charismatic movement
  • events across the UK like the Nationwide Festival Of Light, Spree ’73, Come Together.
  • whether there was actually a full-blown revival here in the UK or not
  • musicians like troubadour Larry Norman and the long-lasting Greenbelt Festival
  • new churches like Chuck Smith’s Calvary Chapel and John Wimber’s Vineyard Fellowship (including Lonnie Frisbee and Alpha), and Bill Johnson’s Bethel
  • cult groups that surfaced, like the flirty-fishing Children Of God with their ‘Mo Letters’
  • ministries that reached out to druggies, bikers, hippies, that came out of, or were parallel to, the Jesus People
  • the cross-carrying Baptist preacher Arthur Blessitt preaching the length and breadth of the UK
  • whether there is evidence of another Jesus People Movement in the USA today or not
Whitman was born in 1953. University introduced him to a hippy lifestyle, but in 1971, his siblings embraced Christianity. Drawn to a Christian rock musical in 1973, he found faith for himself. After a transformative encounter with Jesus, he immersed himself in the Bible and fellowship. His journey led to involvement in Campus Crusade for Christ, forming a Christian rock band, and ultimately, lifelong ministry.

See also my posts on The Jesus Rock Revolution and the Jesus MovementGospel music: influence and imitationLooking down the wrong end of a telescopeRock gets Religion and Larry Norman.

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Out Of Darkness - On Solid Rock.

Sunday 26 November 2023

Catherine of Alexandria: A persecuted Patron Saint

Here's the reflection I shared at St Catherine's Wickford in their Patronal Festival Evensong:

Our readings today (Daniel 12 and Revelation 13.11-18) describe times of anguish in which many are deceived and oppressed but where those who are wise shall shine like the brightness of the sky, and those who lead many to righteousness, like the stars for ever and ever.

More than 5,600 Christians were killed for their faith last year. More than 2,100 churches were attacked or closed. More than 124,000 Christians were forcibly displaced from their homes because of their faith, and almost 15,000 became refugees. Sub-Saharan Africa—the epicentre of global Christianity—is now also the epicentre of violence against Christians, as Islamist extremism has spread well beyond Nigeria. And North Korea is back at No. 1 of the top 50 countries where it is most dangerous and difficult to be a Christian, according to the 2023 World Watch List, the latest annual accounting from Open Doors. Overall, 360 million Christians live in nations with high levels of persecution or discrimination. That’s 1 in 7 Christians worldwide, including 1 in 5 believers in Africa, 2 in 5 in Asia, and 1 in 15 in Latin America.

Tradition has it that Catherine of Alexandria was a girl of a noble family who, because of her Christian faith, refused marriage with the emperor as she was already a 'bride of Christ'. She is said to have disputed with fifty philosophers whose job it was to convince her of her error, and she proved superior in argument to them all. She was then tortured by being splayed on a wheel and finally beheaded. The firework known as the Catherine Wheel took its name from her wheel of martyrdom.

The Greek word "martus" signifies a "witness". It is in this sense that the term first appears in Christian literature; the Apostles were "witnesses" of all that they had observed in the public life of Christ. The Apostles, from the beginning, faced grave dangers, until eventually almost all suffered death for their convictions. Thus, within the lifetime of the Apostles, the term martus came to be used in the sense of a witness who at any time might be called upon to deny what he testified to, under penalty of death. From this stage the transition was easy to the ordinary meaning of the term, as used ever since in Christian literature: a martyr, or witness of Christ, as a person who suffers death rather than deny his faith. Catherine of Alexandria was one such.

Paula Fredriksen writes that “The martyrs are a heroic minority. They don't represent a huge popular swelling. We don't have tens of thousands of people being martyred. What we do have, is tens of thousands of people admiring the few who are martyred. So in that sense, the martyr stories have an incredible effect on the imagination of Christians.”

Elizabeth Clark thinks: “the martyrdom stories that got circulated were very important for the development of early Christianity. Several of the martyrdoms … say that there were pagans present … who were so impressed by the... courage of the Christians that they came to see the truth of the Christian religion themselves and immediately converted to Christianity.... Probably, for the most part, though, these martyrdom accounts were written for other Christians to try to bolster the Christians' faith at a time of persecution. To keep up your courage in case this happened to you as well.”

After three decades of their research, Open Doors, who prepared the statistics I shared at the beginning of this sermon, has learned that such needed resilience is found by being “anchored in the Word of God and in prayer.” Also, by being “courageous,” as the persecuted church is most often “active in spreading the gospel” and “vital and growing against the odds.”

As we have reflected, there continue to be Christians who experience persecution or martyrdom today and we must pray for and support our brothers and sisters in the persecuted Church, remembering those many, many places where persecution is real and Christians are being killed regularly and mercilessly or imprisoned and harassed for their resistance to injustice.

While it is, probably, unlikely that we will share with them in that experience, even so, we can still share with them in the other meaning of martus; that of being a witness who gives testimony. We are called, with the Apostles, Saints and Martyrs, to be those who tell our stories of encountering Jesus to others. To do this, we don’t have to understand or be able to explain the key doctrines of the Christian faith nor do we have to be able to tell people the two ways to live or have memorized the sinner’s prayer or have tracts to hand out in order to be witnesses to Jesus.

All we need to do is to tell our story; to say this is how Jesus made himself real to me and this is the difference that has made. That may even be the very best way to celebrate our Patronal Festival.

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Delirious? - History Maker.

At the heart. On the edge.

Here's the sermon I shared at St Andrew's Wickford today for the Feast of Christ the King:

Like many parents, Christine and I couldn’t bear to get rid of the toys and books that our daughters had enjoyed as children. We stored them in the attic and they moved with us as we moved from our curatage to a vicarage and back to our own home. We then brought them down from the attic for our eldest grandson. The book that Joshua loved most from our collection is called ‘Puzzle Mountain’, a book which, like the better known ‘Where’s Wally?’, has characters and objects to find on each of its busy pages. The story is about a journey to the top of Puzzle Mountain to protect a rare flower but the story is only a part of the book’s interest. What Joshua particularly loved was to find the hidden characters on each page. In other words, he loved answering the question of where those characters were at each stage of the story.

The parable of the sheep and the goats (Matthew 25.31-46) asks us to reflect on the question of where Jesus is in this story. The story begins with Jesus at the centre in the position of power, authority, majesty and judgement. It is the end of time with the Son of Man coming in all his glory to sit on the throne of his glory and separate all the people of all the nations, one from another. It’s a centralised image with power and judgement centred in and dispensed by one person. As such, it’s a traditional image of monarchical, political, judicial or hierarchical power.

Yet, although this is where the story begins, it is not where the centre of the story actually resides. There is a redefining of the centre and the margins, the heart and the edge, that is the challenge which is at the heart of this parable. The judgement made within the story is one made on the basis of the extent to which people have been with those on the edge; those who are hungry, thirsty, strangers, naked, sick or imprisoned. This is about compassion – bringing food and water, welcoming, clothing, caring and visiting – but is not simply about gestures of humility and service towards others. The deeper insight of this parable is that we encounter Jesus in those on the edge. Those on the edge can be Christ to us and we need to be on the margins ourselves because that is where Christ is to be found most fully.

This story is, therefore, a retelling of the story of incarnation; of Christ giving up equality with God to become a human being who suffers and dies for the sake of all. It is also a retelling of the story that the Bible, as a whole, tells. The Old Testament has a core narrative which associates God with the powers that structure, order and rule society; a story with Judges and Kings that for many today is viewed as patriarchal and oppressive; meaning it is unlike the kingdom that Jesus later revealed. However, the core narrative in scripture is subverted by a counter narrative in which God hears the voices of those who are victims and is found with the oppressed in order that they can journey from oppression to freedom. These two narratives may actually be two different ways to interpret the story told in the Old Testament. The question as to which is the correct reading remains open until Jesus comes to be the fullest revelation of the nature of God that can be seen in human form. These narratives, therefore, culminate in the story of the incarnation in which God becomes the ultimate scapegoat sent out from the centre into the margins carrying the sins of all for the sake of all.

This parable, the incarnation and the salvation history found in the Bible all ask the question of where is God to be found. They turn our expectations upside down by saying that God is seen most clearly among those on the edge. This is how we are trying to understand our mission and ministry in Wickford and Runwell and is what we share more widely through the HeartEdge network. We seek to celebrate, enjoy, and embody God being with us – the heart of it all. This is not a narcissistic notion that we are the heart, but a conviction that God is the heart and we want to be with God. The word ‘heart’ refers to feeling, humanity, passion, emotion. It means the arts, the creativity and joy that move us beyond ourselves to a plane of hope, longing, and glory. It also means not standing on the sidelines telling the government what to do, but getting into the action, where honest mistakes are made but genuine good comes about, where new partners are found and social ideas take shape.

The edge speaks of the conviction that God’s heart is on the edge of human society, with those who have been excluded or rejected or ignored. God is most evidently encountered among those in the margins and on the edge. We aren’t about bringing those on the imagined ‘edge’ into the exalted ‘middle’; it’s about saying we want to be where God is, and God’s on the edge, so we want to be there too.

This parable, the incarnation and the salvation history found in the Bible take us further still as they turn our traditional understandings of heart and edge upside down and reveal that it is from the edge that the centre or heart is renewed. Our traditional expectations in society and, often, within the Church are that leadership, power and direction all come from the centre - the heart - of a society or nation or organisation or church. Our expectation has been that those on the edge need to be drawn into an exalted centre where they will also in time be exalted.

That is the basis for much charitable endeavour, particularly the charitable endeavours of the wealthy or powerful. It is also the basis of the flawed trickle-down theory of economics which argues that centralised wealth eventually trickles down to empower those who are poorest and furthest from the centres of wealth or power. Whether we think in terms of charity, economics, education or evangelism, these are instrumental approaches in which those at the centre possess what those at the edge need and benignly bestow their largesse on others, always in limited measure. They are approaches based on patronage rather than empowerment.

These stories turn that kind of thinking on its head. The defining characteristic in these stories is that of being on the edge with those who are hungry, thirsty, naked or imprisoned. God is seen in those on the edge therefore the edge is now where the heart of God is fully revealed. The edge is where God is fully seen and can be encountered meaning that the edge is now the place from which renewal can come.

Left to their own devices those at the heart with power and influence accumulate more power and influence centrally. To fully reflect Christ's characteristics of service and sacrifice we need to understand that the edge and the heart have to become one. It is only as power and influence is devolved from the centre to the margins that society reflects the rule of Christ by reflecting the characteristics of Christ in letting go of power and serving others.

Christ divested himself of power, influence, authority and prestige when choosing to be born as a human being in relative poverty and obscurity in Bethlehem. Christ moved into our neighbourhood bringing the human and divine together, bringing the heart to the edge, and thereby renewing the Godhead by bringing our humanity into the heart of the Trinity, so that we become one.

As a result, those who are at the centre – however defined - are called to divest themselves of power in order to be with those on the edge. So, like Joshua looking for the hidden characters in ‘Puzzle Mountain’, we need to be those who ask where Christ is in our world. This parable pictures Christ as being in the centre and on the edge but the parable is clear that being on the edge is what defines Christ and should also define us, as his followers. 

This parable, similarly, challenges us to go to the margins and to live on the edge if we are truly to find Christ and be found with Christ in the renewal of church, society and God that he promises and towards which he leads us. That means we do something that Joshua and I can’t do with ‘Puzzle Mountain’, which is to enter the story ourselves. This parable is a story we can enter, making the question posed in the parable not just where is Christ, but also where are we. When we see Jesus on the throne of judgement, that is the only one question he will have for us: “Where have you been?

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Ralph McTell - Streets Of London.

Friday 24 November 2023

Windows on the world (453)


 Canary Wharf, 2021

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Bruce Springsteen - The Power Of Prayer.

Advent & Christmas Services & Activities












Christmas Bazaar
Saturday 25 November
10.00 am – 1.00 pm, St Andrew’s Church
11 London Road, Wickford SS12 0AN
(for the Wickford & Runwell Team Ministry – St Andrew’s, St Catherine’s & St Mary’s)

• School Choirs performing
• Guess the weight of the cake
• Tombola & Bottle Tombola
• Christmas Gifts & Crafts
• How many sweets?
• Cakes & Produce
• Name the Teddy
• Children’s Lucky Dip
• Meet Santa
• Refreshments
& Grand Christmas Draw

Mission to Seafarers talk & Sea Shanty singing
Friday 1 December 2023, 7.00 pm
St Andrew’s Church, 11 London Road, Wickford SS12 0AN


Hear Rev Paul Trathen, Port Development Manager for Mission to Seafarers, speak about the work of the charity around the world and hear Sea Shanties sung by local group The Crayhillbillies. Part of ‘Unveiled’, the fortnightly Friday night arts and performance event at St Andrew’s Church.

Advent Coffee Morning
Saturday 2 December, 9.00 am - 12 noon
St Catherine’s Church Hall 

Homemade cakes, Tombola, Bric-a-Brac, Raffle, Refreshments etc.

Advent Services
  • Mondays in Advent: Advent Night Prayer with Reflection, 8pm in St Catherine’s (4, 11, 18 December)
  • Sunday 10th December: Advent Carol Service, 6.30pm in St Catherine’s
  • Wednesday 13th December: Messy Church, 4pm in St Andrew’s
  • Sunday 17th December: Parish Carol Service, 6.30pm in St Andrew’s
  • Friday 22nd December: ‘Blue Christmas’ service, 6.30pm in St Mary’s for those who are grieving and for whom a Happy Christmas will be difficult
A Service of Lessons and Carols
Tuesday 5 December, 6.30 pm
St Catherine's Church

Beauchamps High School
Invites you to
A Service of lessons
and Carols
Everyone Welcome
Free Entry
Tuesday 5th December 2023
St. Catherines Church,
Southend Road, Wickford

Take Note in concert
Saturday 9 December, 3.00 pm
St Andrew’s Church, 11 London Road, Wickford SS12 0AN

Take Note are an all-male a Cappella group of up to 12 singers formed in 2015. They sing many genres of music across many eras in four-part harmony. Their wide-ranging repertoire includes traditional male voice choir numbers, popular songs from the 50s and 60s sung in close harmony doo wop style, comedy items and other a Cappella arrangements that they think will appeal to their audiences. This concert is a fundraiser for St Andrew’s Church. No tickets required. Donations requested on the day.

Messy Nativity
Wednesday13 December, 4 p.m. for 2 hours
St Andrew's Church, 11 London Road Wickford, SS2 0AN

​Messy Church is a way of being church for families and others. It is Christ-centred, for all ages, based on creativity, hospitality and celebration.

Film Night: It's a Wonderful Life. 
Friday 15 December 2023, 7.00 pm
St Andrew’s Church, 11 London Road, Wickford SS12 0AN

The story of dejected & desperate George Bailey, who's spent his whole life in the small town of Bedford Falls, but longs to explore the world. Reaching rock bottom, he starts to believe that everyone in his life would be better off if he had never been born. An angel shows him how important a role he's had in the lives of friends & family.

Sunday 24th December, Christmas Eve:
  • Eucharists 9.30am St Mary’s, 10am St Andrew’s, 11am St Catherine’s
  • Christingle Service 2pm, 3pm, 4pm in St Catherine’s
  • Crib Service 2pm and 3.30pm in St Mary’s
  • Crib Service 5pm in St Andrew’s
  • Midnight Mass 11.30pm in St Andrew’s, St Catherine’s and St Mary’s
Monday 25th December, Christmas Day:
  • Eucharist 9.30am in St Mary’s
  • Eucharist, 10am in St Andrew’s
  • Eucharist, 10.30am in St Catherine’s
Sunday 31st December:

  • Joint Eucharist, 10.30am in St Mary’s 
  • Songs of Praise, 6.30pm in St Catherine’s
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Monday 20 November 2023

Resources for Advent

'Come, Lord Jesus, Come' is an Advent devotional (booklet & slideshow) by Victoria Emily Jones based on an Advent meditation written by myself. Each line of the meditation focuses on one aspect of Christ’s coming. To promote deeper reflection on all these aspects, Victoria has selected twenty-four art images to lead the way in stoking our imaginations and to provide entry points into prayer. She has taken special care to present art from around the world and, where possible, by modern or contemporary artists so that we will be stretched beyond the familiar imagery of the season.

Victoria writes: 'Art is a great way to open yourself up to the mysteries of God, to sit in the pocket of them as you gaze and ponder. “Blessed are your eyes because they see,” Jesus said. Theologians in their own right, artists are committed to helping us see what was and what is and what could be. Here I’ve taken special care to select images by artists from around the world, not just the West, and ones that go beyond the familiar fare. You’ll see, for example, the Holy Spirit depositing the divine seed into Mary’s womb; Mary with a baby bump, and then with midwives; an outback birth with kangaroos, emus, and lizards in attendance; Jesus as a Filipino slum dweller; and Quaker history married to Isaiah’s vision of the Peaceable Kingdom.'

Through 'Come, Lord Jesus, Come' you are invited to consider what it meant for Jesus to be born of woman—coming as seed and fetus and birthed son; the poverty Jesus shared with children around the world; culturally specific bodies of Christ, like a dancing body and a yogic body; how we are called to bear God into the world today; and more.

Victoria writes: 'Advent takes us back and brings us forward. In preparing us to celebrate Christ’s first coming, it places us alongside the ancient prophets, who awaited with aching intensity the fulfilled promise of a messiah, and Joseph and Mary, whose pregnancy made the expectation all the more palpable; it also strengthens our longing for Christ’s second coming, when he will return to fully and finally establish his kingdom on earth ... May God bless you this Advent season as you ponder the amazing truth of the Incarnation.'

My 'Love is ...' meditation for Advent can be found by clicking here.

Additionally, I have a series of poetic meditations which draw on the thinking of René Girard in interpreting the Bible readings traditionally used in services of Nine Lessons and Carols. This set of Alternative Nine Lessons and Carols meditations can be found by clicking here.

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J. Lind - Generous.

Windows on the world (452)


Cookham, 2023

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Roger Wagner - I Saw The Seraphim.

 

A weekend of music, art, poetry and a Confirmation Service


































On Friday, at St Andrew's Wickford, Suffolk-Essex musician, Rev Simpkins, presented an evening of acoustic music of great imagination and charm, inspired by the history and geography of East Anglia.

The Rev performed songs from his acclaimed folk albums Big Sea and Saltings, before his band Pissabed Prophet, formed with Dingus Khan’s Ben Brown and Nick Daldry, took to the stage to play their first ever acoustic set.

The Rev’s sweeping melodies, rich harmonies, and fascinating lyrics have won him both a cult following and national acclaim. This was a rare chance to experience the breadth of the Rev’s work in one evening.

Read my interview for Seen&Unseen with Rev Simpkins (in which we discuss how music is an expression of humanity and his faith) and my review of Pissabed Prophet for International Times.

Yesterday, I attended Everywhere is Heaven: Malcolm Guite, Christopher Southgate, Roger Wagner, a poetry reading to open Everywhere is Heaven: Stanley Spencer/Roger Wagner, an exhibition at the Stanley Spencer Gallery in Cookham. The poetry reading took place in Holy Trinity Cookham, the setting of Spencer's Cookham Resurrection.

The exhibition is the Gallery’s first collaboration with a living artist. Roger Wagner has been deeply inspired by Stanley Spencer’s paintings, and both artists have been described as ‘visionary geniuses’, each seeking to evoke the mystical in everyday experience. Just as Spencer found Cookham to be ‘heaven on earth’, so Roger evokes biblical happenings in contemporary settings.

Born in 1957, Roger Wagner read English at Oxford University before studying at the Royal Academy School of Art. He has been represented in London since 1985 by Anthony Mould Ltd exhibiting there many times. Other one man shows include retrospectives at the Ashmolean Museum in 1994 and 2010. He has produced several books of illustrated poems and translations: Fire Sonnets (1984), In a Strange Land (1988), A Silent Voice (1997), Out of the Whirlwind (1997). The Book of Praises – a translation of the psalms Book One(1994), Book Two (2008), Book Three (2013).

Malcolm Guite is the former Chaplain of Girton College, Cambridge and author of various books on contemporary spirituality. In addition to this he is a poet and singer-songwriter and fronts the Cambridge-based band Mystery Train. In 2023 he was awarded the Lanfranc Award for Education and Scholarship, for his outstanding multifaceted promotion of the Gospels through poetry, public speaking and scholarship.

Christopher Southgate works at the University of Exeter as a Professor in Theology. He has been publishing his poetry since 1985. He is the author of nine collections of poetry, including a verse biography of T.S. Eliot – A Love and its Sounding (Salzburg, 1997). He has won a number of awards for poetry. He was also commended in the 2009 National Poetry Competition, and shortlisted for the 2022 Bridport Prize.

Today, we have had a Basildon Deanery Confirmation Service at St Gabriel's Pitsea led by The Rt Revd Adam Atkinson, the new Bishop of Bradwell who spoke about encouraging one another as we go forward on our faith journeys. There were 18 candidates from three parishes, including two from Wickford and Runwell.

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Pissabed Prophet - Waspdrunk.

Sunday 19 November 2023

Resources and responsibilities

Here's the sermon that I shared at St Nicholas Laindon this morning: 

How do we respond when the boss is away? That was the scenario for several of the parables that Jesus told, including one of the best known; the Parable of the Talents (Matthew 25. 14 - 30). In this story responsibilities are delegated to three workers, two of whom shoulder their responsibilities and develop the business so that it grows. The third, however, is so paralysed by the responsibility and the possibility of failure that he does nothing with the responsibilities that have been entrusted to him and consequently there is no development and no growth. When the boss returns the first two are rewarded and the third is sacked.

Jesus told this and other parables where the boss is absent, in order to prepare his disciples for his death, resurrection and ascension. He was the one who was going to leave and when he left them, at the point of his Ascension, he was entrusting them with the responsibility of continuing his mission and ministry in his physical absence. It has to be said that this was and is an awesome responsibility and we can readily understand why the third worker was paralysed by fear at the prospect. However, it also shows the value that Jesus saw in his disciples and sees in us. It is amazing but true that God believes in us enough to entrust us with working towards the coming of his kingdom, on earth as in heaven.

Like the third worker in the Parable of the Talents we often shy away from responsibility, although we don’t actually have that choice. Peter Rollins reminds us that ‘the famous philosopher Jean-Paul Sartre once wrote that we are “condemned to freedom”.’ For Sartre, he says, ‘this meant that we are responsible beings. However we are not merely responsible for the decisions we make ... we are also responsible for the decisions we postpone or fail to act on.’

‘This means that we are not only responsible for what we do, but also for what we don’t do. Like a poker player in the middle of a tournament, even doing nothing is an act that will help decide the direction of the game. In this way we are constantly wagering on our existence. Every move, and every failure to move, closes down an infinite range of possible worlds while opening up an entirely new range.’

The choice for Sartre ‘was not between taking responsibility or not, but rather between acknowledging our inherent responsibility or attempting to deny it.’ ‘Instead of the impotent and impossible attempt to flee our freedom Sartre encouraged us to face it, embrace it and make resolute decisions in light of it.’

Jesus’ parables make clear to us the reality of responsibility. The one that we think is in charge and responsible is no longer there which makes us aware of our own responsibility. As Rollins and Sartre suggest we always had that responsibility but our tendency is to avoid or deny it. Our responsibility is huge as the parable suggests that we are responsible for using all that we have for the benefit of the world. If the Boss represents God then his property is the world and we, his workers, are placed in charge of his world and given responsibility for its change and development.

How will we respond to the challenge of Jesus’ parables? In the story, the faithful workers are those that accept this responsibility and act on it. The unfaithful worker is the one who does nothing, who does not act. Are we faithful or unfaithful workers? Are our lives dedicated to working for the benefit of others and our world?

It is important to also note that in the parable we have been given the resources needed for this responsibility. In the parable the Boss gave out resources (the ‘talents’) alongside responsibilities. We have the Holy Spirit which came at Pentecost to empower Jesus’ disciples.

Do we recognise that each of us has much that we can give; that we are all people with talents and possessions however lacking in confidence and means we may sometimes be? We all have something we can offer, so how can we, through our lives and work, benefit and develop the world for which God has given humanity responsibility? What resources - in terms of abilities, job, income and possessions - has God given to us in order to fulfil our responsibility to benefit and develop the world?

Through his Parables, Jesus challenges us as to whether we will be faithful or unfaithful servants? How will we respond? If we accept the responsibility we have been given, we should then pray for quiet courage to match this hour. We did not choose to be born or to live in such an age; but we ask that its problems challenge us, its discoveries exhilarate us, its injustices anger us, its possibilities inspire us and its vigour renew us for the sake of Christ’s kingdom come, on earth as in his heaven. Amen.





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The Alpha Band - Spark In the Dark (On the Moody Existentialist).

Thursday 16 November 2023

Inter Faith Week activities

This week is is Inter Faith Week which has the aim of: strengthening good inter faith relations at all levels; increasing awareness of the different and distinct faith communities in the UK, in particular celebrating and building on the contribution which their members make to their neighbourhoods and to wider society; and increasing understanding between people of religious and non-religious beliefs. This year I am having the opportunity to be part of several initiatives/activities that either connect with or are part of Inter Faith Week.

My week began with the opening the online exhibition, Exodus & Exile: Migration Themes in Biblical Images, that I have curated for The Ben Uri Gallery and a related essay entitled Debt Owed to Jewish Refugee Art.

The exhibition, which is currently Exhibition of the Week, includes a range of Biblical images from the Ben Uri Collection in order to explore migration themes through consideration of the images, the Bible passages which inspired them and the relationship between the two. This is because themes of identity and migration feature significantly in both the Hebrew and Christian Bibles and images from these Bibles are a substantive element of the Ben Uri Collection.

The combination of images and texts enables a range of different reflections, relationships and disjunctions to be explored. The result is that significant synergies can be found between the ancient texts and current issues. In this way, stories and images which may, at first, appear to be describing or defining specific religious doctrines can be seen to take on a shared applicability by exploring or revealing the challenges and changes bound up in the age-old experience of migration.

My essay Debt Owed to Jewish Refugee Art is an updated version of an article I originally wrote for Church Times looking at influential works by émigré Jewish artists that were under threat. The article mentions Ervin Bossanyi, Naomi Blake, Ernst Müller-Blensdorf, Hans Feibusch, and George Mayer-Marton, telling stories of the impact of migration on the work and reputations of these artists.

Yesterday, I spent the day at Beauchamps High School and Sixth Form College in Wickford taking part in their Inter Faith Week activities with a group representing Buddhism, Hinduism, Humanism, Islam, and Judaism. We each made presentations and took questions regarding our faiths and beliefs with four different classes in the morning before then taking part in a panel discussion in the afternoon with the whole of the Sixth Form. This was the second time of involvement for me in these activities. It is always a fascinating and interesting day with insights from the other belief representatives and challenging but thoughtful questions from the students.

Today, I am at an Inter Faith Retreat with rabbis and Church of England priests. We are exploring similarities in our chosen vocations as religious leaders to our communities through scriptural encounters and discussions of both our respective histories and current issues. As a result, I have had the pleasure of reconnecting with Rabbi David Hulbert. Together with Imam Dr. Mohammed Fahim, Rabbi David and I led an East London Three Faiths Forum Tour of the Holy Land. My reports from this trip and some of my subsequent talks and sermons can be found here.

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Menachem Creditor - Olam Chesed Yibaneh.

Monday 13 November 2023

Ben Uri Gallery - Exodus & Exile: Migration Themes in Biblical Images

The Ben Uri Gallery have just shared a new online exhibition, Exodus & Exile: Migration Themes in Biblical Images, that I have curated for them and a related essay entitled Debt Owed to Jewish Refugee Art.

The exhibition, which is currently their Exhibition of the Week, includes a range of Biblical images from the Ben Uri Collection in order to explore migration themes through consideration of the images, the Bible passages which inspired them and the relationship between the two. This is because themes of identity and migration feature significantly in both the Hebrew and Christian Bibles and images from these Bibles are a substantive element of the Ben Uri Collection.

The combination of images and texts enables a range of different reflections, relationships and disjunctions to be explored. The result is that significant synergies can be found between the ancient texts and current issues. In this way, stories and images which may, at first, appear to be describing or defining specific religious doctrines can be seen to take on a shared applicability by exploring or revealing the challenges and changes bound up in the age-old experience of migration.

The Gallery write:

"We are delighted to present a new exhibition interpreting works from our collection titled Exodus and Exile. The survey has been curated by Revd Jonathan Evens who has a long-established parallel interest in art and faith and how they are mutually engaging. We are privileged to benefit from his scholarship and innate sensitivity and am sure you too will be inspired by his selection and commentary.

Guest curator, the Revd Jonathan Evens, has a long and distinguished interest in the visual arts and in particular the synergy between, and interpretation of, the artist, the symbolism and the underlying messages of the images created. We are honoured and grateful to Jonathan for investing much time and thought to partner with Ben Uri in this initiative and curate and write on this subject."

My essay Debt Owed to Jewish Refugee Art is an updated version of an article I originally wrote for Church Times looking at influential works by émigré Jewish artists that were under threat. The article mentions Ervin BossanyiNaomi Blake, Ernst Müller-Blensdorf, Hans Feibusch, and George Mayer-Marton, telling stories of the impact of migration on the work and reputations of these artists.

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Leonard Cohen - Born In Chains.

Sunday 12 November 2023

Preparing for the unexpected

Here's the sermon I shared this morning at St Mary's Runwell (and which I would also have shared at the Act of Remembrance at the Wickford War Memorial, had it not been raining heavily this morning):

A few weeks ago members of the local writer's group in Wickford, the Ladygate Scribblers, were showcasing their work at an evening of reading in St Andrew's Church. Among the stories and poems we heard, were two recounting stories of those serving in the World Wars. The first involved a lost letter from Jack to his sweetheart when he had been invalided out from the frontline and was returning home. The hopes of both for their future were then cruelly dashed when the ship on which Jack was returning was attacked and sunk. The second involved Stan and his best friend Taffy, both deployed to different ships. Through a set of strange circumstances, they decided to swap deployments and applied to change ships. This was agreed and Taffy went to serve on HMS Hood, which was sunk by The Bismarck in 1941. Stan lived out his life in the knowledge that he was only alive because of Taffy and the decision they had made together.

These two stories reminded me of the fundamental uncertainty of life and the fact that we can't know what is round the corner for us, especially in wartime. We have been recently reminded of that reality, once again, through the current war in Gaza, which began with an attack by Hamas that was wholly unexpected.

Jesus told a story about being as ready as we can for the unexpected (Matthew 25.1-13). His story is the set reading for this Remembrance Sunday. His story was about bridesmaids waiting for a bridegroom to light him to the wedding with their lamps. He was later than expected and some had not brought supplies of oil for their lamps. Those without had to go searching for oil and missed out on the wedding as a result. Those who prepared for the unexpected were ready to meet the bridegroom and go into the wedding.

With this story Jesus is asking us prepared we are for the unexpected? The bridesmaids who were prepared had rehearsed possible scenarios and were ready for those. They also had the right attitude, being ready to wait for the bridegroom’s arrival. As a result, they were able to take part in a wonderful celebration of unity and love. With this story, Jesus is also encouraging us to prepare for the unexpected recognising that we live in a world where conflict is regularly experienced at all levels of society.

While we can't prepare for the exact situation we might face, we can prepare for possible scenarios, prepare mentally and emotionally for difficult events, and practice peace ourselves in order to anticipate a peaceful society. That’s essentially what our armed forces regularly do. In peacetime they go on manoeuvres and take part in exercises in order to be ready for the moment when they are called to go to war while also acting as those who maintain the peace by preventing fresh conflict from developing.

So, while this day is about honouring the dead who laid down the lives that we might be free, it can also be about our preparation for the future. We draw inspiration from those who have gone before and learn from their experiences in order that can be as ready as we can for what will come in the future and even shape that future. The key lesson to learn from past wars is the fundamental necessity of peace. Jesus taught his followers through his stories to anticipate a future where people come together in love to celebrate unity and he calls us to be those who anticipate and practice that future reality in the here and now.

We can also prepare ourselves mentally and emotionally for difficult events by developing an attitude of resilience that can enable us to endure in times of difficulty and challenge. The Lutheran Pastor Dietrich Bonhoeffer was executed for his resistance to Hitler on 9 April 1945 in Flossenbürg Concentration Camp, only four weeks before VE Day. He wrote a creed just days before his execution by the Gestapo which exemplifies a resilient attitude:

“I believe that God can and will generate good out of everything, even out of the worst evil. For that, he needs people who allow that everything that happens fits into a pattern for good. I believe that God will give us in each state of emergency as much power of resistance as we need. But he will not give in advance, so that we do not rely on ourselves but on Him alone. Through such faith all anxiety concerning the future should be overcome. I believe that even our mistakes and failings are not in vain, and that it is not more difficult for God to cope with these as with our assumed good deeds. I believe that God is not a timeless fate, but that He waits for and responds to honest prayers and responsible action.” (Dietrich Bonhoeffer quoted by Philip Yancey, The Question That Never Goes Away)

These are the words of a man who knew his life was in danger, whose family and country were already suffering under Hitler, the Nazis, and the war machine they had put into action. It was Bonhoeffer’s trust in the redemptive will of God that helped sustain him during the dark months of prison and interrogation, and the final days of his life. With a similar attitude, we may be able to do the same should we need to do so.

So, as we honour today those who laid down the lives that we might be free, let us also prepare for the future by drawing inspiration from those who have gone before, practising God’s peaceful kingdom and developing attitudes of resilience in order that we can be as ready as we can for what will come in the future and, perhaps, even shape that future ourselves. Amen.

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J. Lind - I Don't Know.

Friday 10 November 2023

Windows on the world (451)


Lyveden, 2023

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Ricky Ross - Holy Night/Pale Rider.

Index of interviews

I've just had my first interview for Seen&Unseen published. I've interviewed musician and priest Rev Simpkins and in the interview we discuss how music is an expression of humanity and his faith.

I have carried out a large number of other interviews for Artlyst, ArtWay and Church Times. They provide a wide range of fascinating insights into approaches and practices. They can be found at:

Artlyst

ArtWay
Church Times
Also see my interviews with artist Henry Shelton here and here and David Hawkins, former Bishop of Barking, here, here and here.

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Pissabed Prophet - Life In The Bell Jar.