Wikio - Top Blogs - Religion and belief

Sunday, 3 May 2026

Life with God and in God

Here's the sermon that I shared this morning at St Mary’s Runwell:

Where we live says quite a lot about the sort of people we are and the kind of relationships we have. Do we value the place where we were born or did we want to move away from it? Have we remained close to our wider family or are we independent of them? Have we a transient lifestyle by choice or necessity? Have we been able to choose where we live or have circumstances dictated that to us? Are our homes places of welcome to others or castles where we protect ourselves from the world?

Jesus told his disciples on the night before he died that he was going away from them to prepare a place for them to live – a dwelling place for them (John 14: 1 – 14). He gave them the picture of living in God’s house, all of them there together but each with their own specifically prepared room. This was a picture of the way in which, in future, they were going to live in God.

Jesus said that they would not be able to go with him as he left them. That was because he was going to the cross and only he, through his sinless death, could cross the divide between God and humanity and restore the relationship between us. That is why he is able to say that he is the way to the Father. No one else was able to bridge that gap by means of their death, only Jesus.

But when he came back to the disciples after death, through the resurrection, the way back to God from the dark paths of sin was now wide open and the disciples together with each one of us can now go in. The great opportunity that Jesus has opened up for us is that, despite our sin, we can live with God now, dwell in him throughout our lives, and also into eternity.

What is it like to live with God? First, it is a place without worry or fear. It is a place of arrival. Saint Augustine said, our hearts are restless till they find their rest in thee. And this is because it is a place where we are valued for who we are. Jesus spoke about going to prepare a specific place specifically for us and this is a way of saying that God knows us and loves us as we are. We can picture it in terms of rooms in our own homes. We put our mark on our rooms filling them with objects and decorations that reflect who we are and what is important to us. In a similar way, God is saying that he welcomes into him, into his presence the unique people that we are, you and I.

And that leads us on to the next characteristic of living with God which is expanse. Jesus says that there are many rooms in his Father’s house, so it is expansive and needs to be because it is open to all – people of every race, language, colour, creed, gender, sexuality, class, nation, whatever. There is room for all.

Living with God is about acceptance – we can stop searching and rest because we have been found, we are accepted and loved as the unique person that each of us is and we are part of a wider worldwide family that can encompass us all.

But living with God is not the end of the story. There is more because God also comes to live with us. In verse 11 we hear Jesus says that he is in the Father (he lives or dwells in God as we now can) and that the Father lives in him. And this is what can happen to us too. In the second half of chapter 14 Jesus speaks about the Holy Spirit coming to stay with us (v16). Then he says that he himself will be in us (v20) and finally in verse 23 he says that both he and the Father will live with us.

This is the incredible news that is central to Christianity. Not only can we live in God but himself comes and lives in us. We are in him and he is in us. Think about the wonder and privilege of it for a moment. Think of how you would feel if the person you most admire in the world lived with you – whether that’s King Charles, Taylor Swift, Greta Thunberg, Sarah Mullally, Pep Guardiola, Pope Leo or whoever. We know that that is unlikely to happen but the reality of our lives and faith is that the God who created the universe and who saved humanity wants to live in your life.

What would you do if that person that you most admire was coming to your home? I bet you would have a massive spring clean and get your house looking just as you would ideally like to have it looking. Shouldn’t we do the same because God is living in our lives? The Bible talks about our bodies being a temple of God’s Holy Spirit – in other words, a place where God lives - and because God lives in us then we should keep our bodies healthy and pure. But not just our bodies, our minds and feelings and actions too. Because we have the huge privilege of having the creator of the universe, the saviour of humanity living in us we need to clean up our act, get on with that spring cleaning and make our lives the sort of place that is fit for a King.

So, there is both challenge and the comfort in our Gospel reading today. The way is open for us to live in God and receive his love and acceptance and for God to live with us which means acting to clean up mess that there is in all our lives. Where are you living this morning? Have you come to live in God or would you like to take that step this morning? And how does God feel about living in you are there things that you need to change about the home that you are providing for God?

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Kahlil Gibran - On Love.

Saturday, 2 May 2026

Windows on the world (569)


London, 2026

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Nick Cave & the Bad Seeds - Long Dark Night.

 

Artlyst: Zurbarán Contrasts And Innovations National Gallery London

Here's my latest exhibition review for Artlyst, which is on the Zurbarán exhibition at National Gallery:

"'Francisco de Zurbarán’s ‘Saint Francis in Meditation’ was a highlight among many other wonderful works in the National Gallery’s Saint Francis exhibition, held in 2023. This image is an attention grabber for its intensity in both composition and content. St Francis is the sole focus, powerfully highlighted against a dark background through chiaroscuro contrasts that earned Zurbarán the nickname “Spain’s Caravaggio”. In frayed, patched, dull robes, Francis kneels, his eyes, set in shadow by his hood, raised radiantly heavenward while he tightly clasps a skull to his chest. Realism and mysticism are compellingly combined in a spellbinding image that screams mortality and devotion."

"Zurbarán’s innovations are threaded throughout this exhibition, which, after its introductory room, focuses on major religious commissions, his evocation of fabrics, his iconography, commissions from outside Seville, his still-lifes and those of his son, and private commissions. The curator’s thematic choices enable Zurbarán’s range to be seen, while also providing opportunities for contemplation that might not have been as apparent in a chronologically structured show'."

Click here for my review of the Saint Francis exhibition at National Gallery and here and here for posts about El Greco.

My other pieces for Artlyst are:

Interviews -
Monthly diary articles -
Articles/Reviews -

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Vigilantes of Love - Further Up The Road.

International Times: Mind The Gap

My latest article for International Times, which is on the Stations project from Dunlin Press:

"these Stations carry marks that are ‘gestures, fragments, traces’ that can’t be defined or pinned down’.

This is appropriate to the themes of life, death, suffering, solace and renewal that form the basis of the Stations of the Cross and which are also the basis for this project. The Stations are ‘a sequence of trials, of vulnerability and suffering, of moments where the burden becomes too much to carry alone’. Experiences of ‘grief, tenderness, labour and intimacy’ that ‘reference an inherited history and the weight of memory’ cannot be ‘fixed to a single meaning’. Therefore, the asemic, abstract and ambient approaches of both Johnston’s ‘abstract and gestural lines and cuts’ and MW Bewick’s music ‘which is mostly an assemblage of single, unrehearsed takes’ are particularly appropriate to use."

My earlier pieces for IT are: an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of: 'William Blake: The Age of Romantic Fantasy'Joseph Arthur in concert; installations by Chiharu Shiota and Yin Xiuzhen at Hayward Gsllery, U2's 'Days of Ash', Mumford and Sons' 'Prizefighter' and Moby's 'Future Quiet'; 'Collected Poems' by Kevin Crossley-Holland; 'Lux' by Rosalía; 'Springsteen: Deliver Me from Nowhere'; 'Great Art Explained' by James Payne; 'Down River: In Search of David Ackles' by Mark Brend; 'Headwater' by Rev Simpkins; 'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album; and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

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MW Bewick - For Us.

Friday, 1 May 2026

ArtWay: A Return to Soul: Review of Aaron Rosen’s 'Spiritual Traces'

My latest book review for ArtWay is a review of Aaron Rosen's 'Spiritual Traces':

"The essays and conversations in this volume pay special attention to places where spiritual traces might appear hidden and fleeting. Rosen is interested ‘in those places where spirituality feels latent, ephemeral, or on the edge of possibility’ and has written about or interviewed artists ‘whose approach to spirituality needed to be teased out.’"

For more on Aaron Rosen see my interview with him for Seen and Unseen - click here.

My other writing for ArtWay can be found at https://www.artway.eu/authors/jonathan-evens. This includes church reports, interviews, reviews and visual meditations.

ArtWay.eu has been hailed "a jewel in the crown of work in Christianity and the arts," and having come under the custodianship of the Kirby Laing Centre, the much-loved publication has entered an exciting new chapter in its story following the launch of a new website in September 2024.

Since its founding, ArtWay has published a rich library of materials and resources for scholars, artists, art enthusiasts and congregations concerned about linking art and faith. Founded by Marleen Hengelaar-Rookmaaker in 2009, ArtWay's significance is reflected in its designation as UNESCO digital heritage material in the Netherlands.

In 2018, I interviewed ArtWay founder Marleen Hengelaar-Rookmaaker for Artlyst on the legacy of ArtWay itself.


In the video above, the ArtWay team recounts the history of this much-loved resource and looks ahead
to an exciting future for ArtWay.

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Joseph Arthur - Currency Of Love.

Images of Jesus by DANK



A second print of a painting of Jesus by the street artist DANK has been gifted to St Andrew's Wickford.

Dan Kitchener (DANK - https://www.dankitchener.com/) hails from Wickford and specialises in worldwide street art, epic scale murals, interior and exterior works of art (https://www.dankitchener.com/street-art-murals). He has several large murals in Essex including at Rochford and Southend. His murals also include images of Christ in Belfast, Vassa (Finland) and elsewhere.

He says of ‘Garden of Light’, the new image: “When I paint I need to respond naturally to my subject matter, without overthinking, over planning or procrastination - often people comment how ‘quickly’ I paint murals and canvas works - for me it’s almost like a pent up explosion of creativity that I feel welling up like a bubbling spring inside me - I went to my studio last night and put on loud, powerful music, grabbed my cans and canvas and then released all the energy in me to create this canvas - I don’t stop when I paint like this - I paint until I feel it’s finished - for me this artwork achieved my intentions - light filled, nature, flowers and plants. Trees, branches with light flickering through - a sense of peace, calm, beauty and love - I could feel that warm sunlight on me, smell those flowers as I painted (could have been the MTN94 though) and heard his footsteps on the trail ahead.”

These prints will be on display when their hanging space is not required for our art exhibitions.

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Moya Brennan - Perfect Time.

US Episcopalian priest Spencer Reece: ‘Poetry saved my life’

Church Times has published an interview with Fr Spencer Reece following his recent visit to the Parish of Wickford and Runwell.

As he explained during his visit, he says in the interview that: 'Both his poetry and now his ministry have also helped him to survive personally. “Poetry saved my life,” he says; and the Church saves it now, though in a different way. As Rector of St Paul’s, Wickford, in Rhode Island, and after the recent deaths of his parents, the church has become not just a place of ministry, but a community that sustains him.'

Fr Spencer is Rector of St Paul’s Episcopal Church in Wickford, Rhode Island, and an internationally acclaimed poet. His dream, prayer, and ultimate goal for his time with St. Paul’s Church is to continue the ongoing work of the parish in spreading Jesus’ radical love. “Let kindness be our legacy,” he has said.

It was wonderful to welcome Fr Spencer to our parish and to reanimate the links between our two parishes. We look forward to time in Rhode Island ourselves and to welcoming Spencer and others from the parish to Wickford and Runwell next year. To find out more about the historic links between our parishes and towns, see Wickford Community Archive.

For more on Fr Spencer's visit, see here and here. To read my interview with Fr Spencer for International Times see here and, for my review of Fr Spencer's more recent poetry collection, see here. Fr Spencer spoke at St Martin-in-the-Fields during his visit, see below for that service and click here for one of the services in our parish at which he preached:


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Spencer Reece - Poetry Holds Us Together.

Blessed - Address for Ho Wai-On's Memorial Service


Here's the address that I shared during Tuesday's Memorial Service for Ho Wai-On:

The teaching Jesus gives us in the Sermon on the Mount, of which the Beatitudes is part, is based on lessons drawn from his understanding of nature and creation. He looks at the cycle of existence – the circle of life - which enables all creatures to live and flourish in their way and time. We only need look at Wai-On’s music videos to see that she shared this understanding. We began our service observing the antics of a duck as we listened to ‘The Waves’ performed by her good friend Albert Tang. ‘Three Times No Less’ featured images of beautiful lotuses from Canton. Although longer pieces, we could also have included ‘Swan Beauty’ or ‘Fly Wild’, the latter incorporating images from Martin Singleton.

Jesus uses birds as a specific example in the Sermon on the Mount, possibly because they would have been prolific and yet are not reliant on human beings for their survival. The birds don’t do any of the things that human beings do to provide food for themselves – they “do not sow seeds, gather a harvest and put it in barns” – yet, in the circle of life there is a sufficiency of the food that they need in order to survive. In this way, Jesus says, we see that God the Father is taking care of them.

For Jesus, God’s provision for the birds is a sign of the worth that he sees in his creation as a whole and in each specific part. Just as the creation as a whole is “good,” so are the birds which are found within it. If that is true of birds, then is it not also true of human beings? “Aren’t you worth much more than birds?” Jesus asks. Wai-On showed that same sense of value to a woman she sought to comfort as described in a piece we will listen to later entitled ‘You Are Not Alone’.

In one of the Eucharistic Prayers that is said when the elements of Communion are consecrated, we read that in the fullness of time God made us in his image, the crown of all creation. That gives us incredible worth and value, in and of ourselves and regardless of how we feel about ourselves. Our unique position in creation - being conscious creators – speaks clearly to us of this incredible privilege of having been made in the image of God. To what extent do we appreciate this reality? Often, we can be so caught up in the busyness of daily life that we do not stop to reflect on the wonder of existence and our existence. Stop for a moment to think about the incredible complexity of our physical bodies and of our conscious existence. Wai-On clearly stopped in this way in order to create her compositions and the videos that accompany them.

Stop for a moment and think about the incredible achievements of the human race – the great art we have created, amazing technological developments and inventions, the cities we have built, the scientific and medical advancements we have seen, the depths of compassion and sacrifice which have been plumbed by the great saints in our history. Stop for a moment to think about the amazing music and wonderful videos that Wai-On created. While we are also well aware of the darker forces at work in human beings, our positive abilities and achievements reveal the reality of our creation as beings that resemble God in his creative power and energy. We can and should celebrate this reality – realising the worth that God sees in us – at the same time as giving thanks to our God for creating us in this way.

Isn’t life worth more than food and isn’t the body worth more than clothes, Jesus asks us. Often we can be so caught up in the busyness of daily life that we do not realise the wonder of our existence and do not realise all that we could achieve if we were to use our abilities and creativity more fully in his service. “We were meant to live for so much more” is how the rock band Switchfoot put it. Jesus challenges us to be concerned with more than the worries of daily life, to be “concerned above everything else with the Kingdom of God and with what he [God] requires of you.” Stop for a moment and think of the unique way in which you have been created by God – the unique combination of personality and talents with which you have been blessed – and ask yourself how these things could more fully be used for the building up of the Kingdom of God on earth, as in heaven, just as Wai-On made full use of the talents with which she had been blessed.

Stop for a moment and think about the Kingdom of God as described in the Beatitudes with which Jesus began the Sermon on the Mount. The Kingdom of God is a place of happiness for those who know they are spiritually poor, a place of comfort for those who mourn, a place of receptivity for those who are humble, a place of satisfaction for those whose greatest desire is to do what God requires, a place of mercy for those who are merciful, a place in which God is seen by the pure in heart, a place in which those who work for peace are called God’s children, and a place which belongs to those who are persecuted because they do what God requires. What might God be calling us to do for him to bring the Kingdom of God to others? Wai-On chose to bring that Kingdom to others through music and imagery.

Jesus argues that the goodness and worth of all created things can be seen in the way that creation provides all that is needed for creatures and plants to live and thrive. Our worth is greater still because we are made in the very image of God having power over creation and innate creative abilities ourselves. It is incumbent on us then to use the power we possess for the good of others and for the good of creation itself. Bringing happiness, satisfaction and belonging by giving comfort, practicing humility, sharing mercy and working for peace are all powerful ways of tending and guarding creation and building the Kingdom of God on earth, as in heaven. Stop for a moment to recognise the something more for which we are meant to live. Dedicate your life to be concerned above everything else with the Kingdom of God and with what God requires of you. Then you will know blessing, as Wai-On also did.

To view the Memorial Service see here. For more on Wai-On's exhibition 'From Hong Kong to Wickford' see here and here.

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Ho Wai-On - The Waves.

Thursday, 30 April 2026

Receiving light and walking in light

Here's the sermon that I shared at St Andrew's Wickford yesterday:

At baptisms, we give each newly baptised person a lighted candle and say that God has delivered us from the dominion of darkness and has given us a place with the saints in light. Then we say, “You have received the light of Christ; walk in this light all the days of your life. Shine as a light in the world to the glory of God the Father.” We do this because Jesus said: ‘I have come as light into the world, so that everyone who believes in me should not remain in the darkness’ (John 12.44-end).

What does it mean that Jesus comes as light so we do not remain in darkness? The light of Christ is revelatory as it reveals the good and bad in our lives and communities. Light reveals those things that have been hidden so we can see their true nature; whether live-giving or life-denying.

Jesus is God fully revealed in human form, so shows us what God is actually like as well as revealing all that we, as humans, can become. We come into the light of Christ by comparing our lives to his. As we do so, inevitably we find that we fall short; that our capacity to do what pleases him (by living out all goodness, righteousness and truth) is less than his capacity for these things.

Jesus says to Nicodemus (John 3. 19 - 21): “This is how the judgement works: the light has come into the world, but people love the darkness rather than the light, because their deeds are evil. Those who do evil things hate the light and will not come to the light, because they do not want their evil deeds to be shown up. But those who do what is true come to the light in order that the light may show that what they did was in obedience to God.”

In other words, the light of Christ is all about comparisons and transparency. Jesus, through his life and death, shows us the depth of love of which human beings are really capable and, on the basis of that comparison, we come up well short and are in real need of change. In the light of Jesus’ self-sacrifice, we see our inherent selfishness and recognise our need for change.

Our reality, as St Paul so accurately states in Romans 7 is that we are divided people: “… what I want to do I do not do, but what I hate I do.” So, coming into the light of Christ initially reveals our fallibilities and failures to be Christ-like. God sees all and Jesus, in his ministry, was able to shine a light on the deepest recesses of the human heart. The Samaritan woman said of him: “Come see the man who told me everything I have ever done” (John 4. 29). With Jesus, nothing is hidden, everything is transparent; therefore, we need to change if we are to truly live in the light of his presence. As a result, if we are to be transparent in the light of Christ, we make our humble confession to Almighty God truly and earnestly repenting of our sins.

But the light of Christ does not just expose and make visible our fallibilities. Jesus came into our world as the Word of God to live a life of self-sacrificial love as a human being. He shows us what true love looks like and he shows us that human beings are capable of true love even when most of the evidence around us seems to point towards the opposite conclusion. In 1 John 5. 20 we read that “the Son of God has come and has given us understanding, so that we know the true God.”

When we learn what pleases our Lord (which is all goodness, righteousness and truth; or, as our confession says, intending to lead a new life by following the commandments of God, walking in his holy ways and living in love and charity with our neighbours) we are then illuminated by him and become a light to others. This is what Jesus means when he tells us to let our light shine before others, that they may see our good deeds and glorify our Father in heaven.

Just as with those newly baptised people receiving a lighted candle and being reminded that God has delivered us from the dominion of darkness and has given us a place with the saints in light, today we too hear Jesus say ‘I have come as light into the world, so that everyone who believes in me should not remain in the darkness.’ Like them, we have received the light of Christ and are called to walk in this light all the days of our lives. So, may we shine as lights in the world to the glory of God the Father. Amen.

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The Call - The Morning.

Sunday, 26 April 2026

Windows on the world (568)


London, 2026

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Joseph Arthur - Thank You Is My Mantra.

St Catherine's Wickford - £162,000 to raise through 150th Anniversary









This year St Catherine’s church in Wickford is 150 years old (https://www.wickfordandrunwellparish.org.uk/st-catherines.html & https://www.nationalchurchestrust.org/church/wickford-st-catherine).

150th Anniversary events for St Catherine’s Church, Wickford:

  • Saturday 9 May, 2.00 - 4.00 pm, St Catherine's Church - Art workshop.
  • Saturday 30 May, 7.30 pm, St Andrew’s Church – Ladybirds Singing Group – Fundraising concert for St Catherine’s.
  • Sunday 31 May, 10.30 am, St Catherine’s – Joint Eucharist for 150th Anniversary. Preacher: The Ven. David Lowman.
  • Saturday 6 June, St Catherine’s – Flower Festival with Coffee Morning and Cream Tea Afternoon.
  • Sunday 7 June, 11.00 am, St Catherine’s. Anniversary Eucharist led by Archdeacon of Southend.
  • Saturday 13 June, 2.00 pm, The Rectory – Parish Garden Party.
  • Saturday 20 June, 3.00 pm, St Catherine’s – Rumatica - Fundraising concert.
Art Workshop

Help us to celebrate 150 years of St Catherine's Church in Wickford as part of Bas-Arts-Index upcoming Art& series of events through May.

9th May 2-4pm at St Catherine's which is on Southend Road in Wickford.

The event will start with a workshop about the history of the church, encompassing your thoughts, feelings and memories. We'll then move on to an activity where you can create a stained glass window collage.

Bring yourself, your thoughts, your memories and your feelings. You can also bring anything you think might be interesting for us to see regarding the church herself, or her history. Weddings. Baptisms. Funerals. Celebrations of any and all types. All are welcome. We look forward to seeing you there.

No booking required, just turn up.

Under 18s must be accompanied by an adult



Ladybirds Song Group in concert

Saturday 30 May 2026, 7.30 pm

St Andrew’s Church, 11 London Road, Wickford SS12 0AN

We are celebrating the 150th Anniversary of St Catherine’s Wickford with a fundraising concert as subsidence has caused cracks in the walls requiring underpinning - a retiring collection will be taken.

The Ladybirds Song Group are a voluntary community group spreading joy through music, performing in care homes, clubs, and other local venues.



Flower Festival. 6th & 7th June.

Featuring local clubs. schools & the community.

St Catherine's Church 150 Years.

Donate a pew end in memory of a loved one £10.00.

Saturday all day. Refreshments and stalls in the

church hall.

Contact: Caroline: 07821195388.



Rumatica in concert

St Catherine’s Church Wickford

Saturday 20th June 3pm

A Ukulele Band with a Difference! Playing a wide range of Rock, Pop, Country, Swing, Indie, Blues and Folk Music

https://www.rumatica.co.uk/

We are celebrating the 150th Anniversary of St Catherine’s Wickford with a fundraising concert as subsidence has caused cracks in the walls requiring underpinning - a retiring collection will be taken.



Fundraising Campaign - St Catherine’s Church, Wickford

Due to the long dry summer of 2022, the foundations of the NW corner of St Catherine’s Church subsided. This caused large cracks to appear in the walls. In 2023, we completed Phase 1 of our campaign involving safety and weather protection work costing £20,000, with funds raised by donations, events and grants. In 2024 we began Phase 2 involving groundwork investigations and design of an underpinning solution. This cost £13,560 and is essential to design a long-term solution. Phase 3, for which we are now raising funds, will cost £162,500.00 + VAT and will enable the NW corner of the church to be underpinned.

If you wish to contribute, please go to https://givealittle.co/c/CXlEMNUoerIeTUtbQmvYS to donate online.

Send cheques to Wickford and Runwell PCC to The Rectory, 120 Southend Road, Wickford SS11 8EB or phone 07803 562329 / email jonathan.evens@btinternet.com for bank details for a transfer.

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U2 - Resurrection Song.

Launch of the 3 R's history trail

 




The 3 R’s history trail covers the churches of Rawreth, Rettendon & Runwell.

Each church is unique with its own history and we welcome you to come and find out more. Visit our churches and see for yourself.

Launch of the 3 R’s history trail with Open Days at St Nicholas Rawreth, All Saints Rettendon, and St Mary’s Runwell on Saturday 16 May from 10am - 4pm.

Visit all three churches, discover their history, see heritage displays, and enjoy refreshments.

Rawreth Church (St Nicholas)

The parish of Rawreth has a list of Rectors going back to before 1361. It retains a 13th century tower, but the present church was rebuilt in 1882. The tower, arch and west wall of the north aisle remain from 1450, the rest has been rebuilt in 1882 to designs of Ernest Geldart, rector of Little Braxted.

The family of Lancelot Andrewes lived in Rawreth and St Nicholas Church was their family church. Andrewes served successively as Bishop of Chichester, Ely and Winchester and oversaw the translation of the Authorized Version (or King James Version) of the Bible.
  • Church organ - one of the smallest church organs in the country, built c.1860-1870 by Bryceson and Ellis
  • Bells - over 700 years old and made by John Hadham C. 1320, making them amongst the oldest bells in Essex
  • Chancel screen, reredos and pulpit - designed by the architect, the Reverend Geldart in 1862
  • Memorial - to Edmund Tyrell and his wife of Beeches manor dated 1576

Runwell Church (St Mary's)

St. Mary’s Church is a beautiful Grade I* listed building, a magnificent mediaeval building which boasts an interesting and mixed history. The church is often described by both visitors and regular worshippers as a powerful sacred space to which they have been drawn.

This powerful impact comes in part from the art and architecture in the space. From the modern rood screen to the beautiful stained glass windows, St Mary’s is a must on any history trail. Its two churchyards (one linked to Runwell Hospital) also provide green space in which to walk and reflect. The church and churchyards are often used for contemplative Quiet Days. The Running Well, which may have given Runwell its name, is one mile from the Church.
  • Prioress' tomb - tomb of the last Prioress at the Nunnery by the Running Well
  • Runwell cross - original and contemporary versions of this unique cross design
  • Devil's Claw - marks on a door, said to have been made by the Devil whilst chasing a curate
  • Murals - medieval-style mural designs and interior decoration
  • Painting - 'The Baptism of Christ' by Walsingham artist Enid Chadwick
  • Squints - enabling those outside to see in.

Rettendon Church (All Saints)

The village of Rettendon is blessed with an old and beautiful Grade 1 listed church, with many unique aspects of its history.

The church stands on high ground, its 15th century ragstone tower acting as a landmark for the area. All Saints stands on high ground and from its lofty tower, over 100 feet high, there is an extensive view. To the east one can see the Crouch estuary, to the south the hills of Rayleigh stand out boldly, to the west, the round hilltops of the Langdon Hills are a notable landmark.
  • Memorial - marble and alabaster memorial to Edmund Humfrye dating from the early 18th century, one of the best of its type in the country
  • Anchorite Cell - the upstairs room over the vestry may have been used by an anchorite linked to the Nunnery at the Running Well, as evidenced by the window there which overlooks the altar
  • Memorial brasses - to the Canon family, whose charity fund is available to villagers in need to this day
  • Choir stalls - with 15th century medieval wood carvings on the nine bench ends
  • Piscina and Sedilia - the Piscina, a stone basin, is dated 1220 while the double Sedilia also dates from the 13th century and consists of two bays with trefoiled heads and moulded labels

St Nicholas Church, Church Rd, Rawreth, Wickford SS11 8SH
Open every day between 09:00—16:00

St Mary's Church, Runwell Road, Runwell, Essex SS11 7HS
St Mary's is open by prior arrangement only. Please contact the churchwarden to arrange a time to visit:
Tel: 01268 765360
Email: alanvictorjones20@gmail.com

All Saints Church, Church Chase, Rettendon, Chelmsford CM3 8DP
Open Friday 10:00—12:00 or by prior arrangement only.

For further details on our history trail please contact:

Rev'd Jonathan Evens - jonathan.evens@btinternet.com | 07803 562329
Rev’d Steve Lissenden - revsteveliss@gmail.com | 07944 959300

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Michael Kiwanuka - Small Changes.