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Showing posts with label thin places. Show all posts
Showing posts with label thin places. Show all posts

Friday, 29 November 2024

Thin Places and Sacred Spaces: October online launch


 

View the recording of the October online launch for Thin Places and Sacred Spaces here. Join editor Sarah Law of Amethyst Press on Friday for an evening hour of poetry readings and discussions on what makes the concept of a thin place so compatible with poetry. To see the September Launch, which includes my reading of 'Runwell', click here.


In this important and wide-ranging new anthology from Amethyst Press, with contributions by over 150 contemporary poets, readers are invited to reflect on and experience the poetry of ‘thin places’. The ‘thin place’ is a Celtic term, originally indicating a specific geographical location where the veil between heaven and earth seems exceptionally thin or lifted altogether. The anthology embraces and expands the concept of thin places and sacred spaces, including:

  • Sacred Locations
  • Sacred Nature
  • Sacred Architecture
  • Sacred Times & Holy Hours
  • The Thin Veil Between Life & Death
  • The Holy Unexpected
  • Thin Places in Art, Poetry & Language
If you have ever felt the touch of eternity in nature or sacred architecture; at specific times of the day or year; in stillness, movement, art, silence or surprise – this collection is for you.

'Runwell' is part of a series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios' and was the first poem in the sequence to be written and published. The poem takes the reader on a visit to St Mary's Runwell, while also reflecting on the spirituality of the space plus its history and legends.

The second poem in the sequence to be published is at International Times and is entitled 'Broomfield' Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. My poem reviews their stories, work, legacy and motivations. For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see herehereherehere and here. I will be giving a talk on 'Broomfield Artists in the Basildon Deanery' at St Andrew's Wickford in December (see below).

The third poem in the series to be published is entitled 'Pleshey' and celebrates the Diocesan Retreat House at Pleshey in Essex and the legacy of Evelyn Underhill as a retreat director. My poem can also be found on the Diocesan Retreat House website here.

'Bradwell', the final poem in the series to have been published, is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. My previous posts about Bradwell and the Othona Community can be found here and here.

I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for that anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Five of my poems have appeared in Amethyst Review. They are:'Pleshey''Runwell''Are/Are Not''Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride, click herehereherehere, and here. My poems published by International Times are 'Broomfield' and 'The ABC of creativity'. The latter covers attention, beginning and creation and can be read here.





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Launch of Thin Places & Sacred Spaces: an anthology of new poetry

Saturday, 2 November 2024

Four Essex Trios

'Four Essex Trios' is a series of poems on thin places and sacred spaces in Essex. The four poems in the series are:
The poems have been published by Amethyst Review and International Times

'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. My previous posts about Bradwell and the Othona Community can be found here and here.

Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations. For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see herehereherehere and here

'Pleshey' celebrates the Diocesan Retreat House at Pleshey in Essex and the legacy of Evelyn Underhill as a retreat director. My posts about Pleshey can be found here and my posts about Evelyn Underhill here. My poem can also be found on the Diocesan Retreat House website here.
 
'Runwell' takes the reader on a visit to St Mary's Runwell, while also reflecting on the spirituality of the space plus its history and legends. This poem has been included in the Amethyst Press anthology, 'Thin Places and Sacred Spaces'

The series draws inspiration from T.S. Eliot's 'Four Quartets' and, in common, with the 'Thin Places and Sacred Spaces' anthology reflects on the experience of feeling the touch of eternity in art, nature, silence, or sacred architecture. The ‘thin place’ is a Celtic term, originally indicating a specific geographical location where the veil between heaven and earth seems exceptionally thin or lifted altogether. Bradwell, Broomfield, Pleshey and Runwell are all places in Essex where I have had that experience and where heaven and earth, past, present and future seem to be intermingled.

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Rev Simpkins - Gathering Grounds.

International Times: Bradwell

 
























The fourth poem in my series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios' has been published today by International Times. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. My previous posts about Bradwell and the Othona Community can be found here and here

The first poem in the sequence to be written - 'Runwell' - was also published by Amethyst Review and has recently been included in the Amethyst Press anthology, Thin Places and Sacred Spaces, This poem takes the reader on a visit to St Mary's Runwell, while also reflecting on the spirituality of the space plus its history and legends.

The second poem in the sequence to be published is at International Times and is entitled 'Broomfield' Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. My poem reviews their stories, work, legacy and motivations. For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see here, here, here, here and here. I will be giving a talk on 'Rosemary Rutherford's Religious Art' at St Mary with St Leonard Broomfield today, together with Kathy Rouse (see below). This talk will be followed, in December, by a talk on the Broomfield artists at St Andrew's Wickford (see below).

The third poem in the sequence to be published was 'Pleshey', which was published by Amethyst Review. This poem celebrates the Diocesan Retreat House at Pleshey in Essex and the legacy of Evelyn Underhill as a retreat director.  My posts about Pleshey can be found here and my posts about Evelyn Underhill here.




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Rev Simpkins - In The Marsh A Desert.

Wednesday, 23 October 2024

October online launch for 'Thin Places and Sacred Spaces'



The October online launch for Thin Places and Sacred Spaces is this Friday, October 25th, 7-8PM BST. All are welcome to attend. Join editor Sarah Law of Amethyst Press on Friday for an evening hour of poetry readings and discussions on what makes the concept of a thin place so compatible with poetry/

The eventbrite link to register for Friday's event is: https://www.eventbrite.co.uk/e/thin-places-sacred-spaces-october-online-launch-tickets-1026964326947?aff=oddtdtcreator

To see the September Launch, which includes my reading of 'Runwell', click here.

In this important and wide-ranging new anthology from Amethyst Press, with contributions by over 150 contemporary poets, readers are invited to reflect on and experience the poetry of ‘thin places’. The ‘thin place’ is a Celtic term, originally indicating a specific geographical location where the veil between heaven and earth seems exceptionally thin or lifted altogether. The anthology embraces and expands the concept of thin places and sacred spaces, including:
  • Sacred Locations
  • Sacred Nature
  • Sacred Architecture
  • Sacred Times & Holy Hours
  • The Thin Veil Between Life & Death
  • The Holy Unexpected
  • Thin Places in Art, Poetry & Language
If you have ever felt the touch of eternity in nature or sacred architecture; at specific times of the day or year; in stillness, movement, art, silence or surprise – this collection is for you.

'Runwell' is part of a series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios' and was the first poem in the sequence to be written and published. The poem takes the reader on a visit to St Mary's Runwell, while also reflecting on the spirituality of the space plus its history and legends.

The second poem in the sequence to be published is at International Times and is entitled 'Broomfield' Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. My poem reviews their stories, work, legacy and motivations. For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see here, here, here, here and here. I will be giving a talk on 'Rosemary Rutherford's Religious Art' at St Mary with St Leonard Broomfield in November, together with Kathy Rouse (see below).

The latest poem in the series to be published is entitled 'Pleshey' and celebrates the Diocesan Retreat House at Pleshey in Essex and the legacy of Evelyn Underhill as a retreat director. The final poem in this sequence - 'Bradwell' - will be published shortly.

I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems. 'All Shall Be Well' is an anthology of new poems for Mother Julian, medieval mystic, anchoress, and the first woman to write a book in English. Lyrical, prayerful, vivid and insightful, these poems offer a poetic testament to Julian's enduring legacy of prayer and confidence in a merciful God who assured her that 'All Shall Be Well, and All Shall Be Well, and All Manner of Thing Shall Be Well.' The anthology has been edited by and comes with an introduction by Sarah Law, editor of Amethyst Review.

My poem for that anthology is based on a large painting 'The Revelations of Julian of Norwich' by Australian artist Alan Oldfield which is to be found at the Belsey Bridge Conference Centre in Ditchingham, Norfolk.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Five of my poems have appeared in Amethyst Review. They are:'Pleshey''Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride, click here, here, here, here, and here. My poems published by International Times are 'Broomfield' and 'The ABC of creativity'. The latter covers attention, beginning and creation and can be read here.

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Launch of Thin Places & Sacred Spaces: an anthology of new poetry

Wednesday, 9 October 2024

Pleshey poem included on Retreat House website




































Following the publication by Amethyst Review of my poem entitled 'Pleshey', the poem has been added to the website of the Retreat House at Pleshey. It can be found there by clicking here.  

The poem, which celebrates the Diocesan Retreat House at Pleshey in Essex and the legacy of Evelyn Underhill as a retreat director, is part of a series of poems on thin places and sacred spaces in Essex called 'Four Essex Trios'. My posts about Pleshey can be found here and my posts about Evelyn Underhill here.

The first poem in the sequence to be written - 'Runwell' - was also published by Amethyst Review and has recently been included in the Amethyst Press anthology, Thin Places and Sacred Spaces, This poem takes the reader on a visit to St Mary's Runwell, while also reflecting on the spirituality of the space plus its history and legends.

The second poem in the sequence to be published is at International Times and is entitled 'Broomfield' Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. My poem reviews their stories, work, legacy and motivations. For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see here, here, here, here and here. I will be giving a talk on 'Rosemary Rutherford's Religious Art' at St Mary with St Leonard Broomfield in November, together with Kathy Rouse (see below). This talk will be followed, in December, by a talk on the Broomfield artists at St Andrew's Wickford (see below). 

The final poem in this sequence - 'Bradwell' - will be published shortly.

Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

Four of my poems have appeared in Amethyst Review, in addition to 'Pleshey'. They are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. To read my poems published by Stride Magazine, click here, here, here, here, and here. My poem entitled 'The ABC of creativity' is at International Times. It covers attention, beginning and creation and can be read here.

Several of my short stories have also been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.



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The Moody Blues - Watching and Waiting.