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Wednesday 29 June 2022

The rock on which all testimonies are built

Here's the reflection I shared in today's Midweek Communion at St Andrew's Wickford:

“I have been used for many years to studying the histories of other times, and to examining and weighing the evidence of those who have written about them, and I know of no one fact in the history of mankind which is proved by better and fuller evidence of every sort, to the understanding of a fair inquirer, than the great sign which God has given us that Christ died and rose again from the dead.” Professor Thomas Arnold

The teachings of Jesus “are read more, quoted more, loved more, believed more, and translated more because they are the greatest words ever spoken … No other man’s words have the appeal of Jesus’ words because no other man can answer these fundamental human questions as Jesus answered them. They are the kind of words and the kind of answers we would expect God to give.” Professor Bernard Ramm

“Is not the nature of Christ, in the words of the New Testament, enough to pierce to the soul anyone with a soul to be pierced? … he still looms over the world, his message still clear, his pity still infinite, his consolation still effective, his words still full of glory, wisdom and love.” Bernard Levin

“Jesus was irresistibly attractive as a man … What they crucified was a young man, full of life and the joy of it, the Lord of life itself, and even more the Lord of laughter, someone so utterly attractive that people followed him for the sheer fun of it.” Lord Hailsham

“I believe there is no one lovelier, deeper, more sympathetic and more perfect than Jesus. I say to myself, with jealous love, that not only is there no one else like him but there never could be anyone like him.” Fyodor Dostoevsky

“A man who was merely a man and said the sort of thing Jesus said would not be a great moral teacher. He would either be a lunatic—on a level with the man who says he is a poached egg—or else he would be the Devil of Hell. Either this man was, and is, the Son of God: or else a madman or something worse. You can shut Him up for a fool, you can spit at Him and kill him as a demon or you can fall at his feet and call Him Lord and God … however strange or terrifying or unlikely it may seem, I have to accept the view that he was and is God.” C. S. Lewis

“Brothers and sisters, I want to remind you of the gospel I preached to you, which you received and on which you have taken your stand … For what I received I passed on to you as of first importance: that Christ died for our sins according to the Scriptures, that he was buried, that he was raised on the third day according to the Scriptures, and that he appeared to Peter, and then to the Twelve. After that, he appeared to more than five hundred of the brothers at the same time, most of whom are still living, though some have fallen asleep. Then he appeared to James, then to all the apostles, and last of all he appeared to me also, as to one abnormally born.” Saint Paul

“Jesus of Nazareth was a man accredited by God to you by miracles, wonders and signs, which God did among you through him, as you yourselves know. This man was handed over to you by God’s set purpose and foreknowledge; and you, with the help of wicked men, put him to death by nailing him to the cross. But God raised him from the dead, freeing him from the agony of death, because it was impossible for death to keep its hold on him.” Saint Peter

“You are the Messiah, the Son of the living God.” Saint Peter

All those testimonies to Jesus that you have just heard stem from the one testimony that we have just listened to, the moment when Peter speaks out his belief that Jesus is the Messiah, the Son of the living God (Matthew 16: 13-20). Jesus calls Peter ‘the rock’ and he is the rock because he was the first to testify to Jesus and all the millions of people that have followed him in testifying to Jesus have built on the foundation of the testimony that Peter originally gave.

Testimony is what is given by a witness in a trial. A witness makes his or her statement as part of a trial in which the truth is at stake and where the question, ‘What is the truth?’ is what is being argued. Lesslie Newbigin has argued that this is what is “at the heart of the biblical vision of the human situation that the believer is a witness who gives his testimony in a trial.”

Where is the trial? It is all around us, it is life itself? In all situations we encounter, there is challenge to our faith and there is a need for us to testify in words and actions to our belief in Christ. Whenever people act as though human beings are entirely self-relient, there is a challenge to our faith. Whenever people argue that suffering and disasters mean that there cannot be a good God, we are on the witness stand. Whenever people claim that scientific advances or psychological insights can explain away belief in God, we are in the courtroom. Whenever a response of love is called for, our witness is at stake.

But we are not alone in being witnesses. We are one with millions of others who have testified to the reality and presence of Jesus Christ in their lives. No courtroom on earth could cope with the number of witnesses to Christ who could be called by the defence. That is why the writer of Hebrews says, “Since we are surrounded by so great a cloud of witnesses, let us also lay aside every weight and the sin that clings so closely, and let us run with perseverance the race that is set before us, looking to Jesus the pioneer and perfecter of our faith.”

This is what Peter began by saying, “You are the Messiah, the Son of the living God.” We are part of the witness that has been built on that rock. So let us be encouraged today by the incredible numbers of others testifying to Christ and let us be challenged to add our own testimony in words and actions to those of our brothers and sisters in Christ because every day in every situation we face, we and our faith are ‘on trial’. Amen.

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Hurtsmile - Just War Theory.

St Martin of Tours, Basildon

St. Martin's of Tours Church in Basildon Town Centre was officially opened on 10th November, 1962 in a consecration service conducted by the Bishop of Chelmsford; Rt. Rev. John Gerhard Tiarks. Its design was the work of local architect Trena M. Cotton. 

The Church received a royal visitor on October 9th, 1968 when Her Royal Highness The Duchess of Kent (Katharine Windsor) dedicated the new south porch and Christ sculpture. The 10-foot high Christ figure was designed by the artist Thomas Bayliss Huxley-Jones and completed in fibreglass at his studio in Broomfield near Chelmsford, Essex. It was to be his last completed work as a short time later he was admitted to St. John's Hospital in Chelmsford where he died on 10th December 1968. The fibreglass figure is of our Lord pierced by shafts of light with his hands outstretched towards the town in service of the people. It is an invitation of welcome to all to enter.

Huxley-Jones, F.R.B.S., was a Fellow of the Royal Society of British Sculptors and studied at the Wolverhampton School of Art (1924-1929) and from 1929-1933 at the Royal School of Art, South Kensington. For many years he was principal of the school of sculpture at Grays Art School, Aberdeen, Scotland. He was famed for his statue of Helios at BBC Television Centre and the Joy of Life Fountain in Hyde Park. He was married in 1934 to the artist and sculptress (Rose) Gwynneth Cobden Holt and they lived from around 1949 at High House, Broomfield in Essex. His grave, and that of his wife is in St. Mary churchyard at Broomfield.

The work of Huxley-Jones also features elsewhere within the Diocese. His Woman of Samaria is a fibreglass figure at St Peter's Aldborough Hatch, while at Chelmsford Cathedral, Huxley-Jones' work includes a Christus in St Cedd's Chapel, a carving of St Peter on the south-east corner of the South Transept and 16 stone carvings representing the history and concerns of Essex, Chelmsford, and the Church.

A Garden of Remembrance adjacent to the church opened on November 3rd, 1973, in a dedication service conducted by Rev. Peter Grimwood. Standing within the garden is a statue depicting St. Martin sharing his cloak with a beggar, which was created by notable sculptor and artist Peter Foster.

In 1989 the plain exterior glass was replaced with stained glass designed and made by Joseph Nuttgens. The North side windows from West to East tell the story of St Martin begining with the Cathedral of Tours then the River Loire and finally the Caves of Marmoutier and a Cross referring to St Martin's suffering. The South side windows East to West depict the Cross and Resurrection, colours and various designs to be found in the town centre and the flood barriers from the nearby river Thames. Finally a triangle an ancient representation of the Holy Trinity, the circle and rays depict an outburst of energy from God, which is love. His presence, open to all, flows as a river down through the Thames Barrier into the hustle and bustle of this modern town.

The magnificent stained glass window in the Lady Chapel by Nuttgens depicts in symbols the Blessed Virgin Mary in heaven. Within the window can be seen the signs of the universe, clouds, sky, stars, the sun and the moon.

Educated by Dominicans and brought up within a milieu of idealistic Catholicism, Nuttgens left to study at the Central School of Art and the Royal College of Art, completing his studies in 1964. He then worked experimentally, firstly with expanded plastics and metal sheet, exhibiting at the Camden Arts Centre, London in 1970; then making ‘light’ sculptures, incorporating steel sheet and coloured glass, transmitting colour from hidden light sources, which were exhibited at the Cochrane Gallery, London, and with AIM, at the CBX, in Milton Keynes, throughout the seventies. During this period he also taught at schools and art colleges and, for nine years, taught prisoners in Wormwood Scrubs Prison. Encouraged by Patrick Reyntiens, he returned to stained glass in 1978, becoming his assistant, working mainly on John Piper’s windows. On the death of his father in 1982 he re-established this studio and, since then, has designed and made stained glass windows for cathedrals, churches and many other venues. Throughout this time he has maintained an output of painting (complimentary and vital to his commissioned work) and, in recent years, has set up a relief print shop within his studio, producing woodcuts and linocuts. 

A freestanding Bell Tower designed by Douglas Galloway RIBO and built in 1999 was opened by Her Majesty the Queen and dedicated by The Rt. Revd. John Perry The Lord Bishop of Chelmsford on Friday 12th March 1999. This special service marked the official opening of the Belltower and the first 50 years of Basildon new town.





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Robert Levon Been - Mercy Of Man.

Tuesday 28 June 2022

Prophets without honour

A bit late but here's the reflection I shared on Sunday during Evensong at St Catherine's Wickford:

In his book ‘William Blake vs The WorldJohn Higgs writes: “Five days after [William] Blake died, he was given a pauper's burial in an unmarked grave at the Bunhill Fields dissenters' burial ground, beyond the northern boundary of the City of London. With his bones underground and his spirit departed, that should have been the end of his story.

On the face of it, the story of the clash between the world and William Blake seems a straightforward one. Blake had lacked the ability to respond to the pressures and challenges of contemporary life and society. As a result, he spent his life impoverished and misunderstood, alternately mocked and ignored. He was thought of as a madman first and an artist second. This clash, had not been a fair fight, and Blake had lost.

Some 191 years later, in the early afternoon of 12 August 2018, people began making their way to Bunhill Fields. By 3 p.m., close to a thousand people were gathered to witness the unveiling of a grave marker above Blake's remains and to pay their respects to his memory. just over a year later, a retrospective of Blake's work was held at Tate Britain. It was extraordinarily popular, selling close to a quarter of a million tickets over its four-and-a-half-month run.

His current fame and the size of his audience suggest that Blake's art contains rare gold.”

Blake is an example of a prophet without honour in his hometown and among his own kin (Mark 6:1-6). There are others whose influence has been as great, with Vincent Van Gogh being another such and Jesus, himself, being the ultimate example. That is the point of ‘One Solitary Life,’ the famous poem attributed to James Allen Francis:

“He was born in an obscure village, the child of a peasant. He grew up in another village, where he worked in a carpenter shop until he was 30. Then, for three years, he was an itinerant preacher.

He never wrote a book. He never held an office. He never had a family or owned a home. He didn't go to college. He never lived in a big city. He never travelled 200 miles from the place where he was born. He did none of the things that usually accompany greatness. He had no credentials but himself.

He was only 33 when the tide of public opinion turned against him. His friends ran away. One of them denied him. He was turned over to his enemies and went through the mockery of a trial. He was nailed to a cross between two thieves. While he was dying, his executioners gambled for his garments, the only property he had on earth. When he was dead, he was laid in a borrowed grave, through the pity of a friend.

Twenty centuries have come and gone, and today he is the central figure of the human race. I am well within the mark when I say that all the armies that ever marched, all the navies that ever sailed, all the parliaments that ever sat, all the kings that ever reigned--put together--have not affected the life of man on this earth as much as that one, solitary life.”

Today we can look back and reflect on all that those who overlooked William Blake, Vincent Van Gogh, Jesus, and their like missed out on at the time and all that we have gained through the understanding of them that has developed in the years since.

However, we should not be complacent as a result, prophets often go without honour in their own time and community, so we should look with care around us at those whose voice is marginalised or overlooked and, at those from our own community. This includes those, such as Emma, Mike and Steve, who have come from the congregation to be given responsibilities within the Team, but, who it can be easy to take for granted because they are known to us, rather than those who have come from elsewhere. As those from the local area and congregations, we need to treat them with special honour because of the ease with which those who with whom we have grown up can be overlooked or under-appreciated when they, like, Jesus or William Blake or Vincent Van Gogh, are actually the local prophets that we need to hear.

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Hurtsmile - Painter Paint.

Monday 27 June 2022

The Choir of St Martin-in-the-Fields in concert


The Choir of St Martin-in-the-Fields in concert

Sunday 17 July, 3.30 pm

St Andrew's Wickford, 11 London Road, Wickford, Essex SS12 0AN


The Choir of St Martin-in-the-Fields strives to be amongst the leading voluntary church choirs in the UK, performing a wide range of sacred choral repertoire on a regular basis to a high standard.

Come for 45 minutes of beautiful music by Palestrina, Victoria, Holst and Todd.

A retiring collection will be taken.

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The Choir of St Martin-in-the-Fields - Parish Eucharist, Second Sunday after Trinity

Saturday 25 June 2022

Windows on the world (384)


 Southend-on-Sea, 2022

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Crowded House - Distant Sun.

Parish Quiet Day at the Othona Community

















Today we were at the Othona Community in Bradwell-on-Sea for our Wickford and Runwell Parish Quiet Day. We were reflecting on Psalm 42 in order to thirst for God, as deer pant for the water brooks. We went to be refreshed, to take stock, to share together, to learn something new, to enjoy the beautiful surroundings, and to go across the field together to the ancient St Peter’s Chapel looking out over the Blackwater estuary.

Here are the intercessions I prepared and a poem I wrote while there:

Teach today us how to thirst for you, as the deer long for the water brooks. Lord, in your mercy, hear our prayer.

We lift to you all those people and situations that have brought us to tears or have made our hearts heavy in recent weeks and months. Teach us today, how to thirst for your healing and consolation, as the deer long for the water brooks. Lord, in your mercy, hear our prayer.

We give you thanks and pray for all those who keep holy day with us and share in praise and thanksgiving in the house of God. Teach us all today, how to thirst for you in your house, as the deer long for the water brooks. Lord, in your mercy, hear our prayer.

We remember that deep calls to deep in the thunder of your waterfalls and all your breakers and waves. Speak to us today in the beauty and drama of this place. Teach us today, how to thirst for you in nature, as the deer long for the water brooks. Lord, in your mercy, hear our prayer.

As worker ants seek food, as forager bees
source pollen, as deer thirst for water brooks,
so do I long for you. To slake my thirst,
find sustenance within, to share
Your sustaining Spirit. My deep-seated
longing for meaning and identity, met
only in You. The aching absence
– a God-shaped hole – within,
filled with a Word that is sweet as honey
from the honeycomb. Honey
to sweeten the lips, tongue and palate
of those tasting the bread of life
and imbibing the warming, healing waters.

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Cor Ysgol Y Strade - As The Deer.

Art Lane, Thurrock Art Trail and Feast & Fayre




After a long break due to the pandemic Art Lane is returning as part of the Feast and Fayre in Horndon On The Hill this weekend.

Art Lane can be found tucked away between Well House Gallery and the Woolmarket and will be buzzing with a hive of artists from all different mediums. There are different artists on Saturday and Sunday. So do go along and see what you may discover!

Saturday’s Artists 25th June 2022:


Kara Thompson


Anna Wojciechowska


Nancy Walker


Thurrock Potters


Cath Daykin


Wendi Lee


Sue Blamey

Sunday’s Artists 26th June 2022


Jackie Burns


Grace Silverwood


Max Blake


Jane Barry


Pat Douglas / Pottery For Children


Vincent Ellis

The village Feast & Fayre is part of Britain’s heritage and the organisers of this event are committed to keeping that tradition alive and well in Thurrock. The preservation and enhancement of Horndon-on-the-Hill is a high priority. It remains one of the most charming and historically intriguing villages in this area.

Thurrock Art Trail is again at this years Feast and Fayre with St Peter's Way between the Woolmarket and the Church transformed into "Art Lane" with a variety of art on show with the opportunity to meet the artists, many of whom will be demonstrating their skills. Other Horndon locations participating in Thurrock Art Trail this weekend include The Well House Gallery and The Ostlers Restaurant. For details click here: Thurrock Art Trail.

For more information on the Feast and Fayre click here and for the Thurrock Art Trail click here.

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Wovenhand - Sparrow Falls.

Thursday 23 June 2022

Remembering Ervin Bossányi


Remembering Ervin Bossányi was an event held at the Liszt Institute dedicated to Hungarian-born artist Ervin Bossányi, best known for his stained glass windows at Canterbury Cathedral.

Ervin Bossányi (1891-1975) was born in a small village in southern Hungary and educated in Budapest. He worked as a painter and sculptor mainly in northern Germany until his forced emigration in 1934. In due course, he would establish a new career as a notable stained glass artist in England. He created stained glass windows for Senate House Library, University of London, the Tate Gallery (‘The Angel Blesses the Women Washing the Clothes’), the Victoria and Albert Museum (‘Noli me tangere’), as well as for York Minster, the President Woodrow Wilson memorial chapel in Washington National Cathedral, Washington DC and Canterbury Cathedral, among others.

Art historian Monica Bohm-Duchen, founding director of Insiders/Outsiders, led a panel discussion with family members, stained glass experts and others to explore the extraordinary life and unique cultural contribution of this still too little-recognised artist.

Panel participants:

The video of this event is above. Due to technical issues, recording ended after Alfred Fisher had spoken. In my presentation, which is as a result absent from the recording, I briefly mapped out the context within which Bossanyi’s work and vision can best be understood and appreciated, by showing the extent to which aspects of his approaches were shared with others in his day and time. My paper will be published by ArtWay shortly.

My Artlyst interview with Ilona Bossanyi about her grandfather can be found at Ilona Bossanyi: Tate’s Ervin Bossanyi Stained Glass Window Mothballed After 2011 Redevelopment.

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Zoltán Kodály - Missa Brevis.

Sandra Bowden and Bowden Collections

One of many joys in attending 'The Artist as Truth-Teller and the Legacy of French Artist Georges Rouault' last week was that of meeting the artist Sandra Bowden.

Sandra Bowden has been interpreting Scripture and her own spiritual walk through mixed media for more than forty years. She has been acclaimed as one of the most unique, impressive and inspiring Christian artists in America. Bowden’s work has been featured in books, magazines and gallery shows across the United States, Canada, Italy and Jerusalem.

Her work fuses the vivid yet traditional imagery of the Old Testament – stone tablets and artifacts, Hebrew inscriptions, architectural depictions – with images of Christ’s passion, important music scores, and God’s natural creations. She has issued several series of artworks over the years: crucifixion scenes, artistic use of text and color, new interpretations of classic religious artwork, even altered books with applied textures and hues. God’s grandeur and creativity shine through in each piece of her art.

“My Christian faith has been the driving force behind my art,” Bowden says. “I look at the making of a piece of art as a kind of doxology, a prayer or conversation with God. I don’t mean this in any mystical way, but my ideas come out of my theology and thoughts about God. I am somewhat of a theologian, but one who translates those interpretations into visual form.”

In addition to being an exceptional artist, Sandra is also a collector who, through Bowden Collections, offers a variety of traveling exhibitions available for rental to museums, churches, colleges, seminaries and similar institutions.

Bowden says:

'I have always wanted to own art by other artists. My first pieces were pottery or works that I could swap with other artists. Then I began to make a greater commitment to strategically collecting. However, the most important reason is that it is enjoyable. What a thrill to “find” a piece, recognize its value and have it become part of my collection.

I feel like a caretaker, so to speak, of each piece in our collection, preserving it for the future. With every new acquisition comes a world of knowledge, a reservoir of information surrounding the piece that adds to the fascination and enjoyment.

The Bowden Collections focuses on religious art for several reasons: first, it is the subject I am most passionately interested in; second, it is a wonderful time to be collecting work with biblical themes because the art market in general is not particularly interested in art with religious content. I also feel that religious art needs exposure within the Christian community, and it is my intent to make these pieces available whenever possible for that purpose. I see my collector's role as a calling—something that is critically important to do at this particular time.'

Click here to see the range of collections available which include work by Marc Chagall, Otto Dix, Alfred Manessier, and Georges Rouault, among others. 

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Morten Lauridsen - Lux Æterna.

Uplift at the Edinburgh Fringe Festival



'Uplift' is a heart-warming play illuminating the significant contributions of the Windrush Generation to Britain, the scandal around their wrongful treatment and their journey in overcoming this atrocious injustice with the support of friends and allies. Dave Neita, lawyer by profession, wrote 'Uplift' to celebrate the culture, impact and resilience of the people who came to Britain and contributed to the rebuilding of the nation following the destruction caused by the Second World War. Dave applies the law to support people who have been damaged by the Windrush Scandal and uses the arts to raise awareness of their struggle for justice.

The play is at the Edinburgh Fringe Festival this summer. For booking details see  Uplift | Theatre | Edinburgh Festival Fringe (edfringe.com).

I first met Dave through Jamaican Spiritual, an exhibition held at St Stephen Walbrook which was made up of painting,sculpture and photography highlighting the strong spiritual nature of Jamaica and it’s people. Dave has also contributed to several HeartEdge events, see here, here, and here.

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Dave Neita - The Beauty And Utility Of Poetry.

Monday 20 June 2022

The Group of Seven

"The Group of Seven (sometimes referred to as the Algonquin School) was Canada's first internationally recognized art movement." They were "a group of Canadian landscape painters from 1920 to 1933, originally consisting of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932.

Two artists commonly associated with the group are Tom Thomson (1877–1917) and Emily Carr (1871–1945). Although he died before its official formation, Thomson had a significant influence on the group. In an essay, Harris wrote that Thomson was “a part of the movement before we pinned a label on it”; Thomson’s paintings The West Wind and The Jack Pine are two of the group’s most iconic pieces. Emily Carr was also closely associated with the Group, though never an official member."

"The Group was united in the belief that a distinct Canadian art could be developed through direct contact with the country's vast and unique landscape." Christopher Varley and Russell Bingham write that "The group presented the dense, northern boreal forest of the Canadian Shield as a transcendent, spiritual force." MacDonald stated that the Group's aim was "to paint the soul of things [...] the inner feeling rather than the outward form".

"For the Group of Seven, the landscape became akin to a religion. Varley and Harris particularly venerated nature, finding God's immanence within it. From their paintings, Dr. Salem Bland, a leading liberal theologian, stated that he felt, "as if the Canadian soul was unveiling to me something secret and high and beautiful which I had never guessed; a strength and self-reliance, depth and mysticism I had not suspected." Katerina Atanassova says “There is a great deal of spirituality in early twentieth century Canadian art, Varley was very influenced by Buddhism, and many of Lawren Harris’s paintings are based on theosophic principles.”

Jim Friedrich notes that, in 1927, Emily Carr saw an exhibition by the Group and that night wrote in her journal: "Oh, God, what have I seen? Where have I been? Something has spoken to the very soul of me, wonderful, mighty, not of this world. Chords way down in my being have been touched. . . Something has called out of somewhere. Something in me is trying to answer." Carr, at age 56, would go on to begin her most productive period as a painter, exploring the unique spirituality of Canadian landscapes.

Margaret Hirst writes that "Carr yearned to find and express God, and Lawren Harris ... was the catalyst for her great spiritual journey. In addition, Harris befriended and encouraged Carr, offered technical advice, and introduced her to philosophies such as Theosophy and the transcendental poetry of Walt Whitman." "An awe of great expanses became a crucial component of Carr’s religious expression, as she moved away from paintings of native scenes and totems toward a focus on the timbers and skies of the woods. Though Christian, Carr retained the Pantheistic tendencies born in her girlhood, hearing “the myriad voices of God shouting in one great voice: ‘I am one God.... I am heaven. I am earth. I am all in all’.” Her developing religious devotion began to permeate her art." "As she developed her technical skills and style, expression of the Almighty remained foremost in her artistic purpose. By 1934 she could write: “I am painting my own vision now, thinking of no one else’s approach.” Carr had synthesized her faith into a personal, non-dogmatic Christianity, accented by traces of Pantheism, all of which would be reflected in her famous “sky” paintings."

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Bruce Cockburn - Hills of Morning.

Galerie of Contemplation

The website www.galerie-of-contemplation.com shows fine art representations of themes from the Old and New Testaments. It presents the illustrated book 'THE BIBLE IN IMAGES' (Introduction, Images, Credits), published in Hamburg in May 2013. Further information on the critical response to the illustrated book can be found by clicking on Reviews.

"I found that the structure and the choice of topics from the books of the Bible really worked. Your selection of pictures and the way you put them together is quite excellent. It gives enjoyment and pleasure to read the Bible texts in connection with the pictures and, conversely, to look at and consider the pictures after having read the texts. I think that with this illustrated book you have managed a very nice redesign of a biblia pauperum, as many people today know neither the Biblical stories nor are they able to interpret the works of art depicting them. With this volume you offer a valuable aid in this respect." Principal Pastor Alexander Röder, Principal Church of St. Michael, Hamburg; Head of the Church Art Service

"I think that it is a particular achievement to have limited yourself to 82 works of art from a seemingly endless number of suitable candidates - these 82 works from the history of art in Europe. It requires extensive knowledge in this field and firm conviction in the selection. What would Europe's art look like without the Old and New Testaments? Almost impossible to conceive. The Christian West or, more precisely, its iconography, is a treasure that can never be fully exhausted." Prof. Wilhelm Hornbostel, former Director of the Museum of Art and Crafts, Hamburg; Chair of the Friends of Prussian Castles and Gardens, Berlin

"The pictures and texts draw you beyond a mere observation. A true book of meditation!" Helge Adolphsen, former Principal Pastor of St. Michael, Hamburg, and for many years President of the German Protestant 'Kirchentag'

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Mavis Staples & Levon Helm - You Got To Move.

LAKWENA MACIVER: JUMP

Hastings Contemporary is presenting an exhibition of Lakwena Maciver’s Jump Paintings, abstract portraits of some of the most inspiring Basketball Players, both past and present (18 June – 25 September 2022).

The origins of these ‘Jump paintings’ stem from two full-size courts painted in 2020 in Pine Bluff, Arkansas, to honour Senator Flowers, whose impassioned 2019 speech against proposed ‘Stand Your Ground’ legislation went viral and inspired Lakwena in the wake of the Black Lives Matter movement the following year. Entitled I’ll bring you flowers, the defiantly joyful paintings used the universality of the basketball court as a canvas to speak of hope in the face of oppression and blessing through adversity.

For these new paintings, Lakwena took physical and biographical references as a starting point. Each is titled with the first name of the player and is the same height as the individual. They are painted on bespoke slim wooden panels and given a seductive, almost mirror-like gloss. This idea of reflection adds a personal interactive element to the viewing experience.

Lakwena says “I like the notion of the basketball court as a platform or a stage where the players become almost like superheroes… The heights that they soar to… it’s like they are flying, somehow able to rise above the limitations of this world. This is especially poignant for me given that basketball is indisputably dominated by African Americans, and their style of play has shaped the game.

I’m interested in what brings us closer together, so for me these paintings are about being aspirational, dreaming, and the connection between people, but also about the link between heaven and earth and ourselves as individuals in relation to a higher power.

The politicisation of the game is something I’m interested in exploring. The ‘slam dunk’ for instance, one of Basketball’s great crowd pleasers, could be seen as a physical manifestation of black power. So much so that it was banned in 1967 for 10 years, coincidentally after a year of Lew Alcindor’s domination of the game. I see these paintings as an opportunity to celebrate black power, joy, and self-expression.”

These paintings were originally shown at Vigo Gallery and my review for Church Times can be found here. For more on Lakwena, see my Artlyst interview here, a visual meditation for ArtWay here, a Diary piece for Artlyst, and an article about emerging religious artists here.

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Sarah Brown - Didn't It Rain.

Artlyst: Art Illuminating spirituality June 2022 Diary

My June diary for Artlyst has mentions for The Singh Twins at Firstsite, Chaiya Art Awards 2023, Peter S. Smith and The Woodpecking Factory at British Museum, Remembering Ervin Bossányi at The Liszt Institute, ASCHA's Georges Rouault symposium, plus the Visual Commentary on Scripture and Reframed: The Woman in the Window at Dulwich Picture Gallery. It's a very full diary!

For more on Chaiya Art Awards see:
For my interview with Ilona Bossanyi about her grandfather see - 
For my VCS exhibitions, see 'A Question of Faith' and 'Back from the Brink'.

My other pieces for Artlyst are:

Interviews -
Articles -
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Eric Bibb - With My Maker I Am One.

Sunday 19 June 2022

The Psalms Project: In the Shadow of Your Wings

HeartEdge featured the Psalms project 'In the Shadow of Your Wings' run by Deus Ex Musica on several occasions. The project has now resulted in a brand new book of Psalm settings for female voice, In the Shadow of Your Wings, which is a must have for the church singer. Curated by the Executive Director of Deus Ex Musica, Dr. Delvyn Case, this anthology will offer you contemporary settings in a variety of styles.

Composers include:
  • Richard J. Clark
  • Mary Montgomery Koppel
  • Bil Mooney-McCoy
  • Shawn E. Okpebholo
  • Fiona Evison
  • Josh Rodriguez
  • Emily Hiemstra
  • Delvyn Case
  • Sungji Hong
Songs can be heard at: In the Shadow of Your Wings

The Psalms Project also features soon in two upcoming UK events. First, The Beautiful World of Holiness: Explorations of Creation and Nature Through New Sacred Music on Sunday, 26 June 2022, 3 pm at All Saints Church, Tooting, London. This unique interactive event uses live musical performances as a springboard for discussion about Creation and our varying responses to what composer June Boyce-Tilman calls “the beautiful world of holiness.” Featuring the UK premieres of solo psalm settings by June Boyce-Tilman MBE, Alexandra T. Bryant, and Delvyn Case. Performed by Robert Rice, baritone, and Delvyn Case, piano.

This event is part of the All Saints ARTS Festival, itself part of the Wandsworth Arts Fringe, which is designed to embrace a variety of styles and performers with a range of experience together. It will include many concerts embracing a variety of styles – including a recital on Baroque instruments with Pawel Siwczak, an organ recital with Benjamin Costello, a jazz concert with Senior Street Jazz Sextet and a community concert with schools, soloists and other groups. It is a community event encouraging the embracing of diversity at every level. It has an eco-theme with poems and musical pieces designed to reflect our care for the environment. The events will be taking place in All Saints Church, Brudenell Road, Tooting, SW17 8DQ.

The second event is The Psalms Project: Dialogues with Contemporary Sacred Music on Sunday 3 July, 19:30 – 21:00, at Institute of Contemporary Performance, 39 Ludgate Hill, London EC4M 7JN. A unique event organized by UK-based composer Ng Yu Hng, combining world-premiere performances of new sacred music with interfaith discussion. Featuring new works for unaccompanied violin inspired by the psalms.

Through a combination of live performances and informal discussions, this event invites listeners to consider the ways these new compositions respond to the Biblical texts that inspired them. What insight into these ancient poems do these works provide for us today? How do they help us experience the psalms in new ways? Can they teach us anything about the spiritual dimension of Scripture? What do they tell us about contemporary sacred music’s ability to contribute to dialogues about faith in our secular society?

Written by an international collection of composers representing the Christian and Jewish traditions: Sungji Hong (South Korea), Delvyn Case (US), Ng Yu Hng (Singapore), Joelle Wallach (US), Kirsten Strom (New Zealand). The new works will be performed by violinist Joseph Edwards, at the Institute of Contemporary Performance in Central London (39 Ludgate Hill, London EC4M 7JN). This event is kindly hosted by the pianist Leona Crasi, director of the Institute of Contemporary Performance, and to be filmed and recorded by Bernardo Simões.

Moderated by musician, scholar, and teacher Delvyn Case, this event is open to anyone. No religious background or musical experience is necessary. Attendees may participate in the discussion or simply enjoy the music and the conversation.



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In the Shadow of Your Wings - Psalm 148