Wikio - Top Blogs - Religion and belief
Showing posts with label rumi. Show all posts
Showing posts with label rumi. Show all posts

Tuesday, 15 July 2025

Unique musical event combined performances of new compositions with Interfaith conversation

This evening, the Woolf Institute at the University of Cambridge presented a unique musical event that used music as a springboard for interfaith dialogue.

Entitled “Creation: A World-Premiere Event”, it featured live performances of new compositions written by musicians from Jewish, Christian, and Muslim backgrounds expressly for this project. The musical offerings were followed by an engaging roundtable discussion featuring an interfaith collection of scholars affiliated with Cambridge University.

“I envisioned this event as an opportunity to explore the unique the arts can contribute to interfaith dialogue”, says Delvyn Case, an American musician and scholar who curated the project as part of his Visiting Fellowship at the Woolf Institute. “Listening to music reminds us of all the things we have in common with each other, no matter who we are or what we believe: the love of beauty, the value of human connection, and our need to explore the deepest questions life poses to us. Using music to help us consider questions of faith and spirituality will be a one-of-a-kind experience for all who attend.”

The event featured new compositions for voice and piano by Ari Ben-Shabetai, an internationally-prominent composer now based in the UK, as well as Case, who serves as Professor of Music at Wheaton College in Massachusetts. These works were performed by baritone Robert Rice, a member of The Cardinall’s Musick, and Calvin Leung, one the UK’s most accomplished young pianists. The third piece, a new song based on an original text, was performed by Samia Malik, a singer-songwriter, workshop leader, and activist known for her emotionally-riveting bilingual Urdu/English songs.

“Each of us has created a new piece of music that explores the theme of ‘creation’ from a religious or spiritual perspective,” says Case. “It’s fascinating to see the unique ways each of us has approached the challenge. Some of us have focused on the ways the theme relates to the basic human urge to create – and how that helps us understand the spiritual dimension of human experience. Others have expressly connected it to the issue of environmental crisis that we all face. Altogether, these pieces demonstrate the unique power of the arts to bring people together in conversation about themes that are relevant to all of us today.”

The performances of the pieces was followed by an informal panel discussion featuring scholars representing each of the three Abrahamic faiths. Cambridge Faculty of Divinity members Prof. Giles Waller and Prof. Timothy Winter (Abdal Hakim Murad) were joined by Dr. Danielle Padley, a Research Fellow at the Woolf Institute. Each of the composers was also present for the event and shared their own thoughts about their music. 

Musician biographies:

Born in Jerusalem, Ari Ben-Shabetai studied composition with Mark Kopytman at the Jerusalem Rubin Academy of Music, and with George Crumb and Richard Wernick at the University of Pennsylvania,U.S.A., where he received a Ph.D. in Composition. Now residing in the UK, for many years he served as head of the Composition, Conducting and Theory Department at the Jerusalem Rubin Academy of Music. His Sinfonia Cromatica won the first prize in the 1994 Israel Philharmonic Orchestra composition competition, and was subsequently performed on tour to Germany, France, Italy, and the U.S.A. with Maestro Zubin Mehta conducting. In 1995 his work Magreffa was commissioned by Maestro Lorin Maazel for the Pittsburgh Symphony Orchestra and was performed both in Pittsburgh and in Jerusalem. A winner of numerous international awards, Dr. Ben-Shabetai was Chairman of the Israel Composer's League for four years, during which period he founded the Israeli Music Center (IMC) publishing house and produced "Psanterin" - a 9 CD Anthology of Israeli piano music.

Born in Saudi Arabia to Pakistani parents, Samia Malik has lived in the UK since she was a child. For over 30 years she has written, performed and produced bilingual Urdu and English songs based on traditional Urdu Ghazal (a highly refined union of poetry with music) extending and subverting the form to explore contemporary issues around identity, race and gender. She has collaborated and toured nationally and internationally with acclaimed world-class musicians, writers and artists including Baluji Shrivastav OBE, Dr Mallika Sarabhai, Giuliano Modarelli, Seemab Gul, Al MacSween, Sukhdeep Dhanjal, Sianed Jones and Cris Cheek. Samia has released five albums: 'The Colour of the Heart' (1998 rereleased 2023), Jaago – Wake Up (2004), Azaadi: Freedom (2017), 'Samia Malik Live at Norwich Arts Centre' (2019), and 'Songs to Heal and Empower' (2023). She also delivers highly successful and popular workshops and performances directly in the community, including to vulnerable groups such as refugees and asylum seekers, women and families being supported by domestic violence organisations, and isolated rural groups.

Delvyn Case is an American musician, scholar, writer, speaker, and educator. He has spent 25 years developing projects for secular and religious audiences that explore music’s unique power to explore questions of spirituality in the contemporary world. His writings on music, faith, and theology have appeared in The Christian Century, Sojourners, Books and Culture, and his work has been featured in Time Magazine, on BBC4’s “Sunday Morning” broadcast, and in the Boston Globe. He has collaborated on projects with the Yale Institute for Sacred Music, the Boston College Centre for Christian-Jewish Learning, the American Academy of Religion, Hebrew College, and many churches and organizations in the UK. He is the founder and executive director of Deus Ex Musca, an international organization that promotes the use of sacred music as a resource for spiritual formation, ecumenism, and interfaith dialogue. In 2024 he spent two terms as a Visiting Fellow at Exeter College, Oxford, and is currently a Visiting Fellow at the Woolf Institute. His music has been performed by over 100 orchestras across the world, including the BBC Scottish Symphony, the Royal Liverpool Philharmonic, and the Hallé Orchestra, as well as by Grammy-winning artists including Richard Stoltzman and the Chestnut Brass Company. A graduate of Yale University and the University of Pennsylvania, Dr. Case currently holds the A. Howard Meneely Endowed Professorship at Wheaton College in Massachusetts, where he conducts the Great Woods Symphony Orchestra.

---------------------------------------------------------------------------------------------------------

Samia Malik - Like A Gift.

Sunday, 17 May 2015

The Prophet and the Losses: Relating to Islam and Islamists

This evening the Revd Dr Sam Wells preached on The Prophet and the Losses: Relating to Islam and Islamists. The sermon will be available to read shortly by clicking here. My thoughts on British Shared Values and Faith, which have some synergies with this sermon, can be read here.

The intercessions I prepared to complement this sermon follow:

Eternal God, one God, living and subsisting in yourself; merciful and all-powerful, the Creator of heaven and earth, we adore you for you have spoken to us; every nation and tribe and language and people. You did not abandon either Ishmael or Isaac and we therefore pray in trust for your continued care of the faith communities which have grown from their seed. We stand in awe and gratitude for your persistent love towards each and all of your children: Christian, Jew, Muslim, as well as those with other faiths. As Christians, Jews or Muslims may we remember, and profoundly affirm, what we share as children of Abraham, people of our Books and as monotheists. Strengthen our resolve to share common ground by living face to face and side by side in peace with one another.

Jesus, whose death is a fundamental statement of the centrality of nonviolence, you experienced in person torture and death as a prisoner of conscience. You were beaten and flogged and sentenced to an agonizing death though you had done no wrong. Be now with prisoners of conscience throughout the world. Be with them in their fear and loneliness, in the agony of physical and mental torture, and in the face of execution and death. Stretch out your hands in power to break their chains. Bless all those, like Amnesty International, trying to secure their release. May the ways of peace and diplomacy prevail over acts of violence and aggression. Be merciful to the oppressor and the torturer, and place a new heart within them. Forgive all injustice in our lives, and transform us to be instruments of your peace, for by your wounds we are healed.

Holy Spirit, who makes Christ and his benefits present to us now and who is therefore active in bringing many from East and West to sit with Abraham, Isaac and Jacob in the kingdom of God, we pray for all who are working for peace in the tangled conflicts of Afghanistan, Iraq, Libya, Sudan, Syria and other nations today. For international leaders holding a thread of control, for the politicians holding a thread of power, for the religious leaders holding a thread of authority, for the fighters holding a thread of influence, and the citizens clinging to a thread of hope. We pray particularly for refugees like the Rohingya caught up in issues beyond their community and unable to fi8nd a place to lay their head. Give to them a home and to us: understanding that puts an end to strife; mercy that quenches hatred; forgiveness that overcomes vengeance; the strength it takes to listen rather than to judge; growth in trust rather than fear of the other; the courage and persistence to try again and again to make peace even when peace eludes us.

Holy Trinity, within whom love is constantly exchanged and shared, may we experience the extension of that exchange in shared conversation and action with those of other faiths. In the spirit of that exchange we pray using words from the Sufi poet Rumi, asking for a world in which through love all that is bitter will be sweet, all that is copper will be gold, all dregs will turn to purest wine, all pain will turn to medicine. That through Love the dead will all become alive and the king turn into a slave. We also share in the Shabbat prayer crying out for rest from pain and turmoil and hard service. May we see the day when war and bloodshed cease; when a great peace will embrace the whole world. Then nation shall not threaten nation and humankind will not again know war. For all who live on earth shall realize we have not come into being to hate or destroy. We have come into being to praise, to labour and to love. Compassionate God, bless all the leaders of all nations with the power of compassion. Fulfil the promise conveyed in Scripture: "I will bring peace to the land, and you shall lie down and no one shall terrify you. I will rid the land of vicious beasts and it shall not be ravaged by war." Let love and justice flow like a mighty stream. Let peace fill the earth as the waters fill the sea.

--------------------------------------------------------------------------------------------------

Eric Whitacre - Hope, Faith, Life, Love.

Friday, 26 July 2013

Exhibitions update: An entire universe within the human soul

"Inspired by the work of the 13th century Persian poet, Jalāl ad-Dīn Muhammad Rūmī, ‘What does the vessel contain, that the river does not’ is a traditional fishing boat from Kerala, India that measures over 20 metres and straddles the entire stretch of the gallery [at Hauser and Wirth]. The boat is filled from bow to stern with chairs, beds, window frames, fishing nets, plastic jars, cans, an old radio, cooking pots and pans, suitcases and a bicycle.

The ancient Sufi philosophy embedded in Rūmī‘s poetry speaks eloquently about the idea of the microcosm – the containing of an entire universe within the human soul. With this large-scale work, Subodh Gupta too creates a microcosm containing one person’s entire existence, bundled together and crammed into a vessel which appears as if it is about to set sail. For the artist, this boat ceases to be just a simple mode of transportation, but has evolved into an extension of the greater paradigm of survival, sustenance and livelihood."

Gupta’s suitcases, sleeping bags and cardboard boxes, cast in aluminium, feature in Trade Routes (also at Hauser and Wirth). Rūmī also features here in tapestries by Rachid Koraïchi which are suspended from the main gallery’s ceiling, hanging just above the heads of visitors. "The tapestries chronicle the lives of 14 great mystics of Islam, such as the poet Rūmī, whose writings the artist believes are just as relevant in today’s society as they were in the 13th century. The tapestries are covered in ornate Arabic calligraphy and ciphers from a range of other cultures, as well as symbols imagined by the artist." Adel Abidin’s three channel video installation ‘Three Love Songs’ "brings to the forefront the underlying cultural friction and political tension by creating an uncomfortable juxtaposition between the sexualised performance, replete with Western clichés, and the meaning of the ... odes dedicated to the former leader of Iraq, Saddam Hussein." Gülsün Karamustafa's Double Jesus and the Baby Antelope is "a collage of carpets adorned with images of Jesus, a chase scene and a leopard-patterned bed cover, all collected by the artist from the households of migrants new to Istanbul and reassembled into a textile collage."

"‘Stream -10, 1984 – 2013, London’, one of Takesada Matsutani’s largest works, is a 10-metre sheet of paper which the artist covers in a blanket of graphite, leaving just one thin white line coursing through the middle of the paper. Matsutani then completes the work by throwing turpentine over the edge of the dense surface, quickly dissolving the graphite in a tremendous surge of energy and an act of cathartic liberation." ‘A Matrix’ at Hauser and Wirth "features never before seen paintings from Matsutani’s early career, as well as recent organic abstractions in vinyl glue and graphite."

Sculpture, Paintings, Drawings and Prints by Leon Underwood can currently be seen at the Redfern Gallery. Underwood studied life drawing at the Slade School of Art under Henry Tonks. "He also became a founder member of the Seven and Five Society. He began teaching at the RCA in 1920 and opened the Brook Green School of Drawing at his studio the following year. Among his students were Eileen Agar, Gertrude Hermes and Henry Moore. Underwood travelled extensively throughout his life, including trips across Europe, the USA, West Africa, Iceland and Mexico; the ‘primitive’ art of the Aztecs and Africa particularly influenced him. An extraordinary polymath – a sculptor, painter, engraver and inventor, to name a few – he wrote prolifically on a variety of art topics and founded the magazine The Island, to which Moore and C R W Nevinson contributed." His work can also be seen in Mexico: A Revolution in Art, 1910-1940 at the Royal Academy of Arts.

------------------------------------------------------------------------------------------

Rūmī - Only Breath.