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Showing posts with label society. Show all posts
Showing posts with label society. Show all posts

Sunday, 25 August 2024

Two orders of society


Here's the sermon that I shared this morning at St Mary’s Runwell and St Gabriel’s Pitsea:

“This place has known magic, very dark, very powerful. This time I cannot hope to destroy it alone. Times like these, dark times, they can bring people together but they can tear them apart. Evil will pass through from their world into our own – these are mad times we live in, mad – and the darkest hour is upon us all. In my life I’ve seen things that are truly horrific, now I know that you will see worse. You have no choice. You must not fail.”

Does anyone know or would anyone like to guess where those words come from?

They are from the film Harry Potter and the Half-Blood Prince; a film and a series which are about a battle between forces of darkness and light described in words and images that are not so dissimilar from those we heard today in each of our Bible readings:

“For our struggle is not against flesh and blood, but against the rulers, against the authorities, against the powers of this dark world and against the spiritual forces of evil in the heavenly realms. Therefore put on the full armour of God, so that when the day of evil comes, you may be able to stand your ground, and after you have done everything, to stand.” (Ephesians 6. 12-13)

"Does this make you want to give up? What gives life is God’s spirit; human power is of no use at all. The words I have spoken to you bring God’s life-giving Spirit. Yet some of you do not believe." (John 6. 61-64)

Does this mean that as Christians we are actually living in the equivalent of a Harry Potter film? Life generally, although it is often a real struggle, doesn’t look or feel like that! Fantasy books and films can be a means of exploring the dark forces in life and the sense of a cosmic conflict in our world but they can also be a reason for dismissing, as fantasy, this Biblical sense of there being a cosmic conflict in which we are all in some way engaged.

The most helpful writer I have found on these themes to date is Stephen Verney, a former Bishop of Repton. His commentary on John’s Gospel, Water into Wine, begins by noting the way in which this Gospel consistently speaks about there being two different levels or orders to reality. What he means by this are different patterns of society, each with a different centre or ruling power. He gives as an example, the difference between a fascist order and a democratic order:

“In the fascist order there is a dictator, and round him subservient people who raise their hands in salute, and are thrown into concentration camps if they disobey. In the democratic order … there is an elected government, and round it persons who are interdependent, who share initiatives and ideas.”

So, what are the two orders that he sees described in John’s Gospel? In the first, “the ruling principle is the dictator ME, my ego-centric ego, and the pattern of society is people competing with, manipulating and trying to control each other.” In the second, “the ruling principle is the Spirit of Love, and the pattern of society is one of compassion – people giving to each other what they really are, and accepting what others are, recognising their differences, and sharing their vulnerability.”

I see these two different orders clearly defined when Jesus comes before Pilate, as I have described in the first of a series of meditations I have written on the Stations of the Cross:

Jesus and Pilate
head-to-head
in a clash of cultures.
Pilate is
angular, aggressive, threatening
representing
the oppressive, controlling
Empire of dominating power,
with its strength in numbers
and weaponry,
which can crucify
but cannot
set free.
Jesus is
curves and crosses,
love and sacrifice,
representing
the kingdom of God;
a kingdom of love,
service and self-sacrifice
birthing men and women
into the freedom
to love one another.

The way of compassion
or the way of domination;
the way of self-sacrifice
or the way of self;
the way of powerlessness
or the way of power;
the way of serving
or the way of grasping;
the kingdom of God
or the empires of Man.

These two orders or patterns for society are at war with each other and it is this struggle, against the rulers, the authorities, the powers of this dark world and the spiritual forces of evil, of which we are a part.

Now, in today’s readings, we are asked to choose our side in this struggle. Verney writes of this being the key question for us as human beings, the question being “so urgent that our survival depending on finding the answer. He writes that: “we can see in our world order the terrible consequences of our ego-centricity. We have projected it into our institutions, where it has swollen up into a positive force of evil. Human beings have set up prison camps where they torture each other for pleasure. We are all imprisoned together, in a system of competing nation states, on the edge of a catastrophe which could destroy all life on our planet.”

And so, as Colin Buchanan writes in his commentary on Ephesians: “… the major battle in which we are called to engage is among the principalities and powers, in the structures of society, in the liberation of the oppressed, in the conserving of the environment, in the provision of housing and jobs, and in the protection of the helpless and innocent.”

It is at this point that we often draw back and say what people often say about engagement in politics i.e. what different can I make? What different can my vote or my voice or my actions make? Aren’t we talking here about global order and forces that can’t be influenced or affected by individuals, so what possible difference can I make on my own?

But individual action is not what Jesus or Paul were primarily talking about. Jesus was talking to the disciples who would go on to form the bedrock of the Church. And Paul, who had already written in Ephesians 3. 10 that “[God’s] intent was that now, through the church, the manifold wisdom of God, should be made known to the rulers and authorities in the heavenly realms”, when he writes about the armour of God writes not in the singular but the plural. The armour of God is armour for us to put on and use together in the cosmic conflict.

Colin Buchanan writes that: “Our being ‘drawn together’ by Jesus Christ, as denominations, church fellowships and individuals within those fellowships, is crucial to the fight … Paul may be telling us how to become a single army under the hand of God … So let the church identify the enemy and, as a single force – the body of Christ, go for the jugular. We have … God’s kingdom to bring in. We can only do it … together.”

We have seen this happen in practice in the various non-violent revolutions of the twentieth century; Gandhi, Martin Luther King, Jubilee 2000 and other campaigns show what is possible when people of faith and people of peace come together in sufficient numbers to make a difference. Together we can engage the principalities and powers, the structures of society, to liberate the oppressed, conserve the environment, provide housing and jobs, and protect the helpless and innocent.

Together; we can only do it together. Joshua challenged the people of Israel, Jesus challenged the disciples, Paul challenged the Church:

‘Choose for yourselves this day whom you will serve, whether the ego-centric ego, where people compete with, manipulate and try to control each other or the Spirit of Love, where people give to each other what they really are, and accept what others are, recognising their differences, and sharing their vulnerability. But as for me and my household, we will serve the Spirit of Love.’ Amen.

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Siskin Green - Love Is The Touch.

Friday, 28 June 2024

Seen and Unseen: Art makes life worth living

 My latest article for Seen & Unseen is entitled 'Art makes life worth living' and explores why society, and churches, need the Arts:

'Churches feature within these arguments because they often host or organise cultural events, exhibitions, installations and performances which contribute towards the economic, social, wellbeing and tourism impacts achieved by the arts and culture. The Arts are actually central to church life because, as well as being places to enjoy cultural programmes such as concerts and exhibitions and also being places to see art and architecture, many of the activities of churches take place within beautiful buildings while services combine drama, literature, music, poetry and visuals.'

My first article for Seen and Unseen was 'Life is more important than art' which reviews the themes of recent art exhibitions that tackle life’s big questions and the roles creators take.

My second article 'Corinne Bailey Rae’s energised and anguished creative journey' explores inspirations in Detroit, Leeds and Ethiopia for Corinne Bailey Rae’s latest album, Black Rainbows, which is an atlas of capacious faith.

My third article was an interview with musician and priest Rev Simpkins in which we discussed how music is an expression of humanity and his faith.

My fourth article was a guide to the Christmas season’s art, past and present. Traditionally at this time of year “great art comes tumbling through your letterbox” so, in this article, I explore the historic and contemporary art of Christmas.

My fifth article was 'Finding the human amid the wreckage of migration'. In this article I interviewed Shezad Dawood about his multimedia Leviathan exhibition at Salisbury Cathedral where personal objects recovered from ocean depths tell a story of modern and ancient migrations.

My sixth article was 'The visionary artists finding heaven down here' in which I explored a tradition of visionary artists whose works shed light on the material and spiritual worlds.

My seventh article was 'How the incomer’s eye sees identity' in which I explain how curating an exhibition for Ben Uri Online gave me the chance to highlight synergies between ancient texts and current issues.

My eighth article was 'Infernal rebellion and the questions it asks' in which I interview the author Nicholas Papadopulos about his book The Infernal Word: Notes from a Rebel Angel.

My ninth article was 'A day, night and dawn with Nick Cave’s lyrics' in which I review Adam Steiner’s Darker With The Dawn — Nick Cave’s Songs Of Love And Death and explore whether Steiner's rappel into Cave’s art helps us understand its purpose.

My 10th article was 'Theresa Lola's poetical hope' about the death-haunted yet lyrical, joyful and moving poet for a new generation.

My 11th article was 'How to look at our world: Aaron Rosen interview', exploring themes from Rosen's book 'What Would Jesus See: Ways of Looking at a Disorienting World'.

My 12th article was 'Blake, imagination and the insight of God', exploring a new exhibition - 'William Blake's Universe at the Fitzwilliam Museum - which focuses on seekers of spiritual regeneration and national revival.

My 13th article 'Matthew Krishanu: painting childhood' was an interview with Matthew Krishanu on his exhibition 'The Bough Breaks' at Camden Art Centre.

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Mavis Staples - High Note.

Friday, 26 January 2018

Nature Morte: A brush with death

My latest exhibition review for Church Times reflects on Nature Morte, a touring exhibition by MOCA London which is currently at the Guildhall Art Gallery:

'Can an exhibition change our understanding of what it means to be human? “Nature Morte” is an exhibition that essentially makes that claim, as it invites us to pause and look anew at the human condition.

The exhibition explores the chang­­ing significance of the still life (or nature morte in French) by bringing together historic still-life paintings and contemporary art­­works ...

“Nature Morte” can make the claim that still life is life-changing because the genre has never involved the innocent depiction of everyday objects, but has always utilised coded images.

For much of the history of the still-life, it has been Christian codes that viewers have been required to decipher.'

I have also written on the same exhibition for Artlyst in an article exploring whether art can transform society.

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Shovels & Rope - Death Or Glory.

Friday, 6 May 2016

Review - Recording Britain Now: Society

My latest review for Church Times is of “Recording Britain Now: Society”, the 2015 John Ruskin Prize exhibition:

"[John] Ruskin believed that, to achieve the highest artistic ideals, the artist must understand the God given laws of nature by paying attention to minute details as well as spectacular effects. Accordingly, [Susie] Hamilton, like others in the show, observes from the sidelines, “scrutinising tourists, shoppers, holidaymakers, diners, hen nights and other scenes of leisure”, working quickly to catch particular poses that say “something about human vulnerability and about the pathos of those who process or trudge or consume or travel in the quest for meaning or excitement”.

In this way, her paying attention to minute details results in the poetry and prophecy of which Ruskin spoke. Similarly, Simone Weil believed that to pay attention in this way was prayer. If we see clearly with these artists and this exhibition, then we will be praying, and, when we pay attention to the issue of isolation, which is what they see so clearly, we will be focusing on the very mission of God."

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Gregory Porter - Take Me To The Alley.

Thursday, 9 April 2015

Spokesperson for the silent throng of things made by the human hand

The Evening Standard has four pieces written in appreciation of Neil MacGregor following the announcement that he is to step down as Director of the British Museum. This is fitting because "he has popularised the extraordinary riches of the museum in such as a way as to make them part of an intelligible human story, accessible to the ordinary public."

Michael Prodger writes that MacGregor "sees no conflict between popularity and scholarship and instinctively grasps that the public wants information as much as entertainment."

Antony Gormley described MacGregor as "the spokesperson for the silent throng of things made by the human hand, heart and brain over all time. Like no other before him, he has helped us see, empathise and interpret the huge diversity of humanly made things, allowing us to understand what they are and the world from which they come."

I was pleased to see that his future projects "include working with the BBC and the museum on a new Radio 4 series on faith and society." His series 'A History of the World in 100 Objects' was, in part, an inspiration for my short story The New Dark Ages, which can be read using these links - Part 1, Part 2, and Part 3.

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The Band - Don't Do It.