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Showing posts with label cloud. Show all posts
Showing posts with label cloud. Show all posts

Sunday, 26 January 2025

God's presence in cloud and fire

 Here's the reflection that I shared at St Catherine's Wickford this evening:

As they travelled through the wilderness, God’s presence was shown to the Israelites by a cloud and a fire (Numbers 9.15-end). These symbols help us to understand aspects of God’s support and presence in our lives too.

The cloud was both a guide to the Israelites and an immersive presence. When they were outside the cloud, the movements of the cloud were able to guide them on their journey through the wilderness and God continues to guide us as we pray, whether through the Bible’s teachings or through the prompting of our hearts. When they were within the cloud, they became immersed within it and surrounded by it. This provided protection for them but also, because the cloud could not be fully seen from the inside, revealed God’s omnipotence; the all-surpassing greatness of his being which can never be fully known or understood by human beings. 

‘The Cloud of Unknowing’ is a Christian spiritual classic, written in the fourteenth century, which sets out to describe a transcendent God who exists beyond human knowledge and human language. The anonymous author asserts: " We can not think our way to God. He can be loved but not thought." So, we dwell in a not-knowing where contemplation, calm, and above all, love, are the way to understand the Divine.

The fire provides light, warmth and inspiration. The light of Christ is revelatory as it reveals the good and bad in our lives and communities. Light reveals those things that have been hidden so we can see their true nature; whether live-giving or life-denying. Fire also provides a warmth that encourages everyone to gather together around its source. The fire of God’s love is what draws us to church to gather together and together receive that love. 

Finally, fire is inspiration, as was the case for the first disciples at Pentecost when the Holy Spirit came upon them with tongues of fire giving them the gift of inspired utterance in a number of different languages so they could speak God’s message to all that were present in Jerusalem at that time. God continues to inspire and equip his people who turn to him in prayer.

Like the people of Israel, may we also know God as guide, as omnipotent, as revelation, as love and as inspiration. And may we pray that we might experience him in each of these different ways. Amen.

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Thursday, 10 March 2016

11:59 & Yesterday Today Forever


11:59 were an 'English Christian acid folk band, named after the time on the “Doomsday Clock” ... [who] produced as their only recorded legacy ... a wonderful, pastoral, non-judgmental record.' Their early 1970’s album (released on Dovetail Records c. 1974) This Our Sacrifice Of Praise 'has dreamy, moody production values, with special effects (nature sounds like sea gulls and babbling brooks) set against a beautiful landscape of acoustic guitar, soaring Mellotron, flute, autoharp and male/female vocal harmonies.'

Yesterday Today Forever 'was a musical drama of the life of Christ from Genesis to Revelation.' 'There are three complete stage sets. There's a complicated lighting system. There's quadraphonic sound, a 50-piece choir, a 12-piece band, dance, narration, and great variety in music - rock, folk, classical, Elizabethan, plain song, blues And the film. Back projected on a huge screen, and shot specially for the show, mostly in the USA, by Jim Swackhammer.'

Yesterday Today Forever was 'based in the stirring UK folk and rock style of groups like Cloud, Valley Of Achor and 11:59. In fact most of the members of 11:59 are here, together with a few additional participants. Begins with selections inspired by Genesis (‘Let There Be Light’, ‘The Fall’), on to the life of Christ (‘Behold The Lamb Of God’, ‘I Am’, ‘Blessed Are You’, ‘Father Forgive Them’), closing with the Revelation-based ‘They Have Conquered’ and ‘And There Was Light’. Mostly a gentle progressive folk/praise atmosphere utilizing such instruments as acoustic and electric guitars, synthesizer, piano, string organ, flute, percussion, plus a long list of unusual items (sugar shaker, road drill, baby rattle, cough medicine bottle and plastic guitar to name a few). A few driving fuzz guitar moments here and there, coupled with some harsh dissonant psychedelic experimental passages. Vocals are provided by six different male/female lead singers, along with a small choir that has a moving style very similar to Cloud. A number of spoken-word-over-music portions, alternating the ultra-fragile 13 year-old Hedi Taylor (female) with the bold dramatic tones of Nigel Goodwin (whose poetic readings can also be heard on the UK albums Alive! and Sound Vision In Concert). Includes re-interpretations of ‘The Earth Is The Lord’s’ and ‘The Sacrifice’ from 11:59’s This Our Sacrifice Of Praise. Written by 11:59’s John and Ross Harding. Another peak moment for ‘70s British Jesus music.' (The Archivist, 4th edition by Ken Scott).

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