Unveiled: Maciej Hoffman

There were fascinating insights into art from Maciej Hoffman at tonight's Unveiled in St Andrew’s Wickford, leading to much engaged discussion after the presentation was over. For a sense of some of the ground covered click here. For my reflections on Maciej's work click here, here, and here.

Maciej Hoffman was born in Wrocław, Poland in 1964, the son of artist parents, growing up under Poland's communist regime; after studying philosophy at the School of Theology in Wrocław, he graduated in Painting and Sculpture from the Academy of Fine Art in 1992. Becoming fascinated with web art and new graphic technologies, he then worked for 15 years in one of Poland's largest advertising agencies until a watershed moment in 2003, when he returned fulltime to the studio and to oil painting. He moved to England in 2012, in search of new artistic and life opportunities, and continues to paint, teach and exhibit in the UK and abroad.

Here he became involved in leading art workshops for school students, encouraging self-expression through art therapy for young people from disadvantaged backgrounds, or coping with mental health issues and trauma. He also contributed artworks to exhibitions dealing with conflict and resolution, including two marking Holocaust Memorial Days in 2012 and 2018 respectively. Maciej Hoffman's work has been exhibited in the UK on numerous occasions, including at Chelmsford Cathedral; Barry Gallery Central; Polish Social and Cultural Association (POSK) Gallery and Willesden Gallery (both London), and at the Warwick Art Centre.

‘Painting begins with a spark, an idea, an impulse. Sometimes it seems as though the painting creates itself, intuition guides me during the process … In trivialities as well as in big events I seek contrasts between imagination and reality. Our expectations and our anticipations are never what we finally meet in real life. This constant collision fascinates me. It’s irrelevant whether it’s beauty and ugliness, order or chaos - the point is, how it’s reflected in the mirror of my interpretation … I am moved by people’s stories with all their misfortunes and moments of happiness. It seems like one is always part of the other.’

https://www.maciej-hoffman.com/ https://www.buru.org.uk/record.php?id=1443

'Who Tells Your Story? Who Tells Your Future? An exhibition of paintings by Maciej Hoffman' is at St Andrew’s Church (11 London Road, Wickford SS12 0AN) until 29 March 2024. 

St Andrew’s is usually open: Sat 9am-12.30pm; Sun 9.30am-12 noon; Mon 2-3.45pm; Tue 1-4.30pm; Wed 10am-12 noon; Fri 10am-1pm. See https://wickfordandrunwellparish.org.uk/whats-on.html for more information.

‘I choose themes that pervade everyday life, our constant battle with problems which we inevitably face. But also issues which haunt us for years, shaping our perspective on the world and building us as humans. I try to capture the moments of tension, the climax, and the spark before ignition.’ Maciej Hoffman

Unveiled – a wide range of artist and performers from Essex and wider, including Open Mic nights (come and have a go!).

Unveiled – view our hidden painting by acclaimed artist David Folley, plus a range of other exhibitions.

Spring Programme 2024

• 23 February – Tryin’ to throw your arms around the world. Jonathan Evens talks about the spirituality of the rock band U2. This talk sets out the main characteristics of U2’s spirituality, examines their roots, makes links between their spirituality and themes in contemporary theology and, considers three reasons why U2’s spirituality has connected with popular culture.
• 8 March – Dave Crawford in concert. Popular local musician, Dave Crawford writes engaging/melodic songs in Americana/Alt-Rock/Indie-Folk. He has performed at the Leigh Folk Festival, Pin Drop Sessions, and Music for Mind together with Kev Butler. He was recently included on The Open Mic Show Album, Vol. 1 from SoSlam. We have enjoyed Dave’s powerful vocals and guitar here when he has performed previously at our Open Mic Nights.
• 22 March – An evening with the Ladygate Scribblers. Hear poetry and prose from a long-established Wickford-based writers group.

These events do not require tickets (just turn up on the night). There will be a retiring collection to cover artist and church costs. See http://wickfordandrunwellparish.org.uk/whats-on.html for fuller information.

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Sinéad O'Connor - Trouble Will Soon Be Over.

Sinéad O'Connor

Open Mic Night, Parish Study Day & Holocaust Memorial Day

Last night we began the Unveiled programme for 2024 with a very enjoyable Open Mic Night at St Andrew's Wickford. Our thanks to John Rogers for organising the event. We had a great variety of performances with a number of excellent original songs as well as covers. Among the performers was Fraser Morgan, a rapidly up-and-coming Acoustic-Folk-Punk artist and avid gigger who’s known for their relentless gigging and brings to the stage high levels of passion, energy, and showmanship.

The next Unveiled event is on Friday 9 February at 7.00 pm at St Andrew's Wickford – Who Tells Your Story? Who Tells Your Future? View this exhibition and hear the artist Maciej Hoffman speak about his work. ‘I choose themes that pervade everyday life, our constant battle with problems which we inevitably face. But also issues which haunt us for years, shaping our perspective on the world and building us as humans.’

Today, we had an excellent Parish Study Day on HeartEdge led by Olivia Maxfield-Coote. HeartEdge's mission is to help us discover what God is doing in our church and community and equip us to develop our plans to be a transforming presence for good. Our reflections on the 4 Cs and Being With enabled us to do that. The day was much appreciated and the feedback received was great.

Then, in the afternoon we have a Holocaust Memorial Day reflection, as part of which I shared the following:

We gather to reflect on Holocaust Memorial Day in the context of Maciej Hoffman’s exhibition. Maciej chooses “themes that pervade everyday life, our constant battle with problems which we inevitably face … issues which haunt us for years, shaping our perspective on the world and building us as humans”. He seeks: “contrasts between imagination and reality. Our expectations and our anticipations are never what we finally meet in real life … whether it’s beauty and ugliness, order or chaos - the point is, how it’s reflected in the mirror of my interpretation … I am moved by people’s stories with all their misfortunes and moments of happiness. It seems like one is always part of the other.”

We have also unveiled for this exhibition, David Folley’s ‘The Descent from the Cross’ depicting the effect of torture, persecution, and execution while pointing towards new life and resurrection. I, therefore, encourage you to view these paintings before you leave in the light of our prayers and reflections.

In 2014 I was fortunate, through my sabbatical visits and through the Tour of the Holy Land organised by the East London Three Faiths Forum, to see a wide variety of artwork in churches and synagogues by the Russian Jewish artist Marc Chagall. Chagall was controversial as a Jewish artist for painting images of Christ’s crucifixion.

Chagall’s church commissions were created, ‘In the name of the freedom of all religions’ while, for him, ‘Christ ... always symbolized the true type of the Jewish martyr.’ He depicted this perception most famously in White Crucifixion painted in 1938 in response to the persecution of Jews by the Nazis, including Kristallnacht. Central to this painting, among scenes of anti-Jewish violence which included the torching of a synagogue, is Jesus on the cross with a tallit, the Jewish prayer shawl, draped around him as a loin cloth. For Chagall, ‘Jesus on the cross represented the painful predicament of all Jews, harried, branded, and violently victimized in an apparently God-forsaken world.’

A similar perception is described by Elie Wiesel, an Auschwitz survivor, in his book Night. There he writes: ‘The SS hanged two Jewish men and a youth in front of the whole camp. The men died quickly, but the death throes of the youth lasted for half an hour. "Where is God? Where is he?" someone asked behind me. As the youth still hung in torment in the noose after a long time, I heard the man call again, "Where is God now?" And I heard a voice in myself answer: "Where is he? He is here. He is hanging there on the gallows.’

Seen by Elie Wiesel in the context of Judaism and of the humiliation of God in going with Israel into exile and suffering, for Christians this moving story has a striking resonance because of the crucifixion. For Jews and Christians alike, the face of desolation wears another aspect, that of the presence and providence of God.

In Christian vocabulary this could be described as the prayer of incarnation. This is a prayer of presence; a prayer which recognizes that God shares our pain, frailty and brokenness. We pray acknowledging that God suffers with us. From Christ’s life, Christians also recognise two other types of prayer: the prayer of resurrection in which we pray for a miracle; and the prayer of transfiguration where, as Sam Wells has written, ‘we see a whole reality within and beneath and beyond what we thought we understood.’ In times of bewilderment and confusion we pray that God might reshape our reality, to give us a new and right spirit to trust that even in the midst of suffering and hardship, truth can still be experienced and shared.

At Yad Vashem, on the East London Three Faiths Forum Tour of the Holy Land, I saw examples of this prayer in the words of Aharon Appelfeld who said, ‘From among the horror grew another morality, another love, another compassion. These grew wild – no one gave them a name.’ Similarly, on the Yad Vashem website I read of survivors, ‘dazed, emaciated, bereaved beyond measure,’ who ‘gathered the remnants of their vitality and the remaining sparks of their humanity, and rebuilt.’ ‘They never meted out justice to their tormentors – for what justice could ever be achieved after such a crime? Rather, they turned to rebuilding: new families forever under the shadow of those absent; new life stories, forever warped by the wounds; new communities, forever haunted by the loss.’

I also saw pages from the illustrated Bible which self-taught artist Carol Deutsch loving crafted in 1941 in Antwerp, during the turmoil of the Second World War, as a gift for his daughter’s second birthday. Carol Deutsch and his wife Fela were informed upon and murdered in the extermination camps. However, their daughter Ingrid, who was hidden with a Catholic family in the countryside, survived, as did the Bible, which miraculously remained intact. Deutsch, who died in Buchenwald, left behind a vital estate - a stalwart resistance to everything the Nazis had attempted to obliterate.

Finally, for those who are Christians, Karen Sue Smith has noted that ‘Chagall’s genius was to use Jesus’ crucifixion to address Christians, to alert them by means of their own symbol system to the systematic cruelty taking place in the Holocaust.’ For Christians then, our response should, I think, be in line with the words of Pope Francis from an interview in 2013. There he spoke of his admiration for White Crucifixion praising Jews for keeping their faith despite the Holocaust and other “terrible trials” throughout history (by implication, including those for which the Church is cupable), reaffirmed Judaism as the “holy root” of Christianity saying that, where this understood and affirmed, a Christian should not ever be an anti-Semite because “to be a good Christian it is necessary to understand Jewish history and traditions.”

I pray that this will be so for my own faith community and that God might reshape our reality, to give us a new and right spirit to trust that even in the midst of suffering and hardship, truth can still be experienced and shared.

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Azamra - Shuvi Nafshi.

The fundamental human problem is isolation

Here's the sermon that I shared in tonight's Healing Eucharist at St Andrew’s Wickford:

A group of people brought a paralyzed man lying on a bed to Jesus and Jesus responded to their faith (Matthew 9. 1 – 8). We often read of Jesus responding to people’s faith when he heals and also of Jesus limiting his healing in places like Nazareth where a lack of faith was shown. A lack of faith would have meant that people simply didn’t ask Jesus to help them. Faith, by contrast, opened up the possibility of change, of something new or different occurring. In Hebrews we read that without faith it is impossible to please God, for whoever would draw near to God must believe that he exists and that he rewards those who seek him.

Those who brought this man to Jesus believed and were rewarded but not initially in the way they anticipated. They came to Jesus hoping for healing but Jesus responded by forgiving the man’s sins. At the time illness and sin were often equated those who were ill were accused of being punished by God for their sins. Jesus, however, on another occasion, specifically rejected that argument. As a result, we can be sure that Jesus is not making that connection here.

Instead, he could be saying that, for each of us, addressing our sinfulness is of more importance than any other issue or aspect of lives. Whatever the presenting issue in our lives, even something as significant as total paralysis, each pales into insignificance compared to the issue of sin which ultimately cuts us off from relationship with God. Sin is fundamentally living without God. It is being in that place where we don’t have faith, don’t believe and therefore close off the possibility of relationship. Sin means we cannot know we are with God because we don’t believe, and without God we are ultimately cut off from all that is good. Paralysis is an appropriate metaphor for this experience because, when you are paralyzed, you cannot go to be with anyone else. Paralysis is, therefore, an isolating experience unless others come to you or, as in this instance, bring you to others.

Maciej Hoffman’s new exhibition in St Andrew’s shows us what this experience of isolation from God leads to, in the experiences of trauma and conflict that he depicts so powerfully. His paintings confront people with the reality of sin in human life. Alongside his paintings, we have also unveiled David Folley’s equally powerful descent from the cross, which shows what Jesus needed to endure as he entered into to the full reality of a sinful world in order to bring change and healing.

Jesus’ whole life was geared around reversing sin and the isolation it causes. Through his incarnation and nativity he became one of us, moving into our neighbourhood to be Emmanuel, ‘God with us.’ As Sam Wells has stated, “Jesus gives everything that he is for the cause of being with us, for the cause of embracing us within the essence of God’s being.” Ultimately, on the cross, he takes our sin and isolation onto himself to the extent that he loses his own being with God the Father. When he cries out on the cross, ‘My God, my God, why have you forsaken me,’ Jesus, the incarnate Son of God, was choosing between being with the Father or being with us. Here is astonishing good news; at the central moment in history, Jesus chose us. “That is the epicentre of the Christian faith and our very definition of love.”

As a result, Jesus can forgive and overcome sin and isolation for each one of us. He can restore us to relationship with God, because he has broken down every barrier that stood between ourselves and God. His incarnation, death and resurrection give him authority to restore relationship with God for all who are separated from God. That is what he offers to the paralyzed man, that is what he debates with the scribes, and that is what he demonstrates by returning to the paralyzed man the ability to overcome isolation by proactively going to be with others.

“If the fundamental human problem is isolation,” Sam Wells argues, “then the solutions we are looking for do not lie in the laboratory or the hospital or the frontiers of human knowledge or experience. Instead the solutions lie in things we already have — most of all, in one another.” Instead of needing others to be with him, the previously paralyzed man can now: be “with” people in poverty and distress even when there is nothing he can do “for” them; be “with” people in grief and sadness and loss even when there is nothing to say; be “with” and listen to and walk with those he finds most difficult rather than trying to fob them off with a gift or a face-saving gesture.

In other words, he can bring the kingdom of heaven to others. That is a heaven which is worth aspiring to, “as it is a rejoining of relationship, of community, of partnership, a sense of being in the presence of another in which there is neither a folding of identities that loses their difference nor a sharpening of difference that leads to hostility, but an enjoyment of the other that evokes cherishing and relishing.” “The theological word for this is communion.” That is what the previously paralyzed man has been enabled to achieve.

To what extent, I wonder, is that something to which we aspire or seek? Does sin paralyze and isolate us or are we freed up to be with others in relationship?

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Moral Support - Sin.

Events in the Wickford & Runwell Team Ministry

Who Tells Your Story? Who Tells Your Future?
An exhibition of paintings by Maciej Hoffman
23 January – 29 March 2024
St Andrew’s Church, 11 London Road, Wickford SS12 0AN

‘I choose themes that pervade everyday life, our constant battle with problems which we inevitably face. But also issues which haunt us for years, shaping our perspective on the world and building us as humans. I try to capture the moments of tension, the climax, and the spark before ignition.’
Holocaust Memorial Day reflection – 27 January, 3.00 pm.
Hear Maciej speak about his work at ‘Unveiled’ – the arts & performance evening in St Andrew’s Wickford - Friday 9 February, 7.00 pm.St Andrew’s is usually open: Sat 9am-12.30pm; Sun 9.30am-12 noon; Mon 2-3.45pm; Tue 1-4.30pm; Wed 10am-12 noon; Fri 10am-1pm. https://wickfordandrunwellparish.org.uk/whats-on.html

Maciej Hoffman was born in Wrocław, Poland in 1964, the son of artist parents, growing up under Poland's communist regime; after studying philosophy at the School of Theology in Wrocław, he graduated in Painting and Sculpture from the Academy of Fine Art in 1992. Becoming fascinated with web art and new graphic technologies, he then worked for 15 years in one of Poland's largest advertising agencies until a watershed moment in 2003, when he returned fulltime to the studio and to oil painting. He moved to England in 2012, in search of new artistic and life opportunities, and continues to paint, teach and exhibit in the UK and abroad.

Here he became involved in leading art workshops for school students, encouraging self-expression through art therapy for young people from disadvantaged backgrounds, or coping with mental health issues and trauma. He also contributed artworks to exhibitions dealing with conflict and resolution, including two marking Holocaust Memorial Days in 2012 and 2018 respectively. Maciej Hoffman's work has been exhibited in the UK on numerous occasions, including at Chelmsford Cathedral; Barry Gallery Central; Polish Social and Cultural Association (POSK) Gallery and Willesden Gallery (both London), and at the Warwick Art Centre.

‘Painting begins with a spark, an idea, an impulse. Sometimes it seems as though the painting creates itself, intuition guides me during the process … In trivialities as well as in big events I seek contrasts between imagination and reality. Our expectations and our anticipations are never what we finally meet in real life. This constant collision fascinates me. It’s irrelevant whether it’s beauty and ugliness, order or chaos - the point is, how it’s reflected in the mirror of my interpretation … I am moved by people’s stories with all their misfortunes and moments of happiness. It seems like one is always part of the other.’

https://www.maciej-hoffman.com/ https://www.buru.org.uk/record.php?id=1443

Unveiled – a wide range of artist and performers from Essex and wider, including Open Mic nights (come and have a go!).

Unveiled – view our hidden painting by acclaimed artist David Folley, plus a range of other exhibitions.

Spring Programme 2024

• 26 January – Open Mic Night organised with John Rogers. Everybody is welcome to come along and play, read, sing or just spectate. See you there for a great evening of live performance!
• 9 February – Who Tells Your Story? Who Tells Your Future? View this exhibition and hear the artist Maciej Hoffman speak about his work. ‘I choose themes that pervade everyday life, our constant battle with problems which we inevitably face. But also issues which haunt us for years, shaping our perspective on the world and building us as humans.’
• 23 February – Tryin’ to throw your arms around the world. Jonathan Evens talks about the spirituality of the rock band U2. This talk sets out the main characteristics of U2’s spirituality, examines their roots, makes links between their spirituality and themes in contemporary theology and, considers three reasons why U2’s spirituality has connected with popular culture.
• 8 March – Dave Crawford in concert. Popular local musician, Dave Crawford writes engaging/melodic songs in Americana/Alt-Rock/Indie-Folk. He has performed at the Leigh Folk Festival, Pin Drop Sessions, and Music for Mind together with Kev Butler. He was recently included on The Open Mic Show Album, Vol. 1 from SoSlam. We have enjoyed Dave’s powerful vocals and guitar here when he has performed previously at our Open Mic Nights.
• 22 March – An evening with the Ladygate Scribblers. Hear poetry and prose from a long-established Wickford-based writers group.

These events do not require tickets (just turn up on the night). There will be a retiring collection to cover artist and church costs. See http://wickfordandrunwellparish.org.uk/whats-on.html for fuller information.

Parish Study Day: Becoming a HeartEdge Community
Saturday 27 Janurary, 9:30 a.m. - 2.00 p.m., St Andrew's Wickford

Our PCC recently agreed that the Wickford and Runwell Parish would join the HeartEdge network of churches that are creating new ways of being church in a changing world; churches at the heart of their communities, while being with those on the edge. This half day plus lunch aims to help us all understand more about how HeartEdge works, and will be led by Revd Olivia Maxfield-Coote and our own Revd Jonathan. There will be plenty of time for discussion and questions, and a light lunch will be provided. Please sign up to come using the sign-up sheets at our three churches.

Quiz Night!
Saturday 3rd February, 7.00pm
St Andrews Church Hall, SS12 OAN

Back by popular demand, Join us for a fun general knowledge quiz.
Teams of up to 8. £5 per person
Bring your own snacks & drinks
(Tea and Coffee available)

To book a table contact Caroline or Marjorie S
email CarolineWheeler@live.co.uk

Pancake Party
St Catherine’s Hall
Tuesday 13th February

Drop in between 2pm and 4pm or stay all afternoon and help raise funds for St Catherine’s tower restoration.
£4 to include 2 pancakes and unlimited tea or coffee
Gluten free available on request

Sign-up sheet at the back of the church
Names before 11th February please

Lent 2024: Exploring the Stations of the Cross
Tuesday evening and Thursday afternoon and evening, starting the week of 19th February

This year the Ministry Team will once again be writing our own Lent Course, which will be looking more deeply into the Stations of the Cross which we use during Holy Week, including images, readings, reflection and prayer. These will be offered on Tuesday evening and Thursday afternoon and evening, depending on numbers, starting the week of 19th February. We also have the opportunity to share these sessions with Christchurch, giving additional days and times. Please think about whether you would like to join or even host a group. Sign up sheets available now.

Take Note in concert

Saturday 20 April, 3.00 pm

St Andrew’s Church, 11 London Road, Wickford SS12 0AN

Take Note are an all-male a Cappella group of up to 12 singers formed in 2015. They sing many genres of music across many eras in four-part harmony. Their wide-ranging repertoire includes traditional male voice choir numbers, popular songs from the 50s and 60s sung in close harmony doo wop style, comedy items and other a Cappella arrangements that they think will appeal to their audiences.

This concert is a fundraiser for St Andrew’s Church. No tickets required. Donations requested on the day.

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Dave Crawford - The Unwritten Story.

The water of our lives and our communities can become wine

Here's the sermon I shared at St Andrew’s Wickford this morning:

The writer of John’s Gospel says that this miracle is the first that Jesus performed but the word used for first also means that it is the key miracle, the one that unlocks and explains all the others (John 2: 1 – 11). So, we need to ask ourselves what it is that we learn from this miracle that helps us to understand more fully what Jesus was doing through his ministry, death and resurrection.

The miracle is one of transformation; water being transformed into wine with this transformation bringing joy to the wedding guests. Fyodor Dostoevsky, in The Brother’s Karamasov, sees this miracle’s significance in the joy that Jesus brings to ordinary people: “It was not grief but men’s gladness that Jesus extolled when he worked his first miracle – he helped people to be happy … his heart was open … to the simple and artless joys of ignorant human beings, ignorant but not cunning, who had warmly bidden him to their poor wedding.” Later in John’s Gospel Jesus speaks himself about having come to bring life in all its fullness which must include this sense of joy and gladness in life. The filling of the water jars to the full also speaks of this sense of life being filled with goodness and gladness.

In Luke 6: 38 Jesus speaks again about fullness. Here he links our fullness to our giving: “Give to others, and God will give to you. Indeed, you will receive a full measure, a generous helping, poured out into your hands – all that you can hold.” This emphasis is important because the transformation of water into wine suggests that Jesus does not simply bless human life as it is but comes to transform it.

Water is essential to life. The human body is 75% water and needs a constant supply of water to function. The average person can only survive for about three days without any water at all. So, water is a basic need for all of us and speaks to us of the basic needs that we all need to be fulfilled in order that we can live and live comfortably.

But God wants something better for us than a life based just on the meeting of our basic needs and the turning of water into wine gives us a clue as to what that better thing is. Wine reminds us of the sacrifice of Jesus on the cross. That moment when, out of love for all people, he lays down his own life in order to save us from all that is wrong with our lives and our world. So, wine is a reminder to us of the fact that the greatest love is shown through sacrifice.

This is the transformation that Jesus seeks to bring to human life. It is a change from human existence to human life; a change from the selfish experience of meeting our own basic needs to the spiritual experience of sharing what we have will others; a change from the evolutionary imperative of the survival of the fittest to the Christian imperative of sacrificial love.

This transformation is something that we seek to show and need to show in our churches, which is in part why we have this new exhibition in church by Maciej Hoffman. Maciej chooses “themes that pervade everyday life, our constant battle with problems which we inevitably face … issues which haunt us for years, shaping our perspective on the world and building us as humans”. He seeks: “contrasts between imagination and reality. Our expectations and our anticipations are never what we finally meet in real life … whether it’s beauty and ugliness, order or chaos - the point is, how it’s reflected in the mirror of my interpretation … I am moved by people’s stories with all their misfortunes and moments of happiness. It seems like one is always part of the other.” This is our everyday experience that Jesus comes to transform.

This transformation is also symbolised in the pouring out of the wine from the water jars. It may even be that this is the moment of transformation; just as what is drawn from the water jars to be shared with others is wine so, as we give to others, we are transformed from selfish to sacrificial. It may be that it is in the act of giving that our transformation comes. That is also why, alongside Maciej’s exhibition, we are unveiled David Folley’s descent from the cross, which shows us the reality of the suffering that was entailed in the ultimate sacrifice made for us on the cross by Christ.

Finally, there is significance in the reference to the role of the water jars in ritual washing. The water jars can be seen as signifying the Jewish faith that requires such ritual cleansing but from those jars and from that faith comes a new wine that must be poured out and shared with others. The new wine is for all; not just for the first but kept for the last as well. Wine symbolises the blood of Christ which is shed for all. God’s grace is no longer contained solely within the confines of the Jewish faith; coming to God no longer requires the meeting of the standards of the Law. This new wine bursts the old skins and is shared with all people of every nation, race, gender, age and sexuality.

So, we see depicted a change from the old order, the old covenant, to the new. And this change extends the transformation to all. What is depicted then is not solely a change for us as individuals but a societal change no longer affecting one nation but all nations. What is depicted is a new way of life, a new way of being human, which can, perhaps, be summed up in the words of John 15: 13, “Greater love has no one than this, that one lay down his life for his friends”. He looks at all of us, at all human beings, and says, “You are my friends”. Jesus allowed his own life to end so that all people could know what it is like to really live.

In 21st century Britain we live in a culture that is parched and dry and desperately in need of the water of life. I still remember a Guardian article outlining reasons why kindness has gone out of fashion in the age of the free market and the selfish gene. The writers noted that “for most of western history the dominant tradition of kindness has been Christianity” which “functioned as a cultural cement, binding individuals into society” until “the Christian rule ‘love thy neighbour as thyself’ came under increasing attack from competitive individualism.” Our society is parched of kindness and we need Jesus to bring transformation.

In Isaiah we read: “The poor and needy search for water, but there is none; their tongues are parched with thirst. But I the LORD will answer them; I, the God of Israel, will not forsake them. I will make rivers flow on barren heights, and springs within the valleys. I will turn the desert into pools of water, and the parched ground into springs.” (Isaiah 41. 17 & 18)

Jesus is the river that flows in the desert of our selfish, self-centred existence because he shows us how to live in his new way of being human, loving God with all our being and loving our neighbours as ourselves. God wants us to look at Jesus and see how human life was originally intended to be lived before we chose the path of self-centredness. It is when we look at Jesus and begin to live life his way that transformation comes in our lives and our world. The water of our lives and our communities can become wine. May it be so for us. Amen.

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Judee Sill - The Donor.

Who Tells Your Story? Who Tells Your Future? An exhibition of paintings by Maciej Hoffman

Who Tells Your Story? Who Tells Your Future?
An exhibition of paintings by Maciej Hoffman
23 January – 29 March 2024
St Andrew’s Church, 11 London Road, Wickford SS12 0AN

‘I choose themes that pervade everyday life, our constant battle with problems which we inevitably face. But also issues which haunt us for years, shaping our perspective on the world and building us as humans. I try to capture the moments of tension, the climax, and the spark before ignition.’

• Holocaust Memorial Day reflection – 27 January, 3.00 pm.
• Hear Maciej speak about his work at ‘Unveiled’ – the arts & performance evening in St Andrew’s Wickford - Friday 9 February, 7.00 pm.

St Andrew’s is usually open: Sat 9am-12.30pm; Sun 9.30am-12 noon; Mon 2-3.45pm; Tue 1-4.30pm; Wed 10am-12 noon; Fri 10am-1pm. See https://wickfordandrunwellparish.org.uk/whats-on.html for more information.

Maciej Hoffman was born in Wrocław, Poland in 1964, the son of artist parents, growing up under Poland's communist regime; after studying philosophy at the School of Theology in Wrocław, he graduated in Painting and Sculpture from the Academy of Fine Art in 1992. Becoming fascinated with web art and new graphic technologies, he then worked for 15 years in one of Poland's largest advertising agencies until a watershed moment in 2003, when he returned fulltime to the studio and to oil painting. He moved to England in 2012, in search of new artistic and life opportunities, and continues to paint, teach and exhibit in the UK and abroad.

Here he became involved in leading art workshops for school students, encouraging self-expression through art therapy for young people from disadvantaged backgrounds, or coping with mental health issues and trauma. He also contributed artworks to exhibitions dealing with conflict and resolution, including two marking Holocaust Memorial Days in 2012 and 2018 respectively. Maciej Hoffman's work has been exhibited in the UK on numerous occasions, including at Chelmsford Cathedral; Barry Gallery Central; Polish Social and Cultural Association (POSK) Gallery and Willesden Gallery (both London), and at the Warwick Art Centre.

‘Painting begins with a spark, an idea, an impulse. Sometimes it seems as though the painting creates itself, intuition guides me during the process … In trivialities as well as in big events I seek contrasts between imagination and reality. Our expectations and our anticipations are never what we finally meet in real life. This constant collision fascinates me. It’s irrelevant whether it’s beauty and ugliness, order or chaos - the point is, how it’s reflected in the mirror of my interpretation … I am moved by people’s stories with all their misfortunes and moments of happiness. It seems like one is always part of the other.’

https://www.maciej-hoffman.com/ https://www.buru.org.uk/record.php?id=1443

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Sufjan Stevens - Everything That Rises Must Converge.