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Saturday 27 January 2024

Open Mic Night, Parish Study Day & Holocaust Memorial Day































Last night we began the Unveiled programme for 2024 with a very enjoyable Open Mic Night at St Andrew's Wickford. Our thanks to John Rogers for organising the event. We had a great variety of performances with a number of excellent original songs as well as covers. Among the performers was Fraser Morgan, a rapidly up-and-coming Acoustic-Folk-Punk artist and avid gigger who’s known for their relentless gigging and brings to the stage high levels of passion, energy, and showmanship.

The next Unveiled event is on Friday 9 February at 7.00 pm at St Andrew's Wickford – Who Tells Your Story? Who Tells Your Future? View this exhibition and hear the artist Maciej Hoffman speak about his work. ‘I choose themes that pervade everyday life, our constant battle with problems which we inevitably face. But also issues which haunt us for years, shaping our perspective on the world and building us as humans.’

Today, we had an excellent Parish Study Day on HeartEdge led by Olivia Maxfield-CooteHeartEdge's mission is to help us discover what God is doing in our church and community and equip us to develop our plans to be a transforming presence for good. Our reflections on the 4 Cs and Being With enabled us to do that. The day was much appreciated and the feedback received was great.

Then, in the afternoon we have a Holocaust Memorial Day reflection, as part of which I shared the following:

We gather to reflect on Holocaust Memorial Day in the context of Maciej Hoffman’s exhibition. Maciej chooses “themes that pervade everyday life, our constant battle with problems which we inevitably face … issues which haunt us for years, shaping our perspective on the world and building us as humans”. He seeks: “contrasts between imagination and reality. Our expectations and our anticipations are never what we finally meet in real life … whether it’s beauty and ugliness, order or chaos - the point is, how it’s reflected in the mirror of my interpretation … I am moved by people’s stories with all their misfortunes and moments of happiness. It seems like one is always part of the other.”

We have also unveiled for this exhibition, David Folley’s ‘The Descent from the Cross’ depicting the effect of torture, persecution, and execution while pointing towards new life and resurrection. I, therefore, encourage you to view these paintings before you leave in the light of our prayers and reflections.

In 2014 I was fortunate, through my sabbatical visits and through the Tour of the Holy Land organised by the East London Three Faiths Forum, to see a wide variety of artwork in churches and synagogues by the Russian Jewish artist Marc Chagall. Chagall was controversial as a Jewish artist for painting images of Christ’s crucifixion.

Chagall’s church commissions were created, ‘In the name of the freedom of all religions’ while, for him, ‘Christ ... always symbolized the true type of the Jewish martyr.’ He depicted this perception most famously in White Crucifixion painted in 1938 in response to the persecution of Jews by the Nazis, including Kristallnacht. Central to this painting, among scenes of anti-Jewish violence which included the torching of a synagogue, is Jesus on the cross with a tallit, the Jewish prayer shawl, draped around him as a loin cloth. For Chagall, ‘Jesus on the cross represented the painful predicament of all Jews, harried, branded, and violently victimized in an apparently God-forsaken world.’

A similar perception is described by Elie Wiesel, an Auschwitz survivor, in his book Night. There he writes: ‘The SS hanged two Jewish men and a youth in front of the whole camp. The men died quickly, but the death throes of the youth lasted for half an hour. "Where is God? Where is he?" someone asked behind me. As the youth still hung in torment in the noose after a long time, I heard the man call again, "Where is God now?" And I heard a voice in myself answer: "Where is he? He is here. He is hanging there on the gallows.’

Seen by Elie Wiesel in the context of Judaism and of the humiliation of God in going with Israel into exile and suffering, for Christians this moving story has a striking resonance because of the crucifixion. For Jews and Christians alike, the face of desolation wears another aspect, that of the presence and providence of God.

In Christian vocabulary this could be described as the prayer of incarnation. This is a prayer of presence; a prayer which recognizes that God shares our pain, frailty and brokenness. We pray acknowledging that God suffers with us. From Christ’s life, Christians also recognise two other types of prayer: the prayer of resurrection in which we pray for a miracle; and the prayer of transfiguration where, as Sam Wells has written, ‘we see a whole reality within and beneath and beyond what we thought we understood.’ In times of bewilderment and confusion we pray that God might reshape our reality, to give us a new and right spirit to trust that even in the midst of suffering and hardship, truth can still be experienced and shared.

At Yad Vashem, on the East London Three Faiths Forum Tour of the Holy Land, I saw examples of this prayer in the words of Aharon Appelfeld who said, ‘From among the horror grew another morality, another love, another compassion. These grew wild – no one gave them a name.’ Similarly, on the Yad Vashem website I read of survivors, ‘dazed, emaciated, bereaved beyond measure,’ who ‘gathered the remnants of their vitality and the remaining sparks of their humanity, and rebuilt.’ ‘They never meted out justice to their tormentors – for what justice could ever be achieved after such a crime? Rather, they turned to rebuilding: new families forever under the shadow of those absent; new life stories, forever warped by the wounds; new communities, forever haunted by the loss.’

I also saw pages from the illustrated Bible which self-taught artist Carol Deutsch loving crafted in 1941 in Antwerp, during the turmoil of the Second World War, as a gift for his daughter’s second birthday. Carol Deutsch and his wife Fela were informed upon and murdered in the extermination camps. However, their daughter Ingrid, who was hidden with a Catholic family in the countryside, survived, as did the Bible, which miraculously remained intact. Deutsch, who died in Buchenwald, left behind a vital estate - a stalwart resistance to everything the Nazis had attempted to obliterate.

Finally, for those who are Christians, Karen Sue Smith has noted that ‘Chagall’s genius was to use Jesus’ crucifixion to address Christians, to alert them by means of their own symbol system to the systematic cruelty taking place in the Holocaust.’ For Christians then, our response should, I think, be in line with the words of Pope Francis from an interview in 2013. There he spoke of his admiration for White Crucifixion praising Jews for keeping their faith despite the Holocaust and other “terrible trials” throughout history (by implication, including those for which the Church is cupable), reaffirmed Judaism as the “holy root” of Christianity saying that, where this understood and affirmed, a Christian should not ever be an anti-Semite because “to be a good Christian it is necessary to understand Jewish history and traditions.”

I pray that this will be so for my own faith community and that God might reshape our reality, to give us a new and right spirit to trust that even in the midst of suffering and hardship, truth can still be experienced and shared.

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Azamra - Shuvi Nafshi.

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