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Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Wednesday, 25 February 2026

Letting go and letting God

Here's the sermon that I shared at St Andrew's Wickford this morning:

Steve Turner’s poem ‘History Lesson’ is simple, short and blunt:

History repeats itself.
Has to.
No-one listens.

Why is conflict so much a part of our human existence? Why, despite the devastation and loss of life that we saw in two World Wars, does it still seem that we are so far from the ability to live in peace with one another? I want to suggest a partial answer to us using the story of Jonah (Jonah 3).

The story is both well-known and relatively simple. Jonah is tasked by God with preaching to the Ninevites but instead turns tail and takes a ship heading in the opposite direction. A violent storm leads the sailors to throw Jonah overboard. The storm then calms and Jonah is swallowed by a great fish. Inside the fish Jonah repents and, once spewed out onto dry land, travels to Ninevah where he delivers the message God gave him. The Ninevites hear him, repent and are saved from disaster. Jonah is angry with God because the Ninevites are the enemies of the people of Israel and so he wanted them destroyed.

That hatred of the Ninevites was the reason why Jonah rejected God’s call on his life and took a ship in the opposite direction to the place God had wanted him to go. Protection of his people - the people of Israel - by the destruction of their enemies - the Ninevites - was more important to him than doing God’s will. Jonah was angry with God because he thought God should only be on the side of and care for his people and, therefore, he wanted to try to frustrate God’s plans to save their enemies from disaster. He was angry with God because he wanted to possess God by keeping him only as the personal God of his people.

Jonah had actually completely misunderstood God’s relationship with the people of Israel and the reason for it. The choosing of the people of Israel as God’s chosen people and the gift to them of the promised land was not so that they would be protected by their own personal God in a land that was theirs to own. Instead of being their property, the promised land was a gift from God which enabled them to be a light revealing God to the nations around them. So, whenever they thought about themselves and the protection of their own possessions, they were actually wandering away from God’s will for their lives.

When Jonah did this, his lack of surrender to God’s will and God’s way caused disturbance - the storm - in his life which also affected the people around him. It was only when Jonah recognised that the storm - the disturbance in and around him - was directly connected to his lack of surrender to God’s will that the storm died down and he had time and space in which to repent and return to God’s way.

It is the same for us. When we are concerned with what we think of as ours - when we are saying this is mine, my property, my church, my nation - we are automatically anxious, worried and fearful because we are in defensive mode and we experience disturbance; disturbance which affects others because we are trying to protect what we think of as ours from those we think will take it from us. By contrast, Jesus calls us to give up our lives and let go of our possessions by handing them over to him - to let go and let God. When we genuinely do this, we find we are at peace because whatever we have and wherever we are and whatever we do is then in God’s hands - everything is his and his gift to us. We experience contentment with what we have and where we are and what we do because it is all God’s gift to us.

We read in the Letter to the Philippians, ‘I have learned to be content whatever the circumstances. I know what it is to be in need, and I know what it is to have plenty. I have learned the secret of being content in any and every situation, whether well fed or hungry, whether living in plenty or in want. I can do all this through him who gives me strength.' (Philippians 4.11-13)

Conflict and disturbance arise in our lives and in our world whenever we, like Jonah, have not surrendered to God’s will. Again, like Jonah, this occurs whenever we want to possess or protect things for ourselves, our group or our people. Instead, God calls us to let go and let God; to simply acknowledge that we own nothing, that all is God’s creation and gift. When we let go of our claim on the things around us, including our own lives, we start to genuinely trust God and learn the secret of being content in any and every situation. In this state, there is no disturbance or conflict because there is nothing to possess or protect and, therefore, we can know and share peace with others.

Jesus shows us how to do this by laying down his life for the sake of others and his resurrection reveals the new life that results. Just as he called his first disciples, so he calls us to follow in his footsteps by taking up our cross and losing our lives for his sake; letting go and letting God.

Will we be like Jonah and resist the call of God which leads to turmoil and disturbance in our lives and our world or will we be like Jesus’ disciples who gave up everything to follow him? Before deciding, we should reflect that to follow him is the way that leads to abundant, peaceful, contented and eternal life. It is as we surrender to God and to his will for our lives that we come to know his peace in our lives and are enabled to share that peace with others.

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Moby - Le Vide.

Friday, 17 October 2025

Church Times - Art review: Anthony Lawrence (1951-2022): A Retrospective (Palais des Vaches, Lower Exbury)

My latest exhibition review for Church Times is on Anthony Lawrence (1951-2022): A Retrospective at Palais des Vaches, Lower Exbury:

'Lawrence’s life’s work was painting, of which this large and varied retrospective is simply a glinting drop in a wider ocean. While constantly evolving through styles and series as a great “knowing” Post-Modernist, Lawrence sought, through his blend of tradition and invention, history and innovation, to hint at how reconciliation might be found in the great contest of social humanity. But, as Morsberger notes, what is supremely important in his work are the wonderful questions that he asks, questions that generated much comment when these images were first shown and that retain that capacity for all who will journey to the Palais des Vache to journey with the artist through Dante’s dark wood and do so under cataclysmic skies.'

Other of my pieces for Church Times can be found here. My writing for ArtWay can be found here. My pieces for Artlyst are here, those for Seen & Unseen are here, and those for Art+Christianity are here.

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Bruce Springsteen - Reason To Believe.

Tuesday, 10 June 2025

Events Update

 


















Check out these amazing events in June and July in Wickford and Runwell:


Our Great Big Green Week (Churches Count on Nature and Love Your Burial Ground) events continue this week:

Wickford Wildlife Moth Night, Friday 13 June, 8.00 pm, St Mary's Runwell.
Contact Sue Wise on Sue.wise@sky.com, if you plan to come.

Messy Church in the Garden,Saturday 14 June 2025 at 2 a.m. for 2 hours, St Andrew's Church, London Road Wickford, SS12 0AN.

Mess! Fun! Food! FREE Kids crafts, activities, games, stories, & songs! plus FREE tea for each child. Email emmacdoe@googlemail.com or Sue.wise@sky.com


Open Mic Night
Friday 13 June, 7.30 pm, St Andrew's Wickford.

Come along to St Andrews Church, London Road, Wickford. As always everyone is welcome to come along and sing, play or whatever you would like to do anything goes! The surroundings are very comfortable and acoustics are fantastic. There will also be a bar available. Hope to see you there!


Museum of Living History workshop

Saturday 21 June, 10.00 am - 12 noon, St Andrew's Wickford.

Explore the history of the Peasants’ Revolt of 1381 with Unpuzzled Theatre in an intergenerational workshop called The Museum of Living History. Unpuzzled Theatre are building a museum. What will you add? This workshop is linked to 'Revolt!', a co-creation project exploring power, protest, and impossible choices. It takes inspiration from the Peasants’ Revolt — a moment in history when everything was up for grabs. http://unpuzzledtheatre.com/wat-tyler/


Living God's future now

You are warmly invited to join us at the Living God Future Now event, presented by HeartEdge and with performances from The Choral Scholars of St Martins-in-the Fields.

Join us for one or both days, as we explore new approaches to mission. There will be a wide range of ideas covered, so we hope you will find something inspiring to take home.

Friday 27th June will be hosted by St Andrew’s Church, Wickford and will begin at 9:45am. Author Sam Wells and other inspiring guest speakers will share their insights and explore The 4Cs, (Commerce, Compassion, Culture, Congregation). There will be opportunities to share ideas, connect with your colleagues and be actively involved in our Being With workshops. We’ll also discuss music in mission and enjoy live musical performances.

‘Heaven and Earth’: A concert by The Choral Scholars of St Martin-in-the-Fields
Friday 27 June, 7.00 pm, St Andrew’s Church, 11 London Road, Wickford SS12 0AN
The Choral Scholars of St Martin-in-the-Fields sing for services, concerts and other events at St Martin’s, exploring a huge range of repertoire from the Renaissance to the present day.

Saturday 28th June will be hosted at St Mary’s Church, Runwell and in contrast this will be a Quiet Day. We’ll begin the morning at 9:00 am with a contemplative prayer walk through Wickford Memorial Park. This will be followed by input from Catherine Duce, of The Nazareth Community at St Martin-in-the-Fields, drawing on their seven spiritual disciplines, in particular the significance of silent prayer and service in listening to the Spirit at work in our lives.

We all have something to bring to the church and this inspiring event will help us recognise this value. Leave with your imagination sparked and your heart singing!

This is a Diocesan event supported with SDF funding. Refreshments will be provided but please let us know if you have any dietary requirements, allergies or additional needs.

Find out more about the event and register for it here:
https://www.eventbrite.co.uk/e/living-gods-future-now-an-event-by-heartedge-tickets-1319715016139?aff=oddtdtcreator


Quiet Days

Our Quiet Days enable people to reflect in the beautiful and historic surrounds of St Mary’s Runwell and St Nicholas Rawreth. St. Mary’s is often described by visitors and by regular worshippers as a powerful sacred space to which they have been drawn. St Nicholas provides times of quiet and reflection in a beautiful setting.

Themes for 2025 include: Rogation Days; A Path with a Heart; Sabbath; Our Lady; and Lancelot Andrewes (at St Nicholas).

All are 10.30 am – 3.30 pm. Runwell Rd SS11 7HS/Church Rd SS11 8SH.
  • Saturday 28 June – A Path with a Heart: Seeking inspiration from the Nazareth Community - Silence and Service are at the very heart of the Nazareth rule of life. Led by Revd Catherine Duce, Assistant Vicar for the Companions of Nazareth, St Martin-in-the-Fields.
  • Saturday 12 July – Sabbath: Explore Sabbath as both a day of rest and the coming kingdom of God. Led by Mike Tricker, LLM.
  • Wednesday 13 August – Our Lady: Reflect on the experiences, inspiration and support of Our Lady, the Mother of Jesus. Led by Revd Sue Wise.
  • Saturday 27 September – Lancelot Andrewes: Discover the influence and example of Lancelot Andrewes (who lived in Rawreth) who helped define Anglican doctrine, translate the Bible, and shape the liturgy. Led by Revd Jonathan Evens & Revd Steve Lissenden. To be held at St Nicholas Rawreth.
Cost: £8.00 per person, including sandwich lunch (pay on the day). To book: jonathan.evens@btinternet.com / 07803 562329 (28/06, 12/07, 27/09) or sue.wise@sky.com / 07941 506156 (28/05, 12/07).

Parking available: Church Hall (Runwell) or Village Hall (Rawreth). Nearest station: Wickford (for Runwell) or Battlesbridge (for Rawreth).


An evening with Neil Tye
Friday 4 July, 7.00 pm
St Andrew’s Church, 11 London Road, Wickford SS12 0AN


For the last 25 years Neil Tye has been working professionally, as a physical visual theatre performer, instructor, teacher, and installation artist, and has taken his performances, and teaching skills around the world. Hear stories about his music, performance, and painting.

Part of ‘Unveiled’, the Friday night arts and performance event at St Andrew’s Church

Artist Statement

Neil’s artistic practice is grounded in an intuitive and process-driven approach, wherein the act of painting itself dictates the final composition. Rather than adhering to predetermined concepts, he engages with the canvas through spontaneous mark-making and gestural forms, allowing the work to evolve organically. While his initial engagement with a piece may be sparked by a particular colour or shape, it is the dynamic interplay of movement, texture, and form that ultimately guides its development.

By embracing spontaneity and fluidity, his work exists at the intersection of abstraction and interpretation, inviting viewers to engage with the imagery in a way that is both personal and open-ended. Through this interplay between process and meaning-making, Neil`s paintings function as both intuitive expressions and conceptual explorations of movement, memory, and transformation.

About the artist

Neil Tye (b. 1963, London UK) is a Denmark-based artist with a background in both visual arts and physical theatre. Initially working as a performer and educator in physical theatre, he transitioned into visual expression 15 years ago. He holds an MA in Professional Practice from Middlesex University, London, and has exhibited, performed, and taught extensively across Europe and beyond. His exhibitions include venues such as the arts and culture centre Spinderihallerne (Denmark), the arts centre Banco de Nordeste (Brazil), and The Post Houston TX (USA), among others. Drawing from his multidisciplinary background, Neil’s work explores movement, form, and storytelling through visual mediums. He continues to create from his studio M10 in the Art zone area here in Spinderihallerene.

'The things we carry'

Following its initial display at Spinderihallerene in April, Neil's latest exhibition 'The things we carry' will be shown at Redbud Arts Center, Houston, from 7 - 28 June. This is a collection of mixed media works that centre around the nature of human connection. To mark the opening, Redbud Arts Center will host a special one-night performance by the internationally acclaimed Ad Deum Dance Company. The performance, inspired by themes from Tye's exhibition, will weave movement, storytelling, and live interaction with the artwork, offering audiences a multidisciplinary experience that bridges visual art and contemporary dance.

Neil says of the exhibition: "The title of this exhibition was inspired by reflections I had while creating my recent body of work. The first thought centres on the fundamental nature of human connection—we are not meant to navigate life alone. We rely on one another for support, understanding, and encouragement, whether through conversation, shared experiences, or emotional upliftment. The second thought arose from one particular painting, which evoked the image of an overloaded truck. This visual metaphor led me to consider how, in life, we accumulate and carry various burdens—emotions, worries, frustrations, memories, secrets, hopes, and dreams. These intangible yet weighty elements can become overwhelming, making it evident that we cannot bear them alone. At times, we must find ways to release or share these burdens, but this raises important questions: Where do we turn for relief? To whom do we entrust our heaviest thoughts? And how can we cultivate a sense of communal support to help lighten the loads we all inevitably carry?"


Make Space for God, Saturday 5 July, 10.00 am - 4.00 pm, Miracle House, Silva Island Way, Wickford

A day of creativity and inspiration lead by Anja and Neil Tye, the visionary leaders of "Art Encounter" from Denmark.

Art Encounter is an international arts ministry under Rescue Team which is run by married couple Neil and Anja Tye who are based in Denmark.

Neil and Anja are trained artists, and have been using their artistic skills as artist missionaries for many years. They have worked with different Christian organisations and churches from around the world such as Creative Mission in Sweden, Creative Arts Europe in Belgium, YWAM Costa Rica, Circus Victory Brazil, Ad Deum Dance Company USA, Iris Ministries Brazil, Acts Academy International Bible College, to Euroclass youth Mission boarding school in Denmark.

Art Encounter communicates the Gospel by using the arts, from dance, theatre, creative writing, and the visual arts and painting in various settings both in Denmark and around the world.


Adventures in Joy: An exhibition by Max Blake, 2 May – 25 July 2025, St Andrew’s Church, 11 London Road, Wickford SS12 0AN

St Andrew’s is usually open: Sat 9am-12.30pm; Sun 9.30am-12 noon; Mon 2-3.45pm; Tue 1-4.30pm; Wed 10am-12 noon; Fri 10am-1pm. https://wickfordandrunwellparish.org.uk/whats-on.html

“Adventures in Joy” presents the most recent work produced by artist and cleric Max Blake. It includes some of the work he has developed though his studies of Icons, as well as his experiments in a more abstract and surreal direction. Max explores his own deep imagination, which is fed by his wide knowledge of religion and reflections amongst other things.

As a man of faith, much of his work expresses an exploration of the Christian faith. Over recent years, Max has studied Byzantine and Coptic Iconography and he has used this study to develop his own interpretations of the icon. Much of Max’s work is highly detailed and the viewer can find many hidden details, people, faces and shapes in his work. This creates a joyful adventure for the eye through bright and vivid worlds. Max uses a range of media including oil paints, inks and coloured pencils.

Max Blake was born in East London in the early 50s and then grew up in Basildon. After graduating as a teacher, Max taught art in secondary schools across south Essex. He also worked with children with anxiety and children with special needs. He was ordained deacon followed by priesting in the early 2000s. Although he is now retired, Max still works as a retired priest with Permission to Officiate in the United Benefice of Horndon, Orsett and Bulphan.

As well as artwork Max has also illustrated book covers and books for children. He continues to exhibit his vibrant work in various locations, including the Well House Gallery in Horndon on the Hill and St Catherine’s Church in East Tilbury. https://www.wellhousegallery.co.uk/art/max-blake

Our churches in Wickford and Runwell are places to enjoy cultural programmes including concerts and exhibitions as well as being places to see art and architecture.

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The Choral Scholars of St Martin-in-the-Fields - Lo, He Comes With Clouds Descending.

Saturday, 4 January 2025

Parish Study Day: Our churches and their Patron Saints


WICKFORD AND RUNWELL
PARISH STUDY DAY 2025
OUR CHURCHES AND THEIR PATRON SAINTS


Saturday 25th January 2025
9.30am - 2pm in St Andrews church Lunch provided

Get to know our three churches, the buildings and the people. Find out more about their history and reflect on the lives of the saints that they are dedicated to.

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Bryan Maclean - Love Grows In Me.

Monday, 11 December 2023

Artlyst: Holbein Politics Religion And Draughtsmanship – The Queen’s Gallery

My latest exhibition review for Artlyst is on ‘Holbein at the Tudor Court’ is at The Queen’s Gallery, Buckingham Palace:

"'Holbein at the Tudor Court' is an exhibition of social history as much as it is an exhibition of art. The art on show is, of course, stunning, as Holbein is a great Renaissance artist and, as curator Kate Heard notes, possessed an ‘unparalleled ability to capture the essence of his subjects’ that ‘still astonishes nearly 500 years later’.

This ability is seen, in particular, through more than 40 intimate portrait drawings of the royal family and the Tudor nobility, which imbue their subjects with a remarkable lifelike quality that brings the viewer as close as they will ever come to the men and women of Henry VIII’s court, from Jane Seymour to Sir Thomas More ...

The exhibition also tells the story of Holbein’s time in England, navigating the shifting sands of religious reform and political intrigue to rise to the position of King’s painter and create the enduring images of Henry VIII and his circle that we know today. This is where the social history aspect of this exhibition comes into play, enabling us to learn about the political and religious landscape of his day."

Other articles on Renaissance artists can be found here, here, here, here, and here.

Interviews -
Monthly diary articles -
Articles/Reviews -
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Neal Morse - World Without End.

Sunday, 17 September 2023

Quiet Day: The Rhythm of Life

Quiet Day: The Rhythm of Life
Wednesday 20th September 10.30 am – 3.30 pm, St Mary’s Runwell

A day spent reflecting on Celtic Spirituality, its place in our history, its saints, prayer and worship, music and art. Reflect in the magnificent mediaeval building that is St Mary’s Runwell, and relax in its beautiful churchyard. St. Mary’s itself is often described by visitors and by regular worshippers as a powerful sacred space to which they have been drawn. Experience this yourself, while also exploring its art and heritage.

Led by Revd Sue Wise, Team Vicar, Wickford and Runwell Team Ministry.

Cost: £8.00 per person, including sandwich lunch (pay on the day).

To book: Phone 07941 506156 or email sue.wise@sky.com

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Caedmon - Caedmon's Hymn.

Sunday, 23 June 2019

This Stuff Matters

This Stuff Matters is a new exhibition created by Museum of Homelessness in partnership with the Connection at St Martin-in-the-Fields.

Curated by people from the Connection at St Martin’s, working with members of Museum of Homelessness community and supported by artist Chloe Osborne, this capsule exhibition takes the largely hidden history of homelessness in the UK as it's starting point and uses it to ask questions about what is happening today.

There is a hidden history of homelessness in the UK that shines a light on today’s crisis. This is a history that shows us what has happened on the streets, in hostels, in politics and in people’s lives over the last 70 years. The curators have selected 13 items from the archive at the Museum of Homelessness to share with the public. These include placards made to protest the recent housing crisis, obscure archival records that highlight long lost social agitators and campaigning material from the past as well as today.

Rather than a typical exhibition or a timeline of homelessness history, the curators are offering an experience from the heart; a series of glimpses into what has gone before and what is happening today. Labels and documentary evidence within the show has been written by people who either are or have been homeless.

History is something we pay close attention to at the Museum of Homelessness, yet all too often in the debates about homelessness and housing, it is forgotten. The lessons that history could teach us are not being learned. In 2018 Shelter estimated that at least 320,000 families were homeless and research by the Bureau of Investigative Journalism tells us that between October 2017 and March 2019, 800 people have died whilst homeless, many in tragic and avoidable circumstances.

This Stuff Matters is an exhibition about learning from history, and about the questions that matter about homelessness today. This work is driven by direct experience of homelessness. Do visit to support and celebrate those participating and to explore the questions that matter.

This Stuff Matters will run until 2nd September 2019 in the Crypt of St Martin-in-the-Fields.
This Stuff Matters would not be possible without the support of St Martin-in-the-Fields who are hosting the exhibition, and Turning Point who have funded the project.

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Dire Straits - On Every Street.

Wednesday, 13 September 2017

Exploring history at St Stephen Walbrook



At St Stephen Walbrook this week, the sound of the Walbrook, Street vendors’ cries and conversations at the Stocks market, Tavern conversations and a Merchant dictating a letter can all be heard as part of the House of Sound. This Sonic Trail sees ‘Mythophones’ – sculptural speakers – placed around Cheapside for listeners to connect to the locations and their previous incarnations.

The river Walbrook played an important role in the Roman settlement of Londinium. Starting in what is now Finsbury, it flowed through the centre of the walled city, bringing a supply of fresh water whilst carrying waste away to the Thames, and dividing Roman London into its eastern and western halves. When St Margaret Lothbury was rebuilt in 1440, the Lord Mayor paid for the lower Walbrook to be covered over. John Stow, the historian of London, wrote in 1598 that the watercourse, having several bridges, was afterwards vaulted over with brick and paved level with the streets and lanes where it passed, and that houses had been built so that the stream was hidden as it is now.

A temple of Mithras dating to the third century AD lay a short distance from St Stephen Walbrook. The remains were found in 1954 during the construction of the Bucklersbury House office block and will be displayed within the new Bloomberg London building.

Prior to the construction of the Mansion House in 1739, the Stocks market lay on the same site, dating to 1282, taking its name from a set of stocks used for punishment. A 1322 decree stipulated that the Stocks market was one of five places where fish and meat were allowed to be sold in London. After Stow's time its character changed, and towards its end was used mostly for selling herbs.



Then, tomorrow at 6.00pm, Peter Sheppard Skærved begins his exploration of the 17th Century violin, inspired by the astonishing churches of the Square Mile. This series of salons will explores the dialogue between the great architecture of Wren, Hawksmoor and Hooke, and the work of the violin makers and composers whose instruments and music flooded in the London in the years after the Restoration.

St Stephen Walbrook is one of the most unashamedly Italianate of Wren’s astonishing City churches. It is the perfect space to hear one of the great early 17th Century Cremonese violins, by Girolamo Amati, in a salon programme focussing on the Northern Italian violin style of the 1600s.

This concert features works for solo violin including:

Heinrich Biber – Passacaglia (Mystery Sonata XVI) ‘Guardian Angel, companion of Mankind’ and others by Tomasso Vitali, Giuseppe Torelli, Nicola Matteis, Biagio Marini. Played on a violin by Girolamo Amati (1628)

Plus world premiere: Peter Sheppard Skærved – ‘voil qe’m digaz cals mais vos plaz’ (Lombarda of Toulouse).

Tickets (limited number) available on Eventbrite and on the door, or reservations from ptrshpprdskrvd@aol.com .


Finally, the autumn Discover & explore series at St Stephen Walbrook will be part of the Londinium season of events organised by the City of London and will explore Rome, London & Christianity through music, prayers, readings and reflections.

Highlights include St Paul in Rome, Constantine, and The Temple of Mithras & St Stephen Walbrook:

25th September - St Paul in Rome
2 October - St Peter in Rome
9 October - The Early Church in Rome
16 October – St Alban
23 October – Constantine
30 October – Christianity in Roman London
6 November – The Temple of Mithras & St Stephen Walbrook
13 November – St Augustine
20 November – St Mellitus
27 November – St Erkenwald & St Ethelburga

Discover & explore has been described as "A really wonderful series of services; intelligent, thought provoking and hopeful - the perfect way to start your working week!"

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Peter Sheppard Skærved - Violin Concerto - III. Fantasia.

Friday, 17 March 2017

St Stephen Walbrook: New website

St Stephen Walbrook has a tremendous new website which can be found at https://ststephenwalbrook.net/. On the site you will find details of our regular weekly services and upcoming events, live sermons as well as many articles about the rich history, heritage and features of this unique church, described by Sir John Summerson as ‘the pride of English architecture’.

The Events calendar on the site is powered by Churchapp which enables you to create a MyChurch account providing on-the-go access to our calendar and other useful information such as rotas. Churchapp also enables our online giving facility.

We have included on the homepage this prayer, written by Bishop Thomas Ken, which is at one time thought to have been inscribed on the door of St Stephen Walbrook: “O God, make the door of this house wide enough to receive all who need human love and fellowship, narrow enough to shut out all envy, pride and strife. Make its threshold smooth enough to be no stumbling-block to children, nor to straying feet, but rugged and strong enough to turn back the tempter’s power. God make the door of this house the gateway to Thine eternal kingdom.”

As part of our commitment to cultural programming, the site also includes two artist's perspectives on the interior of St Stephen Walbrook. Paul Raftery and Dan Lowe's time-lapse video of the church was recently premiered in the Sacred Geometries exhibition at the Anise Gallery. Daniel Bourke is undertaking a digital residency with St Stephen Walbrook re-creating the building as a virtual environment. His video on the website is one of his initial imaginative responses to the space.

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Daniel Bourke - St Stephen's.

Tuesday, 24 May 2016

Discover & explore: The Venerable Bede


Here are the reflection and prayers from Monday's Discover & explore service at St Stephen Walbrook exploring the life and thought of The Venerable Bede:

‘History repeats itself.
Has to.
No-one listens.’

Thus says Steve Turner's short poem entitled ‘History Lesson’. Unlike the attitude satirised in the poem, the Venerable Bede was someone who wished to listen to and learn from the lessons of history.

Bede was born in Northumbria around the year 670. When he was seven years old, his family gave him to the monastery of St Peter and St Paul at Wearmouth. He then moved to Jarrow, where he lived as a monk for the rest of his life. Although it seems he never travelled further than York, his monastery - first under Abbot Benet Biscop and then Abbot Ceolfrith - was a centre of learning, and Bede studied extensively. He used all the resources available to write the most complete history of Christian England up to the year 729, as well as commentaries on books of the Bible.

He spent his whole life writing being the author of 45 volumes including text-books and translations, hymns and other verse, letters and homilies. He was one of the very earliest Anglo-Saxon poets and recorded "Caedmon's Hymn," the oldest complete poem in the English language. He wrote major scientific works and helped establish the foundations of medieval astronomy and chronology. He was primarily responsible for popularizing the western BC and AD dating system, as well as writing a treatise on grammar and figures of speech. He wrote all of his own work, saying of himself, "I am my own secretary; I dictate, I compose, I copy all myself." He asked for no assistance with his work until his last illness at the age of 62 when he was unable to write and engaged the help of a young scribe called Wilbert. He was renowned for his monastic fidelity and his love of teaching, and was fondly remembered by his pupils, including his biographer. He died peacefully in 735.

With the exception of foreign travel, much of our reading from Ecclesiasticus (39. 1 - 10) applies to and sums up Bede: devotion to study, seeking out the wisdom of the ancients, preserving sayings of the famous, seeking the Lord, petitioning the Most High and, as a result, being filled with the spirit of understanding and pouring forth words of wisdom of his own.

Bede was declared Venerable by the church in 836 and was canonised in 1899. He was named "Doctor of the Church" by Pope Leo XIII, because of his work and piety, and is the Patron Saint of scholars and historians. As a careful historian, Doctor of the Church, a lover of God and of the truth, he is a natural model for all readers of God's inspired Word. We heard in the Preface to his Ecclesiastical History of the English People how he valued those who diligently give ear to hear the words of Holy Scripture. He provides an example of one who prepared for public reading by prayerfully pondering the sacred texts and invoking the Holy Spirit in order to read in such a way that those who hear may attain learning and edification.

He also tells us why we should listen to the voices of history by industriously taking care to become acquainted with the actions and sayings of former people of renown, especially of our own nation. Where history relates good things of good people, we can excitedly imitate that which is good; and, where it recounts evil things of wicked people, we can both be warned so that we shun what is hurtful and wrong, and, by contrast, feel compelled to counteract evil by more earnestly performing those things which we know to be good, and worthy of the service of God.

At no time in our lives is this kind of reflection more important than as we approach death. St Cuthbert, Bede’s most famous disciple, described Bede's death as follows: "Being well-versed in our native songs, he described to us the dread departure of the soul from the body by a verse in our own tongue, which translated means: 'Before setting forth on that inevitable journey, none is wiser than the man who considers—before his soul departs hence—what good or evil he has done, and what judgement his soul will receive after its passing." Our present life is fleeting in comparison to eternity, so, when facing Death, that inescapable journey, who can be wiser than he who reflects, while breath yet remains, on whether his life brought others happiness or pains, since his soul may yet win delight's or night's way after his death-day.

Bede exemplified this attitude to the end of his days. On Tuesday 24th May 735, he took grievously ill but continued to teach, cheerfully suggesting to his pupils that they learn quickly as he may not be with them long. The next day he taught until nine in the morning. He then dictated part of his book to Wilbert. That evening Wilbert said to Bede " Dear master, there is still one sentence that we have not written down." Bede said "Quick, write it down." Wilbert then said "There; now it is written down." Bede replied "Good. You have spoken the truth; it is finished. Hold my head in your hands, for I really enjoy sitting opposite the holy place where I used to pray; I can call upon my Father as I sit there." And Bede then as he lay upon the floor of his cell sang the Gloria and as he named the Holy Spirit he breathed his last breath. His only possessions - some handkerchiefs, a few peppercorns and a small quantity of incense were shared amongst his brother monks as he had wished.

Intercessions

Merciful God, who gave such grace to your servant Bede that he served you with singleness of heart and loved you above all things: help us, to forsake all that holds us back from following Christ and to grow into his likeness from glory to glory. Lord, in your mercy, hear our prayer.

I pray thee, loving Jesus, that as Thou hast graciously given me to drink in with delight the words of Thy knowledge, so Thou wouldst mercifully grant me to attain one day to Thee, the fountain of all wisdom, and to appear forever before Thy face. Lord, in your mercy, hear our prayer.

O Christ, our Morning Star, Splendour of Light Eternal, shining with the glory of the rainbow, come and waken us from the greyness of our apathy, and renew in us your gift of hope. Lord, in your mercy, hear our prayer.

Blessing

God our Maker, whose Son Jesus Christ gave to your servant Bede grace to drink in with joy the Word that leads us to know you and to love you: in your goodness grant that we also may come at length to you, the source of all wisdom, and stand before your face; and may the blessing of God almighty, the Father, the Son, and the Holy Spirit, be among you and remain with you always. Amen.

The next Discover & explore service at St Stephen Walbrook will be on Monday 6th June at 1.10pm and will explore the life and thought of St Columba with Revd Sally Muggeridge and the Choral Scholars of St Martin-in-the-Fields.

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Will Todd - Christus Est Stella.

Saturday, 8 August 2015

Stolen Lives: A sense of moral repugnance against modern-day slavery


Stolen Lives is a new web based project which looks at issues of historical and contemporary slavery through music, songs, words, images, film and animation.

‘Stolen Lives’ is a collection of 17 songs and narratives designed to have multiple uses. It is anticipated that the resources will not only be of use to schoolteachers, especially those teaching at Key Stage 3 (ages 11 - 14) and Key Stage 4 (ages 14 – 16), but also to youth groups, museums, music and dance groups, and churches and faith groups. The project is also interactive. It is hoped that users will post their own performances or interpretations of the material that has been put together, allowing for a much broader sharing of ideas and practice.

The pieces provide starting points for discussion and also hope to inspire new creative work in art, dance, drama, images words and music for schools and other groups or individuals interested in the issues. These are all available as a free resource on the Stolen Lives website.

Professor John Oldfield, Director of the Wilberforce Institute for the Study of Slavery and Emancipation (WISE) the University of Hull, is the project leader. Kevin Bales the co-investigator. Music is by Paul Field and visuals by Peter S. Smith.

Behind the project is a serious intent, namely to use music and images to promote awareness of modern-day slavery and – just as important – the pressing need to do something about it. Nineteenth-century abolitionists were well aware of the power of music to persuade and inform: indeed, anti-slavery songs were an important part of their opinion-building activities, particularly in the United States. The same is true of images, whether Wedgwood’s famous image of the kneeling slave, or the cross section of the slave ship ‘Brookes’. ‘Stolen Lives’ follows in the same tradition. Put simply, the aim is to use music and images to inform public opinion and, in the process, create a sense of moral repugnance against modern-day slavery and for slavery in all its forms.

We should never underestimate the power of such aids to change attitudes and impact on policy and policymakers.

As William Wilberforce so memorably put it: ‘You may choose to look the other way but you can never say again that you did not know’.

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Paul Field - Strange Cargo.

Thursday, 9 April 2015

Spokesperson for the silent throng of things made by the human hand

The Evening Standard has four pieces written in appreciation of Neil MacGregor following the announcement that he is to step down as Director of the British Museum. This is fitting because "he has popularised the extraordinary riches of the museum in such as a way as to make them part of an intelligible human story, accessible to the ordinary public."

Michael Prodger writes that MacGregor "sees no conflict between popularity and scholarship and instinctively grasps that the public wants information as much as entertainment."

Antony Gormley described MacGregor as "the spokesperson for the silent throng of things made by the human hand, heart and brain over all time. Like no other before him, he has helped us see, empathise and interpret the huge diversity of humanly made things, allowing us to understand what they are and the world from which they come."

I was pleased to see that his future projects "include working with the BBC and the museum on a new Radio 4 series on faith and society." His series 'A History of the World in 100 Objects' was, in part, an inspiration for my short story The New Dark Ages, which can be read using these links - Part 1, Part 2, and Part 3.

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The Band - Don't Do It.