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Showing posts with label mythology. Show all posts
Showing posts with label mythology. Show all posts

Sunday, 8 December 2024

Matthew Askey: I, Santa


I, Santa: Contemporary representations of St Nicholas - Father Matthew Askey and Charles Williams and guests explore the Santa Claus mythology in painting.

5 – 24 December
studio1. 1
with
Father Matthew Askey, Dr Charles Williams, Phil King, Jake Clark, Andrew Seto, Rupesh Sudanshu, Brian Cheesewright, Matthew Collings, David R. Newton, Keran James and Jonny Green.

I, Santa interrogates Santa Claus’s layered symbolism, exploring themes of masculinity and social liminality. Williams’ paintings, influenced by early 20th-century British artists, present Santa as a pensive figure, embodying consumerism, mythology, and human longing. His works transform Santa from a jolly gift-giver into a complex cultural icon, navigating hope and despair.

In contrast, Father Matthew Askey’s works portray figures “playing at” Santa, using the character to explore human dualities: joy and sorrow, generosity and greed. His art questions the role of myth in an increasingly disenchanted world, reflecting on belief and belonging.

Through these diverse perspectives, the exhibition encourages viewers to reflect on Santa’s evolving significance in an age of consumerism and societal change. It’s a call to reconsider our collective mythology, explore the deeper narratives beneath the holiday icon, and contemplate what Santa represents in the broader human experience.

Matthew Askey spoke about his St Nicholas images in my interview with him for ArtWay.

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Bruce Springsteen - Santa Claus Is Coming' To Town.

Monday, 4 November 2024

Artlyst - November Art Diary

My November Art Diary for Artlyst begins with exhibitions by artists with whom I have some former connections, starting with some I have interviewed, such as Michael Petry, Sean Scully and Genesis Tramaine. Then, I highlight some other artists and exhibitions that address aspects of spirituality and mythology. These include Stanley Spencer, Takis and Jonathan Clarke. Finally, I end with exhibitions exploring themes of equality and inclusion, which enable difficult conversations to take place across boundaries:

'Another former interviewee of mine for Artlyst is Paul Chandler, who runs CARAVAN, an international arts NGO. Their latest exhibition, ‘SYMBOLS OF LIFE: BEYOND PERCEPTION: An Artistic Exploration of the Human Soul’, is part of the programming around the Biennale de Dakar, the premiere art event on the African continent. This exhibition features two remarkable artists whose work enhances our experience and understanding of each other and the transcendent. Tidiane Ndongo and Djibril Coulibaly brilliantly embody CARAVAN’s vision of seeing the arts play a strategic role in transforming our world; they touch the spiritual dimension of our human existence. Art is a universal language that can dissolve the differences that divide us. As long as division has torn apart the human family, art has offered a mode of reconciliation and wholeness. As is evident in this exhibition, artistic initiatives by their very nature, are “encounter points,” bringing people together from different backgrounds who might otherwise remain apart, deepening understanding across cultures and spiritual traditions.'

The interviews that I mention in this Art Diary can be found at: Michael Petry; Genesis Tramaine; Sean Scully; and Paul Chandler. I also mention the following reviews: ‘In The Black Fantastic’; ‘Rites of Passage’; and ‘A World In Common’.

Interviews -
Monthly diary articles -

Articles/Reviews -

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David Fanshawe: African Sanctus: 9. The Lord's Prayer (The Offertory).