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Showing posts with label five trios. Show all posts
Showing posts with label five trios. Show all posts

Saturday, 5 September 2026

International Times - Ebb & Flow

Here's my latest review for International Times, which is on an IMMERSE performance by Wilderthorn at Bradwell Chapel:

'As Wilderthorn, he is known for gigs in disused and abandoned spaces, turning forgotten places of history and atmosphere into wild and magical experiences. These IMMERSE performances in ancient, hidden, sacred or natural spaces aim, through improvisation, to respond to the ambience, atmosphere, acoustic, sounds and senses of such spaces. Performing together with the multi-instrumentalist Sekrit and the violinist Natasha Petrović de Maio, Wilderthorn created a meditative experience of ethereal sounds and atmospheric textures amid the Chapel’s candle-lit space.'
 
My earlier pieces for IT are: an interview with curator Jacquiline Creswell; an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of:
Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

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Wilderthorn : IMMERSE - Live at Chanctonbury Ring [Part 1].
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Sunday, 30 August 2026

International Times: Self-Restoration

Here's my latest exhibition review for International Times, which is on 'Walls and Windows' at The Minories in Colchester:

'The exhibition suggests that we all map and journey out in the world from the point at which we are born. Our sense of belonging and how we navigate correctly is based on the encounters we have with other beings and the relationships made. When our right to be at peace on our land is disrupted or taken away, we are traumatised and this destroys our bearings and ability to navigate the bigger whole. This exhibition seeks to restore us to ourselves, to one another, and to the world around us.'

My earlier pieces for IT are: an interview with curator Jacquiline Creswell; an interview with the artist Alexander de Cadenet; an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of:
Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

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Carolyn Hester - Love Minus Zero No Limits.
Posted by Jonathan Evens at 08:19 0 comments
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Friday, 28 August 2026

Poetry Update

My first review of poetry for Tears in the Fence was of 'Modern Fog' by Chris Emery. My second review was of 'The Salvation Engine' by Rupert Loydell, my third was of 'For All That’s Lost' by David Miller, and my fourth was of 'Late Inscriptions' by David Miller. 

My poetry reviews for Stride include a review of two poetry collections, one by Mario Petrucci and the other by David Miller, a review of Temporary Archive: Poems by Women of Latin America, a review of Fukushima Dreams by Andrea Moorhead, a review of Endangered Sky by Kelly Grovier and Sean Scully, a review of John F. Deane's Selected & New Poems, a review of God's Little Angel by Sue Hubbard and a review of Spencer Reece's 'Acts'.

My poetry-related pieces for IT are: an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, plus reviews of: 'Collected Poems' by Kevin Crossley-Holland; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, and 'What Is and Might Be and then Otherwise' by David Miller. 

I have also published pieces on poetry at Seen and Unseen - a profile of the poet Theresa Lola - and the Journal of Theological Studies - a review of Faith, Hope and Poetry: Theology and the Poetic Imagination by Malcolm Guite. 

For more on poetry, read my ArtWay interview with David Miller here and my interview with Rupert Loydell here. See also Rupert Loydell's interview with poet and musician Steve Scott. My own dialogues with Steve can be read here, here, here, here, and here. For thoughts on the links between poetry and prayer see here and here.

See also 'Connections and contemplation in poetry and prayer', a brief survey of the connections between poetry and prayer has been published by Amethyst Review. It looks at the connections between the two and highlights both poems about prayer and poems that are prayers.

My poems to have been published in Amethyst Review are: 'Prayer', 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'. I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

To read my poems published by Stride, click here, here, here, here, here, and here. International Times have also published other of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

Several of my short stories have also been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

For more of my poems, see here, and for my poetic meditations, see here.

My key literature posts (including poetry) are:
See also 'Art and Faith: Decades of Engagement: Introduction, 1880s, 1890s, 1900s, 1910s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, and 1980s.

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Posted by Jonathan Evens at 07:20 0 comments
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Friday, 24 July 2026

St Margaret's Church, Downham












Yesterday, I had the opportunity to visit St Margaret's Downham for the first time. Set on a hill, with great views from its extensive churchyard, the church is dedicated to St Margaret of Antioch - slayer of dragons and patron saint of child bearing. Devotion to this saint became popular between 1200 and 1300 and there are some 80 churches sharing this dedication from that period.

The oldest part of the present building is the redbrick tower that dates from around 1470. The main part of the church, the nave, was rebuilt in the nineteenth century using much of the material from the thirteenth century building. In March 1977 the building was gutted by fire following an arson attack but has been restored with a bright, modern interior and comfortable chairs. New stained glass was commissioned following the fire from Jan Gray (East window and Prebble window) and Valerie Green (Calton window).

One artefact to survive the fire is a carving of St Margaret of Antioch that originally occupied a niche above the porch. This is now in the nave and is probably the work of Gwynneth Holt. Various biographies of Holy mention a work by her at St Margaret's - https://artuk.org/discover/artists/holt-gwynneth-19091995 - and this piece is certainly in her style. 

Holt and her husband, the sculptor Thomas Bayliss Huxley-Jones, lived at Broomfield around the same time as another artist, Rosemary Rutherford, who was the daughter of the Rector at Broomfield Parish Church. All three have work in churches within the Diocese. Holt's limewood rood figures of Christ, the Virgin and St John are at All Saints Stock. My post about Holt's life and work can be read at https://joninbetween.blogspot.com/2024/12/all-saints-stock-harvard-gwynneth-holt.html. Broomfield Parish Church has an exhibition on the work of Rutherford and is preparing a booklet about the work of Holt and Huxley-Jones. My poem 'Broomfield', part of my 'Five Trios' series, reviews their stories, work, legacy and motivations. For more on the artists of Broomfield, all of whom are commemorated there with blue plaques, see here, here, here, here and here.

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Andrew Rumsey - O Lazarus.
Posted by Jonathan Evens at 10:34 0 comments
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Thursday, 16 July 2026

Amethyst Review: Connections and contemplation in poetry and prayer

'Connections and contemplation in poetry and prayer', a brief survey of the connections between poetry and prayer has been published by Amethyst Review today. It looks at the connections between the two and highlights both poems about prayer and poems that are prayers. This piece was originally written as the introduction to a Quiet Day I ran recently on Poetry and Prayer. On the same day, I also wrote a new poem entitled 'Prayer' which was published recently by Amethyst Review.

The references for the article are:
Amethyst Review is a publication for readers and writers who are interested in creative exploration of spirituality and the sacred. Readers and writers of all religions and none are most welcome. All work published engages in some way with spirituality or the sacred in a spirit of thoughtful and respectful inquiry, rather than proselytizing.

The Editor-in-chief is Sarah Law – poet (mainly), tutor, occasional critic, sometime fiction writer. She has published five poetry collections, the latest of which is 'Thérèse: Poems'. Her novel, Sketches from a Sunlit Heaven is a 2023 Illumination Book Award silver medal winner. She set up Amethyst Review feeling the lack of a UK-based platform for the sharing and readership of new literary writing that engages in some way with spirituality and the sacred.

My poems to have been published in Amethyst Review are: 'Prayer', 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

To read my poems published by Stride, click here, here, here, here, here, and here. International Times have also published other of my poems, including 'Spencer Reece at Bemerton' which is based on the visit that I made to Bemerton in 2026 with Spencer Reece, 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

Several of my short stories have also been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

For more of my poems, see here, and for my poetic meditations, see here.

My first review of poetry for Tears in the Fence was of 'Modern Fog' by Chris Emery. My second review was of 'The Salvation Engine' by Rupert Loydell and my third was of 'For All That’s Lost' by David Miller. My poetry reviews for Stride include a review of two poetry collections, one by Mario Petrucci and the other by David Miller, a review of Temporary Archive: Poems by Women of Latin America, a review of Fukushima Dreams by Andrea Moorhead, a review of Endangered Sky by Kelly Grovier and Sean Scully, a review of John F. Deane's Selected & New Poems, a review of God's Little Angel by Sue Hubbard and a review of Spencer Reece's 'Acts'.

My poetry-related pieces for IT are: an interview with artist, poet, priest Spencer Reece, an interview with the poet Chris Emery, plus reviews of: 'Collected Poems' by Kevin Crossley-Holland; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, and 'What Is and Might Be and then Otherwise' by David Miller. I have also published pieces on poetry at Seen and Unseen - a profile of the poet Theresa Lola - and the Journal of Theological Studies - a review of Faith, Hope and Poetry: Theology and the Poetic Imagination by Malcolm Guite. For more on poetry, read my ArtWay interview with David Miller here and my interview with Rupert Loydell here. See also Rupert Loydell's interview with poet and musician Steve Scott. My own dialogues with Steve can be read here, here, here, here, and here. For thoughts on the links between poetry and prayer see here and here.

My key literature posts (including poetry) are:
See also 'Art and Faith: Decades of Engagement: Introduction, 1880s, 1890s, 1900s, 1910s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, and 1980s.

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Gideon Heugh - Love - An Easter Poem.
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Monday, 24 November 2025

Stride Magazine: Five entries in Prog 50

Stride Magazine has a new series is called 'Five' which simply involves writing about five linked items. The first articles in the series can be found here and here. My latest article for Stride Magazine is part of this series and is entitled 'Five entries in Prog 50'.

The article is a piece about five entries found in Prog 50 an encyclopaedia of Prog Rock edited by artist and musician Maurizio Galia which has helped me go back in time and discover what I missed when I followed Punk and New Wave in the 1970's rather than Prog Rock:

'Galia is a Prog rocker, as keyboardist and singer with Aquael. Also, a skilled artist and illustrator, his images enhance Prog 50 considerably. Together with his collaborators, he has documented fifty years of Prog Rock with over 1,000 musicians from the America’s, Asia, Europe, Oceania, and South Africa mentioned. As Peter Gabriel states in his Foreword, Galia ‘has carefully assembled … a veritable army of progsters; all mounted and ready – ready to challenge any non-believers, in whatever shape or form they are found’.'

I recently wrote another article for Stride, this time about my 'Five Trios' series of poems. 'Five Trios' is a series of five long poems on thin places and sacred spaces in Essex and East London, each of which are also located within the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

The article explores the inspiration for the series and includes information about each of the locations included.

Several years ago, Stride published a series of texts by authors about themselves and their poetry called 'Deflated Ego'. My article on 'Five Trios was part of a new 'Deflated Ego' series. Authors were invited to choose their own approach to the piece, be that self-interview, review, manifesto, contextual/social material, statement of poetics, personal comment, or whatever. The first pieces in this new 'Deflated Ego' series can be read here and here.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

IT have also published several of my poems, beginning with 'The ABC of creativity', which covers attention, beginning and creation, and lastly 'The Edge of Chaos', a state of existence poem.

Stride magazine was founded in 1982. Since then it has had various incarnations, most recently in an online edition since the late 20th century. You can visit its earlier incarnation at http://stridemagazine.co.uk.

I have read the poetry featured in Stride and, in particular, the work of its editor Rupert Loydell over many years and was very pleased that Rupert gave a poetry reading when I was at St Stephen Walbrook.

Rupert Loydell is the editor of Stride magazine, contributing editor to International Times and a writer and abstract artist. He has many books of poetry and several collaborative publications in print, and has edited anthologies for Shearsman, KFS and Salt. His critical writing has appeared in Punk & Post-Punk (which he is on the editorial board of), Journal of Writing and Creative Practice, New Writing, English, Text, Axon, Short Fiction in Theory and Practice, Musicology Research, Revenant, The Quint: an interdisciplinary journal from the north and Journal of Visual Art Practice. He has also contributed chapters to Brian Eno. Oblique Music (Bloomsbury, 2016), Critical Essays on Twin Peaks: The Return (Palgrave Macmillan, 2019), Music in Twin Peaks: Listen to the Sounds (Routledge, 2021) and Bodies, Noise and Power in Industrial Music (Palgrave Macmillan, 2022).

Rupert has recently contributed several guest posts to 'Between'. These have been interviews musicians including Nick Battle and Steve Scott who contributed to the early days of christian rock in the UK. I have also published an interview with Rupert himself in which he shares his thoughts on that same period of christian rock, as well as speaking about other aspects of his career and interests. These posts can be read here, here, and here.

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Aquael - Ziggurat.
Posted by Jonathan Evens at 20:56 0 comments
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Monday, 10 November 2025

Stride Magazine: Five

Stride Magazine has a new series is called 'Five' which simply involves writing about five linked items. The first articles in the series can be found here and here. My piece for the series which is on entries in Prog 50 will be published on 24 November.

I recently wrote another article for Stride, this time about my 'Five Trios' series of poems. 'Five Trios' is a series of five long poems on thin places and sacred spaces in Essex and East London, each of which are also located within the Diocese of Chelmsford. The five poems in the series are:
These poems have been published by Amethyst Review and International Times.

The article explores the inspiration for the series and includes information about each of the locations included.

Several years ago, Stride published a series of texts by authors about themselves and their poetry called 'Deflated Ego'. My article on 'Five Trios was part of a new 'Deflated Ego' series. Authors were invited to choose their own approach to the piece, be that self-interview, review, manifesto, contextual/social material, statement of poetics, personal comment, or whatever. The first pieces in this new 'Deflated Ego' series can be read here and here.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

IT have also published several of my poems, beginning with 'The ABC of creativity', which covers attention, beginning and creation, and lastly 'The Edge of Chaos', a state of existence poem.

Stride magazine was founded in 1982. Since then it has had various incarnations, most recently in an online edition since the late 20th century. You can visit its earlier incarnation at http://stridemagazine.co.uk.

I have read the poetry featured in Stride and, in particular, the work of its editor Rupert Loydell over many years and was very pleased that Rupert gave a poetry reading when I was at St Stephen Walbrook.

Rupert Loydell is a poet, painter, editor and publisher, and senior lecturer in English with creative writing at Falmouth University. He is interested in the relationship of visual art and language, collaborative writing, sequences and series, as well as post-confessional narrative, experimental music and creative non-fiction.

He has edited Stride magazine for over 30 years, and was managing editor of Stride Books for 28 years. His poetry books include Wildlife and Ballads of the Alone (both published by Shearsman), and The Fantasy Kid (for children).

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