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Showing posts with label cracks. Show all posts
Showing posts with label cracks. Show all posts

Sunday, 2 June 2024

A crack in everything, that’s how the light gets in




Here's the sermon that I shared this morning at St Margaret Bowers Gifford and St Chad's Vange:

St Paul told the Christians in Corinth that they had the light of the knowledge of the glory of God in the face of Jesus Christ in their hearts, but that this treasure was in clay jars, so that it might be made clear that this extraordinary power belongs to God and did not come from them (2 Corinthians 4. 6 - 12).

If the clay jar, the container of the light, were to be perfectly formed, then the light inside would not be seen from the outside. The light of Christ would effectively be hidden as people would look at our perfect life and not Christ, because they would only see us.

Instead, St Paul says, because we are not perfect and have difficulties and flaws, we are like cracked clay jars, meaning that it is then clear that where we act or speak with love and compassion, this is because of Christ in us, rather than being something which is innate to us or simply our decision alone. He used this image of light in containers seen through cracks, or thin translucent clay, to assure the Corinthian Christians that they had the light of God in their lives, despite the fallibility and frailty of those lives.

The artist Anna Sikorska helped the congregation at St Martin-in-the-Fields reflect on these themes through ‘Light the Well’, a community art project which she is undertook together with the congregation, wider community and artists and craftspeoples group. Her installation was set in the Light Well of St Martin’s during November and December 2017 (see images above). It was the culmination of a community art project in which individuals from across St Martin’s – church congregation, Chinese community, clergy, staff and members of the International Group – gathered together over time and tables of clay to carefully form the porcelain lanterns which filled the Light Well. Each porcelain lantern was filled with light from a simple string of lamps.

Conversations around the tables when making the lanterns touched on ‘cracked pots’, the continental tradition of ‘St Martin’s day’ paper lanterns, networks of sea buoys, St Paul describing light inside clay vessels, the fragility of our lives and bodies, ‘broken but not crushed’ and Leonard Cohen’s lines: ‘Forget your perfect offering / There is a crack in everything / That’s how the light gets in.’

The project involved a large number of porcelain lanterns (glazed ceramic globes) made by laying strips of porcelain onto a round support. The size, surface decoration and character of each lantern differed, although the base material - and overall look - was consistent white ceramic, roughly made.

Porcelain clay glows with a transparency individual to itself but those who made lanterns realised that, in order to be as translucent as possible, the strips of porcelain needed to be as thin as possible. Once made, they were fired and the lanterns were then suitable for being outside. They developed cracks in the firing, through which the light inside was seen. In the Light Well at St Martin’s, these lanterns were joined together with cord covering the stone floor in a random constellation. The cord also connected a light bulb within each lantern, so each one shone from within.

These cracked translucent lanterns lit from within were a visible realisation of St Paul’s image of light in clay jars. By linking the lanterns together, this installation also highlighted another aspect of this passage.

St Paul writes that ‘We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed; always carrying in the body the death of Jesus, so that the life of Jesus may also be made visible in our bodies.’ He writes of us in the plural. We are afflicted, but not crushed. We are perplexed, but not driven to despair. It is as we come together to engage with affliction, perplexity, forsakenness, and being struck down that we carry in our body the death of Jesus and show the life of Jesus. It is as we come together, linked, like the lanterns, by the light of Christ that we become the Body of Christ.

So, in this passage, St Paul suggests that there are fractures and flaws running through each of our lives and that these imperfections actually enable the light within to be seen more clearly. As a result, he suggests that our vulnerabilities are the most precious aspect of our lives; of more significance than a confident pride in ourselves that will not acknowledge weakness.

Dietrich Bonhoeffer wrote that to ‘be a Christian does not mean to be religious in a particular way, to make something of oneself ... on the basis of some method or other, but to be ... the [person] that Christ creates in us. It is not the religious act that makes the Christian, but participation in the sufferings of God in the secular life …

following Christ results in the liberation of the self to exist for and with others .. "The Christian ... must drink the earthly cup to the dregs, and only in his doing so is the crucified and risen Lord with him, and he crucified and risen with Christ." Bonhoeffer could thus say that Christ takes hold of Christians at the centre of their lives, while at the same time recognizing that it also Christ who launches Christians into a world of suffering and difference. Hurled into the midst of this world, Christians are not to assume a sense of privilege but are to relinquish privilege for the sake of others …

To be claimed by others is … to participate in the vulnerable God's existence for us. In contrast to a "religion" that can only offer smug reassurance, bourgeois comfort, and pious quietism, the "new life" to which Jesus calls his followers is fraught with risk.

Bonhoeffer … claimed that God is revealed in the world precisely in those places that the world is most prone to ignore: in suffering, rejection, and scorn. The God of Jesus Christ takes these anathemas, makes them God's own, and invites all disciples to participate in them.’

(https://www.thefreelibrary.com/Religionless+Christianity+and+vulnerable+discipleship%3A+The+interfaith...-a098313403)

Bonhoeffer was saying and seeing what St Paul says and sees in today’s Epistle; each of us are like cracked or translucent clay jars because of our flaws and vulnerabilities. It is through these lines of stress – the suffering, rejection and scorn with which we engage - that the light of Christ is seen. It is as we join together in living for the sake of others – linked together as the lanterns were linked in the Light the Well installation – that we become the Body of Christ and reveal him most fully in the world. In this way, the Light the Well community art project and installation showed what it means to be the Body of Christ – the Church – in the world today. May we also see that for ourselves today. Amen.

Lord Jesus, in your face we see the light of the knowledge of the glory of God. Your light in our lives is like a flame inside a cracked clay jar, with your light seen through the lines of stress and tension that characterise our lives. As flawed people in a fragile world, we recognise that there is a crack in everything. We recognise, too, that it is through the cracks in our existence that your light gets in and shines out. We share in the vulnerability and suffering that was your experience of death in order that your life is also seen as being our strength in weakness. May we not be crushed, driven to despair, forsaken or destroyed, but in the stresses and tensions of our lives know your power loving and sustaining us. May we no longer strive after perfect offerings and pray instead that every heart to love with come, but as a refugee. Lord, in your mercy, hear our prayer.

Lord Jesus, in this wilderness before the promised land, we pray for all who are dispossessed and homeless. In their wilderness wanderings may they seek rest not only in a material land of promise but also in the one who left all he had to serve humanity, die and be raised to glory. In the tension of the now and the not yet, we pray for all who have asked for healing or release and to whom it has not been granted. In the depths of their loss may they encounter one whose preaching released long dead imprisoned souls. In these times between times, may we fully utilise the gifts of your Spirit - gifts of community and relationship, gifts of forgiveness and life-giving – to imagine new possibilities in the midst of the old problems of our world. Lord, in your mercy, hear our prayer.

Lord Jesus, who in suffering and then death was made nothing, we bring to you those who are experiencing loss through suffering and bereavement. We ask that nothing and no-one will trivialise their loss and that in the heart of their loss they will experience rebirth and resurrection. Lord, in your mercy, hear our prayer.

Lord Jesus, you are the light of the world and the light in our darkness. May your light be a flame to build warmth in our hearts towards family, neighbours and all those we meet. We place in your care all those we come to remember today. Give us, we pray, comfort in our anxiety and fear, courage and strength in our suffering, patience and compassion in our caring, consolation in our grieving. But above all, give us hope now and always. Lord, in your strength and vulnerability, hear our prayer.

Lord Jesus, through your rising from the grave, you broke the power of the grave, you broke the power of death and condemned death itself to die. As we celebrate this great triumph may we also make it a model for our living. Help us to identify in our lives all that should rightly die - redundant relationships, tired habits, fruitless longings. Resurrect in our lives faith, hope and love as surely as you raised Jesus Christ from the grave. Lord, in your mercy, hear our prayer.

Lord, may your light enlighten us in our decisions and be a fire to purify us from all pride and selfishness. Set our hearts on fire with love for you, so that we may love you with all our heart, with all our mind, with all our soul, and with all our strength, and our neighbours as ourselves. So that by keeping your commandments we may glorify you, the giver of all good gifts. Lord, in your strength and vulnerability, hear our prayer.

Blessing

Enlightenment in our decisions, purification from pride and selfishness, strength in weakness, God’s power loving and sustaining us. May those blessings of almighty God, Father, Son and Holy Spirit, rest upon you and remain with you always. Amen.








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Leonard Cohen - Anthem.

Monday, 5 February 2024

ArtWay Visual Meditation - Giampaolo Babetto: Candle Holder

ArtWay have republished my visual meditation on Giampaolo Babetto's Candle Holders for the Dick Sheppard Chapel at St Martin-in-the-Fields:

"Babetto’s process of moulding starts to develop from working a circular form, by tenths of millimetres, beating in a spiral around the surface many times before arriving at the final form. He says that in his work he is seeking to ‘find a form that you think will become a jewel.’ He says also that his work ‘is not made of appearances’ and that he would ‘like it to be something that comes from the inside, that expresses an inwardness.’ That aim has perhaps never been better realised than with these delicately material candleholders from which the light shines out through the crack of a cross."

My visual meditations for ArtWay include work by María Inés Aguirre, Giampaolo Babetto, Marian Bohusz-Szyszko, Alexander de Cadenet, Christopher Clack, Marlene Dumas, Terry Ffyffe, Jake Flood, Antoni Gaudi, Nicola Green, Maciej Hoffman, Gwen John, Lakwena Maciver, S. Billie Mandle, Giacomo Manzù, Sidney Nolan, Michael Pendry, Maurice Novarina, Regan O'Callaghan, Ana Maria Pacheco, John Piper, Nicola Ravenscroft, Albert Servaes, Henry Shelton, Anna Sikorska, Alan Stewart, Jan Toorop, Andrew Vessey, Edmund de Waal and Sane Wadu.

My Church of the Month reports include: All Saints Parish Church, Tudeley, Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Churches in Little Walsingham, Coventry Cathedral, Église de Saint-Paul à Grange-Canal, Eton College Chapel, Lumen, Metz Cathedral, Notre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church, St. Margaret’s Church, Ditchling, and Ditchling Museum of Art + Craft, St Mary the Virgin, Downe, St Michael and All Angels Berwick and St Paul Goodmayes, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

Blogs for ArtWay include: Congruity and controversy: exploring issues for contemporary commissions; Ervin Bossanyi: A vision for unity and harmony; Georges Rouault and André Girard: Crucifixion and Resurrection, Penitence and Life Anew; Photographing Religious Practice; Spirituality and/in Modern Art; and The Spirituality of the Artist-Clown.

Interviews for ArtWay include: Sophie Hacker, Peter Koenig, David Miller and Belinda Scarlett. I also interviewed ArtWay founder Marleen Hengelaar Rookmaaker for Artlyst.

I have also reviewed: Art and the Church: A Fractious Embrace, Kempe: The Life, Art and Legacy of Charles Eamer Kempe and Jazz, Blues, and Spirituals.

Other of my writings for ArtWay can be found here. My pieces for Church Times can be found here. Those for Artlyst are here and those for Art+Christianity are here.

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The Waterboys - Spirit.

Sunday, 3 January 2021

ArtWay Visual Meditation: some winter pots by Edmund de Waal

My latest visual meditation for ArtWay is a meditation on some winter pots by Edmund de Waal:

"Alone and silent in his studio he made bowls, open dishes and lidded jars needing a return to touching, holding, marking and moving soft clay. The black vessels show the flux of glaze. The white dishes have been fired without glaze so that each mark is present. He has explained that: ‘Some of these pots are broken and patched on their rims with folded lead and gold; others are mended with gold lacquer. Some hold shards of porcelain.’

His inspiration came from two old Chinese bowls from the Song dynasty that he has in his studio. One patched on the rim with iron, the other with a beautiful thin golden thread running from the rim, repaired using the Japanese art of kintsugi. Kintsugi, which means ‘golden joinery’, is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum. The idea is that by embracing flaws and imperfections, one creates an even stronger, more beautiful piece of art. De Waal notes that, ‘Kintsugi is not an art of erasure – the invisible mend, the erasing of a mistake – but rather a way of marking loss.’"

In December 2020 I published a review in the Church Times of de Waal's library of exile, see https://www.churchtimes.co.uk/articles/2020/18-december/books-arts/visual-arts/visual-arts-edmund-de-waal-library-of-exile.

My visual meditations for ArtWay include work by María Inés Aguirre, Giampaolo Babetto, Marian Bohusz-Szyszko, Alexander de Cadenet, Christopher Clack, Marlene Dumas, Terry Ffyffe, Antoni Gaudi, Nicola Green, Maciej Hoffman, Lakwena MaciverS. Billie Mandle, Giacomo Manzù, Michael Pendry, Maurice Novarina, Regan O'Callaghan, Ana Maria Pacheco, John Piper, Albert Servaes, Henry Shelton and Anna Sikorska.

My Church of the Month reports include: Aylesford Priory, Canterbury Cathedral, Chapel of St. Thérèse of the Child Jesus and the Holy Face, Hem, Chelmsford Cathedral, Churches in Little Walsingham, Coventry Cathedral, Église de Saint-Paul à Grange-Canal, Eton College Chapel, Lumen, Metz Cathedral, Notre Dame du Léman, Notre-Dame de Toute Grâce, Plateau d’Assy,Romont, Sint Martinuskerk Latem, St Aidan of Lindisfarne, St Alban Romford, St. Andrew Bobola Polish RC Church, St. Margaret’s Church, Ditchling, and Ditchling Museum of Art + Craft, St Mary the Virgin, Downe, St Michael and All Angels Berwick, and St Paul Goodmayes, as well as earlier reports of visits to sites associated with Marian Bohusz-Szyszko, Marc Chagall, Jean Cocteau, Antoni Gaudi and Henri Matisse.

Interviews for ArtWay include: Sophie Hacker and Peter Koenig. I also interviewed ArtWay founder Marleen Hengelaar Rookmaaker for Artlyst.

I have reviewed: Art and the Church: A Fractious Embrace, Kempe: The Life, Art and Legacy of Charles Eamer Kempe, and Jazz, Blues, and Spirituals.

Other of my writings for ArtWay can be found here. My pieces for Church Times can be found here. Those for Artlyst are here and those for Art+Christianity are here.

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Maria McKee - Life Is Sweet.

Monday, 4 May 2020

The light of the knowledge of the glory of God in clay jars





Here's my reflection for today's lunchtime Eucharist for St Martin-in-the-Fields:

This day is set aside to remember all who witnessed to their Christian faith during the conflicts in church and state in England, which lasted from the fourteenth to the seventeenth centuries but were at their most intense in the sixteenth century. Though the reform movement was aimed chiefly at the Papacy, many Christian men and women of holiness suffered for their allegiance to what they believed to be the truth of the gospel. As the movement grew in strength, it suffered its own internecine struggles, with one group determined that they were the keepers of truth and that all others were therefore at least in a state of ignorance and at worst heretical. In the twentieth century, ecumenical links drew the churches closer to each other in faith and worship and all now recognise both the good and evil that evolved from the Reformation Era.

This description of the Feast Day for the English Saints & Martyrs of the Reformation Era is very revealing. It makes it clear that, although these martyrs died for their beliefs, internal conflict within the Church is not what God intended for his people and that relating to our brothers and sisters in Christ on the basis that we hold the truth of Christianity in ways that others don’t is a far from adequate basis for real relationship in a body of people called by their Lord to be united. The final sentence about the ecumenical movement indicates a better way forward which is that of relationship on the basis of our shared fallibilities, failings and lack of understanding.

That is the message of 2 Corinthians 4. 5-12, a passage that we have come to know and love at St Martin’s through the work of the Disability Advisory Group and through the Light the Well community art project which resulted in an installation in the Light Well.

The artist Anna Sikorska worked with us on the installation which was set in the Light Well of St Martin-in-the-Fields during November and December 2017. It was the culmination of a community art project in which individuals from across St Martin’s – Church congregation, Chinese community, clergy, staff, clients from the Connection and members of our International Group – gathered together over time and over tables of clay to carefully form the porcelain lanterns which then filled the Light Well.

The lanterns were glazed ceramic globes whose size, surface decoration and character differed, although the base material - and overall look - was consistent white ceramic, roughly made. In the Light Well these lanterns were joined together with cord covering the stone floor in a random constellation. The cord also connected a light bulb within each lantern, so each one shines from within. Each lantern glowed when lit from within because of the translucency of porcelain.

Porcelain, like all clay, is malleable when wet and able to be moulded and shaped but, once formed and fired, is firm but fragile at one and the same time. Porcelain, however, unlike most other clays, is also translucent meaning that light can be seen through it. It glows with a transparency individual to itself. All these aspects of porcelain are factors in verses from 2 Corinthians 4: 6-12 which say that ‘God … has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ’ and that ‘we have this treasure in clay jars, so that it may be made clear that this extraordinary power belongs to God and does not come from us.’

If the clay jar, the container of the light, were to be perfectly formed, then the light inside would not be seen from the outside. The light of Christ would effectively be hidden. People would look at our perfect life and not Christ, because they would only see us. Instead, St Paul says, because we are not perfect and have difficulties and flaws we are like cracked clay jars, meaning that it is then clear that where we act or speak with love and compassion, this is because of Christ in us, rather than being something which is innate to us or simply our decision alone. He used this image of light in containers seen through cracks, or thin translucent clay, to assure the Corinthian Christians that they had the light of God in their lives, despite the fallibility and frailty of those lives.

The cracked translucent lanterns of this installation lit from within are a visible realisation of St Paul’s image of light in clay jars. By linking the lanterns together, this installation also highlights another aspect of this passage. Paul writes that ‘We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed; always carrying in the body the death of Jesus, so that the life of Jesus may also be made visible in our bodies.’ Paul writes of us in the plural. We are afflicted, but not crushed. We are perplexed, but not driven to despair. It is as we come together to engage with affliction, perplexity, forsakenness, and being struck down that we carry in our body the death of Jesus and show the life of Jesus. It is as we come together, linked, like the lanterns, by the light of Christ that we become the Body of Christ.

These verses picture us as fragile clay or porcelain containers. We all, as individuals, have the light of Christ within which can be seen by others as a result of our fragile nature; either the lines of stress in our lives or the thinness of our skin. Each of us are like cracked or translucent clay jars because of our flaws and vulnerabilities. It is through these lines of stress – the suffering, rejection and scorn with which we engage - that the light of Christ is seen. It is as we join together in living for the sake of others – linked together as the lanterns were linked in the Light the Well installation – that we become the Body of Christ and reveal him most fully in the world. In this way, this installation shows us what it means to be the Body of Christ – the Church – in the world today. When we come together as fragile individuals glowing with the light of Christ in and through our fallibilities, we are the Church as it is intended to be.

Prayers

Lord Jesus, in your face we see the light of the knowledge of the glory of God. Your light in our lives is like a flame inside a cracked clay jar, with your light seen through the lines of stress and tension that characterise our lives. As flawed people in a fragile world, we recognise that there is a crack in everything. We recognise, too, that it is through the cracks in our existence that your light gets in and shines out. We share in the vulnerability and suffering that was your experience of death in order that your life is also seen as being our strength in weakness. May we not be crushed, driven to despair, forsaken or destroyed, but in the stresses and tensions of our lives know your power loving and sustaining us. May we no longer strive after perfect offerings and pray instead that every heart to love with come, but as a refugee. Lord, in your mercy, hear our prayer.

Lord Jesus, in this wilderness before the promised land, we pray for all who are dispossessed and homeless. In their wilderness wanderings may they seek rest not only in a material land of promise but also in the one who left all he had to serve humanity, die and be raised to glory. In the tension of the now and the not yet, we pray for all who have asked for healing or release and to whom it has not been granted. In the depths of their loss may they encounter one whose preaching released long dead imprisoned souls. In these times between times, may we fully utilise the gifts of your Spirit - gifts of community and relationship, gifts of forgiveness and life-giving – to imagine new possibilities in the midst of the old problems of our world. Lord, in your mercy, hear our prayer.

Lord Jesus, who in suffering and then death was made nothing, we bring to you those who are experiencing loss through suffering and bereavement. We ask that nothing and no-one will trivialise their loss and that in the heart of their loss they will experience rebirth and resurrection. Lord, in your mercy, hear our prayer.

Lord Jesus, through your rising from the grave, you broke the power of the grave, you broke the power of death and condemned death itself to die. As we celebrate this great triumph may we also make it a model for our living. Help us to identify in our lives all that should rightly die - redundant relationships, tired habits, fruitless longings. Resurrect in our lives faith, hope and love as surely as you raised Jesus Christ from the grave. Lord, in your mercy, hear our prayer.
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U2 & Daniel Lanois - Falling At Your Feet.

Monday, 6 November 2017

Light the Well installation


‘Thirty Enterprising Years’ is the theme for celebrating our patronal festival at St Martin-in-the-Fields this year. The service on Sunday 12 November starts at 5.00pm and is followed by the unveiling of the plaque for Canon Geoffrey Brown at 6.00pm and party in the Crypt until 9.00pm (£5 tickets
available from the Vergers and Parish Office). The lantern installation (Light the Well), that many people across St Martin’s have taken part in, will be in situ in the lightwell and there will be the opportunity to view this during the evening. All are welcome.

Artist Anna Sikorska, who has created Light the Well, our community art project writes:

'This installation to be set in the Light Well from 11 – 17 November has been made by the hands of people at St Martin-in-the-Fields. Individuals from across our shared life - Church congregation, Chinese community, clergy, staff, clients from the Connection and members of our International Group - have, over some time, gathered together over tables of clay and carefully formed the pieces which fill the Light Well.

Each porcelain ‘lantern’ is filled with light from a simple string of lamps. They will sit together in-situ for one week, during which we celebrate the Feast of St. Martin and also the 30th anniversary of the Bishop Ho Ming Wah Centre.

Conversations around the tables touched on “cracked pots”, Jesus’ story of searching for the 100th sheep, the continental tradition of “St Martin’s day” paper lanterns, networks of sea buoys, St Paul describing light inside clay vessels, faces, the fragility of our lives and bodies, “broken but not crushed”, and Leonard Cohen: “Forget your perfect offering / There is a crack in everything / That's how the light gets in.”

From the 17th November you are invited to be part of changing the gathered constellation into an expanded field, dispersing the pots/lanterns amongst our community and beyond. You will be able to buy a piece to take away and light a small candle inside. Proceeds to the New Art Studio and Art Refuge UK, both charities working with art therapy in the context of migration and displacement.

This installation has been the work of Anna Sikorska, Jonathan Evens, Katja Werne, Jim and Sarah Sikorski and everyone who accepted a lump of porcelain and gave it a form. Thank you.'

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Leonard Cohen - Anthem.

Thursday, 29 June 2017

Bread for the World & Light the Well



Last night we enjoyed a wonderful Bread for the World Service at St Martin-in-the-Fields with a temporary installation of the 'Light the Well' community art project led by artist Anna Sikorska, plus songs and music including: Like a candle flame - Kendrick, Longing for light - Ferrell, This little light of mine - arr. Raney, Kindle a flame - Bell, Lord Jesus Christ your light shines within us - Taize, Anthem - Cohen, In a world where people walk in darkness - Shephard, and The Lord bless you and keep you - Rutter. The service was followed by lantern-making and discussion groups, after refreshments.

Here is the reflection that I gave as part of the service:

In 2014 the artist Grayson Perry made a vase as a portrait of Chris Huhne, the Liberal Democrat politician who fell from grace when his wife, Vicky Pryce, revealed that he had asked her to take the blame for his speeding offence and the speeding points incurred. He resigned from the cabinet and was subsequently jailed for perverting the course of justice. Perry thought that Huhne was unchanged by his prison experience and, therefore, represented powerful white males with a kind of bullet-proof, Teflon, confidence and chutzpah that was unaffected by wrongdoing and failure. As a result, Perry purposefully smashed the finished vase and then had it repaired using an ancient Chinese technique which involves lacquer resin dusted or mixed with gold, saying, “I have smashed the pot and had it repaired with gold to symbolise that vulnerability might be an asset in relationships to such a person.”

St Paul told the Christians in Corinth that they had the light of the knowledge of the glory of God in the face of Jesus Christ in their hearts, but that this treasure was in clay jars, so that it might be made clear that this extraordinary power belongs to God and did not come from them (2 Corinthians 4. 6 - 12). If the clay jar, the container of the light, were to be perfectly formed, then the light inside would not be seen from the outside. The light of Christ would effectively be hidden. Like people looking at the confidence and chutzpah of the Teflon-coated Chris Huhne, people would look at our perfect life and not Christ, because they would only see us. Instead, St Paul says, because we are not perfect and have difficulties and flaws we are like cracked clay jars, meaning that it is then clear that where we act or speak with love and compassion, this is because of Christ in us, rather than being something which is innate to us or simply our decision alone. He used this image of light in containers seen through cracks, or thin translucent clay, to assure the Corinthian Christians that they had the light of God in their lives, despite the fallibility and frailty of those lives. Similarly, Leonard Cohen sings in 'Anthem': ‘Ring the bells that still can ring / Forget your perfect offering / There is a crack, a crack / In everything / That's how the light gets in, / That's how the light gets in’.

The artist Anna Sikorska is helping us reflect on these themes through ‘Light the Well’, the community art project which she is undertaking together with the artists and craftspeoples group. The project involves making porcelain lanterns (glazed ceramic globes) like those in front of the altar. The size, surface decoration and character of each lantern will differ, although the base material - and overall look - is consistent white ceramic, roughly made. The lanterns are made by laying strips of porcelain onto a round support. Porcelain clay glows with a transparency individual to itself but those of you that make lanterns later after this service will realise that in order to be as translucent as possible the strips of porcelain need to be as thin as possible. Once made, they are fired and the lanterns are then suitable for being outside. They develop cracks in the firing, through which the light inside will also be seen. In the Light Well these lanterns will be joined together with cord covering the stone floor in a random constellation. The cord also connects a light bulb within each lantern, so each one will shine from within.

These cracked translucent lanterns lit from within are a visible realisation of St Paul’s image of light in clay jars. By linking the lanterns together, this installation will also highlight another aspect of this passage. Paul writes that ‘We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed; always carrying in the body the death of Jesus, so that the life of Jesus may also be made visible in our bodies.’ Paul writes of us in the plural. We are afflicted, but not crushed. We are perplexed, but not driven to despair. It is as we come together to engage with affliction, perplexity, forsakenness, and being struck down that we carry in our body the death of Jesus and show the life of Jesus. It is as we come together, linked, like the lanterns, by the light of Christ that we become the Body of Christ.

I don’t know how the image of a crack letting in light came into the mind of Leonard Cohen but it fits really well with St Paul suggesting that there are fractures and flaws running through each of our lives and that these imperfections actually enable the light within to be seen more clearly. I don’t suppose that Grayson Perry had this passage in mind when he smashed the Chris Huhne vase and had the resulting cracks gilded with gold, but, like St Paul, he suggests that our vulnerabilities are the most precious aspect of our lives; of more significance than a confident pride in ourselves that will not acknowledge weakness.

Dietrich Bonhoeffer wrote that to ‘be a Christian does not mean to be religious in a particular way, to make something of oneself ... on the basis of some method or other, but to be ... the [person] that Christ creates in us. It is not the religious act that makes the Christian, but participation in the sufferings of God in the secular life …

following Christ results in the liberation of the self to exist for and with others .. "The Christian ... must drink the earthly cup to the dregs, and only in his doing so is the crucified and risen Lord with him, and he crucified and risen with Christ." Bonhoeffer could thus say that Christ takes hold of Christians at the centre of their lives, while at the same time recognizing that it also Christ who launches Christians into a world of suffering and difference. Hurled into the midst of this world, Christians are not to assume a sense of privilege but are to relinquish privilege for the sake of others …

To be claimed by others is … to participate in the vulnerable God's existence for us. In contrast to a "religion" that can only offer smug reassurance, bourgeois comfort, and pious quietism, the "new life" to which Jesus calls his followers is fraught with risk.

Bonhoeffer … claimed that God is revealed in the world precisely in those places that the world is most prone to ignore: in suffering, rejection, and scorn. The God of Jesus Christ takes these anathemas, makes them God's own, and invites all disciples to participate in them.’

(https://www.thefreelibrary.com/Religionless+Christianity+and+vulnerable+discipleship%3A+The+interfaith...-a098313403)

Each of us are like cracked or translucent clay jars because of our flaws and vulnerabilities. It is through these lines of stress – the suffering, rejection and scorn with which we engage - that the light of Christ is seen. It is as we join together in living for the sake of others – linked together as the lanterns will be linked in the Light the Well installation – that we become the Body of Christ and reveal him most fully in the world. In this way, the Light the Well community art project and installation will show us what it means to be the Body of Christ – the Church – in the world today.

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Joe Raney (arr) - This Little Light Of Mine.

Saturday, 28 January 2017

Latest ArtWay visual meditation

For my latest Visual Meditation for ArtWay I reflect on the theme of light seen through cracks using the recent commission of candle holders for St Martin-in-the-Fields undertaken by Giampaolo Babetto:

"He says that in his work he is seeking to ‘find a form that you think will become a jewel.’ He says also that his work ‘is not made of appearances’ and that he would ‘like it to be something that comes from the inside, that expresses an inwardness.’ That aim has perhaps never been better realised than with these delicately material candleholders from which the light shines out through the crack of a cross."

An article giving more information about the art of St Martin's, including the Babetto commission, can be found at http://www.artlyst.com/features/the-art-of-st-martin-in-the-fields-by-revd-jonathan-evens/.

My other ArtWay meditations include work by María Inés Aguirre, Marian Bohusz-Szyszko, Christopher Clack, Marlene Dumas, Terry FfyffeAntoni Gaudi, Maciej Hoffman, Giacomo Manzù, Maurice Novarina, Ana Maria Pacheco, John Piper, Albert Servaes and Henry Shelton.

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Maria McKee - A Good Heart.

Tuesday, 27 October 2015

Start:Stop - How the light gets in


Bible reading

“… it is the God who said, “Let light shine out of darkness,” who has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ.

But we have this treasure in clay jars, so that it may be made clear that this extraordinary power belongs to God and does not come from us. We are afflicted in every way, but not crushed; perplexed, but not driven to despair; persecuted, but not forsaken; struck down, but not destroyed; always carrying in the body the death of Jesus, so that the life of Jesus may also be made visible in our bodies.” (2 Corinthians 4. 6 - 10)

Meditation

‘Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack
In everything
That's how the light gets in,
That's how the light gets in’

I don’t know how the image of a crack letting in light came into the mind of Leonard Cohen, who wrote those lines I've just quoted, but they fit really well with our reading from Corinthians.

St Paul uses this image to assure us that we have the light of God in our lives, despite the fallibility and fraility of our lives. He pictures our lives as being like cracked clay jars. He is suggesting that there are fractures and flaws running through each of our lives but that these imperfections actually enable the light of Christ to be seen more clearly in our lives. If a clay jar were to contain a light but also be perfectly formed then the light inside would not be seen from the outside. The light of Christ would effectively be hidden. People would look at our perfect life and not Christ, because they would only see us.

Instead, Paul says, because we are not perfect and have difficulties and flaws, it is then clear that where we act or speak with love and compassion, this is because of Christ in us, rather than being something which innate to us or simply our decision alone. As Christ says, let your light so shine before others that they might see your good deeds and glorify your Father in heaven (Matthew 5. 16).

These reflections may well have particular relevance in our workplaces, where it may well be difficult to consistently act perfectly as a Christian before of the pressures and issues found there. We may well be among the 53% of managers that Roffey Park identified as experiencing tensions between "the spiritual side of their values and their work". St Paul and Leonard Cohen both encourage us with the thought that perfection in us would actually prevent the light of God from being seen, while it is the lines of stress in our lives which enable that light to be clearly seen for what it is.

Prayer

Lord Jesus, in your face we see the light of the knowledge of the glory of God. Your light in our lives is like a flame inside a cracked clay jar, with your light seen through the lines of stress and tension that characterise our lives. As flawed people in a fragile world, we recognise that there is a crack in everything. We recognise, too, that it is through the cracks in our existence that your light gets in and shines out. We share in the vulnerability and suffering that was your experience of death in order that your life is also seen as being our strength in weakness. May we not be crushed, driven to despair, forsaken or destroyed, but in the stresses and tensions of our lives know your power loving and sustaining us. May we no longer strive after perfect offerings and pray instead that every heart to love will come, but as a refugee. Lord, in your strength and vulnerability, hear our prayer.

Lord Jesus, you are the light of the world and the light in our darkness. May your light be a flame to build warmth in our hearts towards family, neighbours and all those we meet. We place in your care all those we come to remember today. Give us, we pray, comfort in our anxiety and fear, courage and strength in our suffering, patience and compassion in our caring, consolation in our grieving. But above all, give us hope now and always. Lord, in your strength and vulnerability, hear our prayer.

Lord, may your light enlighten us in our decisions and be a fire to purify us from all pride and selfishness. Set our hearts on fire with love for you, so that we may love you with all our heart, with all our mind, with all our soul, and with all our strength, and our neighbours as ourselves. So that by keeping your commandments we may glorify you, the giver of all good gifts. Lord, in your strength and vulnerability, hear our prayer.

Blessing

Enlightenment in our decisions, purification from pride and selfishness, strength in weakness, God’s power loving and sustaining us. May those blessings of almighty God, Father, Son and Holy Spirit, rest upon you and remain with you always. Amen.

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Leonard Cohen - Anthem.