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Showing posts with label Sutton. Show all posts
Showing posts with label Sutton. Show all posts

Monday, 21 October 2019

Reflections on the HeartEdge conference

Scott Rennie and Philip Dawson have offered thoughtful and affirming reflections on the recent HeartEdge conference in Edinburgh. See and hear their reflections at:
Scott writes:

'I had the privilege of being a speaker at the #HeartEdge Annual Conference in Edinburgh. It was a marvelous occasion which brought together leaders from the Church of Scotland, the Church of England, and other British and European Protestant Churches ... We @QueensCross joined the ecumenical #HeartEdge movement (founded by our friends at St Martin in the Fields in London @SMITF) because we share with them the belief in the renewal of the Church in our increasingly secular society, and believe that our churches to be at the heart of community life also need to find themselves on the edge.

The Network is based on 4 C’s - Compassion, Congregation, Commerce and Culture, as a means for achieving that renewal. We @QueensCross are in different ways trying to renew our life and witness through all of these pathways, and have found the encouragment of journeying with others on these paths of immense encouragement and support.

Most of all it is wonderful to work and share ecumenically with others committed to the same vision of church as we are.'

Philip writes:

In his introduction to the delegates pack for the 2019 HeartEdge Conference, Sam Wells wrote: “HeartEdge believes the Spirit is alive and working both within and beyond the church, and is especially concerned to focus on the beyond.”

Day Two of the conference sought to continue that trajectory; the first “beyond” of concern to us today being the world of finance and commerce. During Day One, I felt awash with wisdom flowing from those ‘in’ the church. Today, I felt there were times when the tide could turn the other way - when the conference might have usefully heard more from those outside. Such as the 5.5 million “micro enterprises” which make up over 96% of businesses registered in the UK today. Even if each is owned and run by just one person (people like me), that accounts for 8% of the population. Winnie Varghese said at the opening of the conference, that we “do theology with our lives.” If that is so, I think we have a lot to learn from their lives - which happen to be greater in number than those who attend church on a Sunday ...

I heard a lot of words during my first visit to Edinburgh. Some of the many that will stay with me include a quote from the Scottish poet Edwin Muir, which Peter Sutton, Minister of St Cuthbert’s Church read to me after I attended an excellent ‘Soul Space’ service there; words which perhaps serve as a warning about forgetting The Word;

“The Word made flesh here is made word again
A word made word in flourish and arrogant crook.”

October 2nd & 3rd was an excellent, stretching, affirming and challenging two days. Thank you to all involved in organising the 2019 HeartEdge Conference.'

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Voces8 - The Deer's Cry.

Wednesday, 25 February 2015

Lesley Sutton and PassionArt

Lesley Sutton is an artist, curator and community arts worker who aims to encourage creativity within the local community by sharing her love of all things beautiful and creative.

During Lent 2014 she curated a visual arts trail (PassionArt) across the city of Manchester using both sacred and secular spaces. Each art work was accompanied by a meditation encouraging spaces for reflection within a busy city. The booklet that accompanied the trail can be read by clicking here - PassionArt_WEB.pdf.

She is now involved in planning for the PassionArt Trail 2016 that will look at themes of wilderness and silence in a busy city, again partnering with Manchester Art Gallery, John Rylands Library, Manchester Cathedral and St Anns Church.

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The Farm - All Together Now.

Tuesday, 29 October 2013

Goddesses of Sculpture Storm Popes’ Palace

Benjamin Sutton has written a fascinating review of Les Papesses for Blouin ArtInfo. The review is of particular interest because of Sutton's understanding of the way in which the exhibition interacts with its setting in the Christian architecture and context of the Pope's Palace in Avignon:

"The show foregrounds themes of gender, fairytale, fantasy, and transformation, and when these dovetail with the Palace’s overt Christian imagery and symbolism, the effect is divine.

The exhibition’s centerpiece, the Grand Chapel in which the Popes held services, is dominated by a few large-scale sculptures—the architecture’s grandeur heightens the visceral qualities and visual might of the biggest works—though smaller pieces also command attention ...

The latent spiritual and religious themes in these and other pieces by Smith, de Bruckyere and Bourgeois are crystalized in this Christianity-soaked setting."

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Jimi Hendrix - The Wind Cries Mary.

The exhibition’s centerpiece, the Grand Chapel in which the Popes held services, is dominated by a few large-scale sculptures—the architecture’s grandeur heightens the visceral qualities and visual might of the biggest works—though smaller pieces also command attention ...

The latent spiritual and religious themes in these and other pieces by Smith, de Bruckyere and Bourgeois are crystalized in this Christianity-soaked setting.

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T. Bone Burnett - Trap Door.